#rammstein — Public Fediverse posts

https://www.europesays.com/at/158942/ Deutsche Popstars schrieben Brandbrief wegen Wiederverkaufsportalen: Ticket-Wut! Regierung will Preisexplosion stoppen | Politik #Abzocke #AT #Austria #Bundesregierung #CDU #DieÄrzte #Entertainment #Justizministerin #Konzert #Music #Musik #Österreich #Rammstein #SPD #Tournee #Unterhaltung

¿El amor es como una flor que se va deteriorando o es posible hablar del amor eterno e incondicional?
¿Vivimos en #matrix donde el dualismo define nuestra existencia como un sueño de una realidad?
Du Hast
#rammstein
https://www.youtube.com/watch?v=W3q8Od5qJio

@koehntopp Erinnert mich ja fast an den Klassiker hier:

https://www.youtube.com/watch?v=EOnSh3QlpbQ

#IchWill #Rammstein

#Meanwhile...

111m+ #Views... #Later...

🧙:europe:🤖:wolfparty:🤖:europe:🧙 | :Polymaths:🦹:fediverse:🦄:fediverse:🦹:Polymaths:

#Rammstein: Dicke Titten (Official Video)

https://www.youtube.com/watch?v=thJgU9jkdU4

🤘 Any metal fans out there? I spotted this familiar floral-shape window in a Powerwolf music video, for Army Of The Night. This iconic abandoned location is Beelitz Heilstätten, a large abandoned hospital complex on the outskirts of Berlin.

Several movies have been filmed here. The Pianist (2002), Valkyrie (2008) and A Cure for Wellness (2016). Also, the video for Rammstein “Mein Herz Brennt”.

#Beelitz #AbandonedPlaces #Powerwolf #Rammstein #Metal #Metalhead #Music #Photography

🤘 Any metal fans out there? I spotted this familiar floral-shape window in a Powerwolf music video, for Army Of The Night. This iconic abandoned location is Beelitz Heilstätten, a large abandoned hospital complex on the outskirts of Berlin.

Several movies have been filmed here. The Pianist (2002), Valkyrie (2008) and A Cure for Wellness (2016). Also, the video for Rammstein “Mein Herz Brennt”.

#Beelitz #AbandonedPlaces #Powerwolf #Rammstein #Metal #Metalhead #Music #Photography

🤘 Any metal fans out there? I spotted this familiar floral-shape window in a Powerwolf music video, for Army Of The Night. This iconic abandoned location is Beelitz Heilstätten, a large abandoned hospital complex on the outskirts of Berlin.

Several movies have been filmed here. The Pianist (2002), Valkyrie (2008) and A Cure for Wellness (2016). Also, the video for Rammstein “Mein Herz Brennt”.

#Beelitz #AbandonedPlaces #Powerwolf #Rammstein #Metal #Metalhead #Music #Photography

🤘 Any metal fans out there? I spotted this familiar floral-shape window in a Powerwolf music video, for Army Of The Night. This iconic abandoned location is Beelitz Heilstätten, a large abandoned hospital complex on the outskirts of Berlin.

Several movies have been filmed here. The Pianist (2002), Valkyrie (2008) and A Cure for Wellness (2016). Also, the video for Rammstein “Mein Herz Brennt”.

#Beelitz #AbandonedPlaces #Powerwolf #Rammstein #Metal #Metalhead #Music #Photography

🤘 Any metal fans out there? I spotted this familiar floral-shape window in a Powerwolf music video, for Army Of The Night. This iconic abandoned location is Beelitz Heilstätten, a large abandoned hospital complex on the outskirts of Berlin.

Several movies have been filmed here. The Pianist (2002), Valkyrie (2008) and A Cure for Wellness (2016). Also, the video for Rammstein “Mein Herz Brennt”.

#Beelitz #AbandonedPlaces #Powerwolf #Rammstein #Metal #Metalhead #Music #Photography

1/2 Today and yesterday was the Kalken, Belgium #LEGO exhibit and saw some awesome displays. Most eye catching was the #RAMMSTEIN podium with smoke effects and a huge, in minifig scale, working screen. #Pirates #bricks

Deutschland kann es Trump gleichtun und sämtliche #US-Basen in Deutschland #schließen ❗️❗️

Trump würde blöd aus der Wäsche gucken 🤷‍♂️

#Rammstein #CDU #CSU #SPD

https://www.europesays.com/at/130371/ Till Lindemann gewinnt erneut gegen Verlag Kiepenheuer & Witsch #AT #Austria #Entertainment #Gericht #Kiepenheuer&Witsch #Music #Musik #Österreich #Rammstein #Sieg #TillLindemann #Unterhaltung #Urteil #Verlag

Gilded Geometry (version 1)

