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#billsienkiewicz — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #billsienkiewicz, aggregated by home.social.

  1. 021 - Cable

    Fantastic card. Love seeing Sienkiewicz doing one of the "later" New Mutants.

    This set briefly tries to make Six Pack happen, so Cable gets two Group Affiliations (Domino was flagged as Six Pack too).

    #TradingCardADay #FUXM1 #XMen #XForce #SixPack #BillSienkiewicz

  2. 017 - Nightcrawler

    Perfect match of subject, approach & artist. Depicting Nightcrawler coming out of a teleport is clever & Sienkiewicz's abstract style creates the impression of a figure materializing from nowhere.

    #TradingCardADay #FUXM1 #XMen #Excalibur #BillSienkiewicz

  3. 007 - Psylocke

    Bill Sienkiewicz with his first card of the set. Sadly, it's not the greatest Psylocke card.

    #TradingCardADay #FUXM1 #XMen #XMenBlue #BillSienkiewicz

  4. "Brought to Light" on the Internet Archive

    From Wikipedia:
    Brought to Light: Thirty Years of Drug Smuggling, Arms Deals, and Covert Action is an anthology of two political graphic novels, published originally by Eclipse Comics in 1988. Both are based on material from lawsuits filed by the Christic Instituteagainst the US Government. The two stories are Shadowplay: The Secret Team by Alan Moore and Bill Sienkiewicz, andFlashpoint: The LA Penca Bombing documented by Martha Honey and Tony Avirgan and adapted by Joyce Brabner and Tom Yeates. Brought to Light was edited overall by Joyce Brabner, Catherine Yronwode acted as executive editor, and Eclipse publisher Dean Mullaney was the publication designer.

    Shadowplay: The Secret Team written by Alan Moore and drawn by Bill Sienkiewicz with an introduction by Daniel Sheehan (general counsel of TCI). It covers the history of the Central Intelligence Agency and its controversial involvement in theVietnam War, the Iran-Contra affair, and its relationship with figures like Augusto Pinochet and Manuel Noriega. The narrator ofShadowplay is an aging anthropomorphic American Eagle, a bellicose retired CIA agent.

    As Moore's first major work which was not superhero oriented, it was highly praised for its storytelling and Sienkiewicz's sometimes brutal art. Moore received praise especially for blending the sometimes overwhelming mass of details into a coherent and effective story. Over the years there have been rumors that Moore was unable to travel to America due to the CIA being annoyed at his story in Brought to Light. However this was supposedly proved to be a rumor and the "real" reason was due to Moore not renewing his passport.[1]

    The story of "Shadowplay" is of an unseen character (presumably representing the oblivious American public in first-person view of the reader) in a bar, where he is approached by a man-sized, walking, talking eagle. The eagle, from the emblem of the CIA, proceeds to drink alcohol and, in a drunken stupor, divulge all the bloody details of The Agency's sordid past. Early on a reference is made to the number of gallons an Olympic swimming pool can hold, and the fact that an adult human body has one gallon of blood; from then on, the victims of CIA activities (directly or indirectly) are quantified in swimming pools filled with blood, each pool representing 20,000 dead. Sienkiewicz's dark, erratic, and blurry images keep the mood of Moore's narration (through the boozing eagle) unnerving, and hazily nightmarish.

    #BillSienkiewicz #AlanMoore #BroughtToLight

    archive.org/details/BroughtToL

  5. "Brought to Light" on the Internet Archive

    From Wikipedia:
    Brought to Light: Thirty Years of Drug Smuggling, Arms Deals, and Covert Action is an anthology of two political graphic novels, published originally by Eclipse Comics in 1988. Both are based on material from lawsuits filed by the Christic Instituteagainst the US Government. The two stories are Shadowplay: The Secret Team by Alan Moore and Bill Sienkiewicz, andFlashpoint: The LA Penca Bombing documented by Martha Honey and Tony Avirgan and adapted by Joyce Brabner and Tom Yeates. Brought to Light was edited overall by Joyce Brabner, Catherine Yronwode acted as executive editor, and Eclipse publisher Dean Mullaney was the publication designer.

