#idwpublishing — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #idwpublishing, aggregated by home.social.
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30 Days of Night Deluxe Edition: Book Three – IDW’s Horror Return https://comicbookaddicts.com/2026/05/30-days-of-night-deluxe-edition-book-three-review/?utm_source=dlvr.it&utm_medium=mastodon #30DaysOfNight #HorrorComics #ComicBookReview #IDWPublishing #GraphicNovels
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TITANIC TEAM-UP IGNITES COMIC SCENE
Godzilla and Sonic the Hedgehog are in a new comic book series this summer. See how they fight together and what happens to Dr. Eggman.
#SonicXGodzilla, #IDWPublishing, #ComicBookCrossover, #KaijuVsSonic, #SummerComics
https://newsletter.tf/godzilla-sonic-crossover-comic-summer/
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This is the first time Godzilla and Sonic are in a comic book together. The new series 'Sonic the Hedgehog X Godzilla' comes out this summer.
#SonicXGodzilla, #IDWPublishing, #ComicBookCrossover, #KaijuVsSonic, #SummerComics
https://newsletter.tf/godzilla-sonic-crossover-comic-summer/ -
Star Trek: Red Shirts Review: IDW’s Gritty Sci-Fi Survival Epic + Trailer https://comicbookaddicts.com/2026/05/star-trek-red-shirts-graphic-novel-review/?utm_source=dlvr.it&utm_medium=mastodon #StarTrek #RedShirts #SciFi #ComicBooks #IDWPublishing
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ICYMI: The Art Of Star Trek: Lower Decks Coming From IDW https://popgeeks.com/the-art-of-star-trek-lower-decks-coming-from-idw/?utm_source=dlvr.it&utm_medium=mastodon #StarTrek #LowerDecks #IDWPublishing #TrekArt #ParamountPlus
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ICYMI: The Art Of Star Trek: Lower Decks Coming From IDW https://popgeeks.com/the-art-of-star-trek-lower-decks-coming-from-idw/?utm_source=dlvr.it&utm_medium=mastodon #StarTrek #LowerDecks #IDWPublishing #TrekArt #ParamountPlus
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ICYMI: The Art Of Star Trek: Lower Decks Coming From IDW https://popgeeks.com/the-art-of-star-trek-lower-decks-coming-from-idw/?utm_source=dlvr.it&utm_medium=mastodon #StarTrek #LowerDecks #IDWPublishing #TrekArt #ParamountPlus
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30 Days of Night Deluxe Edition : Book Three Available May 19
#horror – #horrorcomics – #30DaysofNightDeluxeEdition – #IDWPublishing – @IDWPublishing – #SteveNiles – #KellySueDeConnick – #BenTemplesmith – #JustinRandall – #BillSienkiewicz – Revisit the vampi
#30DaysOfNightDeluxeEdition #ad #BenTemplesmith(Author) #BillSienkiewicz(Illustrator) #horror #JustinRandall(Illustrator) #KellySueDeConnick(Author) #Releases #SteveNiles(Author)
https://horrornerdonline.com/2026/05/30-days-of-night-deluxe-edition-book-three-available-may-19/
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30 Days of Night Deluxe Edition : Book Three Available May 19
#horror – #horrorcomics – #30DaysofNightDeluxeEdition – #IDWPublishing – @IDWPublishing – #SteveNiles – #KellySueDeConnick – #BenTemplesmith – #JustinRandall – #BillSienkiewicz – Revisit the vampi
#30DaysOfNightDeluxeEdition #ad #BenTemplesmith(Author) #BillSienkiewicz(Illustrator) #horror #JustinRandall(Illustrator) #KellySueDeConnick(Author) #Releases #SteveNiles(Author)
https://horrornerdonline.com/2026/05/30-days-of-night-deluxe-edition-book-three-available-may-19/
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30 Days of Night Deluxe Edition : Book Three Available May 19
