#saltatiomortis — Public Fediverse posts

I was here too. The weather was really, really shit, and we hated it. But this was one of the moments, where you think: Worth it:

https://www.youtube.com/watch?v=cEVjnOS92lA

#saltatiomortis #windrose #wacken #zeratulsplaylist

I was there. The weather was shit, but this was awesome:

https://www.youtube.com/watch?v=OF8biw3CsgU

#badloverz #saltatiomortis #wacken #zeratulsplaylist

😢

https://www.youtube.com/watch?v=er2Rg0ByWB4

#saltatiomortis #zeratulsplaylist

:/

https://www.youtube.com/watch?v=g8EjuURNAF0

#punkrock #saltatiomortis #zeratulsplaylist

Okay, this is becoming a thread 😅

I really liked Saltatio Mortis back then, when they were just a medieval band, but since they are half-time political punk-rocker, I love them :D

https://www.youtube.com/watch?v=dgHpuq1MCec

#punkrock #saltatiomortis #zeratulsplaylist

Lord of the Lost – Opvs Noir Vol. 3 Review

With 33 songs and over two hours of music, Lord of the Lost has written an ambitious trilogy,…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2.5 #2026 #Apr26 #CatsinSpace #DuranDuran #Entertainment #GermanMetal #GothicMetal #KissinDynamite #LordoftheLost #NapalmRecords #OpvsNoirVol.3 #PopMetal #Rammstein #review #reviews #SaltatioMortis #SymphonicMetal #Wednesday13 #Xandria
https://www.newsbeep.com/us/585780/

Lord of the Lost – Opvs Noir Vol. 3 Review

With 33 songs and over two hours of music, Lord of the Lost has written an ambitious trilogy,…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2.5 #2026 #Apr26 #CatsinSpace #DuranDuran #Entertainment #GermanMetal #GothicMetal #KissinDynamite #LordoftheLost #NapalmRecords #OpvsNoirVol.3 #PopMetal #Rammstein #review #reviews #SaltatioMortis #SymphonicMetal #Wednesday13 #Xandria
https://www.newsbeep.com/us/585780/

https://www.europesays.com/uk/895725/ Lord of the Lost – Opvs Noir Vol. 3 Review #25 #2026 #Apr26 #CatsInSpace #DuranDuran #Entertainment #GermanMetal #GothicMetal #KissinDynamite #LordOfTheLost #music #NapalmRecords #OpvsNoirVol3 #PopMetal #Rammstein #Review #Reviews #SaltatioMortis #SymphonicMetal #UK #UnitedKingdom #Wednesday13 #Xandria

With 33 songs and over two hours of music, Lord of the Lost has written an ambitious trilogy, mercifully spread across eight months rather than released all at once. On Opvs Noir, the band leans into the darker, more gothic aspects of their pop-infused metal, bringing plenty of guest collaborators aboard to keep things spicy. The first two volumes of this opvs have proven a success, with creative instrumentation and an affecting performance from frontman Chris Harms. The question is whether Lord of the Lost can keep up the momentum across another 11 tracks on Vol. 3. The finale of an ambitious project such as this can often feel bittersweet, as it marks the end of something you have (hopefully) come to love, or, like the finales to the Mission Impossible series or Daniel Craig’s James Bond run, it can just be plain disappointing.

Unlike the more energetic, sometimes ostentatious arrangements of the prior two records, Vol. 3 proves to be a much mellower affair. The gothic symphonic elements often pair with softer pop/rock tunes, many of which aim at mood over hooks. Opener “Kill the Lights” starts off with a poppy beat, some cellos, and a growling Chris Harms, and though the chorus might not stick, it’s an overall good song. The moodier pieces don’t always work, however. “The Shadows Within,” which alternates between slower pop and higher energy techno-pop, is largely forgettable. The minimalist finale, “The Days of Our Lives,” serves as a disappointing send-off for the trilogy, though Harms, as usual, makes it worthwhile with his melodic cadence. Though overall less exciting, Vol. 3 does offer plenty of catchy ballads and duets, including “La Vie Est Hell,” performed with departing Kissin’ Dynamite frontman, Hannes Braun.1 It doesn’t do anything fancy, yet I find it often playing in my head on repeat.2

Opvs Noir Vol. 3 does milk some variety out of a couple of pop-related themes coursing through it: empowerment and doomed love. The two most upbeat tunes, “I’m a Diamond” and “I Hate People,” play out as Rammstein techno-industrial pop anthems for people who don’t quite fit in with mainstream society. While “I’m a Diamond” is the catchiest song on offer, the lyrics are a touch contrived.3 “I Hate People” turns the misanthropic-sounding title on its head by directing its ire towards those who seek to force their limited ideology on others.4 Lyrically, the synth-heavy, hip-hop adjacent “My Funeral” is my favorite, containing tongue-in-cheek lyrics where Harms proclaims that “Black is my happy colour” and “I’m gonna, gonna wear / Pink to my funeral.” Rounding out the pop themes are a few love songs, from the Duran Duran-inspired synth pop track, “Square One,” complete with ’80s toms, to a touching duet with Ambre Vourvahis (Xandria). These touches do help keep a rather mild record from growing stale.

