#lordofthelost — Public Fediverse posts

Tourfinale, ausverkauftes LKA und eine handvoll leicht bekleideter Nonnen im Gepäck, die in ein paar Jahren das Erbe von Ghost antreten könnten. #LordOfTheLost bringen alle Generationen vor die Bühne und verbreiten in fröhlichem Schwarz eine Familienfeier.

https://www.gig-blog.net/2026/05/12/lord-of-the-lost-dogma-league-of-distortion-09-05-2026-lka-stuttgart/

#Konzert #Konzertbericht #Concert #LiveMusic #LiveMusik #Konzertfotografie #ConcertPhotography #LOTL #Metal #Stuttgart

Gestern beim Konzert in #Köln im #carlswerkvictoria mein neues Leblingsshirt gefunden: #Ih8ppl.

Vielen dank an #LordoftheLost für die Ohrenspühlung.

#LOTL

Gestern beim Konzert in #Köln im #carlswerkvictoria mein neues Lieblingsshirt gefunden: #Ih8ppl.

Vielen dank an #LordoftheLost für die Ohrenspühlung.

#LOTL

Gestern beim Konzert in #Köln im #carlswerkvictoria mein neues Leblingsshirt gefunden: #Ih8ppl.

Vielen dank an #LordoftheLost für die Ohrenspühlung.

#LOTL

Gestern beim Konzert in #Köln im #carlswerkvictoria mein neues Lieblingsshirt gefunden: #Ih8ppl.

Vielen dank an #LordoftheLost für die Ohrenspühlung.

#LOTL

Gestern beim Konzert in #Köln im #carlswerkvictoria mein neues Lieblingsshirt gefunden: #Ih8ppl.

Vielen dank an #LordoftheLost für die Ohrenspühlung.

#LOTL

With 33 songs and over two hours of music, Lord of the Lost has written an ambitious trilogy, mercifully spread across eight months rather than released all at once. On Opvs Noir, the band leans into the darker, more gothic aspects of their pop-infused metal, bringing plenty of guest collaborators aboard to keep things spicy. The first two volumes of this opvs have proven a success, with creative instrumentation and an affecting performance from frontman Chris Harms. The question is whether Lord of the Lost can keep up the momentum across another 11 tracks on Vol. 3. The finale of an ambitious project such as this can often feel bittersweet, as it marks the end of something you have (hopefully) come to love, or, like the finales to the Mission Impossible series or Daniel Craig’s James Bond run, it can just be plain disappointing.

Unlike the more energetic, sometimes ostentatious arrangements of the prior two records, Vol. 3 proves to be a much mellower affair. The gothic symphonic elements often pair with softer pop/rock tunes, many of which aim at mood over hooks. Opener “Kill the Lights” starts off with a poppy beat, some cellos, and a growling Chris Harms, and though the chorus might not stick, it’s an overall good song. The moodier pieces don’t always work, however. “The Shadows Within,” which alternates between slower pop and higher energy techno-pop, is largely forgettable. The minimalist finale, “The Days of Our Lives,” serves as a disappointing send-off for the trilogy, though Harms, as usual, makes it worthwhile with his melodic cadence. Though overall less exciting, Vol. 3 does offer plenty of catchy ballads and duets, including “La Vie Est Hell,” performed with departing Kissin’ Dynamite frontman, Hannes Braun.1 It doesn’t do anything fancy, yet I find it often playing in my head on repeat.2

Opvs Noir Vol. 3 does milk some variety out of a couple of pop-related themes coursing through it: empowerment and doomed love. The two most upbeat tunes, “I’m a Diamond” and “I Hate People,” play out as Rammstein techno-industrial pop anthems for people who don’t quite fit in with mainstream society. While “I’m a Diamond” is the catchiest song on offer, the lyrics are a touch contrived.3 “I Hate People” turns the misanthropic-sounding title on its head by directing its ire towards those who seek to force their limited ideology on others.4 Lyrically, the synth-heavy, hip-hop adjacent “My Funeral” is my favorite, containing tongue-in-cheek lyrics where Harms proclaims that “Black is my happy colour” and “I’m gonna, gonna wear / Pink to my funeral.” Rounding out the pop themes are a few love songs, from the Duran Duran-inspired synth pop track, “Square One,” complete with ’80s toms, to a touching duet with Ambre Vourvahis (Xandria). These touches do help keep a rather mild record from growing stale.