#horror – #horrorcomics – #30DaysofNightDeluxeEdition – #IDWPublishing – @IDWPublishing – #SteveNiles – #KellySueDeConnick – #BenTemplesmith – #JustinRandall – #BillSienkiewicz – Revisit the vampi
#30DaysOfNightDeluxeEdition #ad #BenTemplesmith(Author) #BillSienkiewicz(Illustrator) #horror #JustinRandall(Illustrator) #KellySueDeConnick(Author) #Releases #SteveNiles(Author)
https://horrornerdonline.com/2026/05/30-days-of-night-deluxe-edition-book-three-available-may-19/
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30 Days of Night Deluxe Edition : Book Three Available May 19
#horror – #horrorcomics – #30DaysofNightDeluxeEdition – #IDWPublishing – @IDWPublishing – #SteveNiles – #KellySueDeConnick – #BenTemplesmith – #JustinRandall – #BillSienkiewicz – Revisit the vampi
#30DaysOfNightDeluxeEdition #ad #BenTemplesmith(Author) #BillSienkiewicz(Illustrator) #horror #JustinRandall(Illustrator) #KellySueDeConnick(Author) #Releases #SteveNiles(Author)
https://horrornerdonline.com/2026/05/30-days-of-night-deluxe-edition-book-three-available-may-19/
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30 Days of Night Deluxe Edition : Book Three Available May 19
#horror – #horrorcomics – #30DaysofNightDeluxeEdition – #IDWPublishing – @IDWPublishing – #SteveNiles – #KellySueDeConnick – #BenTemplesmith – #JustinRandall – #BillSienkiewicz – Revisit the vampi
#30DaysOfNightDeluxeEdition #ad #BenTemplesmith(Author) #BillSienkiewicz(Illustrator) #horror #JustinRandall(Illustrator) #KellySueDeConnick(Author) #Releases #SteveNiles(Author)
https://horrornerdonline.com/2026/05/30-days-of-night-deluxe-edition-book-three-available-may-19/
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IDW Publishing’s The Rocketeer: Infiltrator! #1 – WWII Espionage Debut https://comicbookaddicts.com/2026/04/idw-rocketeer-infiltrator-1-preview/?utm_source=dlvr.it&utm_medium=mastodon #TheRocketeer #Infiltrator #IDWPublishing #ComicBooks #WWII
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IDW Publishing’s OPERATION: IRON COFFIN #1: Dracula Battles Nazis https://comicbookaddicts.com/2026/04/operation-iron-coffin-1-idw-dracula-news/?utm_source=dlvr.it&utm_medium=mastodon #OperationIronCoffin #IDWPublishing #Dracula #ComicBooks #HorrorComics
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KILLER INFLUENCES #1 Review: Murder as a Brand in the Digital Age https://comicbookaddicts.com/2026/04/killer-influences-1-joey-esposito-idw-review/?utm_source=dlvr.it&utm_medium=mastodon #KillerInfluences #ComicBooks #CrimeThriller #IDWPublishing #MurderMystery
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A Monster’s Quest to be Human: Frankenstein Alive, Alive! by Bernie Wrightson
Bernie (formerly stylized as “Berni”) Wrightson rose to prominence in the world of comic books with his work on horror stories for Creepy and Eerie, both published in black-and-white magazine format by Warren Publishing. He co-created DC’s Swamp Thing with Len Wein for House of Secrets 92, and his artwork on the first thirteen issues of Swamp Thing is horrifically beautiful. He won critical acclaim for his lavishly illustrated edition of Mary Shelley’s Frankenstein, where his designs for both Frankenstein and the monster seem to be based on his earlier short piece, The Muck Monster.
Bernie returned to Frankenstein’s monster with his friend and collaborator, author Steve Niles, in the four-issue Frankenstein Alive, Alive! Here, the monster is haunted by the specter of his creator and seeks peace for his tormented soul in the lava flow of a massive volcano, where he is encased in stone before being dug up years later.