This is AI song about my love for Art Deco but in the Rammstein style.

https://sonauto.ai/song/4f471d43-7010-4183-8923-eee483a3a6cf

#gilded #geometry #artdeco #rammstein #aimusic #aisong #aigenerated #sonauto

Rammstein becomes its own monster 😈

Rammstein se convierte en su propio monstruo 😈
#metal #rammstein #music #industrialmetal #vinyl

Rammstein becomes its own monster 😈

Rammstein se convierte en su propio monstruo 😈
#metal #rammstein #music #industrialmetal #vinyl

Rammstein becomes its own monster 😈

Rammstein se convierte en su propio monstruo 😈
#metal #rammstein #music #industrialmetal #vinyl

Rammstein becomes its own monster 😈

Rammstein se convierte en su propio monstruo 😈
#metal #rammstein #music #industrialmetal #vinyl

Rammstein becomes its own monster 😈

Rammstein se convierte en su propio monstruo 😈
#metal #rammstein #music #industrialmetal #vinyl

Lord of the Lost – Opvs Noir Vol. 3 Review

With 33 songs and over two hours of music, Lord of the Lost has written an ambitious trilogy,…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2.5 #2026 #Apr26 #CatsinSpace #DuranDuran #Entertainment #GermanMetal #GothicMetal #KissinDynamite #LordoftheLost #NapalmRecords #OpvsNoirVol.3 #PopMetal #Rammstein #review #reviews #SaltatioMortis #SymphonicMetal #Wednesday13 #Xandria
https://www.newsbeep.com/us/585780/

Lord of the Lost – Opvs Noir Vol. 3 Review

With 33 songs and over two hours of music, Lord of the Lost has written an ambitious trilogy,…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2.5 #2026 #Apr26 #CatsinSpace #DuranDuran #Entertainment #GermanMetal #GothicMetal #KissinDynamite #LordoftheLost #NapalmRecords #OpvsNoirVol.3 #PopMetal #Rammstein #review #reviews #SaltatioMortis #SymphonicMetal #Wednesday13 #Xandria
https://www.newsbeep.com/us/585780/

https://www.europesays.com/uk/895725/ Lord of the Lost – Opvs Noir Vol. 3 Review #25 #2026 #Apr26 #CatsInSpace #DuranDuran #Entertainment #GermanMetal #GothicMetal #KissinDynamite #LordOfTheLost #music #NapalmRecords #OpvsNoirVol3 #PopMetal #Rammstein #Review #Reviews #SaltatioMortis #SymphonicMetal #UK #UnitedKingdom #Wednesday13 #Xandria

With 33 songs and over two hours of music, Lord of the Lost has written an ambitious trilogy, mercifully spread across eight months rather than released all at once. On Opvs Noir, the band leans into the darker, more gothic aspects of their pop-infused metal, bringing plenty of guest collaborators aboard to keep things spicy. The first two volumes of this opvs have proven a success, with creative instrumentation and an affecting performance from frontman Chris Harms. The question is whether Lord of the Lost can keep up the momentum across another 11 tracks on Vol. 3. The finale of an ambitious project such as this can often feel bittersweet, as it marks the end of something you have (hopefully) come to love, or, like the finales to the Mission Impossible series or Daniel Craig’s James Bond run, it can just be plain disappointing.

Unlike the more energetic, sometimes ostentatious arrangements of the prior two records, Vol. 3 proves to be a much mellower affair. The gothic symphonic elements often pair with softer pop/rock tunes, many of which aim at mood over hooks. Opener “Kill the Lights” starts off with a poppy beat, some cellos, and a growling Chris Harms, and though the chorus might not stick, it’s an overall good song. The moodier pieces don’t always work, however. “The Shadows Within,” which alternates between slower pop and higher energy techno-pop, is largely forgettable. The minimalist finale, “The Days of Our Lives,” serves as a disappointing send-off for the trilogy, though Harms, as usual, makes it worthwhile with his melodic cadence. Though overall less exciting, Vol. 3 does offer plenty of catchy ballads and duets, including “La Vie Est Hell,” performed with departing Kissin’ Dynamite frontman, Hannes Braun.1 It doesn’t do anything fancy, yet I find it often playing in my head on repeat.2

Opvs Noir Vol. 3 does milk some variety out of a couple of pop-related themes coursing through it: empowerment and doomed love. The two most upbeat tunes, “I’m a Diamond” and “I Hate People,” play out as Rammstein techno-industrial pop anthems for people who don’t quite fit in with mainstream society. While “I’m a Diamond” is the catchiest song on offer, the lyrics are a touch contrived.3 “I Hate People” turns the misanthropic-sounding title on its head by directing its ire towards those who seek to force their limited ideology on others.4 Lyrically, the synth-heavy, hip-hop adjacent “My Funeral” is my favorite, containing tongue-in-cheek lyrics where Harms proclaims that “Black is my happy colour” and “I’m gonna, gonna wear / Pink to my funeral.” Rounding out the pop themes are a few love songs, from the Duran Duran-inspired synth pop track, “Square One,” complete with ’80s toms, to a touching duet with Ambre Vourvahis (Xandria). These touches do help keep a rather mild record from growing stale.