While the songs here are well-written, produced, and performed, there’s no denying that it feels as if Lord of the Lost ran out of gas by Vol. 3. The hooks just don’t come as easily, and the lower energy levels feel like a letdown compared to the highs of the first two volumes. One issue is the blandness of the guitars. While creative riffing has not been one of Lord of the Lost’s fortes, they made up for it in the past with more creative arrangements. The generic riffs that fire up on choruses from “The Shadows Within” to “Your Love is Colder Than Death” feel like halfhearted attempts to inject some life into tepid tunes. Much more effective is the penultimate song, “Take Me Far Away,” which ends with an exciting burst of drums and riffs that brings the record to life, albeit briefly.5

This finale ends up bittersweet, feeling more like a whimper than a bang. Yet for fans of Chris Harms and co., it’s not a total loss. Chris Harms is able to elevate even the blandest of tunes; there’s not a single bad song, though many are only mildly enjoyable. Unlike a lot of the dreck that some of the more popular metal bands release, however, Lord of the Lost puts a lot of thought and care into their music, and the Opvs Noir trilogy has plenty to offer those who like their metal less extreme, yet still carrying an edge.



Rating: 2.5/5.0
DR: N/A | Format Reviewed: Stream
Label: Napalm Records
Websites: Bandcamp | Facebook | Official Site
Releases Worldwide: April 10th, 2026

With 33 songs and over two hours of music, Lord of the Lost has written an ambitious trilogy, mercifully spread across eight months rather than released all at once. On Opvs Noir, the band leans into the darker, more gothic aspects of their pop-infused metal, bringing plenty of guest collaborators aboard to keep things spicy. The first two volumes of this opvs have proven a success, with creative instrumentation and an affecting performance from frontman Chris Harms. The question is whether Lord of the Lost can keep up the momentum across another 11 tracks on Vol. 3. The finale of an ambitious project such as this can often feel bittersweet, as it marks the end of something you have (hopefully) come to love, or, like the finales to the Mission Impossible series or Daniel Craig’s James Bond run, it can just be plain disappointing.

Unlike the more energetic, sometimes ostentatious arrangements of the prior two records, Vol. 3 proves to be a much mellower affair. The gothic symphonic elements often pair with softer pop/rock tunes, many of which aim at mood over hooks. Opener “Kill the Lights” starts off with a poppy beat, some cellos, and a growling Chris Harms, and though the chorus might not stick, it’s an overall good song. The moodier pieces don’t always work, however. “The Shadows Within,” which alternates between slower pop and higher energy techno-pop, is largely forgettable. The minimalist finale, “The Days of Our Lives,” serves as a disappointing send-off for the trilogy, though Harms, as usual, makes it worthwhile with his melodic cadence. Though overall less exciting, Vol. 3 does offer plenty of catchy ballads and duets, including “La Vie Est Hell,” performed with departing Kissin’ Dynamite frontman, Hannes Braun.1 It doesn’t do anything fancy, yet I find it often playing in my head on repeat.2

Opvs Noir Vol. 3 does milk some variety out of a couple of pop-related themes coursing through it: empowerment and doomed love. The two most upbeat tunes, “I’m a Diamond” and “I Hate People,” play out as Rammstein techno-industrial pop anthems for people who don’t quite fit in with mainstream society. While “I’m a Diamond” is the catchiest song on offer, the lyrics are a touch contrived.3 “I Hate People” turns the misanthropic-sounding title on its head by directing its ire towards those who seek to force their limited ideology on others.4 Lyrically, the synth-heavy, hip-hop adjacent “My Funeral” is my favorite, containing tongue-in-cheek lyrics where Harms proclaims that “Black is my happy colour” and “I’m gonna, gonna wear / Pink to my funeral.” Rounding out the pop themes are a few love songs, from the Duran Duran-inspired synth pop track, “Square One,” complete with ’80s toms, to a touching duet with Ambre Vourvahis (Xandria). These touches do help keep a rather mild record from growing stale.