He makes friends with another “scientist” who happens to be using dubious methods based on old-timey, bunk science to make some kind of elixir of eternal life. This guy has an impossibly massive house full of libraries, laboratories, specimens, and skulls, joined by castle-like cavernous tunnels of stone and wood—all deliciously rendered in exquisite detail as only Wrightson could do.
Eventually, the scientist’s methods bring the monster to a moral dilemma which pits his loyalty to his new friend against his developing sense of ethics, a choice that represents a situation many of us have experienced at least in spirit if not in the sense of the literal facts of this story. While Bernie died before completing the first issue, his hand-picked successor Kelley Jones did a marvelous job working from Bernie’s rough layouts and thumbnails to bring the final issue to life—not with as much intricate detail as Bernie, but certainly with the right mood and compositional style for the occasion.
This visually splendid work has two minor shortcomings. First, it begins with what appears to be a framing sequence apparently set in 1930s-era America during the Great Depression before proceeding to tell the main tale as a flashback. But we never return to the framing sequence at the end, which feels a little off despite the emotionally satisfying ending to the central story. Second, external circumstances relieve the monster of the full duty of resolving his ethical dilemma. While the resolution is dynamic and well-told, I can’t help but feel that having the choice made for him does a disservice to the monster by robbing him of the responsibility of making a tough call on his own.
Regardless, Frankenstein Alive, Alive! is a great work that showcases the talents of an artistic master still working at peak ability right up until his final year, and it’s perhaps the most awesome of many horror collaborations between Wrightson and Niles. You can often find the original single issues or the collected paperback edition, though the digital edition has the advantage of displaying the double-page spreads without any gutter or staples interrupting the incredible artwork.
Collector’s Guide: Enjoy Frankenstein Alive, Alive! in the increasingly rare single-issue format, the more readily available paperback edition, or the inexpensive digital edition.
Rate this:
#BerniWrightson #blackAndWhite #bookReview #frankenstein #graphicNovel #horror #IDWPublishing #indieBox #IndieComics #SteveNiles -
A Monster’s Quest to be Human: Frankenstein Alive, Alive! by Bernie Wrightson
Bernie (formerly stylized as “Berni”) Wrightson rose to prominence in the world of comic books with his work on horror stories for Creepy and Eerie, both published in black-and-white magazine format by Warren Publishing. He co-created DC’s Swamp Thing with Len Wein for House of Secrets 92, and his artwork on the first thirteen issues of Swamp Thing is horrifically beautiful. He won critical acclaim for his lavishly illustrated edition of Mary Shelley’s Frankenstein, where his designs for both Frankenstein and the monster seem to be based on his earlier short piece, The Muck Monster.
Bernie returned to Frankenstein’s monster with his friend and collaborator, author Steve Niles, in the four-issue Frankenstein Alive, Alive! Here, the monster is haunted by the specter of his creator and seeks peace for his tormented soul in the lava flow of a massive volcano, where he is encased in stone before being dug up years later.
He makes friends with another “scientist” who happens to be using dubious methods based on old-timey, bunk science to make some kind of elixir of eternal life. This guy has an impossibly massive house full of libraries, laboratories, specimens, and skulls, joined by castle-like cavernous tunnels of stone and wood—all deliciously rendered in exquisite detail as only Wrightson could do.
Eventually, the scientist’s methods bring the monster to a moral dilemma which pits his loyalty to his new friend against his developing sense of ethics, a choice that represents a situation many of us have experienced at least in spirit if not in the sense of the literal facts of this story. While Bernie died before completing the first issue, his hand-picked successor Kelley Jones did a marvelous job working from Bernie’s rough layouts and thumbnails to bring the final issue to life—not with as much intricate detail as Bernie, but certainly with the right mood and compositional style for the occasion.
This visually splendid work has two minor shortcomings. First, it begins with what appears to be a framing sequence apparently set in 1930s-era America during the Great Depression before proceeding to tell the main tale as a flashback. But we never return to the framing sequence at the end, which feels a little off despite the emotionally satisfying ending to the central story. Second, external circumstances relieve the monster of the full duty of resolving his ethical dilemma. While the resolution is dynamic and well-told, I can’t help but feel that having the choice made for him does a disservice to the monster by robbing him of the responsibility of making a tough call on his own.