While the songs here are well-written, produced, and performed, there’s no denying that it feels as if Lord of the Lost ran out of gas by Vol. 3. The hooks just don’t come as easily, and the lower energy levels feel like a letdown compared to the highs of the first two volumes. One issue is the blandness of the guitars. While creative riffing has not been one of Lord of the Lost’s fortes, they made up for it in the past with more creative arrangements. The generic riffs that fire up on choruses from “The Shadows Within” to “Your Love is Colder Than Death” feel like halfhearted attempts to inject some life into tepid tunes. Much more effective is the penultimate song, “Take Me Far Away,” which ends with an exciting burst of drums and riffs that brings the record to life, albeit briefly.5

This finale ends up bittersweet, feeling more like a whimper than a bang. Yet for fans of Chris Harms and co., it’s not a total loss. Chris Harms is able to elevate even the blandest of tunes; there’s not a single bad song, though many are only mildly enjoyable. Unlike a lot of the dreck that some of the more popular metal bands release, however, Lord of the Lost puts a lot of thought and care into their music, and the Opvs Noir trilogy has plenty to offer those who like their metal less extreme, yet still carrying an edge.



Rating: 2.5/5.0
DR: N/A | Format Reviewed: Stream
Label: Napalm Records
Websites: Bandcamp | Facebook | Official Site
Releases Worldwide: April 10th, 2026

With 33 songs and over two hours of music, Lord of the Lost has written an ambitious trilogy, mercifully spread across eight months rather than released all at once. On Opvs Noir, the band leans into the darker, more gothic aspects of their pop-infused metal, bringing plenty of guest collaborators aboard to keep things spicy. The first two volumes of this opvs have proven a success, with creative instrumentation and an affecting performance from frontman Chris Harms. The question is whether Lord of the Lost can keep up the momentum across another 11 tracks on Vol. 3. The finale of an ambitious project such as this can often feel bittersweet, as it marks the end of something you have (hopefully) come to love, or, like the finales to the Mission Impossible series or Daniel Craig’s James Bond run, it can just be plain disappointing.

Unlike the more energetic, sometimes ostentatious arrangements of the prior two records, Vol. 3 proves to be a much mellower affair. The gothic symphonic elements often pair with softer pop/rock tunes, many of which aim at mood over hooks. Opener “Kill the Lights” starts off with a poppy beat, some cellos, and a growling Chris Harms, and though the chorus might not stick, it’s an overall good song. The moodier pieces don’t always work, however. “The Shadows Within,” which alternates between slower pop and higher energy techno-pop, is largely forgettable. The minimalist finale, “The Days of Our Lives,” serves as a disappointing send-off for the trilogy, though Harms, as usual, makes it worthwhile with his melodic cadence. Though overall less exciting, Vol. 3 does offer plenty of catchy ballads and duets, including “La Vie Est Hell,” performed with departing Kissin’ Dynamite frontman, Hannes Braun.1 It doesn’t do anything fancy, yet I find it often playing in my head on repeat.2

Opvs Noir Vol. 3 does milk some variety out of a couple of pop-related themes coursing through it: empowerment and doomed love. The two most upbeat tunes, “I’m a Diamond” and “I Hate People,” play out as Rammstein techno-industrial pop anthems for people who don’t quite fit in with mainstream society. While “I’m a Diamond” is the catchiest song on offer, the lyrics are a touch contrived.3 “I Hate People” turns the misanthropic-sounding title on its head by directing its ire towards those who seek to force their limited ideology on others.4 Lyrically, the synth-heavy, hip-hop adjacent “My Funeral” is my favorite, containing tongue-in-cheek lyrics where Harms proclaims that “Black is my happy colour” and “I’m gonna, gonna wear / Pink to my funeral.” Rounding out the pop themes are a few love songs, from the Duran Duran-inspired synth pop track, “Square One,” complete with ’80s toms, to a touching duet with Ambre Vourvahis (Xandria). These touches do help keep a rather mild record from growing stale.