    Shadowplay: The Secret Team written by Alan Moore and drawn by Bill Sienkiewicz with an introduction by Daniel Sheehan (general counsel of TCI). It covers the history of the Central Intelligence Agency and its controversial involvement in theVietnam War, the Iran-Contra affair, and its relationship with figures like Augusto Pinochet and Manuel Noriega. The narrator ofShadowplay is an aging anthropomorphic American Eagle, a bellicose retired CIA agent.

    As Moore's first major work which was not superhero oriented, it was highly praised for its storytelling and Sienkiewicz's sometimes brutal art. Moore received praise especially for blending the sometimes overwhelming mass of details into a coherent and effective story. Over the years there have been rumors that Moore was unable to travel to America due to the CIA being annoyed at his story in Brought to Light. However this was supposedly proved to be a rumor and the "real" reason was due to Moore not renewing his passport.[1]

    The story of "Shadowplay" is of an unseen character (presumably representing the oblivious American public in first-person view of the reader) in a bar, where he is approached by a man-sized, walking, talking eagle. The eagle, from the emblem of the CIA, proceeds to drink alcohol and, in a drunken stupor, divulge all the bloody details of The Agency's sordid past. Early on a reference is made to the number of gallons an Olympic swimming pool can hold, and the fact that an adult human body has one gallon of blood; from then on, the victims of CIA activities (directly or indirectly) are quantified in swimming pools filled with blood, each pool representing 20,000 dead. Sienkiewicz's dark, erratic, and blurry images keep the mood of Moore's narration (through the boozing eagle) unnerving, and hazily nightmarish.

    #BillSienkiewicz #AlanMoore #BroughtToLight

    archive.org/details/BroughtToL

  6. "Brought to Light" on the Internet Archive

    From Wikipedia:
    Brought to Light: Thirty Years of Drug Smuggling, Arms Deals, and Covert Action is an anthology of two political graphic novels, published originally by Eclipse Comics in 1988. Both are based on material from lawsuits filed by the Christic Instituteagainst the US Government. The two stories are Shadowplay: The Secret Team by Alan Moore and Bill Sienkiewicz, andFlashpoint: The LA Penca Bombing documented by Martha Honey and Tony Avirgan and adapted by Joyce Brabner and Tom Yeates. Brought to Light was edited overall by Joyce Brabner, Catherine Yronwode acted as executive editor, and Eclipse publisher Dean Mullaney was the publication designer.

    Shadowplay: The Secret Team written by Alan Moore and drawn by Bill Sienkiewicz with an introduction by Daniel Sheehan (general counsel of TCI). It covers the history of the Central Intelligence Agency and its controversial involvement in theVietnam War, the Iran-Contra affair, and its relationship with figures like Augusto Pinochet and Manuel Noriega. The narrator ofShadowplay is an aging anthropomorphic American Eagle, a bellicose retired CIA agent.

    As Moore's first major work which was not superhero oriented, it was highly praised for its storytelling and Sienkiewicz's sometimes brutal art. Moore received praise especially for blending the sometimes overwhelming mass of details into a coherent and effective story. Over the years there have been rumors that Moore was unable to travel to America due to the CIA being annoyed at his story in Brought to Light. However this was supposedly proved to be a rumor and the "real" reason was due to Moore not renewing his passport.[1]

    The story of "Shadowplay" is of an unseen character (presumably representing the oblivious American public in first-person view of the reader) in a bar, where he is approached by a man-sized, walking, talking eagle. The eagle, from the emblem of the CIA, proceeds to drink alcohol and, in a drunken stupor, divulge all the bloody details of The Agency's sordid past. Early on a reference is made to the number of gallons an Olympic swimming pool can hold, and the fact that an adult human body has one gallon of blood; from then on, the victims of CIA activities (directly or indirectly) are quantified in swimming pools filled with blood, each pool representing 20,000 dead. Sienkiewicz's dark, erratic, and blurry images keep the mood of Moore's narration (through the boozing eagle) unnerving, and hazily nightmarish.