Regardless, Frankenstein Alive, Alive! is a great work that showcases the talents of an artistic master still working at peak ability right up until his final year, and it’s perhaps the most awesome of many horror collaborations between Wrightson and Niles. You can often find the original single issues or the collected paperback edition, though the digital edition has the advantage of displaying the double-page spreads without any gutter or staples interrupting the incredible artwork.
Collector’s Guide: Enjoy Frankenstein Alive, Alive! in the increasingly rare single-issue format, the more readily available paperback edition, or the inexpensive digital edition.
Rate this:
#BerniWrightson #blackAndWhite #bookReview #frankenstein #graphicNovel #horror #IDWPublishing #indieBox #IndieComics #SteveNiles -
A Monster’s Quest to be Human: Frankenstein Alive, Alive! by Bernie Wrightson
Bernie (formerly stylized as “Berni”) Wrightson rose to prominence in the world of comic books with his work on horror stories for Creepy and Eerie, both published in black-and-white magazine format by Warren Publishing. He co-created DC’s Swamp Thing with Len Wein for House of Secrets 92, and his artwork on the first thirteen issues of Swamp Thing is horrifically beautiful. He won critical acclaim for his lavishly illustrated edition of Mary Shelley’s Frankenstein, where his designs for both Frankenstein and the monster seem to be based on his earlier short piece, The Muck Monster.
Bernie returned to Frankenstein’s monster with his friend and collaborator, author Steve Niles, in the four-issue Frankenstein Alive, Alive! Here, the monster is haunted by the specter of his creator and seeks peace for his tormented soul in the lava flow of a massive volcano, where he is encased in stone before being dug up years later.
He makes friends with another “scientist” who happens to be using dubious methods based on old-timey, bunk science to make some kind of elixir of eternal life. This guy has an impossibly massive house full of libraries, laboratories, specimens, and skulls, joined by castle-like cavernous tunnels of stone and wood—all deliciously rendered in exquisite detail as only Wrightson could do.
Eventually, the scientist’s methods bring the monster to a moral dilemma which pits his loyalty to his new friend against his developing sense of ethics, a choice that represents a situation many of us have experienced at least in spirit if not in the sense of the literal facts of this story. While Bernie died before completing the first issue, his hand-picked successor Kelley Jones did a marvelous job working from Bernie’s rough layouts and thumbnails to bring the final issue to life—not with as much intricate detail as Bernie, but certainly with the right mood and compositional style for the occasion.
This visually splendid work has two minor shortcomings. First, it begins with what appears to be a framing sequence apparently set in 1930s-era America during the Great Depression before proceeding to tell the main tale as a flashback. But we never return to the framing sequence at the end, which feels a little off despite the emotionally satisfying ending to the central story. Second, external circumstances relieve the monster of the full duty of resolving his ethical dilemma. While the resolution is dynamic and well-told, I can’t help but feel that having the choice made for him does a disservice to the monster by robbing him of the responsibility of making a tough call on his own.
Regardless, Frankenstein Alive, Alive! is a great work that showcases the talents of an artistic master still working at peak ability right up until his final year, and it’s perhaps the most awesome of many horror collaborations between Wrightson and Niles. You can often find the original single issues or the collected paperback edition, though the digital edition has the advantage of displaying the double-page spreads without any gutter or staples interrupting the incredible artwork.
Collector’s Guide: Enjoy Frankenstein Alive, Alive! in the increasingly rare single-issue format, the more readily available paperback edition, or the inexpensive digital edition.
