#markzdanielewski — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #markzdanielewski, aggregated by home.social.
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MIST0426/MOTH-MARK_Z_DANIELEWSKI-HOUSE_OF_LEAVES
Mistigram: this is an #ASCIIart interpretation of the cover art to the first edition of #MarkZDanielewski’s 2000 Gothic postmodern novel #HouseOfLeaves, depicting architectural blueprints around a spiral staircase and compass, as interpreted by Moth. This piece was included in last month’s new books-themed MIST0426 artpack collection.
#ASCIIArt #HouseOfLeaves #MarkZDanielewski #MIST0426 #moth -
Mistodon: this #ASCIIart interpretation of the cover art to #MarkZDanielewski's 2000 novel #HouseOfLeaves was drawn by Moth. This piece was included in last month's new books-themed MIST0426 artpack collection.
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Mistodon: this #ASCIIart interpretation of the cover art to #MarkZDanielewski's 2000 novel #HouseOfLeaves was drawn by Moth. This piece was included in last month's new books-themed MIST0426 artpack collection.
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Mistodon: this #ASCIIart interpretation of the cover art to #MarkZDanielewski's 2000 novel #HouseOfLeaves was drawn by Moth. This piece was included in last month's new books-themed MIST0426 artpack collection.
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Mistodon: this #ASCIIart interpretation of the cover art to #MarkZDanielewski's 2000 novel #HouseOfLeaves was drawn by Moth. This piece was included in last month's new books-themed MIST0426 artpack collection.
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Mistodon: this #ASCIIart interpretation of the cover art to #MarkZDanielewski's 2000 novel #HouseOfLeaves was drawn by Moth. This piece was included in last month's new books-themed MIST0426 artpack collection.
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Mistigram: this #ASCIIart interpretation of the cover art to #MarkZDanielewski's 2000 novel #HouseOfLeaves was drawn by Moth. This piece was included in last month's new books-themed MIST0426 artpack collection.
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Mistigram: this #ASCIIart interpretation of the cover art to #MarkZDanielewski's 2000 novel #HouseOfLeaves was drawn by Moth. This piece was included in last month's new books-themed MIST0426 artpack collection.
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Mistigram: this #ASCIIart interpretation of the cover art to #MarkZDanielewski's 2000 novel #HouseOfLeaves was drawn by Moth. This piece was included in last month's new books-themed MIST0426 artpack collection.
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Mistigram: this #ASCIIart interpretation of the cover art to #MarkZDanielewski's 2000 novel #HouseOfLeaves was drawn by Moth. This piece was included in last month's new books-themed MIST0426 artpack collection.
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"Passion has little to do with euphoria and everything to do with patience. It is not about feeling good. It is about endurance. Like patience, passion comes from the same Latin root: pati. It does not mean to flow with exuberance. It means to suffer."
~ Mark Z. Danielewski, born today, 1966.
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"Passion has little to do with euphoria and everything to do with patience. It is not about feeling good. It is about endurance. Like patience, passion comes from the same Latin root: pati. It does not mean to flow with exuberance. It means to suffer."
~ Mark Z. Danielewski, born today, 1966.
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"Passion has little to do with euphoria and everything to do with patience. It is not about feeling good. It is about endurance. Like patience, passion comes from the same Latin root: pati. It does not mean to flow with exuberance. It means to suffer."
~ Mark Z. Danielewski, born today, 1966.
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"Passion has little to do with euphoria and everything to do with patience. It is not about feeling good. It is about endurance. Like patience, passion comes from the same Latin root: pati. It does not mean to flow with exuberance. It means to suffer."
~ Mark Z. Danielewski, born today, 1966.
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local, (over)earnest, often amateurish, community-minded, enthusiastic, goofy, non-slick, DIY:
the novel #TomsCrossing is set in 1982, but flash-forwards show that later on (in-universe), many unrelated people make art, fan-art, folk art etc. in reaction to stuff that happens in the book.
if you know the fediverse AND read the lengthy descriptions of these artworks, discussions, exhibition spaces etc., you will think: "same vibe!"