While the songs here are well-written, produced, and performed, there’s no denying that it feels as if Lord of the Lost ran out of gas by Vol. 3. The hooks just don’t come as easily, and the lower energy levels feel like a letdown compared to the highs of the first two volumes. One issue is the blandness of the guitars. While creative riffing has not been one of Lord of the Lost’s fortes, they made up for it in the past with more creative arrangements. The generic riffs that fire up on choruses from “The Shadows Within” to “Your Love is Colder Than Death” feel like halfhearted attempts to inject some life into tepid tunes. Much more effective is the penultimate song, “Take Me Far Away,” which ends with an exciting burst of drums and riffs that brings the record to life, albeit briefly.5

This finale ends up bittersweet, feeling more like a whimper than a bang. Yet for fans of Chris Harms and co., it’s not a total loss. Chris Harms is able to elevate even the blandest of tunes; there’s not a single bad song, though many are only mildly enjoyable. Unlike a lot of the dreck that some of the more popular metal bands release, however, Lord of the Lost puts a lot of thought and care into their music, and the Opvs Noir trilogy has plenty to offer those who like their metal less extreme, yet still carrying an edge.



Rating: 2.5/5.0
DR: N/A | Format Reviewed: Stream
Label: Napalm Records
Websites: Bandcamp | Facebook | Official Site
Releases Worldwide: April 10th, 2026

Leia ist vom neuen LOTL Album nicht besonders beeindruckt - aber sie mag sowieso nur ihren eigenen Gesang 🤷‍♀️

#caturday #CatsOfMastodon #catstodon #TortiesOfFediverse #fedicats #tortietude #lordofthelost #metalalbum #physicalmedia

Leia ist vom neuen LOTL Album nicht besonders beeindruckt - aber sie mag sowieso nur ihren eigenen Gesang 🤷‍♀️

#caturday #CatsOfMastodon #catstodon #TortiesOfFediverse #fedicats #tortietude #lordofthelost #metalalbum #physicalmedia

Leia ist vom neuen LOTL Album nicht besonders beeindruckt - aber sie mag sowieso nur ihren eigenen Gesang 🤷‍♀️

#caturday #CatsOfMastodon #catstodon #TortiesOfFediverse #fedicats #tortietude #lordofthelost #metalalbum #physicalmedia

https://www.europesays.com/es/492437/ Horarios para los conciertos de LORD OF THE LOST. Escucha el disco de VOMITORY. Single de HARDLINE. #Entertainment #Entretenimiento #ES #España #HARDLINE #LORDOFTHELOST #Music #Música #Spain #VOMITORY

https://www.europesays.com/at/95155/ Die Metal-Alben der Woche vom 10.04. mit Long Distance Calling, Vomitory u.a. #Alben #AT #Austria #Entertainment #LongDistanceCalling #LordOfTheLost #MetalChurch #Music #Musik #Neuerscheinungen #Österreich #Releases #Unterhaltung #Veröffentlichungen #Vomitory

Unheilig Comeback: Warum der Zensur-Vorwurf nicht greift
https://www.spontis.de/schwarze-szene/szeneleben/unheilig-comeback-2026/

@spontis #Unheilig #LordOfTheLost #Goth #Gothic

Unheilig Comeback: Warum der Zensur-Vorwurf nicht greift
https://www.spontis.de/schwarze-szene/szeneleben/unheilig-comeback-2026/

@spontis #Unheilig #LordOfTheLost #Goth #Gothic

Unheilig Comeback: Warum der Zensur-Vorwurf nicht greift
https://www.spontis.de/schwarze-szene/szeneleben/unheilig-comeback-2026/