Rate this:
#BerniWrightson #blackAndWhite #bookReview #frankenstein #graphicNovel #horror #IDWPublishing #indieBox #IndieComics #SteveNiles -
A Monster’s Quest to be Human: Frankenstein Alive, Alive! by Bernie Wrightson
Bernie (formerly stylized as “Berni”) Wrightson rose to prominence in the world of comic books with his work on horror stories for Creepy and Eerie, both published in black-and-white magazine format by Warren Publishing. He co-created DC’s Swamp Thing with Len Wein for House of Secrets 92, and his artwork on the first thirteen issues of Swamp Thing is horrifically beautiful. He won critical acclaim for his lavishly illustrated edition of Mary Shelley’s Frankenstein, where his designs for both Frankenstein and the monster seem to be based on his earlier short piece, The Muck Monster.
Bernie returned to Frankenstein’s monster with his friend and collaborator, author Steve Niles, in the four-issue Frankenstein Alive, Alive! Here, the monster is haunted by the specter of his creator and seeks peace for his tormented soul in the lava flow of a massive volcano, where he is encased in stone before being dug up years later.
He makes friends with another “scientist” who happens to be using dubious methods based on old-timey, bunk science to make some kind of elixir of eternal life. This guy has an impossibly massive house full of libraries, laboratories, specimens, and skulls, joined by castle-like cavernous tunnels of stone and wood—all deliciously rendered in exquisite detail as only Wrightson could do.
Eventually, the scientist’s methods bring the monster to a moral dilemma which pits his loyalty to his new friend against his developing sense of ethics, a choice that represents a situation many of us have experienced at least in spirit if not in the sense of the literal facts of this story. While Bernie died before completing the first issue, his hand-picked successor Kelley Jones did a marvelous job working from Bernie’s rough layouts and thumbnails to bring the final issue to life—not with as much intricate detail as Bernie, but certainly with the right mood and compositional style for the occasion.
This visually splendid work has two minor shortcomings. First, it begins with what appears to be a framing sequence apparently set in 1930s-era America during the Great Depression before proceeding to tell the main tale as a flashback. But we never return to the framing sequence at the end, which feels a little off despite the emotionally satisfying ending to the central story. Second, external circumstances relieve the monster of the full duty of resolving his ethical dilemma. While the resolution is dynamic and well-told, I can’t help but feel that having the choice made for him does a disservice to the monster by robbing him of the responsibility of making a tough call on his own.
Regardless, Frankenstein Alive, Alive! is a great work that showcases the talents of an artistic master still working at peak ability right up until his final year, and it’s perhaps the most awesome of many horror collaborations between Wrightson and Niles. You can often find the original single issues or the collected paperback edition, though the digital edition has the advantage of displaying the double-page spreads without any gutter or staples interrupting the incredible artwork.
Collector’s Guide: Enjoy Frankenstein Alive, Alive! in the increasingly rare single-issue format, the more readily available paperback edition, or the inexpensive digital edition.
Rate this:
#BerniWrightson #blackAndWhite #bookReview #frankenstein #graphicNovel #horror #IDWPublishing #indieBox #IndieComics #SteveNiles -
A Monster’s Quest to be Human: Frankenstein Alive, Alive! by Bernie Wrightson
Bernie (formerly stylized as “Berni”) Wrightson rose to prominence in the world of comic books with his work on horror stories for Creepy and Eerie, both published in black-and-white magazine format by Warren Publishing. He co-created DC’s Swamp Thing with Len Wein for House of Secrets 92, and his artwork on the first thirteen issues of Swamp Thing is horrifically beautiful. He won critical acclaim for his lavishly illustrated edition of Mary Shelley’s Frankenstein, where his designs for both Frankenstein and the monster seem to be based on his earlier short piece, The Muck Monster.
Bernie returned to Frankenstein’s monster with his friend and collaborator, author Steve Niles, in the four-issue Frankenstein Alive, Alive! Here, the monster is haunted by the specter of his creator and seeks peace for his tormented soul in the lava flow of a massive volcano, where he is encased in stone before being dug up years later.
He makes friends with another “scientist” who happens to be using dubious methods based on old-timey, bunk science to make some kind of elixir of eternal life. This guy has an impossibly massive house full of libraries, laboratories, specimens, and skulls, joined by castle-like cavernous tunnels of stone and wood—all deliciously rendered in exquisite detail as only Wrightson could do.