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local, (over)earnest, often amateurish, community-minded, enthusiastic, goofy, non-slick, DIY:
the novel #TomsCrossing is set in 1982, but flash-forwards show that later on (in-universe), many unrelated people make art, fan-art, folk art etc. in reaction to stuff that happens in the book.
if you know the fediverse AND read the lengthy descriptions of these artworks, discussions, exhibition spaces etc., you will think: "same vibe!"
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local, (over)earnest, often amateurish, community-minded, enthusiastic, goofy, non-slick, DIY:
the novel #TomsCrossing is set in 1982, but flash-forwards show that later on (in-universe), many unrelated people make art, fan-art, folk art etc. in reaction to stuff that happens in the book.
if you know the fediverse AND read the lengthy descriptions of these artworks, discussions, exhibition spaces etc., you will think: "same vibe!"
-
local, (over)earnest, often amateurish, community-minded, enthusiastic, goofy, non-slick, DIY:
the novel #TomsCrossing is set in 1982, but flash-forwards show that later on (in-universe), many unrelated people make art, fan-art, folk art etc. in reaction to stuff that happens in the book.
if you know the fediverse AND read the lengthy descriptions of these artworks, discussions, exhibition spaces etc., you will think: "same vibe!"
-
local, (over)earnest, often amateurish, community-minded, enthusiastic, goofy, non-slick, DIY:
the novel #TomsCrossing is set in 1982, but flash-forwards show that later on (in-universe), many unrelated people make art, fan-art, folk art etc. in reaction to stuff that happens in the book.
if you know the fediverse AND read the lengthy descriptions of these artworks, discussions, exhibition spaces etc., you will think: "same vibe!"
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After 8.5 weeks, I've finished Mark Danielewski's newest, the 1200+-page tome that is Tom's Crossing. I languished, I complained, I doubted. And then, I cheered, I applauded, I was sad for it to be over. It's books like these that make me unable to quit a book I've started, especially a book I've invested a lot of time into. No regrets.
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After 8.5 weeks, I've finished Mark Danielewski's newest, the 1200+-page tome that is Tom's Crossing. I languished, I complained, I doubted. And then, I cheered, I applauded, I was sad for it to be over. It's books like these that make me unable to quit a book I've started, especially a book I've invested a lot of time into. No regrets.
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After 8.5 weeks, I've finished Mark Danielewski's newest, the 1200+-page tome that is Tom's Crossing. I languished, I complained, I doubted. And then, I cheered, I applauded, I was sad for it to be over. It's books like these that make me unable to quit a book I've started, especially a book I've invested a lot of time into. No regrets.
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After 8.5 weeks, I've finished Mark Danielewski's newest, the 1200+-page tome that is Tom's Crossing. I languished, I complained, I doubted. And then, I cheered, I applauded, I was sad for it to be over. It's books like these that make me unable to quit a book I've started, especially a book I've invested a lot of time into. No regrets.
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After 8.5 weeks, I've finished Mark Danielewski's newest, the 1200+-page tome that is Tom's Crossing. I languished, I complained, I doubted. And then, I cheered, I applauded, I was sad for it to be over. It's books like these that make me unable to quit a book I've started, especially a book I've invested a lot of time into. No regrets.
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Ich glaub, ich bin ein bisschen verknallt in diesen Vorschlag von David Vinchar für den #Genre-Begriff #Necromodernismus für Romane von z.B. #MarkZDanielewski, #AlanMoore und #DavidFosterWallace.
»Literatur als Entropiemaschine, als eine Nekropole der Signifikanten … gebrochen, provisorisch, gespenstisch heimgesucht … Dies ist ein Schreiben, das im Leichnam des Romans west, ihn mit geisterartigen Signalen weiterhin am Leben erhält«, wie der Perlentaucher exzerpziert.
https://www.3ammagazine.com/3am/necromodernist-architectures-in-contemporary-writing/
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Ich glaub, ich bin ein bisschen verknallt in diesen Vorschlag von David Vinchar für den #Genre-Begriff #Necromodernismus für Romane von z.B. #MarkZDanielewski, #AlanMoore und #DavidFosterWallace.