    #BillSienkiewicz #AlanMoore #BroughtToLight

    archive.org/details/BroughtToL

  7. "Brought to Light" on the Internet Archive

    From Wikipedia:
    Brought to Light: Thirty Years of Drug Smuggling, Arms Deals, and Covert Action is an anthology of two political graphic novels, published originally by Eclipse Comics in 1988. Both are based on material from lawsuits filed by the Christic Instituteagainst the US Government. The two stories are Shadowplay: The Secret Team by Alan Moore and Bill Sienkiewicz, andFlashpoint: The LA Penca Bombing documented by Martha Honey and Tony Avirgan and adapted by Joyce Brabner and Tom Yeates. Brought to Light was edited overall by Joyce Brabner, Catherine Yronwode acted as executive editor, and Eclipse publisher Dean Mullaney was the publication designer.

    Shadowplay: The Secret Team written by Alan Moore and drawn by Bill Sienkiewicz with an introduction by Daniel Sheehan (general counsel of TCI). It covers the history of the Central Intelligence Agency and its controversial involvement in theVietnam War, the Iran-Contra affair, and its relationship with figures like Augusto Pinochet and Manuel Noriega. The narrator ofShadowplay is an aging anthropomorphic American Eagle, a bellicose retired CIA agent.

    As Moore's first major work which was not superhero oriented, it was highly praised for its storytelling and Sienkiewicz's sometimes brutal art. Moore received praise especially for blending the sometimes overwhelming mass of details into a coherent and effective story. Over the years there have been rumors that Moore was unable to travel to America due to the CIA being annoyed at his story in Brought to Light. However this was supposedly proved to be a rumor and the "real" reason was due to Moore not renewing his passport.[1]

    The story of "Shadowplay" is of an unseen character (presumably representing the oblivious American public in first-person view of the reader) in a bar, where he is approached by a man-sized, walking, talking eagle. The eagle, from the emblem of the CIA, proceeds to drink alcohol and, in a drunken stupor, divulge all the bloody details of The Agency's sordid past. Early on a reference is made to the number of gallons an Olympic swimming pool can hold, and the fact that an adult human body has one gallon of blood; from then on, the victims of CIA activities (directly or indirectly) are quantified in swimming pools filled with blood, each pool representing 20,000 dead. Sienkiewicz's dark, erratic, and blurry images keep the mood of Moore's narration (through the boozing eagle) unnerving, and hazily nightmarish.

    #BillSienkiewicz #AlanMoore #BroughtToLight

    archive.org/details/BroughtToL

  8. "Brought to Light" on the Internet Archive

    From Wikipedia:
    Brought to Light: Thirty Years of Drug Smuggling, Arms Deals, and Covert Action is an anthology of two political graphic novels, published originally by Eclipse Comics in 1988. Both are based on material from lawsuits filed by the Christic Instituteagainst the US Government. The two stories are Shadowplay: The Secret Team by Alan Moore and Bill Sienkiewicz, andFlashpoint: The LA Penca Bombing documented by Martha Honey and Tony Avirgan and adapted by Joyce Brabner and Tom Yeates. Brought to Light was edited overall by Joyce Brabner, Catherine Yronwode acted as executive editor, and Eclipse publisher Dean Mullaney was the publication designer.

    Shadowplay: The Secret Team written by Alan Moore and drawn by Bill Sienkiewicz with an introduction by Daniel Sheehan (general counsel of TCI). It covers the history of the Central Intelligence Agency and its controversial involvement in theVietnam War, the Iran-Contra affair, and its relationship with figures like Augusto Pinochet and Manuel Noriega. The narrator ofShadowplay is an aging anthropomorphic American Eagle, a bellicose retired CIA agent.

