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#tippihedren — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #tippihedren, aggregated by home.social.

  1. Alfred Hitchcock – „Die Vögel“ (1962)

    Die Natur schlägt zurück. Ich glaube, auf den Konsens können wir uns irgendwie einigen. So lautet auch die bequeme Lesart dieses Films von Alfred Hitchcock. Das ist ein Horror, als würden wir hier in 119 Minuten dem ökologischen Gleichgewicht beim Umkippen zusehen können. Doch für mich ist diese Geschichte viel weniger eine Parabel als eine echte Zumutung. Und weil es vermutlich immer noch Menschen gibt, die diesen Film noch nicht gesehen haben, schreibe ich mir das hier nochmal von der Seele. (ARTE, Wh.)

    Zum Blog: nexxtpress.de/mediathekperlen/
  2. Alfred Hitchcock – „Die Vögel“ (1962)

    Die Natur schlägt zurück. Ich glaube, auf den Konsens können wir uns irgendwie einigen. So lautet auch die bequeme Lesart dieses Films von Alfred Hitchcock. Das ist ein Horror, als würden wir hier in 119 Minuten dem ökologischen Gleichgewicht beim Umkippen zusehen können. Doch für mich ist diese Geschichte viel weniger eine Parabel als eine echte Zumutung. Und weil es vermutlich immer noch Menschen gibt, die diesen Film noch nicht gesehen haben, schreibe ich mir das hier nochmal von der Seele. (ARTE, Wh.)

    Zum Blog: nexxtpress.de/mediathekperlen/
  3. Alfred Hitchcock – „Die Vögel“ (1962)

    Die Natur schlägt zurück. Ich glaube, auf den Konsens können wir uns irgendwie einigen. So lautet auch die bequeme Lesart dieses Films von Alfred Hitchcock. Das ist ein Horror, als würden wir hier in 119 Minuten dem ökologischen Gleichgewicht beim Umkippen zusehen können. Doch für mich ist diese Geschichte viel weniger eine Parabel als eine echte Zumutung. Und weil es vermutlich immer noch Menschen gibt, die diesen Film noch nicht gesehen haben, schreibe ich mir das hier nochmal von der Seele. (ARTE, Wh.)

    Zum Blog: nexxtpress.de/mediathekperlen/
  4. Alfred Hitchcock – „Die Vögel“ (1962)

    Die Natur schlägt zurück. Ich glaube, auf den Konsens können wir uns irgendwie einigen. So lautet auch die bequeme Lesart dieses Films von Alfred Hitchcock. Das ist ein Horror, als würden wir hier in 119 Minuten dem ökologischen Gleichgewicht beim Umkippen zusehen können. Doch für mich ist diese Geschichte viel weniger eine Parabel als eine echte Zumutung. Und weil es vermutlich immer noch Menschen gibt, die diesen Film noch nicht gesehen haben, schreibe ich mir das hier nochmal von der Seele. (ARTE, Wh.)

    Zum Blog: nexxtpress.de/mediathekperlen/
  5. Alfred Hitchcock – „Die Vögel“ (1962)

    Die Natur schlägt zurück. Ich glaube, auf den Konsens können wir uns irgendwie einigen. So lautet auch die bequeme Lesart dieses Films von Alfred Hitchcock. Das ist ein Horror, als würden wir hier in 119 Minuten dem ökologischen Gleichgewicht beim Umkippen zusehen können. Doch für mich ist diese Geschichte viel weniger eine Parabel als eine echte Zumutung. Und weil es vermutlich immer noch Menschen gibt, die diesen Film noch nicht gesehen haben, schreibe ich mir das hier nochmal von der Seele. (ARTE, Wh.)

    Zum Blog: nexxtpress.de/mediathekperlen/
  6. Melanie Griffith Marks Birthday in Rare Three-Generation Hollywood Sighting

    Melanie Griffith Marks Birthday in Rare Three-Generation Hollywood Sighting originally appeared on Parade. Melanie Griffith celebrated her 68th…
    #NewsBeep #News #Celebrities #AU #Australia #blackgown #dakotajohnson #daughterMelanie #Entertainment #hollywood #MelanieGriffith #TippiHedren
    newsbeep.com/au/61181/

  7. #BehindTheScenes
    #TheBirds (1963)
    A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people.

    #TippiHedren close up

  8. #BehindTheScenes
    #TheBirds (1963) 🐦‍⬛
    A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people.