Eventually, the scientist’s methods bring the monster to a moral dilemma which pits his loyalty to his new friend against his developing sense of ethics, a choice that represents a situation many of us have experienced at least in spirit if not in the sense of the literal facts of this story. While Bernie died before completing the first issue, his hand-picked successor Kelley Jones did a marvelous job working from Bernie’s rough layouts and thumbnails to bring the final issue to life—not with as much intricate detail as Bernie, but certainly with the right mood and compositional style for the occasion.
This visually splendid work has two minor shortcomings. First, it begins with what appears to be a framing sequence apparently set in 1930s-era America during the Great Depression before proceeding to tell the main tale as a flashback. But we never return to the framing sequence at the end, which feels a little off despite the emotionally satisfying ending to the central story. Second, external circumstances relieve the monster of the full duty of resolving his ethical dilemma. While the resolution is dynamic and well-told, I can’t help but feel that having the choice made for him does a disservice to the monster by robbing him of the responsibility of making a tough call on his own.
Regardless, Frankenstein Alive, Alive! is a great work that showcases the talents of an artistic master still working at peak ability right up until his final year, and it’s perhaps the most awesome of many horror collaborations between Wrightson and Niles. You can often find the original single issues or the collected paperback edition, though the digital edition has the advantage of displaying the double-page spreads without any gutter or staples interrupting the incredible artwork.
Collector’s Guide: Enjoy Frankenstein Alive, Alive! in the increasingly rare single-issue format, the more readily available paperback edition, or the inexpensive digital edition.
Rate this:
#BerniWrightson #blackAndWhite #bookReview #frankenstein #graphicNovel #horror #IDWPublishing #indieBox #IndieComics #SteveNiles -
Discover the Dark Secret Behind Star Trek Red Shirts in New Comic
The red shirt trope lives in the heart of Star Trek fans. It describes a crew member in a red uniform who appears briefly and then dies. The idea started in the original series when writers used expendable characters to raise tension. Over time the phrase grew into a shorthand for any disposable character who meets a quick end....
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Discover the Dark Secret Behind Star Trek Red Shirts in New Comic
The red shirt trope lives in the heart of Star Trek fans. It describes a crew member in a red uniform who appears briefly and then dies. The idea started in the original series when writers used expendable characters to raise tension. Over time the phrase grew into a shorthand for any disposable character who meets a quick end....
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Discover the Dark Secret Behind Star Trek Red Shirts in New Comic
The red shirt trope lives in the heart of Star Trek fans. It describes a crew member in a red uniform who appears briefly and then dies. The idea started in the original series when writers used expendable characters to raise tension. Over time the phrase grew into a shorthand for any disposable character who meets a quick end....
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13 Demons Dead Press Release: IDW’s Manga-Inspired Horror Debut https://comicbookaddicts.com/2026/03/13-demons-dead-idw-publishing-launch/?utm_source=dlvr.it&utm_medium=mastodon #IDWPublishing #13DemonsDead #HorrorComics #GraphicNovels #MangaInfluence
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TMNT #300: Frank Miller Draws First-Ever Ninja Turtles Cover https://comicbookaddicts.com/2026/03/tmnt-300-frank-miller-draws-first-ever-ninja-turtles-cover/?utm_source=dlvr.it&utm_medium=mastodon #TMNT300 #FrankMiller #TeenageMutantNinjaTurtles #ComicBookHistory #IDWPublishing