    As Moore's first major work which was not superhero oriented, it was highly praised for its storytelling and Sienkiewicz's sometimes brutal art. Moore received praise especially for blending the sometimes overwhelming mass of details into a coherent and effective story. Over the years there have been rumors that Moore was unable to travel to America due to the CIA being annoyed at his story in Brought to Light. However this was supposedly proved to be a rumor and the "real" reason was due to Moore not renewing his passport.[1]

    The story of "Shadowplay" is of an unseen character (presumably representing the oblivious American public in first-person view of the reader) in a bar, where he is approached by a man-sized, walking, talking eagle. The eagle, from the emblem of the CIA, proceeds to drink alcohol and, in a drunken stupor, divulge all the bloody details of The Agency's sordid past. Early on a reference is made to the number of gallons an Olympic swimming pool can hold, and the fact that an adult human body has one gallon of blood; from then on, the victims of CIA activities (directly or indirectly) are quantified in swimming pools filled with blood, each pool representing 20,000 dead. Sienkiewicz's dark, erratic, and blurry images keep the mood of Moore's narration (through the boozing eagle) unnerving, and hazily nightmarish.

    #BillSienkiewicz #AlanMoore #BroughtToLight

    archive.org/details/BroughtToL

  9. 040 - Vulture

    The largest figure Sienkiewicz has painted for this set yet!

    The birds in the background are great - it's like "bird, bird, Man-Bird" coming at the viewer.

    #TradingCardADay #MM2 #Vulture #SpiderMan #BillSienkiewicz

  10. 028 - Sabretooth

    Sienkiewicz with another essence-capturing headshot. Love the eyebrow styling here.

  11. 028 - Sabretooth

    Sienkiewicz with another essence-capturing headshot. Love the eyebrow styling here.

    #TradingCardADay #MM2 #Sabretooth #Xmen #BillSienkiewicz

  12. 028 - Sabretooth

    Sienkiewicz with another essence-capturing headshot. Love the eyebrow styling here.

    #TradingCardADay #MM2 #Sabretooth #Xmen #BillSienkiewicz

  13. 013 - Ghost Rider

    Despite this being a Dan Ketch card per the real name, the first appearance citation and panel excerpt is of the 70s era Johnny Blaze Ghost Rider

    #TradingCardADay #MM2 #GhostRider #BillSienkiewicz

  14. 006 - Wolverine

    Wolverine on page 1!

    As with Hulk, Sienkiewicz uses little details (blood splatter, mismatched eye sizes) to capture the essence of the character.

    #TradingCardADay #MM2 #Wolverine #XMen #BillSienkiewicz

  15. 001 - Hulk

    The second series of Marvel Masterpieces kicks off w/Hulk, eschewing the quasi-alphabetical approach of Series 1, as Bill Sienkiewicz offers a great depiction of rage - even though the character at the time was no longer a rage monster.

    #TradingCardADay #MM2 #Hulk #BillSienkiewicz

  16. Bill Sienkiewicz had apparently created this incredibly cool artwork for the promo poster of the 1983 premiere of the 'Dungeons & Dragons' cartoon. I was lucky enough to catch reruns of this show growing up and I remember being legitimately hooked. Such a bummer that it never really got a proper ending.

    Image via producer and director Bob Richardson (cartoonbiz.net)

    #DungeonsAndDragons #DnD #cartoon #Retro #80s #90s #retro #BillSienkiewicz #animation

  17. Terminado Lobo, la miniserie de 1990 dibujada por Simon Bisley.

    Empezamos con algo un poco menos común (para mi), una novela gráfica de espías.

    Cover esta escrita nada más y nada menos que por Brian Michael Bendis y dibujada por David Mack, con colaboraciones de Bill Sienkiewicz. Ahí es nada.

    A ver que tal!!



    #Cover #BrianMichaelBendis #DavidMack #BillSienkiewicz

  18. I'm just starting Spider-Man Across the Spider-verse, and this team could do Elektra: Assassin justice. #comics #movies #billsienkiewicz

  19. The Marvel comic-book readers in 1984 sure weren't ready for #BillSienkiewicz New Mutants, beginning with the saga of the Demon Bear. Such experimental, weird art wasn't exactly what one would expect in a title starring a bunch of mutant teenagers. Of course it divided readers at the time, but the artist's boldness brought to life an instant classic of the medium, and a brilliant showcase of its possibilities when there's talent to back them up.
    #ComicBooks #TheNewMutants