@spontis #Unheilig #LordOfTheLost #Goth #Gothic

Unheilig Comeback: Warum der Zensur-Vorwurf nicht greift
https://www.spontis.de/schwarze-szene/szeneleben/unheilig-comeback-2026/

@spontis #Unheilig #LordOfTheLost #Goth #Gothic

Unheilig Comeback: Warum der Zensur-Vorwurf nicht greift
https://www.spontis.de/schwarze-szene/szeneleben/unheilig-comeback-2026/

@spontis #Unheilig #LordOfTheLost #Goth #Gothic

Thank you Lord of the Lost! This was the fifth time I saw them perform live and hopefully will see them many more times in the future.

LOTL has been my favorite band for so long and it remains so. Even bought a few more band t-shirts as merch (already had four shirts, but you can never have enough, am I right?).

I'd had hoped to hear Raining Stars, but alas, that song was not played. Understandable, since they have so many good songs.

#LOTL #LordoftheLost #music #musiikki

I so wish I could have brought my camera in. But this quick phone shot turned out well enough.

Chris Harms of #LordOfTheLost at House of Blues in Cleveland for this week’s #ColorADay #PinkMon

#Music #Concerts

Lord of the Lost – Opvs Noir Vol 2 Review

Little did I realize when Napalm announced that Lord of the Lost was recording a 33-song trilogy that…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2025 #3.5 #BabyLasagna #Dec25 #Entertainment #GermanMetal #GothicMetal #IndustrialMetal #InfectedRain #Käärijä #LordoftheLost #NapalmRecords #OpvsNoirVol2 #PopMetal #review #reviews #SymphonicMetal
https://www.newsbeep.com/us/447450/

Lord of the Lost – Opvs Noir Vol 2 Review

Little did I realize when Napalm announced that Lord of the Lost was recording a 33-song trilogy that…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2025 #3.5 #BabyLasagna #Dec25 #Entertainment #GermanMetal #GothicMetal #IndustrialMetal #InfectedRain #Käärijä #LordoftheLost #NapalmRecords #OpvsNoirVol2 #PopMetal #review #reviews #SymphonicMetal
https://www.newsbeep.com/us/447450/

https://www.europesays.com/uk/740450/ Lord of the Lost – Opvs Noir Vol 2 Review #2025 #3.5 #BabyLasagna #Dec25 #Entertainment #GermanMetal #GothicMetal #IndustrialMetal #InfectedRain #Käärijä #LordOfTheLost #music #NapalmRecords #OpvsNoirVol2 #PopMetal #Review #Reviews #SymphonicMetal #UK #UnitedKingdom

Beyond the Black play the sort of female-led symphonic metal that seems to get a bit of traction in Europe. Since Jennifer Haben formed the band in 2014, they have recorded five LPs that climbed the charts in her home country of Germany as well as those of neighboring countries. They’ve also gone on European tours in support of popular acts like Aerosmith, Scorpions, Korn, Saxon, and Within Temptation. Break the Silence, their sixth record, finds them at their peak. It’s a concept album revolving around themes of communication and connection. This concept materializes in the form of international guest collaborators— from Germany, Bulgaria, and Japan—and diverse languages—English, French, and German. Considering the poor reception symphonic bands like this have received on the blog (see Within Temptation), I can sense your skepticism. What Beyond the Black needs to break in order to win over this readership isn’t the silence but the mold.

Similar to Elettra Storm and Darkyra, Beyond the Black plays a form of symphonic metal that falls somewhere between hard rock and power metal, leaning a little more into the heavier stuff. Tracks follow a pretty standard formula with catchy choruses, above-average riffs, and plenty of solos. The symphonic portion is surprisingly muted, but it does add some emotional depth to songs like “The Art of Being Alone” or even distinctive hooks (“Let There Be Rain”). At the heart of the music is Haben’s vocal performance. Her voice has a poppy, clean character, and Beyond the Black forgo the beastly growls that typically balance out the beauty. This type of performance could easily become sterile, but she shows some range on tracks like “Ravens,” where her voice switches from somber to a soaring chorus that could find a home on the KPop Demon Hunters soundtrack. Her strength is most apparent on the finale, “Weltschmerz,” a gentler, symphonic-led tune that allows Haben to take charge with a moving performance.

