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  1. Zach Cregger Presents Literally the Greatest “Resident Evil” Film in World History

    Previously on Midlife Crisis Crossover: Horror won big at the Academy Awards! While Sinners and Frankenstein carted off a combined seven categories on behalf of the 2025 field, Zach Cregger's child-abduction plot-twister Weapons darted out of its own dark corner and took home Best Supporting Actress for Amy Madigan -- best known by Gen-X as Field of Dreams' Concerned Wife and Uncle Buck's annoyed girlfriend -- who was completely unrecognizable as the mysterious Aunt Gladys, a fiend who one day might be called "iconic" once enough time has passed that revealing her existence isn't a major spoiler in itself. (I hated skating around her gloriously creepy performance in my own write-up, but knowing nothing made her entrance all the more unnerving to see.) Like Cregger's debut Barbarian, Weapons was a sharply crafted, time-shifting puzzlebox that didn't even reveal the spooky subgenre at its core till you're lured halfway inside. Its staggering box office performance was even more surprising, and heralded this year's high-grossing horror wave that's seen films like Obsession and Backrooms luring millions back to theaters without the sort of old-fashioned Hollywood star power that once made for reliable audience bait. It's less surprising that some corporation would take heed and entice Cregger to inject new life and/or financial viability into one of their stagnant IPs. The lucky winner of his undivided attention is Resident Evil, the long-running game series that scrounged up seven films' worth of zombie-virus mayhem, some of which I watched on a DVD boxed set I bought at a yard sale for a buck, then paid it forward to Goodwill. (I don't remember how many of 'em it had -- at least the first two.) Of the games, I only played through a few levels' worth of RE4 on my son's old PS2 -- maybe 15 years ago? -- till I found myself wishing there were a Bethesda Studios-style option for Leon to shove the President's daughter Ashley off a roof, accept the bad karma and keep playing through. So I'm not an authority on the world of Raccoon City or the Umbrella Corporation unless seeing dozens of RE cosplayers in every Dragon Con parade counts. […]

    midlifecrisiscrossover.com/202

  2. Zach Cregger Presents Literally the Greatest “Resident Evil” Film in World History

    Previously on Midlife Crisis Crossover: Horror won big at the Academy Awards! While Sinners and Frankenstein carted off a combined seven categories on behalf of the 2025 field, Zach Cregger's child-abduction plot-twister Weapons darted out of its own dark corner and took home Best Supporting Actress for Amy Madigan -- best known by Gen-X as Field of Dreams' Concerned Wife and Uncle Buck's annoyed girlfriend -- who was completely unrecognizable as the mysterious Aunt Gladys, a fiend who one day might be called "iconic" once enough time has passed that revealing her existence isn't a major spoiler in itself. (I hated skating around her gloriously creepy performance in my own write-up, but knowing nothing made her entrance all the more unnerving to see.) Like Cregger's debut Barbarian, Weapons was a sharply crafted, time-shifting puzzlebox that didn't even reveal the spooky subgenre at its core till you're lured halfway inside. Its staggering box office performance was even more surprising, and heralded this year's high-grossing horror wave that's seen films like Obsession and Backrooms luring millions back to theaters without the sort of old-fashioned Hollywood star power that once made for reliable audience bait. It's less surprising that some corporation would take heed and entice Cregger to inject new life and/or financial viability into one of their stagnant IPs. The lucky winner of his undivided attention is Resident Evil, the long-running game series that scrounged up seven films' worth of zombie-virus mayhem, some of which I watched on a DVD boxed set I bought at a yard sale for a buck, then paid it forward to Goodwill. (I don't remember how many of 'em it had -- at least the first two.) Of the games, I only played through a few levels' worth of RE4 on my son's old PS2 -- maybe 15 years ago? -- till I found myself wishing there were a Bethesda Studios-style option for Leon to shove the President's daughter Ashley off a roof, accept the bad karma and keep playing through. So I'm not an authority on the world of Raccoon City or the Umbrella Corporation unless seeing dozens of RE cosplayers in every Dragon Con parade counts. […]