While the songs here are well-written, produced, and performed, there’s no denying that it feels as if Lord of the Lost ran out of gas by Vol. 3. The hooks just don’t come as easily, and the lower energy levels feel like a letdown compared to the highs of the first two volumes. One issue is the blandness of the guitars. While creative riffing has not been one of Lord of the Lost’s fortes, they made up for it in the past with more creative arrangements. The generic riffs that fire up on choruses from “The Shadows Within” to “Your Love is Colder Than Death” feel like halfhearted attempts to inject some life into tepid tunes. Much more effective is the penultimate song, “Take Me Far Away,” which ends with an exciting burst of drums and riffs that brings the record to life, albeit briefly.5

This finale ends up bittersweet, feeling more like a whimper than a bang. Yet for fans of Chris Harms and co., it’s not a total loss. Chris Harms is able to elevate even the blandest of tunes; there’s not a single bad song, though many are only mildly enjoyable. Unlike a lot of the dreck that some of the more popular metal bands release, however, Lord of the Lost puts a lot of thought and care into their music, and the Opvs Noir trilogy has plenty to offer those who like their metal less extreme, yet still carrying an edge.



Rating: 2.5/5.0
DR: N/A | Format Reviewed: Stream
Label: Napalm Records
Websites: Bandcamp | Facebook | Official Site
Releases Worldwide: April 10th, 2026

With 33 songs and over two hours of music, Lord of the Lost has written an ambitious trilogy, mercifully spread across eight months rather than released all at once. On Opvs Noir, the band leans into the darker, more gothic aspects of their pop-infused metal, bringing plenty of guest collaborators aboard to keep things spicy. The first two volumes of this opvs have proven a success, with creative instrumentation and an affecting performance from frontman Chris Harms. The question is whether Lord of the Lost can keep up the momentum across another 11 tracks on Vol. 3. The finale of an ambitious project such as this can often feel bittersweet, as it marks the end of something you have (hopefully) come to love, or, like the finales to the Mission Impossible series or Daniel Craig’s James Bond run, it can just be plain disappointing.

Unlike the more energetic, sometimes ostentatious arrangements of the prior two records, Vol. 3 proves to be a much mellower affair. The gothic symphonic elements often pair with softer pop/rock tunes, many of which aim at mood over hooks. Opener “Kill the Lights” starts off with a poppy beat, some cellos, and a growling Chris Harms, and though the chorus might not stick, it’s an overall good song. The moodier pieces don’t always work, however. “The Shadows Within,” which alternates between slower pop and higher energy techno-pop, is largely forgettable. The minimalist finale, “The Days of Our Lives,” serves as a disappointing send-off for the trilogy, though Harms, as usual, makes it worthwhile with his melodic cadence. Though overall less exciting, Vol. 3 does offer plenty of catchy ballads and duets, including “La Vie Est Hell,” performed with departing Kissin’ Dynamite frontman, Hannes Braun.1 It doesn’t do anything fancy, yet I find it often playing in my head on repeat.2

Opvs Noir Vol. 3 does milk some variety out of a couple of pop-related themes coursing through it: empowerment and doomed love. The two most upbeat tunes, “I’m a Diamond” and “I Hate People,” play out as Rammstein techno-industrial pop anthems for people who don’t quite fit in with mainstream society. While “I’m a Diamond” is the catchiest song on offer, the lyrics are a touch contrived.3 “I Hate People” turns the misanthropic-sounding title on its head by directing its ire towards those who seek to force their limited ideology on others.4 Lyrically, the synth-heavy, hip-hop adjacent “My Funeral” is my favorite, containing tongue-in-cheek lyrics where Harms proclaims that “Black is my happy colour” and “I’m gonna, gonna wear / Pink to my funeral.” Rounding out the pop themes are a few love songs, from the Duran Duran-inspired synth pop track, “Square One,” complete with ’80s toms, to a touching duet with Ambre Vourvahis (Xandria). These touches do help keep a rather mild record from growing stale.