While the songs here are well-written, produced, and performed, there’s no denying that it feels as if Lord of the Lost ran out of gas by Vol. 3. The hooks just don’t come as easily, and the lower energy levels feel like a letdown compared to the highs of the first two volumes. One issue is the blandness of the guitars. While creative riffing has not been one of Lord of the Lost’s fortes, they made up for it in the past with more creative arrangements. The generic riffs that fire up on choruses from “The Shadows Within” to “Your Love is Colder Than Death” feel like halfhearted attempts to inject some life into tepid tunes. Much more effective is the penultimate song, “Take Me Far Away,” which ends with an exciting burst of drums and riffs that brings the record to life, albeit briefly.5

This finale ends up bittersweet, feeling more like a whimper than a bang. Yet for fans of Chris Harms and co., it’s not a total loss. Chris Harms is able to elevate even the blandest of tunes; there’s not a single bad song, though many are only mildly enjoyable. Unlike a lot of the dreck that some of the more popular metal bands release, however, Lord of the Lost puts a lot of thought and care into their music, and the Opvs Noir trilogy has plenty to offer those who like their metal less extreme, yet still carrying an edge.



Rating: 2.5/5.0
DR: N/A | Format Reviewed: Stream
Label: Napalm Records
Websites: Bandcamp | Facebook | Official Site
Releases Worldwide: April 10th, 2026

With 33 songs and over two hours of music, Lord of the Lost has written an ambitious trilogy, mercifully spread across eight months rather than released all at once. On Opvs Noir, the band leans into the darker, more gothic aspects of their pop-infused metal, bringing plenty of guest collaborators aboard to keep things spicy. The first two volumes of this opvs have proven a success, with creative instrumentation and an affecting performance from frontman Chris Harms. The question is whether Lord of the Lost can keep up the momentum across another 11 tracks on Vol. 3. The finale of an ambitious project such as this can often feel bittersweet, as it marks the end of something you have (hopefully) come to love, or, like the finales to the Mission Impossible series or Daniel Craig’s James Bond run, it can just be plain disappointing.

Unlike the more energetic, sometimes ostentatious arrangements of the prior two records, Vol. 3 proves to be a much mellower affair. The gothic symphonic elements often pair with softer pop/rock tunes, many of which aim at mood over hooks. Opener “Kill the Lights” starts off with a poppy beat, some cellos, and a growling Chris Harms, and though the chorus might not stick, it’s an overall good song. The moodier pieces don’t always work, however. “The Shadows Within,” which alternates between slower pop and higher energy techno-pop, is largely forgettable. The minimalist finale, “The Days of Our Lives,” serves as a disappointing send-off for the trilogy, though Harms, as usual, makes it worthwhile with his melodic cadence. Though overall less exciting, Vol. 3 does offer plenty of catchy ballads and duets, including “La Vie Est Hell,” performed with departing Kissin’ Dynamite frontman, Hannes Braun.1 It doesn’t do anything fancy, yet I find it often playing in my head on repeat.2

Opvs Noir Vol. 3 does milk some variety out of a couple of pop-related themes coursing through it: empowerment and doomed love. The two most upbeat tunes, “I’m a Diamond” and “I Hate People,” play out as Rammstein techno-industrial pop anthems for people who don’t quite fit in with mainstream society. While “I’m a Diamond” is the catchiest song on offer, the lyrics are a touch contrived.3 “I Hate People” turns the misanthropic-sounding title on its head by directing its ire towards those who seek to force their limited ideology on others.4 Lyrically, the synth-heavy, hip-hop adjacent “My Funeral” is my favorite, containing tongue-in-cheek lyrics where Harms proclaims that “Black is my happy colour” and “I’m gonna, gonna wear / Pink to my funeral.” Rounding out the pop themes are a few love songs, from the Duran Duran-inspired synth pop track, “Square One,” complete with ’80s toms, to a touching duet with Ambre Vourvahis (Xandria). These touches do help keep a rather mild record from growing stale.

While the songs here are well-written, produced, and performed, there’s no denying that it feels as if Lord of the Lost ran out of gas by Vol. 3. The hooks just don’t come as easily, and the lower energy levels feel like a letdown compared to the highs of the first two volumes. One issue is the blandness of the guitars. While creative riffing has not been one of Lord of the Lost’s fortes, they made up for it in the past with more creative arrangements. The generic riffs that fire up on choruses from “The Shadows Within” to “Your Love is Colder Than Death” feel like halfhearted attempts to inject some life into tepid tunes. Much more effective is the penultimate song, “Take Me Far Away,” which ends with an exciting burst of drums and riffs that brings the record to life, albeit briefly.5

This finale ends up bittersweet, feeling more like a whimper than a bang. Yet for fans of Chris Harms and co., it’s not a total loss. Chris Harms is able to elevate even the blandest of tunes; there’s not a single bad song, though many are only mildly enjoyable. Unlike a lot of the dreck that some of the more popular metal bands release, however, Lord of the Lost puts a lot of thought and care into their music, and the Opvs Noir trilogy has plenty to offer those who like their metal less extreme, yet still carrying an edge.