    midlifecrisiscrossover.com/202

  3. Zach Cregger Presents Literally the Greatest “Resident Evil” Film in World History

    Previously on Midlife Crisis Crossover: Horror won big at the Academy Awards! While Sinners and Frankenstein carted off a combined seven categories on behalf of the 2025 field, Zach Cregger's child-abduction plot-twister Weapons darted out of its own dark corner and took home Best Supporting Actress for Amy Madigan -- best known by Gen-X as Field of Dreams' Concerned Wife and Uncle Buck's annoyed girlfriend -- who was completely unrecognizable as the mysterious Aunt Gladys, a fiend who one day might be called "iconic" once enough time has passed that revealing her existence isn't a major spoiler in itself. (I hated skating around her gloriously creepy performance in my own write-up, but knowing nothing made her entrance all the more unnerving to see.) Like Cregger's debut Barbarian, Weapons was a sharply crafted, time-shifting puzzlebox that didn't even reveal the spooky subgenre at its core till you're lured halfway inside. Its staggering box office performance was even more surprising, and heralded this year's high-grossing horror wave that's seen films like Obsession and Backrooms luring millions back to theaters without the sort of old-fashioned Hollywood star power that once made for reliable audience bait. It's less surprising that some corporation would take heed and entice Cregger to inject new life and/or financial viability into one of their stagnant IPs. The lucky winner of his undivided attention is Resident Evil, the long-running game series that scrounged up seven films' worth of zombie-virus mayhem, some of which I watched on a DVD boxed set I bought at a yard sale for a buck, then paid it forward to Goodwill. (I don't remember how many of 'em it had -- at least the first two.) Of the games, I only played through a few levels' worth of RE4 on my son's old PS2 -- maybe 15 years ago? -- till I found myself wishing there were a Bethesda Studios-style option for Leon to shove the President's daughter Ashley off a roof, accept the bad karma and keep playing through. So I'm not an authority on the world of Raccoon City or the Umbrella Corporation unless seeing dozens of RE cosplayers in every Dragon Con parade counts. […]

    midlifecrisiscrossover.com/202

  4. Zach Cregger Presents Literally the Greatest “Resident Evil” Film in World History

    Previously on Midlife Crisis Crossover: Horror won big at the Academy Awards! While Sinners and Frankenstein carted off a combined seven categories on behalf of the 2025 field, Zach Cregger's child-abduction plot-twister Weapons darted out of its own dark corner and took home Best Supporting Actress for Amy Madigan -- best known by Gen-X as Field of Dreams' Concerned Wife and Uncle Buck's annoyed girlfriend -- who was completely unrecognizable as the mysterious Aunt Gladys, a fiend who one day might be called "iconic" once enough time has passed that revealing her existence isn't a major spoiler in itself. (I hated skating around her gloriously creepy performance in my own write-up, but knowing nothing made her entrance all the more unnerving to see.) Like Cregger's debut Barbarian, Weapons was a sharply crafted, time-shifting puzzlebox that didn't even reveal the spooky subgenre at its core till you're lured halfway inside. Its staggering box office performance was even more surprising, and heralded this year's high-grossing horror wave that's seen films like Obsession and Backrooms luring millions back to theaters without the sort of old-fashioned Hollywood star power that once made for reliable audience bait. It's less surprising that some corporation would take heed and entice Cregger to inject new life and/or financial viability into one of their stagnant IPs. The lucky winner of his undivided attention is Resident Evil, the long-running game series that scrounged up seven films' worth of zombie-virus mayhem, some of which I watched on a DVD boxed set I bought at a yard sale for a buck, then paid it forward to Goodwill. (I don't remember how many of 'em it had -- at least the first two.) Of the games, I only played through a few levels' worth of RE4 on my son's old PS2 -- maybe 15 years ago? -- till I found myself wishing there were a Bethesda Studios-style option for Leon to shove the President's daughter Ashley off a roof, accept the bad karma and keep playing through. So I'm not an authority on the world of Raccoon City or the Umbrella Corporation unless seeing dozens of RE cosplayers in every Dragon Con parade counts. […]

    midlifecrisiscrossover.com/202

  5. Zach Cregger Presents Literally the Greatest “Resident Evil” Film in World History

    Previously on Midlife Crisis Crossover: Horror won big at the Academy Awards! While Sinners and Frankenstein carted off a combined seven categories on behalf of the 2025 field, Zach Cregger's child-abduction plot-twister Weapons darted out of its own dark corner and took home Best Supporting Actress for Amy Madigan -- best known by Gen-X as Field of Dreams' Concerned Wife and Uncle Buck's annoyed girlfriend -- who was completely unrecognizable as the mysterious Aunt Gladys, a fiend who one day might be called "iconic" once enough time has passed that revealing her existence isn't a major spoiler in itself. (I hated skating around her gloriously creepy performance in my own write-up, but knowing nothing made her entrance all the more unnerving to see.) Like Cregger's debut Barbarian, Weapons was a sharply crafted, time-shifting puzzlebox that didn't even reveal the spooky subgenre at its core till you're lured halfway inside. Its staggering box office performance was even more surprising, and heralded this year's high-grossing horror wave that's seen films like Obsession and Backrooms luring millions back to theaters without the sort of old-fashioned Hollywood star power that once made for reliable audience bait. It's less surprising that some corporation would take heed and entice Cregger to inject new life and/or financial viability into one of their stagnant IPs. The lucky winner of his undivided attention is Resident Evil, the long-running game series that scrounged up seven films' worth of zombie-virus mayhem, some of which I watched on a DVD boxed set I bought at a yard sale for a buck, then paid it forward to Goodwill. (I don't remember how many of 'em it had -- at least the first two.) Of the games, I only played through a few levels' worth of RE4 on my son's old PS2 -- maybe 15 years ago? -- till I found myself wishing there were a Bethesda Studios-style option for Leon to shove the President's daughter Ashley off a roof, accept the bad karma and keep playing through. So I'm not an authority on the world of Raccoon City or the Umbrella Corporation unless seeing dozens of RE cosplayers in every Dragon Con parade counts. […]