While the songs here are well-written, produced, and performed, there’s no denying that it feels as if Lord of the Lost ran out of gas by Vol. 3. The hooks just don’t come as easily, and the lower energy levels feel like a letdown compared to the highs of the first two volumes. One issue is the blandness of the guitars. While creative riffing has not been one of Lord of the Lost’s fortes, they made up for it in the past with more creative arrangements. The generic riffs that fire up on choruses from “The Shadows Within” to “Your Love is Colder Than Death” feel like halfhearted attempts to inject some life into tepid tunes. Much more effective is the penultimate song, “Take Me Far Away,” which ends with an exciting burst of drums and riffs that brings the record to life, albeit briefly.5

This finale ends up bittersweet, feeling more like a whimper than a bang. Yet for fans of Chris Harms and co., it’s not a total loss. Chris Harms is able to elevate even the blandest of tunes; there’s not a single bad song, though many are only mildly enjoyable. Unlike a lot of the dreck that some of the more popular metal bands release, however, Lord of the Lost puts a lot of thought and care into their music, and the Opvs Noir trilogy has plenty to offer those who like their metal less extreme, yet still carrying an edge.



Rating: 2.5/5.0
DR: N/A | Format Reviewed: Stream
Label: Napalm Records
Websites: Bandcamp | Facebook | Official Site
Releases Worldwide: April 10th, 2026

With 33 songs and over two hours of music, Lord of the Lost has written an ambitious trilogy, mercifully spread across eight months rather than released all at once. On Opvs Noir, the band leans into the darker, more gothic aspects of their pop-infused metal, bringing plenty of guest collaborators aboard to keep things spicy. The first two volumes of this opvs have proven a success, with creative instrumentation and an affecting performance from frontman Chris Harms. The question is whether Lord of the Lost can keep up the momentum across another 11 tracks on Vol. 3. The finale of an ambitious project such as this can often feel bittersweet, as it marks the end of something you have (hopefully) come to love, or, like the finales to the Mission Impossible series or Daniel Craig’s James Bond run, it can just be plain disappointing.

Unlike the more energetic, sometimes ostentatious arrangements of the prior two records, Vol. 3 proves to be a much mellower affair. The gothic symphonic elements often pair with softer pop/rock tunes, many of which aim at mood over hooks. Opener “Kill the Lights” starts off with a poppy beat, some cellos, and a growling Chris Harms, and though the chorus might not stick, it’s an overall good song. The moodier pieces don’t always work, however. “The Shadows Within,” which alternates between slower pop and higher energy techno-pop, is largely forgettable. The minimalist finale, “The Days of Our Lives,” serves as a disappointing send-off for the trilogy, though Harms, as usual, makes it worthwhile with his melodic cadence. Though overall less exciting, Vol. 3 does offer plenty of catchy ballads and duets, including “La Vie Est Hell,” performed with departing Kissin’ Dynamite frontman, Hannes Braun.1 It doesn’t do anything fancy, yet I find it often playing in my head on repeat.2

Opvs Noir Vol. 3 does milk some variety out of a couple of pop-related themes coursing through it: empowerment and doomed love. The two most upbeat tunes, “I’m a Diamond” and “I Hate People,” play out as Rammstein techno-industrial pop anthems for people who don’t quite fit in with mainstream society. While “I’m a Diamond” is the catchiest song on offer, the lyrics are a touch contrived.3 “I Hate People” turns the misanthropic-sounding title on its head by directing its ire towards those who seek to force their limited ideology on others.4 Lyrically, the synth-heavy, hip-hop adjacent “My Funeral” is my favorite, containing tongue-in-cheek lyrics where Harms proclaims that “Black is my happy colour” and “I’m gonna, gonna wear / Pink to my funeral.” Rounding out the pop themes are a few love songs, from the Duran Duran-inspired synth pop track, “Square One,” complete with ’80s toms, to a touching duet with Ambre Vourvahis (Xandria). These touches do help keep a rather mild record from growing stale.

While the songs here are well-written, produced, and performed, there’s no denying that it feels as if Lord of the Lost ran out of gas by Vol. 3. The hooks just don’t come as easily, and the lower energy levels feel like a letdown compared to the highs of the first two volumes. One issue is the blandness of the guitars. While creative riffing has not been one of Lord of the Lost’s fortes, they made up for it in the past with more creative arrangements. The generic riffs that fire up on choruses from “The Shadows Within” to “Your Love is Colder Than Death” feel like halfhearted attempts to inject some life into tepid tunes. Much more effective is the penultimate song, “Take Me Far Away,” which ends with an exciting burst of drums and riffs that brings the record to life, albeit briefly.5

This finale ends up bittersweet, feeling more like a whimper than a bang. Yet for fans of Chris Harms and co., it’s not a total loss. Chris Harms is able to elevate even the blandest of tunes; there’s not a single bad song, though many are only mildly enjoyable. Unlike a lot of the dreck that some of the more popular metal bands release, however, Lord of the Lost puts a lot of thought and care into their music, and the Opvs Noir trilogy has plenty to offer those who like their metal less extreme, yet still carrying an edge.