Despite the mostly close adherence to the same formula from song to song, Beyond the Black add enough variety to keep things from growing stale. Collaborators help in this regard, and they have two really good ones. Chris Harms (Lord of the Lost) lends his charismatic baritone on “The Art of Being Alone,” an entertaining bit of gothic metal that includes rather dramatic symphonic instrumentals and keyboards. My favorite track, “Let There Be Rain,” gets a boost from its collaboration with The Mystery of the Bulgarian Voices, a cheerful all-female choral group, as well as a nifty symphonic hook that puts a smile on my face. Break the Silence has a consistently high energy throughout—reaching near-thrash levels on “The Flood”—but a few songs break up the pace to avoid monotony, such as the more sober, arpeggio-driven “Ravens,” and the melodic adult rock of “(La Vie Est Un) Cinéma.” The consistently catchy hooks that permeate this varied record highlight just how talented this group is.

Unfortunately, some nagging issues and a weak-ish back half keep this from reaching the heights of fellow symphonic/pop group, Lord of the Lost. “The Flood” is a terrific tune hampered by an unfortunate decision to include prominent robo vocals that are more grating than cool, or whatever they’re meant to be. The two songs that follow, however, sink the record even further, as they lack any hooks to raise them above the fray. One of these is an unfortunate waste of the talents of Asami (Love Bites) in a bit of synth-pop on “Can You Hear Me” that had me wondering if I was listening to a cover of a Pink tune. The last couple of tracks do end Break the Silence on a stronger note, with the catchy chorus of “Hologram” and the aforementioned showstopper of “Weltschmerz.” These keep the record safely in the solid territory despite a brief weak streak.

Admittedly, I had no prior history with Beyond the Black, but based on the time I spent with their previous two albums, Break the Silence is a marked improvement. This is yet another pleasant surprise in the realm of symphonic metal released by the larger metal labels, along with last year’s two Lord of the Lost records. If this genre is in your wheelhouse, or you’re a fan of Beyond the Black’s prior work, you’re in for a treat. Fortunately, Break the Silence proves to be better than the soulless dreck that often floods this genre. It has heart, a powerful message, and, best of all, good music.



Rating: 3.0/5.0
DR: 6 | Format Reviewed: 256 kbps mp3
Label: Nuclear Blast Records
Website: Bandcamp | Facebook | Official Site
Releases Worldwide: January 9th, 2026

New & Noteworthy: Mirror Releases – 12/12/2025:

#NewNoteworthy #Volumes #LordofTheLost #DecemberReleases

Link: https://metalinsider.net/columns/new-noteworthy-columns/new-noteworthy-mirror-releases-12-12-2025

New & Noteworthy: Mirror Releases – 12/12/2025:

#NewNoteworthy #Volumes #LordofTheLost #DecemberReleases

Link: https://metalinsider.net/columns/new-noteworthy-columns/new-noteworthy-mirror-releases-12-12-2025

Heute gibt’s was auf die Ohren.

🤘

#dusseldorf #MitsubishiElectricHalle #LOTL #LordOfTheLost #Feuerschwanz

Heute gibt’s was auf die Ohren.

🤘

#dusseldorf #MitsubishiElectricHalle #LOTL #LordOfTheLost #Feuerschwanz

Heute gibt’s was auf die Ohren.

🤘

#dusseldorf #MitsubishiElectricHalle #LOTL #LordOfTheLost #Feuerschwanz

Heute gibt’s was auf die Ohren.