»Literatur als Entropiemaschine, als eine Nekropole der Signifikanten … gebrochen, provisorisch, gespenstisch heimgesucht … Dies ist ein Schreiben, das im Leichnam des Romans west, ihn mit geisterartigen Signalen weiterhin am Leben erhält«, wie der Perlentaucher exzerpziert.
https://www.3ammagazine.com/3am/necromodernist-architectures-in-contemporary-writing/
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Ich glaub, ich bin ein bisschen verknallt in diesen Vorschlag von David Vinchar für den #Genre-Begriff #Necromodernismus für Romane von z.B. #MarkZDanielewski, #AlanMoore und #DavidFosterWallace.
»Literatur als Entropiemaschine, als eine Nekropole der Signifikanten … gebrochen, provisorisch, gespenstisch heimgesucht … Dies ist ein Schreiben, das im Leichnam des Romans west, ihn mit geisterartigen Signalen weiterhin am Leben erhält«, wie der Perlentaucher exzerpziert.
https://www.3ammagazine.com/3am/necromodernist-architectures-in-contemporary-writing/
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Ich glaub, ich bin ein bisschen verknallt in diesen Vorschlag von David Vinchar für den #Genre-Begriff #Necromodernismus für Romane von z.B. #MarkZDanielewski, #AlanMoore und #DavidFosterWallace.
»Literatur als Entropiemaschine, als eine Nekropole der Signifikanten … gebrochen, provisorisch, gespenstisch heimgesucht … Dies ist ein Schreiben, das im Leichnam des Romans west, ihn mit geisterartigen Signalen weiterhin am Leben erhält«, wie der Perlentaucher exzerpziert.
https://www.3ammagazine.com/3am/necromodernist-architectures-in-contemporary-writing/
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Ich glaub, ich bin ein bisschen verknallt in diesen Vorschlag von David Vinchar für den #Genre-Begriff #Necromodernismus für Romane von z.B. #MarkZDanielewski, #AlanMoore und #DavidFosterWallace.
»Literatur als Entropiemaschine, als eine Nekropole der Signifikanten … gebrochen, provisorisch, gespenstisch heimgesucht … Dies ist ein Schreiben, das im Leichnam des Romans west, ihn mit geisterartigen Signalen weiterhin am Leben erhält«, wie der Perlentaucher exzerpziert.
https://www.3ammagazine.com/3am/necromodernist-architectures-in-contemporary-writing/
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Los mejores libros que he leído en 2025
Año tras año (y ya van ocho) tengo la costumbre de publicar una entrada a finales de Diciembre recomendando las mejores series, películas, libros, juegos y música que he disfrutado durante los últimos doce meses. En 2025 tenía intención de hacerlo de nuevo, pero me dio muchísima pereza ponerme a rebuscar en el ámbito de series y películas (ya que fue un año bastante vacío en ese apartado), y también me generó un poco de bajón el ver mi wrapped musical lleno de canciones que […]https://fsolt.es/2026/01/los-mejores-libros-que-he-leido-en-2025/
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Los mejores libros que he leído en 2025
Año tras año (y ya van ocho) tengo la costumbre de publicar una entrada a finales de Diciembre recomendando las mejores series, películas, libros, juegos y música que he disfrutado durante los últimos doce meses. En 2025 tenía intención de hacerlo de nuevo, pero me dio muchísima pereza ponerme a rebuscar en el ámbito de series y películas (ya que fue un año bastante vacío en ese apartado), y también me generó un poco de bajón el ver mi wrapped musical lleno de canciones que […]https://fsolt.es/2026/01/los-mejores-libros-que-he-leido-en-2025/
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Los mejores libros que he leído en 2025
Año tras año (y ya van ocho) tengo la costumbre de publicar una entrada a finales de Diciembre recomendando las mejores series, películas, libros, juegos y música que he disfrutado durante los últimos doce meses. En 2025 tenía intención de hacerlo de nuevo, pero me dio muchísima pereza ponerme a rebuscar en el ámbito de series y películas (ya que fue un año bastante vacío en ese apartado), y también me generó un poco de bajón el ver mi wrapped musical lleno de canciones que […]https://fsolt.es/2026/01/los-mejores-libros-que-he-leido-en-2025/
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I finally started to read Mark Z. Danielewski’s monumental novel Tom’s Crossing last night, and I already know I’m committed for the long haul. I’ve had the book on my shelves for a couple of months now but put off starting it until I had the (head)space to give it the attention it deserves.