Rating: 2.5/5.0
DR: N/A | Format Reviewed: Stream
Label: Napalm Records
Websites: Bandcamp | Facebook | Official Site
Releases Worldwide: April 10th, 2026

With 33 songs and over two hours of music, Lord of the Lost has written an ambitious trilogy, mercifully spread across eight months rather than released all at once. On Opvs Noir, the band leans into the darker, more gothic aspects of their pop-infused metal, bringing plenty of guest collaborators aboard to keep things spicy. The first two volumes of this opvs have proven a success, with creative instrumentation and an affecting performance from frontman Chris Harms. The question is whether Lord of the Lost can keep up the momentum across another 11 tracks on Vol. 3. The finale of an ambitious project such as this can often feel bittersweet, as it marks the end of something you have (hopefully) come to love, or, like the finales to the Mission Impossible series or Daniel Craig’s James Bond run, it can just be plain disappointing.

Unlike the more energetic, sometimes ostentatious arrangements of the prior two records, Vol. 3 proves to be a much mellower affair. The gothic symphonic elements often pair with softer pop/rock tunes, many of which aim at mood over hooks. Opener “Kill the Lights” starts off with a poppy beat, some cellos, and a growling Chris Harms, and though the chorus might not stick, it’s an overall good song. The moodier pieces don’t always work, however. “The Shadows Within,” which alternates between slower pop and higher energy techno-pop, is largely forgettable. The minimalist finale, “The Days of Our Lives,” serves as a disappointing send-off for the trilogy, though Harms, as usual, makes it worthwhile with his melodic cadence. Though overall less exciting, Vol. 3 does offer plenty of catchy ballads and duets, including “La Vie Est Hell,” performed with departing Kissin’ Dynamite frontman, Hannes Braun.1 It doesn’t do anything fancy, yet I find it often playing in my head on repeat.2

Opvs Noir Vol. 3 does milk some variety out of a couple of pop-related themes coursing through it: empowerment and doomed love. The two most upbeat tunes, “I’m a Diamond” and “I Hate People,” play out as Rammstein techno-industrial pop anthems for people who don’t quite fit in with mainstream society. While “I’m a Diamond” is the catchiest song on offer, the lyrics are a touch contrived.3 “I Hate People” turns the misanthropic-sounding title on its head by directing its ire towards those who seek to force their limited ideology on others.4 Lyrically, the synth-heavy, hip-hop adjacent “My Funeral” is my favorite, containing tongue-in-cheek lyrics where Harms proclaims that “Black is my happy colour” and “I’m gonna, gonna wear / Pink to my funeral.” Rounding out the pop themes are a few love songs, from the Duran Duran-inspired synth pop track, “Square One,” complete with ’80s toms, to a touching duet with Ambre Vourvahis (Xandria). These touches do help keep a rather mild record from growing stale.

While the songs here are well-written, produced, and performed, there’s no denying that it feels as if Lord of the Lost ran out of gas by Vol. 3. The hooks just don’t come as easily, and the lower energy levels feel like a letdown compared to the highs of the first two volumes. One issue is the blandness of the guitars. While creative riffing has not been one of Lord of the Lost’s fortes, they made up for it in the past with more creative arrangements. The generic riffs that fire up on choruses from “The Shadows Within” to “Your Love is Colder Than Death” feel like halfhearted attempts to inject some life into tepid tunes. Much more effective is the penultimate song, “Take Me Far Away,” which ends with an exciting burst of drums and riffs that brings the record to life, albeit briefly.5

This finale ends up bittersweet, feeling more like a whimper than a bang. Yet for fans of Chris Harms and co., it’s not a total loss. Chris Harms is able to elevate even the blandest of tunes; there’s not a single bad song, though many are only mildly enjoyable. Unlike a lot of the dreck that some of the more popular metal bands release, however, Lord of the Lost puts a lot of thought and care into their music, and the Opvs Noir trilogy has plenty to offer those who like their metal less extreme, yet still carrying an edge.



Rating: 2.5/5.0
DR: N/A | Format Reviewed: Stream
Label: Napalm Records
Websites: Bandcamp | Facebook | Official Site
Releases Worldwide: April 10th, 2026

With 33 songs and over two hours of music, Lord of the Lost has written an ambitious trilogy, mercifully spread across eight months rather than released all at once. On Opvs Noir, the band leans into the darker, more gothic aspects of their pop-infused metal, bringing plenty of guest collaborators aboard to keep things spicy. The first two volumes of this opvs have proven a success, with creative instrumentation and an affecting performance from frontman Chris Harms. The question is whether Lord of the Lost can keep up the momentum across another 11 tracks on Vol. 3. The finale of an ambitious project such as this can often feel bittersweet, as it marks the end of something you have (hopefully) come to love, or, like the finales to the Mission Impossible series or Daniel Craig’s James Bond run, it can just be plain disappointing.

