#rollingstones — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #rollingstones, aggregated by home.social.
-
Stumbled on this post in a vintage Boston group. I think folks here will enjoy this...
-----------------------------------------------------------
Boston, July 18, 1972.
The Rolling Stones were supposed to play the Boston Garden that night. Fifteen thousand people were already inside, waiting for Mick, Keith and the boys to show up. Only problem was, the Stones weren't anywhere near Boston. Fog had forced their plane to land at T.F. Green in Rhode Island, and while they were waiting to get out of there, an altercation with police ended with Mick Jagger, Keith Richards and three others getting hauled off to jail. Meanwhile, back at the Garden, 15,000 people were sitting around wondering what the hell was going on.
Stevie Wonder kept playing to buy some time, but everybody knew nobody had come to the Garden that night just to see Stevie. Boston was also dealing with trouble in the South End, so Mayor Kevin White had a decision to make. He needed his cops in the streets, but he also had a Garden full of angry Stones fans who had been waiting all night. So White went down there himself and started making calls. Somehow he got the Stones sprung from the Rhode Island lockup on $50 bail and into his personal custody.
Then the mayor walked onto the Garden stage, sleeves rolled up and tie loosened, and told 15,000 people, “The Stones have been busted, but I have sprung them!” The place went nuts. White arranged for the MBTA to stay open late, kept the crowd occupied while the Stones headed north with a police escort, and at one point was even throwing a football into the stands. You couldn't make this stuff up.
The Stones finally hit the Garden stage around 12:45 in the morning and played until after 2. They were hours late, but the crowd was still there. Nobody went home empty-handed, and Boston avoided what could have been one hell of a mess.
That's the kind of Boston story I love. No fancy press conference. No committee meeting. Just Kevin White walking into a packed Garden full of pissed-off people and basically saying, “Relax. They're coming.”
And somehow, the mayor pulled it off.
The Stones played. The crowd went home happy and Boston got one hell of a story.
#Boston #BostonMA #BostonGarden #RollingStones #KevinWhite #KevinFromHeaven
-
#nowplaying Picked this up on sale for €60. The listing said there was an Atmos mix included but oddly I couldn’t find anything on the packaging of the box or book or blu-ray that said there was an Atmos mix. Anyways, there is. In other news, I now have a disc player that can handle Atmos. I have a backlog to get through. #atmos #rollingstones
-
"Bitter Sweet Symphony" is a song by the English rock band #theVerve, released on 16 June 1997 by #HutRecordings and #VirginRecords as the lead single from their third album, #UrbanHymns. It was produced by #Youth at #OlympicStudios, London. The Verve developed "Bitter Sweet Symphony" from a #sample from a 1965 version of the #RollingStones song "The Last Time" by #theAndrewOldhamOrchestra, adding vocals, strings, guitar and percussion.
https://www.youtube.com/watch?v=DGC0a4cby5c -
"Bitter Sweet Symphony" is a song by the English rock band #theVerve, released on 16 June 1997 by #HutRecordings and #VirginRecords as the lead single from their third album, #UrbanHymns. It was produced by #Youth at #OlympicStudios, London. The Verve developed "Bitter Sweet Symphony" from a #sample from a 1965 version of the #RollingStones song "The Last Time" by #theAndrewOldhamOrchestra, adding vocals, strings, guitar and percussion.
https://www.youtube.com/watch?v=DGC0a4cby5c -
"Bitter Sweet Symphony" is a song by the English rock band #theVerve, released on 16 June 1997 by #HutRecordings and #VirginRecords as the lead single from their third album, #UrbanHymns. It was produced by #Youth at #OlympicStudios, London. The Verve developed "Bitter Sweet Symphony" from a #sample from a 1965 version of the #RollingStones song "The Last Time" by #theAndrewOldhamOrchestra, adding vocals, strings, guitar and percussion.
https://www.youtube.com/watch?v=DGC0a4cby5c -
"Bitter Sweet Symphony" is a song by the English rock band #theVerve, released on 16 June 1997 by #HutRecordings and #VirginRecords as the lead single from their third album, #UrbanHymns. It was produced by #Youth at #OlympicStudios, London. The Verve developed "Bitter Sweet Symphony" from a #sample from a 1965 version of the #RollingStones song "The Last Time" by #theAndrewOldhamOrchestra, adding vocals, strings, guitar and percussion.