I’m a fan of Danielewski’s work anyway, but this seems like something that reaches beyond even the best of his earlier writing. So many passages where I’m marvelling at the way he expresses both the mundane and the ineffable with such clarity and apparent ease.
There’s no comparable feeling, I think, to becoming truly lost in a grand work of the imagination.
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I finally started to read Mark Z. Danielewski’s monumental novel Tom’s Crossing last night, and I already know I’m committed for the long haul. I’ve had the book on my shelves for a couple of months now but put off starting it until I had the (head)space to give it the attention it deserves.
I’m a fan of Danielewski’s work anyway, but this seems like something that reaches beyond even the best of his earlier writing. So many passages where I’m marvelling at the way he expresses both the mundane and the ineffable with such clarity and apparent ease.
There’s no comparable feeling, I think, to becoming truly lost in a grand work of the imagination.
-
I finally started to read Mark Z. Danielewski’s monumental novel Tom’s Crossing last night, and I already know I’m committed for the long haul. I’ve had the book on my shelves for a couple of months now but put off starting it until I had the (head)space to give it the attention it deserves.
I’m a fan of Danielewski’s work anyway, but this seems like something that reaches beyond even the best of his earlier writing. So many passages where I’m marvelling at the way he expresses both the mundane and the ineffable with such clarity and apparent ease.
There’s no comparable feeling, I think, to becoming truly lost in a grand work of the imagination.
-
I finally started to read Mark Z. Danielewski’s monumental novel Tom’s Crossing last night, and I already know I’m committed for the long haul. I’ve had the book on my shelves for a couple of months now but put off starting it until I had the (head)space to give it the attention it deserves.
I’m a fan of Danielewski’s work anyway, but this seems like something that reaches beyond even the best of his earlier writing. So many passages where I’m marvelling at the way he expresses both the mundane and the ineffable with such clarity and apparent ease.
There’s no comparable feeling, I think, to becoming truly lost in a grand work of the imagination.
-
I finally started to read Mark Z. Danielewski’s monumental novel Tom’s Crossing last night, and I already know I’m committed for the long haul. I’ve had the book on my shelves for a couple of months now but put off starting it until I had the (head)space to give it the attention it deserves.
I’m a fan of Danielewski’s work anyway, but this seems like something that reaches beyond even the best of his earlier writing. So many passages where I’m marvelling at the way he expresses both the mundane and the ineffable with such clarity and apparent ease.
There’s no comparable feeling, I think, to becoming truly lost in a grand work of the imagination.
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Boris Godunow von Mussorgsky nebenbei auf Russisch laufen lassen und dabei ein ›technisch‹ haarsträubendes Kapitel von #MarkZDanielewski|s »Tom’s Crossing« lesen.
⚠️ Struktur-Spoiler⚠️
Zu Beginn des Finales—letzten 312 von 1229 Seiten—gibts schon den Epilog! Dabei wendet Danielewski einen Kniff an, der mich bereits bei #AlanMoore|s »Jerusalem« schwer beeindruckt hat; vorzügliche Anknüpfung an antike Phantastik, wenn Sprache Gemälde einer Ausstellung vor den Augen der Lesys erscheinen lässt.
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Zu »Tom’s Crossing« (2025) von #MarkZDanielewski.
Klingt jetzt vielleicht arg banal, aber wenn der oberböse Familien-Patriarch einem Nachwuchsbösewicht — Freund von einem der zig mehr oder minder missraten-enttäuschenden Söhne des Alten — die Couch als Gästebett im übervollen Haus der harten Männer herrichtet, und den schlafenden Kerl noch Decke und Kissen holt, dann weiß ich mich in sehr guten Erzählerhänden.