Unlike the more energetic, sometimes ostentatious arrangements of the prior two records, Vol. 3 proves to be a much mellower affair. The gothic symphonic elements often pair with softer pop/rock tunes, many of which aim at mood over hooks. Opener “Kill the Lights” starts off with a poppy beat, some cellos, and a growling Chris Harms, and though the chorus might not stick, it’s an overall good song. The moodier pieces don’t always work, however. “The Shadows Within,” which alternates between slower pop and higher energy techno-pop, is largely forgettable. The minimalist finale, “The Days of Our Lives,” serves as a disappointing send-off for the trilogy, though Harms, as usual, makes it worthwhile with his melodic cadence. Though overall less exciting, Vol. 3 does offer plenty of catchy ballads and duets, including “La Vie Est Hell,” performed with departing Kissin’ Dynamite frontman, Hannes Braun.1 It doesn’t do anything fancy, yet I find it often playing in my head on repeat.2

Opvs Noir Vol. 3 does milk some variety out of a couple of pop-related themes coursing through it: empowerment and doomed love. The two most upbeat tunes, “I’m a Diamond” and “I Hate People,” play out as Rammstein techno-industrial pop anthems for people who don’t quite fit in with mainstream society. While “I’m a Diamond” is the catchiest song on offer, the lyrics are a touch contrived.3 “I Hate People” turns the misanthropic-sounding title on its head by directing its ire towards those who seek to force their limited ideology on others.4 Lyrically, the synth-heavy, hip-hop adjacent “My Funeral” is my favorite, containing tongue-in-cheek lyrics where Harms proclaims that “Black is my happy colour” and “I’m gonna, gonna wear / Pink to my funeral.” Rounding out the pop themes are a few love songs, from the Duran Duran-inspired synth pop track, “Square One,” complete with ’80s toms, to a touching duet with Ambre Vourvahis (Xandria). These touches do help keep a rather mild record from growing stale.

While the songs here are well-written, produced, and performed, there’s no denying that it feels as if Lord of the Lost ran out of gas by Vol. 3. The hooks just don’t come as easily, and the lower energy levels feel like a letdown compared to the highs of the first two volumes. One issue is the blandness of the guitars. While creative riffing has not been one of Lord of the Lost’s fortes, they made up for it in the past with more creative arrangements. The generic riffs that fire up on choruses from “The Shadows Within” to “Your Love is Colder Than Death” feel like halfhearted attempts to inject some life into tepid tunes. Much more effective is the penultimate song, “Take Me Far Away,” which ends with an exciting burst of drums and riffs that brings the record to life, albeit briefly.5

This finale ends up bittersweet, feeling more like a whimper than a bang. Yet for fans of Chris Harms and co., it’s not a total loss. Chris Harms is able to elevate even the blandest of tunes; there’s not a single bad song, though many are only mildly enjoyable. Unlike a lot of the dreck that some of the more popular metal bands release, however, Lord of the Lost puts a lot of thought and care into their music, and the Opvs Noir trilogy has plenty to offer those who like their metal less extreme, yet still carrying an edge.



Rating: 2.5/5.0
DR: N/A | Format Reviewed: Stream
Label: Napalm Records
Websites: Bandcamp | Facebook | Official Site
Releases Worldwide: April 10th, 2026

#AhoraSuena

Du hast

#Rammstein

Señora rola 👌 :bc_partychristmas:

#10Konzerte
„Liste in Deinem eigenen Beitrag zehn Bands / Künstler*innen auf, die Du bei einem Konzert gesehen hast, aber EINE*R ist eine Lüge. Die Leute hinterlassen eine Antwort darauf, was ihrer Meinung nach die Lüge ist.“

#ACDC
#Motörhead
#OzzyOsbourne
#CliffBurton
#Ween
#Sebadoh
#Neurosis
#BurningSpear
#Chumbawamba
#Rammstein

#konzertluge #konzertlüge

#10Konzerte
„Liste in Deinem eigenen Beitrag zehn Bands / Künstler*innen auf, die Du bei einem Konzert gesehen hast, aber EINE*R ist eine Lüge. Die Leute hinterlassen eine Antwort darauf, was ihrer Meinung nach die Lüge ist.“

#ACDC
#Motörhead
#OzzyOsbourne
#CliffBurton
#Ween
#Sebadoh
#Neurosis
#BurningSpear
#Chumbawamba
#Rammstein