🤘

#dusseldorf #MitsubishiElectricHalle #LOTL #LordOfTheLost #Feuerschwanz

Lord of the Lost – Opvs Noir Vol. 1

By ClarkKent

Chris Harms has been in the music business since 1999, but it wasn’t until founding Lord of the Lost in 2007 that he seems to have found his home. I say this not because I am familiar with him or the band, but because Harms has released ten full-length albums, three orchestral albums, four live albums, and one compilation since forming Lord of the Lost. Probably Lord of the Lost’s biggest claim to fame is their participation at Eurovision in 2023, representing Germany, where they unfortunately placed last in the final round. But wait, isn’t Eurovision for pop music? Why are these guys being covered on Angry Metal Guy? Apparently, they’re metal enough to sign to Napalm Records and also have toured with KMFDM and Iron Maiden. And now with Eurovision in the rearview mirror, Lord of the Lost look to return to their darker roots with Opvs Noir Vol. 1, the first in a planned trilogy.

Lord of the Lost play Rammstein-inspired industrial metal with a gothic tinge and pop beats. Synths typically dominate the mix, but occasionally the guitars take over on heavier cuts like “Damage” and “Lords of Fyre.” What surprised me most was the variety of sounds on Opvs Noir Vol. 1, from the folk-y instruments on “Lords of Fyre” to the use of symphonics throughout. The chants, organs, and strings on cuts like “Moonstruck” evoke Fleshgod Apocalypse, and they often bring a cinematic touch, which is appropriate given the musicians’ penchant for elaborate costumes and makeup. On top of this already grandiose blending of genres is a touch of hip hop, most apparent on “Bazaar Bizarre,” where Harms semi-raps over rhythmic beats. While these descriptions might scare many of you off, this is actually a lot of fun. The songs are catchy and the mix of styles means you never know what you’ll get from track to track.

Anchoring the music is the performance of Harms, as well as the choice of collaborators throughout Opvs Noir Vol. 1. Harms has an undeniable charisma–his voice has a dark, sexy tenor that fits perfectly in either pop or heavy metal. He reminds me of Billy Idol and that dude who sings “Blue Monday.” Harms also tries on some occasional death metal growls, and while his voice isn’t as brutal as those more practiced in the style, they’re effective in the few instances he uses them. Aiding Harms is a well-curated mix of collaborators, from the obscure to the more well-known. Notably, Within Temptation performs a duet with Lord of the Lost on the slow tearjerker, “Light Can Only Shine in the Darkness,” where Sharon den Adel’s soft lilt contrasts nicely with Harms’ deeper resonance. Probably my favorite is a collaboration with cellist Tina Guo on “Ghosts,” though the catchiest chorus belongs to “Lords of Fyre,” performed with fellow Napalm-signed Germans, the power metal band Feuerschwanz. 1

Lord of the Lost make very few missteps on Opvs Noir Vol. 1. The 11-song record clocks in at a tidy 44 minutes, though it’s almost eerie how many songs come in at the 3:40 mark. While they largely play to a traditional pop structure, Lord of the Lost also succeed on the more progressively-structured “The Things We Do For Love,” which weaves from soft piano to heavy Eisbrecher-inspired riffs to hip hop to a chorus that absolutely nails it. Yet a few tracks keep this from being yet another 4.0 notch in my belt. “The Sadness in Everything” ruins a talented performance by Anna Maria Rose by having her sing a melody that sounds an awful lot like “This is Halloween” from A Nightmare Before Christmas. The finale also veers into self-parody when Harms sings “Twinkle twinkle brittle star” like a dramatic re-imagining of the classic children’s tune. These moments may be small, but they do undermine the album’s conclusion.

Opvs Noir Vol. 1 is a very good start to this planned trilogy. Don’t let the pop tag scare you away. Lord of the Lost has some quality songwriting–the performances and collaborations should be enough to interest anyone who is a fan of industrial metal, symphonic metal, or even power metal. This is yet another Napalm act, like Warkings, where the songwriting improves on older material–at least that which I’ve sampled from both bands. Yes, that material is well-polished, poppy, and catchy, but it’s a ton of fun and a welcome break from the bleakness of death and doom metal.