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TMNT #300: Frank Miller Draws First-Ever Ninja Turtles Cover https://comicbookaddicts.com/2026/03/tmnt-300-frank-miller-draws-first-ever-ninja-turtles-cover/?utm_source=dlvr.it&utm_medium=mastodon #TMNT300 #FrankMiller #TeenageMutantNinjaTurtles #ComicBookHistory #IDWPublishing
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TMNT #300: Frank Miller Draws First-Ever Ninja Turtles Cover https://comicbookaddicts.com/2026/03/tmnt-300-frank-miller-draws-first-ever-ninja-turtles-cover/?utm_source=dlvr.it&utm_medium=mastodon #TMNT300 #FrankMiller #TeenageMutantNinjaTurtles #ComicBookHistory #IDWPublishing
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TMNT #300: Frank Miller Draws First-Ever Ninja Turtles Cover https://comicbookaddicts.com/2026/03/tmnt-300-frank-miller-draws-first-ever-ninja-turtles-cover/?utm_source=dlvr.it&utm_medium=mastodon #TMNT300 #FrankMiller #TeenageMutantNinjaTurtles #ComicBookHistory #IDWPublishing
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TMNT #300: Frank Miller Draws First-Ever Ninja Turtles Cover https://comicbookaddicts.com/2026/03/tmnt-300-frank-miller-draws-first-ever-ninja-turtles-cover/?utm_source=dlvr.it&utm_medium=mastodon #TMNT300 #FrankMiller #TeenageMutantNinjaTurtles #ComicBookHistory #IDWPublishing
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The Rocketeer: Infiltrator Announced For This Summer By IDW https://popgeeks.com/the-rocketeer-infiltrator-announced-for-this-summer-by-idw/?utm_source=dlvr.it&utm_medium=mastodon #TheRocketeer #IDWPublishing #ComicBookNews #Summer2023 #MoviesAndComics
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The Rocketeer: Infiltrator Announced For This Summer By IDW https://popgeeks.com/the-rocketeer-infiltrator-announced-for-this-summer-by-idw/?utm_source=dlvr.it&utm_medium=mastodon #TheRocketeer #IDWPublishing #ComicBookNews #Summer2023 #MoviesAndComics
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The Rocketeer: Infiltrator Announced For This Summer By IDW https://popgeeks.com/the-rocketeer-infiltrator-announced-for-this-summer-by-idw/?utm_source=dlvr.it&utm_medium=mastodon #TheRocketeer #IDWPublishing #ComicBookNews #Summer2023 #MoviesAndComics
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Star Trek: Discovery Omnibus Review: Deep Dives into the Final Frontier https://comicbookaddicts.com/2026/03/star-trek-discovery-omnibus-review-idw/?utm_source=dlvr.it&utm_medium=mastodon #StarTrek #Discovery #ComicBooks #IDWPublishing #Klingons
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ICYMI: Godzilla Stomps Portland In New Comic Book https://popgeeks.com/godzilla-stomps-portland-in-new-comic-book/?utm_source=dlvr.it&utm_medium=mastodon #Godzilla #ComicBooks #Portland #PopCulture #IDWPublishing
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ICYMI: Godzilla Stomps Portland In New Comic Book https://popgeeks.com/godzilla-stomps-portland-in-new-comic-book/?utm_source=dlvr.it&utm_medium=mastodon #Godzilla #ComicBooks #Portland #PopCulture #IDWPublishing
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ICYMI: Godzilla Stomps Portland In New Comic Book https://popgeeks.com/godzilla-stomps-portland-in-new-comic-book/?utm_source=dlvr.it&utm_medium=mastodon #Godzilla #ComicBooks #Portland #PopCulture #IDWPublishing
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Godzilla Vs. America: Boston Preview – IDW’s New England Kaiju Invasion https://comicbookaddicts.com/2026/03/godzilla-vs-america-boston-preview/?utm_source=dlvr.it&utm_medium=mastodon #Godzilla #ComicBooks #Kaiju #IDWPublishing #Boston
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Godzilla Library Collection, Vol. 6: IDW’s Ultimate Kaiju Anthology https://comicbookaddicts.com/2026/03/godzilla-library-collection-vol-6-preview/?utm_source=dlvr.it&utm_medium=mastodon #Godzilla #Kaiju #ComicBooks #IDWPublishing #GodzillaAnthology