Und die folgende Traum-Fuge der ganzen Burschen ist einfach nur 👌🧑🍳 😘!
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Please grant me the presence & compassion
to be open to what is Good for me.
Please grant me the strenghth & conviction
to endure what is Good for me.
Please grant me the wit & intelligence
to negotiate what is Good for me.
Please grant me the grace & courage
to love what is Good for me.
— Allison March in »Tom’s Crossing« (2025) by #MarkZDanielewski -
Please grant me the presence & compassion
to be open to what is Good for me.
Please grant me the strenghth & conviction
to endure what is Good for me.
Please grant me the wit & intelligence
to negotiate what is Good for me.
Please grant me the grace & courage
to love what is Good for me.
— Allison March in »Tom’s Crossing« (2025) by #MarkZDanielewski -
Please grant me the presence & compassion
to be open to what is Good for me.
Please grant me the strenghth & conviction
to endure what is Good for me.
Please grant me the wit & intelligence
to negotiate what is Good for me.
Please grant me the grace & courage
to love what is Good for me.
— Allison March in »Tom’s Crossing« (2025) by #MarkZDanielewski -
Please grant me the presence & compassion
to be open to what is Good for me.
Please grant me the strenghth & conviction
to endure what is Good for me.
Please grant me the wit & intelligence
to negotiate what is Good for me.
Please grant me the grace & courage
to love what is Good for me.
— Allison March in »Tom’s Crossing« (2025) by #MarkZDanielewski -
Please grant me the presence & compassion
to be open to what is Good for me.
Please grant me the strenghth & conviction
to endure what is Good for me.
Please grant me the wit & intelligence
to negotiate what is Good for me.
Please grant me the grace & courage
to love what is Good for me.
— Allison March in »Tom’s Crossing« (2025) by #MarkZDanielewski -
BTW: Gute YT-Playlist erstellt von ›a monster‹ für Lektüre von #MarkZDanielewski|s »Tom’s Crossing« (2025).
https://youtube.com/playlist?list=PLCNs9xj-uDP-fFXAhJKM1rC9A1NO44jiw
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BTW: Gute YT-Playlist erstellt von ›a monster‹ für Lektüre von #MarkZDanielewski|s »Tom’s Crossing« (2025).
https://youtube.com/playlist?list=PLCNs9xj-uDP-fFXAhJKM1rC9A1NO44jiw
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BTW: Gute YT-Playlist erstellt von ›a monster‹ für Lektüre von #MarkZDanielewski|s »Tom’s Crossing« (2025).
https://youtube.com/playlist?list=PLCNs9xj-uDP-fFXAhJKM1rC9A1NO44jiw
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BTW: Gute YT-Playlist erstellt von ›a monster‹ für Lektüre von #MarkZDanielewski|s »Tom’s Crossing« (2025).
https://youtube.com/playlist?list=PLCNs9xj-uDP-fFXAhJKM1rC9A1NO44jiw
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BTW: Gute YT-Playlist erstellt von ›a monster‹ für Lektüre von #MarkZDanielewski|s »Tom’s Crossing« (2025).
https://youtube.com/playlist?list=PLCNs9xj-uDP-fFXAhJKM1rC9A1NO44jiw
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Gerade eine Passage von »Tom’s Crossing« (2025) absolviert (S. 784-794 von 1229), die mich abermals schweißgebadet, mit Gänsehaut und dem Gefühl, einen waghalsigen Sprung geschafft zu haben entläßt. Und das wiederum nur, weil #MarkZDanielewski es versteht, das Abenteuer ›Mensch versus Natur‹ anhand von drei Teens, vier Pferden, einem Esel gegen die gleichgültige Erhabenheit von Bergmassiv, Gravitation, Wetter und Bergziegen zu beschreiben.
Kurz: Dieser Roman ist der komplette Wahnsinn.