Rating: 2.5/5.0
DR: N/A | Format Reviewed: Stream
Label: Napalm Records
Websites: Bandcamp | Facebook | Official Site
Releases Worldwide: April 10th, 2026

With 33 songs and over two hours of music, Lord of the Lost has written an ambitious trilogy, mercifully spread across eight months rather than released all at once. On Opvs Noir, the band leans into the darker, more gothic aspects of their pop-infused metal, bringing plenty of guest collaborators aboard to keep things spicy. The first two volumes of this opvs have proven a success, with creative instrumentation and an affecting performance from frontman Chris Harms. The question is whether Lord of the Lost can keep up the momentum across another 11 tracks on Vol. 3. The finale of an ambitious project such as this can often feel bittersweet, as it marks the end of something you have (hopefully) come to love, or, like the finales to the Mission Impossible series or Daniel Craig’s James Bond run, it can just be plain disappointing.

Unlike the more energetic, sometimes ostentatious arrangements of the prior two records, Vol. 3 proves to be a much mellower affair. The gothic symphonic elements often pair with softer pop/rock tunes, many of which aim at mood over hooks. Opener “Kill the Lights” starts off with a poppy beat, some cellos, and a growling Chris Harms, and though the chorus might not stick, it’s an overall good song. The moodier pieces don’t always work, however. “The Shadows Within,” which alternates between slower pop and higher energy techno-pop, is largely forgettable. The minimalist finale, “The Days of Our Lives,” serves as a disappointing send-off for the trilogy, though Harms, as usual, makes it worthwhile with his melodic cadence. Though overall less exciting, Vol. 3 does offer plenty of catchy ballads and duets, including “La Vie Est Hell,” performed with departing Kissin’ Dynamite frontman, Hannes Braun.1 It doesn’t do anything fancy, yet I find it often playing in my head on repeat.2

Opvs Noir Vol. 3 does milk some variety out of a couple of pop-related themes coursing through it: empowerment and doomed love. The two most upbeat tunes, “I’m a Diamond” and “I Hate People,” play out as Rammstein techno-industrial pop anthems for people who don’t quite fit in with mainstream society. While “I’m a Diamond” is the catchiest song on offer, the lyrics are a touch contrived.3 “I Hate People” turns the misanthropic-sounding title on its head by directing its ire towards those who seek to force their limited ideology on others.4 Lyrically, the synth-heavy, hip-hop adjacent “My Funeral” is my favorite, containing tongue-in-cheek lyrics where Harms proclaims that “Black is my happy colour” and “I’m gonna, gonna wear / Pink to my funeral.” Rounding out the pop themes are a few love songs, from the Duran Duran-inspired synth pop track, “Square One,” complete with ’80s toms, to a touching duet with Ambre Vourvahis (Xandria). These touches do help keep a rather mild record from growing stale.

While the songs here are well-written, produced, and performed, there’s no denying that it feels as if Lord of the Lost ran out of gas by Vol. 3. The hooks just don’t come as easily, and the lower energy levels feel like a letdown compared to the highs of the first two volumes. One issue is the blandness of the guitars. While creative riffing has not been one of Lord of the Lost’s fortes, they made up for it in the past with more creative arrangements. The generic riffs that fire up on choruses from “The Shadows Within” to “Your Love is Colder Than Death” feel like halfhearted attempts to inject some life into tepid tunes. Much more effective is the penultimate song, “Take Me Far Away,” which ends with an exciting burst of drums and riffs that brings the record to life, albeit briefly.5

This finale ends up bittersweet, feeling more like a whimper than a bang. Yet for fans of Chris Harms and co., it’s not a total loss. Chris Harms is able to elevate even the blandest of tunes; there’s not a single bad song, though many are only mildly enjoyable. Unlike a lot of the dreck that some of the more popular metal bands release, however, Lord of the Lost puts a lot of thought and care into their music, and the Opvs Noir trilogy has plenty to offer those who like their metal less extreme, yet still carrying an edge.



Rating: 2.5/5.0
DR: N/A | Format Reviewed: Stream
Label: Napalm Records
Websites: Bandcamp | Facebook | Official Site
Releases Worldwide: April 10th, 2026

So #SaltatioMortis did two awesome covers in collab with #hairmetal band #BadLoverz

So I had to share these for #FridayMetalCovers

The look https://youtu.be/euXN0eyVbK4?si=GRUfn0N7FBIcTfGB

And livin' on a prayer
https://youtu.be/1n_xf0BcdJI?si=xUdZxwlKxsoSRHtc

Goosebumps: https://www.youtube.com/watch?v=GPOzqI57d2s&t=383s

#SaltatioMortis and #BlindGuardian sing a hymn to Rondra, goddess of war.