#konzertluge #konzertlüge

#10Konzerte
„Liste in Deinem eigenen Beitrag zehn Bands / Künstler*innen auf, die Du bei einem Konzert gesehen hast, aber EINE*R ist eine Lüge. Die Leute hinterlassen eine Antwort darauf, was ihrer Meinung nach die Lüge ist.“

#ACDC
#Motörhead
#OzzyOsbourne
#CliffBurton
#Ween
#Sebadoh
#Neurosis
#BurningSpear
#Chumbawamba
#Rammstein

#konzertluge #konzertlüge

Un día como hoy en 2001, Rammstein lanzó Mutter, el disco que terminó de consolidarlos como un fenómeno global. 🔥👏

Provocador desde su portada —un feto fotografiado que desató polémica inmediata— el álbum reunió 11 canciones que mezclan metal industrial, arreglos orquestales y letras que exploran temas como el poder, violencia, política, religión y miseria humana.

#Rammstein #Mutter #UnDiacomoHoy
https://twitter.com/Nacion_Rock/status/2039820720029438160#m

🐦🔗 https://farside.link/x.com/Nacion_Rock/status/2039820720029438160#m
RT: https://twitter.com/Nacion_Rock/status/2039820720029438160#m

https://www.europesays.com/at/75551/ Tribute-Bands: Wie sie die musikalische Nostalgie am Leben halten #AT #Austria #Entertainment #Jagger #Konzerte(ks) #Lindemann #Mick #Music #Musik #Österreich #ParkraumInbox #Rammstein #Rock'n'Roll(ks) #texttospeech #TheRollingStones #Till #Unterhaltung

this and Adieu fucks me every time.

https://www.youtube.com/watch?v=EbHGS_bVkXY

#music #metal #rock #time #rammstein #video #zeit

Till Lindemann - Ein provokantes musikalisches Statement  https://xenopolias.de/2026/03/27/till-lindemann-ein-provokantes-musikalisches-statement/ #B-SeiteSingle, #Cover, #FriedrichHollaender, #IchBinVonKopfBisFußAufLiebeEingestellt, #Musikinterpretation, #Musiknews2026, #Rammstein, #TillLindemann, #VorwürfeLindemann

#nowplaying während der #abendrunde mit #django
#rammstein - #stripped ( #heavyMentalmix)
Ist im #original von #depechemode schon genial.
Ne ganz andere Variante gab's dann von #rammstein 12 Jahre später auf dem #tributealbum für #depechemode, #forthemasses.
Und davon gab's dann #Remixe
Geile Nummer 👍
#hörenswert #hoerempfehlung

#playlistofmylife

🎵 Rammstein: Frühling in Paris 🎵

:youtube: 🎵 https://www.youtube.com/watch?v=jZlQ-WRdncQ 🎵

Letra : https://rammstein.pt/letras-traducao/fruhling-in-paris/

#live #livemusic #music #musica #rammstein #paris #nowplaying #metal #rock #rockmusic

Dürfte der #Iran #Ramstein angreifen?

Ramstein, nicht #Rammstein!

Монстро чибики

#RonnieRadke #RR #FIR #FallinginReverse #AshleyPurdy #BVB #BlackVeilBrides #TillLindemann #Rammstein #art #chibi #Kitsune #Fox #Wendigo #Krampus

Монстро чибики

#RonnieRadke #RR #FIR #FallinginReverse #AshleyPurdy #BVB #BlackVeilBrides #TillLindemann #Rammstein #art #chibi #Kitsune #Fox #Wendigo #Krampus

Монстро чибики

#RonnieRadke #RR #FIR #FallinginReverse #AshleyPurdy #BVB #BlackVeilBrides #TillLindemann #Rammstein #art #chibi #Kitsune #Fox #Wendigo #Krampus

Wir, d.h. unsere #Bureg, unterstuetzen den voelkerrechtswidrigen Angriffskrieg der USA und Israels gegen den #Iran.
Die leise Kritik von #Merz, das der Krieg nicht zu lange dauern solle, ist wohl nur seiner fossilen und Wirtschaftsagenda geschuldet.
Katastrophe via #Rammstein.

Die UNO wird anscheinend genauso abgewickelt wie sie ins Leben gerufen wurde, durch massenhaftes Leid und Kriegsverbrechen.

https://www.german-foreign-policy.com/news/detail/10330

Close #Rammstein now.