https://www.youtube.com/watch?v=DGC0a4cby5c -
"Bitter Sweet Symphony" is a song by the English rock band #theVerve, released on 16 June 1997 by #HutRecordings and #VirginRecords as the lead single from their third album, #UrbanHymns. It was produced by #Youth at #OlympicStudios, London. The Verve developed "Bitter Sweet Symphony" from a #sample from a 1965 version of the #RollingStones song "The Last Time" by #theAndrewOldhamOrchestra, adding vocals, strings, guitar and percussion.
https://www.youtube.com/watch?v=DGC0a4cby5c -
Ronnie Wood, guitarrista de los Rolling Stones, abarrota la Plaza Mayor de Valladolid
-
"He's tellin' me more and more
About some useless information
Supposed to fire my imagination"11th September 1965 The Rolling Stones are No1 in the UK singles chart with "(I Can't Get No) Satisfaction"
-
"He's tellin' me more and more
About some useless information
Supposed to fire my imagination"11th September 1965 The Rolling Stones are No1 in the UK singles chart with "(I Can't Get No) Satisfaction"
-
"He's tellin' me more and more
About some useless information
Supposed to fire my imagination"11th September 1965 The Rolling Stones are No1 in the UK singles chart with "(I Can't Get No) Satisfaction"
-
"He's tellin' me more and more
About some useless information
Supposed to fire my imagination"11th September 1965 The Rolling Stones are No1 in the UK singles chart with "(I Can't Get No) Satisfaction"
-
"He's tellin' me more and more
About some useless information
Supposed to fire my imagination"11th September 1965 The Rolling Stones are No1 in the UK singles chart with "(I Can't Get No) Satisfaction"
-
The Rolling Stones ‘Behind the Song’: See Mick Jagger and Producer Andrew Watt’s Deep Dive on the Creation of ‘Mr. Charm’ (EXCLUSIVE)
#Variety #News #AndrewWatt #MickJagger #RollingStones -
SATURDAY MATINEE MUSIC VIDEO: “One Planet – One Utopia – One Helmet (Revisited)” https://www.youtube.com/watch?v=UNoHOS47i0M
#helmet #ZiggyStardust #davidbowie #thewho #sellout #TheKinks #RayDavies #soapopera #jellobiafra #rollingstones #sanfrancisco #mayor #elections #areopogus #johnnyjblair #singersongwriter #singeratlarge
-
The Rolling Stones - Honky Tonk Women (1969)
#45vinyl #rollingstones #honkytonkwomen #1969 #1960s #60smusic #bluesrock #hardrock #rockandroll #mickjagger #7inch #gxml
Blogspot - https://genxmusiclover.blogspot.com/2025/12/the-rolling-stones-honky-tonk-women.html
Wordpress - https://genxmusiclover.wordpress.com/2025/12/31/the-rolling-stones-honky-tonk-women/ -
Les Rolling Stones contraints de renoncer à leur tournée européenne de 2026
Le groupe mythique des Rolling Stones a discrètement abandonné son projet de tournée des stades au Royaume-Uni et en Europe prévu pour 2026. En cause, l’état de santé de Keith Richards, dont les contraintes physiques rendent difficile un engagement sur la durée, malgré une activité créative toujours soutenue en studio.
Une tournée très attendue finalement abandonnée
Un projet jamais officialisé mais largement évoqué
Depuis plusieurs mois, l’hypothèse d’une grande tournée européenne des Rolling Stones en 2026 circulait avec insistance. Bien qu’aucune annonce formelle n’ait été faite, plusieurs déclarations laissaient entendre que le groupe se préparait à retrouver les stades britanniques et européens. Le pianiste de tournée Chuck Leavell ainsi que des représentants du groupe avaient notamment évoqué un retour imminent sur scène, alimentant l’enthousiasme des fans.
PublicitésUne décision prise en amont
Selon des sources proches du groupe citées par Variety, ce projet a finalement été abandonné avant même son officialisation. La décision aurait été prise après des discussions internes approfondies, lorsque les membres ont évalué les contraintes physiques et logistiques qu’impliquerait une tournée de grande ampleur. Le format envisagé, reposant sur des concerts en stades répartis sur plusieurs pays et sur plusieurs mois, s’est avéré incompatible avec la situation actuelle du groupe.