    #AlfredHitchcock #TippiHedren on set.

  9. "I really like birds. Everyone always wants me to say that I can't stand to go near them, just like they want Janet Leigh to confess that she can't bear to take a shower. Well, I'm sorry to disappoint you.”

    Tippi Hedren is 95 today.

    #TheBirds #TippiHedren

  10. Roar (1981)

    ☆☆☆☆

    Parfaitement insignifiant et anecdotique (...) le film se gargarise avec ses anecdotes de tournage.

    ✍️ La suite ici :
    senscritique.com/film/roar/cri

    #Roar #NoelMarshall #TippiHedren #MelanieGriffith #Film #Cinema

  11. ~ Horror/Thriller III ~
    Vote for the best #movie in the bracket

    The Shining 80
    Dracula 31
    The Birds 63
    The Thing 82

    #JackNicholson #BelaLugosi
    #TippiHedren #KurtRussell

  12. #BehindTheScenes
    #TheBirds (1963)
    Wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people.

    #TippiHedren as Melanie Daniels.
    #FilmMastodon 📽️ 🎬

  13. "There's no place to go!" Alfred Hitchcock's stark adaptation of Daphne du Maurier's eerie 1952 Cornish horror story "The Birds" turned 60 years old this week.

    Check out Steven West's celebration of its many pleasures in this new article, now live on the site:

    cinerequiem.com/2023/04/alfred

    #AlfredHitchcock #Hitchcock #DaphneDuMaurier #TippiHedren #RodTaylor #JessicaTandy #SuzannePleshette #VeronicaCartwright #HorrorMovies #ClassicHorror #EcoHorror #Horror #CineRequeim #Cinemastodon

  14. "There's no place to go!" Alfred Hitchcock's stark adaptation of Daphne du Maurier's eerie 1952 Cornish horror story "The Birds" turned 60 years old this week.

    Check out Steven West's celebration of its many pleasures in this new article, now live on the site:

    cinerequiem.com/2023/04/alfred

    #AlfredHitchcock #Hitchcock #DaphneDuMaurier #TippiHedren #RodTaylor #JessicaTandy #SuzannePleshette #VeronicaCartwright #HorrorMovies #ClassicHorror #EcoHorror #Horror #CineRequeim #Cinemastodon

  15. "There's no place to go!" Alfred Hitchcock's stark adaptation of Daphne du Maurier's eerie 1952 Cornish horror story "The Birds" turned 60 years old this week.

    Check out Steven West's celebration of its many pleasures in this new article, now live on the site:

    cinerequiem.com/2023/04/alfred

    #AlfredHitchcock #Hitchcock #DaphneDuMaurier #TippiHedren #RodTaylor #JessicaTandy #SuzannePleshette #VeronicaCartwright #HorrorMovies #ClassicHorror #EcoHorror #Horror #CineRequeim #Cinemastodon

  16. "There's no place to go!" Alfred Hitchcock's stark adaptation of Daphne du Maurier's eerie 1952 Cornish horror story "The Birds" turned 60 years old this week.

    Check out Steven West's celebration of its many pleasures in this new article, now live on the site:

    cinerequiem.com/2023/04/alfred

    #AlfredHitchcock #Hitchcock #DaphneDuMaurier #TippiHedren #RodTaylor #JessicaTandy #SuzannePleshette #VeronicaCartwright #HorrorMovies #ClassicHorror #EcoHorror #Horror #CineRequeim #Cinemastodon

  17. "There's no place to go!" Alfred Hitchcock's stark adaptation of Daphne du Maurier's eerie 1952 Cornish horror story "The Birds" turned 60 years old this week.

    Check out Steven West's celebration of its many pleasures in this new article, now live on the site:

    cinerequiem.com/2023/04/alfred

    #AlfredHitchcock #Hitchcock #DaphneDuMaurier #TippiHedren #RodTaylor #JessicaTandy #SuzannePleshette #VeronicaCartwright #HorrorMovies #ClassicHorror #EcoHorror #Horror #CineRequeim #Cinemastodon

  18. "I really like birds. Everyone always wants me to say that I can't stand to go near them, just like they want Janet Leigh to confess that she can't bear to take a shower. Well, I'm sorry to disappoint you.”
    #TippiHedren

    The star of Hitchcock’s #TheBirds (1963) and #Marnie (1964) is 93 today.