Rating: 3.5/5.0
DR: N/A | Format Reviewed: Stream
Label: Napalm Records
Websites: Bandcamp | Facebook | Official Site
Releases Worldwide: August 8th, 2025

#2025 #35 #Aug25 #BillyIdol #Deathstars #Eisbrecher #Feuerschwanz #FleshgodApocalypse #GermanMetal #GlamMetal #GothicMetal #IndustrialMetal #IronMaiden #KMFDM #LordOfTheLost #NapalmRecords #OpvsNoirVol1 #Pop #PopMetal #Rammstein #Review #Reviews #Stimmgewalt #SymphonicMetal #Warkings #WithinTemptation

🎥👇Videoclips released in July you should definitely check out:

#DerWegEinerFreiheit
#LordoftheLost x #WithinTemptation
#MAVIS
Hei'An
#ABBIEFALLS
ten56.
#OrbitCulture
#SignsoftheSwarm
.
.
.
#SeasonofMist #NapalmRecords #OutOfLineMusic #deathcore #metalcore #oktoberpromotion #metalmusic #metal #heian #tenfiftysix #videoclip

🎥👇Videoclips released in July you should definitely check out:

#DerWegEinerFreiheit
#LordoftheLost x #WithinTemptation
#MAVIS
Hei'An
#ABBIEFALLS
ten56.
#OrbitCulture
#SignsoftheSwarm
.
.
.
#SeasonofMist #NapalmRecords #OutOfLineMusic #deathcore #metalcore #oktoberpromotion #metalmusic #metal #heian #tenfiftysix #videoclip

🎥👇Videoclips released in July you should definitely check out:

#DerWegEinerFreiheit
#LordoftheLost x #WithinTemptation
#MAVIS
Hei'An
#ABBIEFALLS
ten56.
#OrbitCulture
#SignsoftheSwarm
.
.
.
#SeasonofMist #NapalmRecords #OutOfLineMusic #deathcore #metalcore #oktoberpromotion #metalmusic #metal #heian #tenfiftysix #videoclip

🎥👇Videoclips released in July you should definitely check out:

#DerWegEinerFreiheit
#LordoftheLost x #WithinTemptation
#MAVIS
Hei'An
#ABBIEFALLS
ten56.
#OrbitCulture
#SignsoftheSwarm
.
.
.
#SeasonofMist #NapalmRecords #OutOfLineMusic #deathcore #metalcore #oktoberpromotion #metalmusic #metal #heian #tenfiftysix #videoclip

Mift, wir werden es vermutlich aus gesundheitlichen Gründen nicht zum #Lordfest in #Hamburg am 14. Dez schaffen.

Mag jemand unsere beiden Tickets für 50 EUR + Versand übernehmen?

Bitte teilen 🙏

Edit: Schade, verfallen nun 😶

Versand per Einwurf-Einschreiben oder Abholung #Freudenstadt

#lotl #LordOfTheLost

Es ist endlich da: die Dämmerland Super Deluxe Edition! Für uns Fans bedeutet das mehr als nur ein Release – es ist der Moment, auf den wir gewartet haben. Musik, Geschichten und so viel Herz in einer Box. Jetzt heißt es: abtauchen und genießen.

#Dämmerland #SuperDeluxeEdition #FantasyErleben #GemeinsamInsDämmerland #MusikUndGeschichten #FantasiePur #DämmerlandLiebe #EinMagischerMoment #HörspielErlebnis #MusikTrifftFantasy #DämmerlandCommunity #Unvergesslich #Versengold #KissinDynamite #SaltatioMortis #MrHurleyUndDiePulveraffen #LordOfTheLost #SubwayToSally #EricFish #FantasyAlbum #MagischeKlänge

Haha rofl... #LordoftheLost & #Blümchen

Gerade drüber gestolpert #wacken

Just had the best night in recent memory. Lord of the Lost are epic on stage! #lotl #lordofthelost #amsterdam #melkweg

Via Rx3, Gus vient de publier son TOP 10 2023 :

Chez Real Rebel Radio, on a une seule vraie ligne directrice : on ne parle que de la musique qu’on a aimée. Je me suis posé la question de ce choix en voyant le succès des compilations « pires albums de l’année » un peu partout. Pourquoi ne pas parler du pire et bien se marrer ?