And the German version:
https://www.youtube.com/watch?v=plMQ2r0z0K8&t=383s

Who’d have thought that the old heroes of Aventuria box would birth such creations:
https://www.f-shop.de/das-schwarze-auge/rollenspiel/retro/regeln/4217/dsa2-die-helden-und-magie-des-schwarzen-auges

#dsa #aventuria #pnpde #roleplaying

Goosebumps: https://www.youtube.com/watch?v=GPOzqI57d2s&t=383s

#SaltatioMortis and #BlindGuardian sing a hymn to Rondra, goddess of war.

And the German version:
https://www.youtube.com/watch?v=plMQ2r0z0K8&t=383s

Who’d have thought that the old heroes of Aventuria box would birth such creations:
https://www.f-shop.de/das-schwarze-auge/rollenspiel/retro/regeln/4217/dsa2-die-helden-und-magie-des-schwarzen-auges

#dsa #aventuria #pnpde #roleplaying

Goosebumps: https://www.youtube.com/watch?v=GPOzqI57d2s&t=383s

#SaltatioMortis and #BlindGuardian sing a hymn to Rondra, goddess of war.

And the German version:
https://www.youtube.com/watch?v=plMQ2r0z0K8&t=383s

Who’d have thought that the old heroes of Aventuria box would birth such creations:
https://www.f-shop.de/das-schwarze-auge/rollenspiel/retro/regeln/4217/dsa2-die-helden-und-magie-des-schwarzen-auges

#dsa #aventuria #pnpde #roleplaying

Goosebumps: https://www.youtube.com/watch?v=GPOzqI57d2s&t=383s

#SaltatioMortis and #BlindGuardian sing a hymn to Rondra, goddess of war.

And the German version:
https://www.youtube.com/watch?v=plMQ2r0z0K8&t=383s

Who’d have thought that the old heroes of Aventuria box would birth such creations:
https://www.f-shop.de/das-schwarze-auge/rollenspiel/retro/regeln/4217/dsa2-die-helden-und-magie-des-schwarzen-auges

#dsa #aventuria #pnpde #roleplaying

OH: "Jetzt habe ich so viel Ohrwurm, das ist schon Saltatio Fortis."

#SaltatioMortis

DÖP DÖP DÖP DÖDÖDÖPDÖP

#WoAHolyNight #holynight #SaltatioMortis

#saltatiomortis

@Anja2 Schwarzer Strand (#SaltatioMortis) 😊

#MinutosMusicales del #ViernesDeMusica con #SaltatioMortis, digo con #BadLoverz, en vivo en el festival Wacken, con el tema #Angels

https://www.youtube.com/watch?v=OF8biw3CsgU

#Music #FolkMetal

#SaltatioMortis bei #metality am Stand @metality_foundation metality bei samo im video https://youtu.be/-jh4qai3JA4?t=287

Saltatio Mortis and Alestorm - Gardyloo

#FediRadio #PouetRadio #Alestorm #SaltatioMortis

Dann gleich msl meinen Lieblings #twitch #streamer sehen Slea der buffernde #SaltatioMortis #wacken

Festival, Rathausplatz Singen, ganz in der Nähe, edle auffällige Garderobe, ein wilder Mix. Wie es verlief, wie schön der Abend war haben wir so nicht erwartet.

utele.eu/regionales/saltatio-m…

#saltatioMortis #hohentwiel #hohentwielfestival #hegau #singen #konzert #rathausplatz

@uersugredu
Ja, ein tolles Festival. Wir gehen gerne hin, ausser in Jahren wenn das Lineup jeglichen Rock in seinem Namen vermissen lässt. Der gestrige Folk/Rock/Metal von #SaltatioMortis hat die diesjährige Ausgabe bereits im Alleingang gerettet :-)

OMG, was für eine Überraschung - neue Mucke von #SaltatioMortis ... 😳

Das Original von #BonJovi ist der absolute Knaller & ich liebe den Song ... 🥰

Heaven & Hell, ich glaube, Alea & die #BadLoverz reißen damit auf ihrer #Finsterwachttour bestimmt die eine oder andere Venue ab ... 🤘😂

Bad Loverz - Livin' On A Prayer

https://youtube.com/watch?v=1n_xf0BcdJI&feature=shared

Mittelaltermusik-Gemeinde, wer ist dieser Sänger?