"Some Europeans remain in #Trump s good books. During a visit to the White House this week, German Chancellor Friedrich #Merz received a glowing review from the U.S. president after the Ramstein #airbase in #Germany
was made available to U.S. forces. “Germany’s been great. He’s been terrific,” Trump said. “They’re letting us land in certain areas, and we appreciate it.” "

https://www.politico.eu/article/donald-trump-iran-war-middle-east-europe-eu-support-military-bases-rift/

#imperialism #angriffskrieg #US #bully #Iran

what a good moment for #germany to terminate usage of #Rammstein base ...

https://www.washingtonpost.com/investigations/2026/02/24/united-states-iran-buildup/

Bonner Band Druckluft zum Rekord

An der Chartspitze Druckluft: Erster Karnevalshit seit 19 Jahren auf der Nummer 1 Aktualisiert am 22.02.2026 – 10:59…
#Bonn #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #100137924 #100601380 #bvmi #Chartspitze #FlorianHertel #Germany #Karnevalsband #Karnevalshit #Karnevalsmaus #Köln #Nordrhein-Westfalen #Rammstein
https://www.europesays.com/de/817039/

Der Nummer-1-Hit bricht einen alten Rekord

An der Chartspitze Druckluft: Erster Karnevalshit seit 19 Jahren auf der Nummer 1 Aktualisiert am 21.02.2026 – 17:10…
#Bonn #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #100137924 #100601380 #bvmi #Chartspitze #FlorianHertel #Germany #Karnevalsband #Karnevalshit #Karnevalsmaus #Köln #Nordrhein-Westfalen #Rammstein
https://www.europesays.com/de/815481/

This week gives us a Thursday Five List theme from @aspeed of Foreign Affairs - songs which are not in your native tongue.

Well now.

AVAM - Little Seacret (Japanese) https://album.link/s/2FSvDruRXrUvRsfnVmdlp2

Bini - Salamin, Salamin (Filipino / Tagalog) https://song.link/s/1iIJtD9hkzw4ZHfR7ND9yb

Dolla - Look At This (Malay) https://album.link/s/2C4xKICnTxn7rGSBpeJvsD

Luciano Pavarotti - Ave Maria (Latin) https://song.link/s/0GQnWvkAjW1D7aaruuLLbl

Rammstein - Engel (German) https://song.link/s/4L58FgCh0T0WNG0UIqxK4E

#Music #ThursdayFiveList #ForeignAffairs #Rammstein #Avam #Bini #Dolla #Pavarotti

This week gives us a Thursday Five List theme from @aspeed of Foreign Affairs - songs which are not in your native tongue.

Well now.

AVAM - Little Seacret (Japanese) https://album.link/s/2FSvDruRXrUvRsfnVmdlp2

Bini - Salamin, Salamin (Filipino / Tagalog) https://song.link/s/1iIJtD9hkzw4ZHfR7ND9yb

Dolla - Look At This (Malay) https://album.link/s/2C4xKICnTxn7rGSBpeJvsD

Luciano Pavarotti - Ave Maria (Latin) https://song.link/s/0GQnWvkAjW1D7aaruuLLbl

Rammstein - Engel (German) https://song.link/s/4L58FgCh0T0WNG0UIqxK4E

#Music #ThursdayFiveList #ForeignAffairs #Rammstein #Avam #Bini #Dolla #Pavarotti

This week gives us a Thursday Five List theme from @aspeed of Foreign Affairs - songs which are not in your native tongue.

Well now.

AVAM - Little Seacret (Japanese) https://album.link/s/2FSvDruRXrUvRsfnVmdlp2

Bini - Salamin, Salamin (Filipino / Tagalog) https://song.link/s/1iIJtD9hkzw4ZHfR7ND9yb

Dolla - Look At This (Malay) https://album.link/s/2C4xKICnTxn7rGSBpeJvsD

Luciano Pavarotti - Ave Maria (Latin) https://song.link/s/0GQnWvkAjW1D7aaruuLLbl

Rammstein - Engel (German) https://song.link/s/4L58FgCh0T0WNG0UIqxK4E

#Music #ThursdayFiveList #ForeignAffairs #Rammstein #Avam #Bini #Dolla #Pavarotti

This week gives us a Thursday Five List theme from @aspeed of Foreign Affairs - songs which are not in your native tongue.

Well now.

AVAM - Little Seacret (Japanese) https://album.link/s/2FSvDruRXrUvRsfnVmdlp2

Bini - Salamin, Salamin (Filipino / Tagalog) https://song.link/s/1iIJtD9hkzw4ZHfR7ND9yb

Dolla - Look At This (Malay) https://album.link/s/2C4xKICnTxn7rGSBpeJvsD

Luciano Pavarotti - Ave Maria (Latin) https://song.link/s/0GQnWvkAjW1D7aaruuLLbl

Rammstein - Engel (German) https://song.link/s/4L58FgCh0T0WNG0UIqxK4E

#Music #ThursdayFiveList #ForeignAffairs #Rammstein #Avam #Bini #Dolla #Pavarotti