https://www.real-rebel-radio.net/2024/02/15/top-10-2023-version-gus

#2023 #album #CodeOrange #DankoJones #Eclipse #HoldingAbsence #LordOfTheLost #Neuromancer #review #SleepToken #Starbenders #Sup #TheHives #Top10

#introduction post because I'm feeling social.
I love gaming and music, I will fixate on my favourites for years & flap about over them incessantly.
I like food/ cooking/ good tv.
My favourite games: #masseffect #acnh #dragonage #fallout #baldursgate
Music: #LordofTheLost #SubwayToSally #Deichkind, #Hanggai, #Mozart #placebo
Tv: #WWDITS, #OFMD,#startrek, #TheOfficeUS #ds9
I'm neurodivergent, in the UK, a new software engineer. I have a cat
This is an #lgbtq safe space, fuck terfs

#TheMetalDogArticleList
#louder
“We came as ambassadors for heavy music, so we did our job”: How butt-plugs, sold out shows and Iron Maiden helped Lord Of The Lost laugh off their Eurovision loss

https://www.loudersound.com/features/butt-plugs-sold-out-shows-iron-maiden-helped-lord-of-the-lost-laugh-off-their-eurovision-loss

#ButtPlugs
#IronMaiden
#LordOfTheLost
#Eurovision
#MetalBands
#PreStagePranks
#HeavyMetalHumor
#ControversialStageAntics
#OffbeatBandStories
#AlternativeCulturalAwareness
#InclusiveConcertEnvironmen

#TheMetalDogArticleList
#BraveWords
LORD OF THE LOST Premier "Reset The Preset" Music Video
Lord Of The Lost have revealed a new music video for the track, “Reset The Preset”, cut from their #1 charting latest album, Blood & Glitter. After representing Germany at the Eurovision Song Contest in May, the band is more successful...

https://bravewords.com/news/lord-of-the-lost-premier-reset-the-preset-music-video

#LordOfTheLost
#ResetThePreset
#NewMusicVideo
#GothicRock
#GermanCinema
#HollywoodVibe
#MusicAndVideo
#RecordLabel
#UniqueExperience

I was watching through the Unser Lied für Liverpool performances and to be honest I think the televote and jury both made the right choices. Lord of the Lost won the televote and I think they had the most unique and complete performance. Will Church won the jury, and I think it could have done well in Liverpool too!

The others, I don't really see doing better than LOTL, although I really liked Anica Russo's song, and I'd love to see Trong represent Germany with a better song.

Also I would like to thank the international juries for almost unanimously tanking Ikke Hüftgold's points. Jesus Christ, that was bad. Plus, he has a history of racism and sexism, so I'm glad Germany didn't send them.

LOTL's Eurovision result was obviously very disappointing, and I think the jury robbed them! The televote, I can understand, as this year was a band-heavy year, but the whole point of the jury is to apply their musical expertise, and they failed to do that. Although I suppose they wouldn't appreciate LOTL's song since the majority of them only have pop or classical expertise. ThePeaceAround did a great video on this topic which I would highly recommend!

#Eurovision #Eurovision2023 #ESC2023 #LordoftheLost #Liverpool #Germany

Every year Eurovision shows me a band to obsess over. This year it was Germany's Lord Of The Lost. Their latest album is a banger if you are into glam/industrial metal. #Eurovision2023 #LordOfTheLost #GER https://www.youtube.com/playlist?list=PLqpDlawEOspPqS4udphP5CaVkp4NqcqFQ

Richtig geil:

#lordofthelost
#TheLook

🥰

#ESC

Und damit haben wir einen Song, der nicht nur vorletzter werden, sondern IMHO eher im oberen Drittel landen wird.
#Lordofthelost #ULFL

Titel ist gut, leider hats mich nicht so mitgenommen beim ersten Hören. #LordOfTheLost #ulfl

Kantersieg für #Lordofthelost 😀#ULFL