    #ClassicFilm #OldHollywood #FilmMastodon #AlfredHitchcock

  19. The Trouble with Harry’s grammar

    Alfred Hitchcock’s comedy-thriller The Trouble with Harry (1955), amidst all its talk of murder and romance, has a fun little exchange of sociolinguistic interest between John Forsythe (‘Sam Marlowe’) and Edmund Gwenn (‘Capt. Albert Wiles’):

    Marlowe’s correction is notable for being relatively polite. Those who correct others’ speech uninvited often do so in a rude and judgemental way. Marlowe corrects Wiles gently and off-handedly, as though automatically correcting a child. Indeed, Wiles doesn’t even notice and reacts as if Marlowe had merely echoed him. For good measure he adds another nonstandard usage: past tense say for said.

    That Miles doesn’t pick up on the prescriptive nudge also chimes with what happens when children have their speech corrected – they tend to repeat what they said rather than immediately adopt the ‘proper’ form. Abby Kaplan, in her excellent book about language myths, Women Talk More than Men, reviews the research and concludes:

    Some parents tend to repeat or expand on their children’s utterances, but it is unclear whether children actually use this kind of feedback to correct their own speech. Since there are societies in which this kind of interaction is rare, it is unlikely that repetitions and expansions are absolutely necessary for language acquisition.

    Of course, Captain Wiles has already fully acquired his language: it’s just that the variety or dialect he uses differs in some respects from standardized English, prompting Marlowe’s useless intervention.

    The script for The Trouble with Harry was written by John Michael Hayes. I don’t know if the same exchange appears in the source novel by Jack Trevor Story, but Hitchcock obviously liked it. He featured another linguistic allusion, to Alfred Korzybski and his General Semantics, in The Birds:

    Hitchcock’s interest in usage also manifests in a letter he wrote to Ernest Lehman, writer of North by Northwest, in which he wondered, in a parenthetical aside, if his use of while should be whilst. I covered the whilst, amongst, amidst issue in a previous post.

    #AbbyKaplan #acting #AlfredHitchcock #AlfredKorzybski #dialect #EdmundGwenn #ethnolinguistics #film #GeneralSemantics #grammar #humour #language #languageAcquisition #linguistics #prescriptivism #sociolinguistics #TheBirds #TheTroubleWithHarry #TippiHedren #usage #whilst
  20. The Trouble with Harry’s grammar

    Alfred Hitchcock’s comedy-thriller The Trouble with Harry (1955), amidst all its talk of murder and romance, has a fun little exchange of sociolinguistic interest between John Forsythe (‘Sam Marlowe’) and Edmund Gwenn (‘Capt. Albert Wiles’):

    Marlowe’s correction is notable for being relatively polite. Those who correct others’ speech uninvited often do so in a rude and judgemental way. Marlowe corrects Wiles gently and off-handedly, as though automatically correcting a child. Indeed, Wiles doesn’t even notice and reacts as if Marlowe had merely echoed him. For good measure he adds another nonstandard usage: past tense say for said.

    That Miles doesn’t pick up on the prescriptive nudge also chimes with what happens when children have their speech corrected – they tend to repeat what they said rather than immediately adopt the ‘proper’ form. Abby Kaplan, in her excellent book about language myths, Women Talk More than Men, reviews the research and concludes:

    Some parents tend to repeat or expand on their children’s utterances, but it is unclear whether children actually use this kind of feedback to correct their own speech. Since there are societies in which this kind of interaction is rare, it is unlikely that repetitions and expansions are absolutely necessary for language acquisition.

    Of course, Captain Wiles has already fully acquired his language: it’s just that the variety or dialect he uses differs in some respects from standardized English, prompting Marlowe’s useless intervention.

    The script for The Trouble with Harry was written by John Michael Hayes. I don’t know if the same exchange appears in the source novel by Jack Trevor Story, but Hitchcock obviously liked it. He featured another linguistic allusion, to Alfred Korzybski and his General Semantics, in The Birds:

    Hitchcock’s interest in usage also manifests in a letter he wrote to Ernest Lehman, writer of North by Northwest, in which he wondered, in a parenthetical aside, if his use of while should be whilst. I covered the whilst, amongst, amidst issue in a previous post.

    #AbbyKaplan #acting #AlfredHitchcock #AlfredKorzybski #dialect #EdmundGwenn #ethnolinguistics #film #GeneralSemantics #grammar #humour #language #languageAcquisition #linguistics #prescriptivism #sociolinguistics #TheBirds #TheTroubleWithHarry #TippiHedren #usage #whilst