(Ich meine nicht Alea, sondern den in Alea drinne)

(https://www.youtube.com/watch?v=W81ENxuKbJE)

#saltatioMortis #mittelaltermusik

🎄 Blut spenden und dabei Live-Musik genießen: Am 19. Dezember veranstaltet das Zentrum für #Transfusionsmedizin der #Charité ein Advents-Event mit #WackenOpenAir!

https://www.charite.de/service/pressemitteilung/artikel/detail/wacken_open_air_meets_blutspende/

Freut euch auf Akustik-Sets von #SaltatioMortis und #BeyondTheBlack, weihnachtliche Stimmung, heiße #Getränke und eine #Tombola zugunsten der Kinderonkologie. Los geht’s ab 11 Uhr auf dem Campus Charité Mitte. ❤️🩸

#Blutspende #Metalheads #Charité #Weihnachtsmarkt

🎄 Blut spenden und dabei Live-Musik genießen: Am 19. Dezember veranstaltet das Zentrum für #Transfusionsmedizin der #Charité ein Advents-Event mit #WackenOpenAir!

https://www.charite.de/service/pressemitteilung/artikel/detail/wacken_open_air_meets_blutspende/

Freut euch auf Akustik-Sets von #SaltatioMortis und #BeyondTheBlack, weihnachtliche Stimmung, heiße #Getränke und eine #Tombola zugunsten der Kinderonkologie. Los geht’s ab 11 Uhr auf dem Campus Charité Mitte. ❤️🩸

#Blutspende #Metalheads #Charité #Weihnachtsmarkt

Es ist endlich da: die Dämmerland Super Deluxe Edition! Für uns Fans bedeutet das mehr als nur ein Release – es ist der Moment, auf den wir gewartet haben. Musik, Geschichten und so viel Herz in einer Box. Jetzt heißt es: abtauchen und genießen.

#Dämmerland #SuperDeluxeEdition #FantasyErleben #GemeinsamInsDämmerland #MusikUndGeschichten #FantasiePur #DämmerlandLiebe #EinMagischerMoment #HörspielErlebnis #MusikTrifftFantasy #DämmerlandCommunity #Unvergesslich #Versengold #KissinDynamite #SaltatioMortis #MrHurleyUndDiePulveraffen #LordOfTheLost #SubwayToSally #EricFish #FantasyAlbum #MagischeKlänge

Wenn ich über meinen NP/#Musik-Thread sehe…

https://chaos.social/@drazraeltod/111584034899542137

Ist das mit Abstand herrausstechendste #GUNSHIP - kaum was anderes hat sich emotional und inhaltlich "passender" angefühlt als irgendwie jedes zweite Lied von denen.

Großartige Entdeckung! (und evtl. etwas #nerdsniping )

Weitere Sachen zu denen ich über das letzte ~1 Jahr stark tendierte:

- #NeuroticFish ist auch geil
- wieder mehr #SaltatioMortis
- #PattyGurdy und #Venjent haben sich mindestens honorable mentions verdient

Gerade gestern ist mir übrigens aufgefallen, dass es im amerikanischen Bereich des Netzes problematisch sein könnte, „Sturm aufs Paradies“ von Saltatio Mortis zu posten, weil das Cover eine nachgestellte Version des Gemäldes „Die Freiheit führt das Volk“ ist und darauf die nackte Brust einer Frau zu sehen ist* 🙄

#Prüderie #SaltatioMortis

* glaube ich jedenfalls. Rechts unten, wer‘s prüfen will.

2/2

Special Features of The #MetalHammer Event:

🖋 Metal Hammer Editorial Team Onsite: Meet the brilliant minds behind the mag!
🏆 Metal Hammer Award Ceremony
🌟 Black Carpet
🎸 4 Live Bands: #FuturePalace, #SaltatioMortis + #OrdenOgan + #Lordi
🎟 VIP Tickets Available

When will the Metal Hammer Awards 2024 take place?
🗓 31-8-2024
Where?
📍 Uber Eats Music Hall, Berlin, Germany

ℹ More info:
https://www.metal-hammer.de/awards-2024/
.
.
.
*Non paid band support

2/2

Special Features of The #MetalHammer Event:

🖋 Metal Hammer Editorial Team Onsite: Meet the brilliant minds behind the mag!
🏆 Metal Hammer Award Ceremony
🌟 Black Carpet
🎸 4 Live Bands: #FuturePalace, #SaltatioMortis + #OrdenOgan + #Lordi
🎟 VIP Tickets Available

When will the Metal Hammer Awards 2024 take place?
🗓 31-8-2024
Where?
📍 Uber Eats Music Hall, Berlin, Germany