Keith Richards face aux limites physiques
Une santé fragilisée par les années
À 82 ans, Keith Richards demeure l’une des figures les plus emblématiques de l’histoire du rock. Toutefois, le guitariste lutte depuis de nombreuses années contre l’arthrite, une affection qu’il a lui-même qualifiée de « bénigne », mais qui l’a contraint à adapter son jeu et son endurance sur scène. Lors des récentes tournées, ces difficultés se sont fait davantage ressentir, notamment sur des séries de concerts prolongées.
PublicitésL’impossibilité de s’engager sur la durée
D’après plusieurs témoignages concordants, c’est cette réalité physique qui a pesé lourdement dans la balance. Keith Richards aurait exprimé ses réticences à s’engager sur une tournée de plusieurs mois, en particulier dans des stades exigeant une intensité physique constante. Si le musicien a récemment montré qu’il restait capable de performances scéniques ponctuelles, comme lors d’une courte apparition à New York, l’enchaînement de dates sur une longue période représente un tout autre défi.
Une longévité scénique déjà exceptionnelle
Des décennies sur les routes
Les Rolling Stones figurent parmi les groupes les plus endurants de l’histoire de la musique populaire. Depuis le début des années 2000, ils ont entrepris des tournées presque chaque année, adaptant progressivement leur rythme et leur format à l’âge de leurs membres. Mick Jagger, également âgé de 82 ans, et Ron Wood, 78 ans, continuent d’assurer la majorité des prestations scéniques du groupe.
PublicitésUne configuration resserrée depuis 2021
Depuis le décès du batteur historique Charlie Watts en 2021, remplacé par Steve Jordan, collaborateur de longue date de Keith Richards, le groupe a poursuivi son activité scénique avec une formation légèrement modifiée. Leur dernière tournée, baptisée Hackney Diamonds, s’est concentrée sur l’Amérique du Nord, avec une vingtaine de concerts répartis sur trois mois, un format plus compatible avec leurs contraintes actuelles.
Une créativité intacte en studio
Un nouvel album presque achevé
Si la perspective de concerts à grande échelle semble compromise à court terme, l’activité artistique des Rolling Stones ne s’interrompt pas pour autant. Le groupe est sur le point d’achever un nouvel album studio, le second produit par Andrew Watt. Ce disque marquerait une nouvelle étape dans leur collaboration avec ce producteur réputé pour son travail auprès d’artistes de premier plan issus de générations très diverses.
PublicitésUne collaboration saluée par le groupe
Andrew Watt, âgé de 35 ans, a déjà contribué à redynamiser le groupe lors de la conception de Hackney Diamonds, leur premier album de compositions originales en quinze ans, sorti en 2023. Mick Jagger a souligné l’enthousiasme communicatif et la rigueur professionnelle du producteur, évoquant une collaboration fluide et stimulante. Keith Richards a également salué son énergie et son implication, soulignant le plaisir pris à travailler dans ce cadre créatif renouvelé.
L’avenir scénique des Stones en question
Une tournée repoussée, non annulée définitivement
Si la tournée européenne de 2026 est désormais écartée, rien n’indique que les Rolling Stones renoncent définitivement à la scène. Des proches du groupe rappellent que la formation privilégie désormais des formats plus courts et mieux adaptés à ses capacités. La perspective de concerts ponctuels ou de résidences limitées reste donc envisageable, à condition que les conditions physiques et logistiques soient réunies.
PublicitésUne relation intacte avec le public
Malgré cette annonce décevante pour les fans européens, les Rolling Stones conservent un lien exceptionnel avec leur public, forgé sur plus de six décennies de carrière. Leur longévité, leur capacité à se renouveler et leur refus de forcer le destin témoignent d’une approche désormais plus mesurée, mais toujours animée par le désir de créer et de partager leur musique.
En renonçant à leur tournée européenne de 2026, les Rolling Stones font le choix de la lucidité plutôt que de l’excès. Si la route des stades s’éloigne temporairement, le groupe prouve qu’il demeure pleinement engagé dans la création musicale. Une nouvelle page s’écrit ainsi, entre héritage monumental et adaptation au temps qui passe.