    midlifecrisiscrossover.com/202

  6. 🎬 La “Cregger Cut” di Resident Evil è già quella al cinema: nessuna versione estesa in arrivo, solo l’esperienza pensata dal regista. #ResidentEvil #ZachCregger

    🔗 spaziogames.it/articoli/reside

  7. 🎬 La “Cregger Cut” di Resident Evil è già quella al cinema: nessuna versione estesa in arrivo, solo l’esperienza pensata dal regista. #ResidentEvil #ZachCregger

    🔗 spaziogames.it/articoli/reside

  8. 🎬 La “Cregger Cut” di Resident Evil è già quella al cinema: nessuna versione estesa in arrivo, solo l’esperienza pensata dal regista. #ResidentEvil #ZachCregger

    🔗 spaziogames.it/articoli/reside

  9. 🎬 La “Cregger Cut” di Resident Evil è già quella al cinema: nessuna versione estesa in arrivo, solo l’esperienza pensata dal regista. #ResidentEvil #ZachCregger

    🔗 spaziogames.it/articoli/reside

  10. Box Office Global: ‘Resident Evil’ $108M WW Franchise, Zach Cregger Record; ‘Coyote vs. Acme’ Approaches $100M

    UPDATED: TriStar Pictures/Constantin Film/Davis Films’ Resident Evil rang up a massive $108.3M worldwide, not only the best start…
    #NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Entertainment #ResidentEvil #Sony #ZachCregger
    newsbeep.com/us/856375/

  11. Box Office Global: ‘Resident Evil’ $108M WW Franchise, Zach Cregger Record; ‘Coyote vs. Acme’ Approaches $100M

    UPDATED: TriStar Pictures/Constantin Film/Davis Films’ Resident Evil rang up a massive $108.3M worldwide, not only the best start…
    #NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Entertainment #ResidentEvil #Sony #ZachCregger
    newsbeep.com/us/856375/

  12. Movie TV Tech Geeks #MovieNews #ZachCregger #ResidentEvil Zach Cregger Officially Confirms He Never Watched a ‘Resident Evil’ Movie Before Directing One dlvr.it/TVZz8G

  13. Movie TV Tech Geeks #MovieNews #ZachCregger #ResidentEvil Zach Cregger Officially Confirms He Never Watched a ‘Resident Evil’ Movie Before Directing One dlvr.it/TVZz8G

  14. Movie TV Tech Geeks #MovieNews #ZachCregger #ResidentEvil Zach Cregger Officially Confirms He Never Watched a ‘Resident Evil’ Movie Before Directing One dlvr.it/TVZz8G

  15. Movie TV Tech Geeks #MovieNews #ZachCregger #ResidentEvil Zach Cregger Officially Confirms He Never Watched a ‘Resident Evil’ Movie Before Directing One dlvr.it/TVZz8G

  16. Movie TV Tech Geeks #MovieNews #ZachCregger #ResidentEvil Zach Cregger Officially Confirms He Never Watched a ‘Resident Evil’ Movie Before Directing One dlvr.it/TVZz8G

  17. Resident Evil Review: Zach Cregger's Excellent Survival Horror

    There have been plenty of attempts to bring Resident Evil back to the big screen, but few have understood what makes Capcom’s video game franchise so enduring quite like Zach Cregger’s Resident Evil....

    #AustinAbrams #KaliReis #ResidentEvil #ZachCherry #ZachCregger

    themovieblog.com/2026/09/resid

  18. Why Zach Cregger’s ‘Resident Evil’ Was Such a Big Box Office Hit

    “Resident Evil,” Zach Cregger‘s reimagining of the popular film series, grossed more in its opening weekend than the…
    #NewsBeep #News #Movies #boxoffice #CA #Canada #Entertainment #Film #ResidentEvil #ZachCregger
    newsbeep.com/ca/903596/