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Teenage Mutant Ninja Turtles: Turtle Power Pack, Vol. 3 – IDW Review https://comicbookaddicts.com/2026/02/tmnt-turtle-power-pack-vol-3-review/?utm_source=dlvr.it&utm_medium=mastodon #TMNT #TeenageMutantNinjaTurtles #ComicBooks #IDWPublishing #TurtlePower
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Star Trek: Deep Space Nine Omnibus: IDW’s Definitive Sci-Fi Collection https://comicbookaddicts.com/2026/02/star-trek-ds9-omnibus-idw-collection/?utm_source=dlvr.it&utm_medium=mastodon #StarTrek #DeepSpaceNine #SciFi #ComicBooks #IDWPublishing
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SONIC X GODZILLA Press Release: IDW’s Epic Summer Crossover https://comicbookaddicts.com/2026/02/sonic-x-godzilla-press-release/?utm_source=dlvr.it&utm_medium=mastodon #SonicXGodzilla #ComicBooks #IDWPublishing #SonicTheHedgehog #Godzilla
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TMNT #300: IDW Milestone Kicks Off The City That Never Dies https://comicbookaddicts.com/2026/02/tmnt-300-milestone-news/?utm_source=dlvr.it&utm_medium=mastodon #TMNT300 #IDWPublishing #TeenageMutantNinjaTurtles #ComicBookAddicts #MilestoneComics
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New ‘Hello Kitty’ Comic Book Universe Set From Sanrio, IDW (EXCLUSIVE)
#Variety #News #HelloKitty #IdwPublishing #Sanriohttps://variety.com/2026/digital/news/hello-kitty-comics-sanrio-idw-publishing-1236667694/
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New ‘Hello Kitty’ Comic Book Universe Set From Sanrio, IDW (EXCLUSIVE)
#Variety #News #HelloKitty #IdwPublishing #Sanriohttps://variety.com/2026/digital/news/hello-kitty-comics-sanrio-idw-publishing-1236667694/
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New ‘Hello Kitty’ Comic Book Universe Set From Sanrio, IDW (EXCLUSIVE)
#Variety #News #HelloKitty #IdwPublishing #Sanriohttps://variety.com/2026/digital/news/hello-kitty-comics-sanrio-idw-publishing-1236667694/
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New ‘Hello Kitty’ Comic Book Universe Set From Sanrio, IDW (EXCLUSIVE)
#Variety #News #HelloKitty #IdwPublishing #Sanriohttps://variety.com/2026/digital/news/hello-kitty-comics-sanrio-idw-publishing-1236667694/
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New ‘Hello Kitty’ Comic Book Universe Set From Sanrio, IDW (EXCLUSIVE)
#Variety #News #HelloKitty #IdwPublishing #Sanriohttps://variety.com/2026/digital/news/hello-kitty-comics-sanrio-idw-publishing-1236667694/
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New ‘Hello Kitty’ Comic Book Universe Set From Sanrio, IDW (EXCLUSIVE)
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Smile: For the Camera #1 Available February 18
#horror – #horrorcomics – #SmileFortheCamera – #IDWPublishing – @IDWPublishing – #HannahRoseMay – #MirianaPuglia – Pose. Vogue. Couture. Gore. It’s Fashion Month 2005, and five young international models arrive in New York City for four brutal weeks of runways, press, and cameras as they chase their b
#ad #HannahRoseMay(Author) #horror #MirianaPuglia(Artist) #Releases #Smile:ForTheCamera
https://horrornerdonline.com/2026/02/smile-for-the-camera-1-available-february-18/
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Smile: For the Camera #1 Available February 18
#horror – #horrorcomics – #SmileFortheCamera – #IDWPublishing – @IDWPublishing – #HannahRoseMay – #MirianaPuglia – Pose. Vogue. Couture. Gore. It’s Fashion Month 2005, and five young international models arrive in New York City for four brutal weeks of runways, press, and cameras as they chase their b
#ad #HannahRoseMay(Author) #horror #MirianaPuglia(Artist) #Releases #Smile:ForTheCamera
https://horrornerdonline.com/2026/02/smile-for-the-camera-1-available-february-18/