#albumStudio #AndrewWatt #KeithRichards #MickJagger #rock #RollingStones #tournéeAnnulée
-
The Rolling Stones’ Historic IMAX Concert Returns to Theaters https://petapixel.com/2025/12/10/the-rolling-stones-historic-imax-concert-returns-to-theaters/ #motionpicture #rollingstones #70mmfilm #imax70mm #theaters #concert #Analog #News #70mm #imax
-
🎵 🎶 🎵
Friday is well within sight - you've earned it ... take 5!
(gerber edition)
Baby, I Love Your Way (1975)
-- Peter FramptonOoh Baby Baby (1978)*
-- Linda RonstadtEvery Time I Think of You (1978)
-- The BabysBaby Break It Down (1994)
-- The Rolling StonesBaby I'm a Leavin' You (1996)**
-- Journey* - Cover alert
** - Yep, an actual Journey reggae song#peterFrampton #lindaRonstadt #theBabys #theRollingStones #rollingStones #journey #take5 #takeFive #70sRock #70sMusic #90sRock #90sMusic #arenaRock #classicRock #popRock #popMusic #music #rockAndRoll #rockMusic #britishRock #reggaeRock #reggae
-
PR Giant R&CPMK Accuses Former Executives & Rival 2 PM Sharp Of Theft, Breach Of Contract With Bicoastal Suits
#Agencies #Legal #News #DavidGeffen #DenzelWashington #MarkOwens #RollingStones #Samsunghttps://deadline.com/2024/11/rcpmk-sues-breach-of-contract-1236188870/
-
Selected influences (part 4)
#TearsForFears #Chapterhouse #Hatchie #WolfAlice #JaccoGardner #Levitation #ScarletChives #SmithWesterns #TheHouseOfLove #HouseOfLove #BradfordCox #DIIV #Vetiver #MWard #Seasurfer #SnailsHouse #Soundgarden #Blueboy #Jonti #PalaceWinter #CrashTestDummies #JimiHendrix #TheRollingStones #RollingStones #JapaneseBreakfast #KishiBashi #Halcyonaire #TheSugarcubes #SimonAndGarfunkel #Weezer #Shack #Tripwires #ArcadeFire #JamesBrown #JonathanWilson #LittleDragon #Maheekats
-
ROLLING STONES DATA – CONFIRMED: JAGGER RE-RECORDED ‘SCARLET’ IN BRAZIL IN 1976
If you like this, please consider making a donation. Your support helps to pay for the site's maintenance costs. All donations are voluntary, you'll still be able to access all content. Thank you!
‘Scarlet’ re-recorded by Mick Jagger in Brazil in 1976
*Click for MORE STONES NEWS
Brazilian site Pop Fantasma has confirmed yesterday that the song ‘Scarlet’ Mick recorded when visiting Rio de Janeiro in 1976 with Brazilian musicians is indeed the same one from 1974. Up to then, it was rumoured it could have been a completely different song, although under the same title. Eventually, the 1976 take of ‘Scarlet’ remains completely unreleased.‘SCARLET’, BY THE ROLLING STONES’: “OH YEAH, I KNOW THAT SONG”
(By Leandro Souto Maior)
The Rolling Stones’ “new” song was also recorded in Brazil with a group of musicians that included local musicians Dadi and Antonio Adolfo, but it was never officially released.
When Cor do Som’s bassist Dadi listened to ‘Scarlet’, the “new” Stones song originally recorded in 1974 along Jimmy Page of Led Zeppelin on guitar, he found it very reminiscent of something he had heard before. More over, he thought it was very familiar with something he had played in. That’s because in January 1976, when Mick was in Brazil, he recorded the very same song with a bunch of local musicians, which included him.
On his book Os Rolling Stones no Brasil, author Nélio Rodrigues details that Mick was taken to the 16-track Polygram recording studio in the Barra de Tijuca area, west side of Rio de Janeiro. Once there, he did a recording session with musicians Dadi (bass, who just left the Novos Baianos, at the time a member of Jorge Ben’s band), Antonio Adolfo (piano), Paulo Braga (drums), Luiz Cláudio (guitar), Neném (cuíca), Marçal (tamborim), Lula (surdo), Risadinha (tambourine) and Canegal (ganzá) The did a few jam sessions, stopping at 10 pm.
The song was named ‘Scarlet’ and, according to the bassist, it’s the same song the Stones will include in the expanded release of the Goats Head Soup album, to be released soon, with guest Jimmy Page on guitar. Only that the take with the Brazilians musicians remains under seven keys, still unreleased. Dadi, Paulo Braga and Antonio Adolfo listened to (actually, listened again) the new song and shared some nice and bizarre memories of that day with POP FANTASMA.IS IT THE SAME ‘SCARLET’?
DADI: “It’s the same song we recorded in 1976. Mick Jagger took the tape, he still keeps it at his home studio. Mick always does that: wherever he goes, he gets hold of some local musicians to record something. Our session took place at Polygram Studios in Rio. Keith Richards has already recorded it with Jimmy page in 1974, and then we taped it during the summer, in January 1976”ANTONIO ADOLFO: “When Pop Fantasma contacted me and told me about it, I looked for ‘Scarlet’, and it sounded good. Strangely, their recording seems to lack the piano. It might have been the same one we recorded in 1976. I haven´t heard it ever since. I remember it was on a Saturday afternoon”
PAULO BRAGA: “I didn’t know the Stones are releasing the song now. I then played it, and actually I can’t remember if it’s the same one we did with Mick in 1976”
‘WE ARE BETTER THAN THEM’
PAULO BRAGA: “In those days I used to do a lot of recording, day after day. When Polygram contacted me and said I had to do a session with Mick Jagger… See, at the time I liked Genesis, Yes, or Jethro Tull. I played with Wagner Tiso, Nivaldo Ornellas and Milton Nascimento. I also listened to Miles Davis and John Coltrane. We used to consider the Stones ‘old styled’. We used to say that ‘we were better than them’, meaning we played much better than the Stones. So, that Rolling Stones drummer, couldn’t play at all!”ANTONIO ADOLFO: “Mick Jagger was in Brazil and he contacted Polygram, which represented he Stones here (that was up to 1973, actually) And they scheduled a recording session and then they called people who they thought could do the job”
MICK JAGGER, A NICE GUY
DADI: “Mick was playing guitar and singing right in front of me. A very nice guy, far from a primma donna. He helped to load the equipment, he asked me to play some musical phrases during the recording, so I did, and he just said, ‘Great, man!’ And for me, as a Stones’ fan since I was 13, it something unforgettable”ANTONIO ADOLFO: “Once we finished recording, we talked to him for about an hour. We left the studio and went up to a hall in the building with a staircase that was connected to other floor. That’s when Mick Jagger surprised me, I thought he would play the rock star. But he was really sweet, a soft and dear kind of guy” scarlet re-recorded
PAULO BRAGA: “I remember Mick was really polite. He was even trying to get through to me. Only that I didn’t let him, I didn’t pay much attention to him, I really wasn’t into the Rolling Stones. We tend to me more prejudiced when we are young. He asked me to play in some sort of style, but I wasn’t respecting him much. He said Charlie Watts was the best drummer in the world, and I remember laughing at that. I asked him if he knew Jack DeJohnette, Elvin Jones… But he replied by saying that was a different thing, so for the Stones Charlie Watts was the best one. I then remember he got a guitar and started playing it, and he was really good at it, with some beautiful singing”
ANTONIO ADOLFO: “In those days I used to listen to lots of rock music. I lived for a while in the USA and Europe, between 1972 and 1974. I would listen to the Stones a lot, or go see them. I’m extremely curious to listen to that version of ‘Scarlet’ with the Brazilian musicians, it would be great if they also put it out” scarlet re-recorded
STOP IT, MICK!
PAULO BRAGA: “I just wanted to finish that recording right away, I only thought I had to record with Agnaldo Timóteo. I hope they also release our version, who knows, maybe we get something extra from that recording, right?” scarlet re-recordedcopyright
copyright
Copyright © Rolling Stones Data
All information on this website is copyright of Rolling Stones Data. All content by Marcelo Sonaglioni.
All setlists and ticket stubs taken from the The Complete Works of the Rolling Stones website.
When using information from this site (online or printed) please refer to its source detailing the website address (also don't forget to quote authors and sources, like this very page does) Thank you.#1976 #AntonioAdolfo #Brazil #Canegal #Dadi #GoatsHeadSoup #LeandroSoutoMaior #LuizCláudio #Lula #Marçal #MickJagger #Movies #NelioRodrigues #Neném #PauloBraga #Polygram #PopFantasma #RioDeJaneiro #Risadinha #RollingStones #Scarlet