ℹ More info:
https://www.metal-hammer.de/awards-2024/
.
.
.
*Non paid band support

2/2

Special Features of The #MetalHammer Event:

🖋 Metal Hammer Editorial Team Onsite: Meet the brilliant minds behind the mag!
🏆 Metal Hammer Award Ceremony
🌟 Black Carpet
🎸 4 Live Bands: #FuturePalace, #SaltatioMortis + #OrdenOgan + #Lordi
🎟 VIP Tickets Available

When will the Metal Hammer Awards 2024 take place?
🗓 31-8-2024
Where?
📍 Uber Eats Music Hall, Berlin, Germany

ℹ More info:
https://www.metal-hammer.de/awards-2024/
.
.
.
*Non paid band support

2/2

Special Features of The #MetalHammer Event:

🖋 Metal Hammer Editorial Team Onsite: Meet the brilliant minds behind the mag!
🏆 Metal Hammer Award Ceremony
🌟 Black Carpet
🎸 4 Live Bands: #FuturePalace, #SaltatioMortis + #OrdenOgan + #Lordi
🎟 VIP Tickets Available

When will the Metal Hammer Awards 2024 take place?
🗓 31-8-2024
Where?
📍 Uber Eats Music Hall, Berlin, Germany

ℹ More info:
https://www.metal-hammer.de/awards-2024/
.
.
.
*Non paid band support

Wachstum, Wachstum üüüber aaalles...
#SaltatioMortis #metal #Kaputtalismus #Kapitalismus #Wirtschaftskrebs #Wachstum #wirtschaftswachstum
https://youtube.com/watch?v=MTSitlFXEX8

#TheMetalDogArticleList
#BraveWords
BLIND GUARDIAN Share HANSI KÜRSCH Vocal Recording Session Video For SALTATIO MORTIS Single "Darkenguard"
German medieval metallers Saltatio Mortis recently released their new album, Finsterwacht, which includes special guests Hansi Kürsch (Blind Guardian), Cristina Scabbia (Lacuna Coil), Peyton Parrish and Tina Guo. Kürsch recorded vocals for the title track and it's English...

https://bravewords.com/news/blind-guardian-share-hansi-kursch-vocal-recording-session-video-for-saltatio-mortis-single-darkenguard

#BlindGuardian #SaltatioMortis #HansiKürsch

Festival Review: Nova Rock 2024 – Day 3 (Saturday 14th June)

Day three started with a weather warning pinging on the Nova Rock app as we drove to the festival site. With the sun shining, we expected t

https://www.moshville.co.uk/reviews/gig-review/2024/06/festival-review-nova-rock-2024-day-3-saturday-14th-june/

#GigReviews #AgainstTheCurrent #AliceCooper #Allt #ARKLIGHT #AvrilLavigne #FuturePalace #Kontrust #Mneskin #NovaRock #SaltatioMortis #SteelPanther #Sum41 #WeBlameTheEmpire

Der Himmel muss warten | Saltatio Mortis #awe

https://www.youtube.com/watch?v=gM0ol6y-qjQ
https://yewtu.be/watch?v=gM0ol6y-qjQ

Klickt mal auf den Album-Link. Wow …

#music #musik #dsa #DasSchwarzeAuge #thedarkeye #saltatiomortis #pnpde #rpg #roleplaying #tabletop

#SaltatioMortis und #BlindGuardian singen eine Hymne an #Rondra in Finsterwacht — Gänsehaut:
https://inv.us.projectsegfau.lt/watch?v=plMQ2r0z0K8
https://www.youtube.com/watch?v=plMQ2r0z0K8

#DSA #pnpde #DasSchwarzeAuge #metal #folk

Morgen #Kinder wird's #nichts #geben | #SaltatioMortis

https://invidious.f5.si/watch?v=C7hN0d5g0mI

https://www.youtube.com/watch?v=C7hN0d5g0mI

#nemoradio #taxtherich

#PowerFriday #Dragons #DragonSlayers

How about #SaltatioMortis with their excellent cover of everyone's favourite #skyrim tavern bard song:
Watch The Dragonborn Comes on YouTube Music
https://music.youtube.com/watch?v=y2pYK2MaBUE&si=69f-VPtn-FK8rsTG

@mel
Das ist schon sehr gelungen!
Generell finde ich die Songs, die #SaltatioMortis zusammen mit anderen Künstlern veröffentlicht hat, deutlich besser als deren eigene Songs aus der letzten Zeit.

Und von #PeytonParrish gibt es durchaus noch andere hörenswerte Songs.
Richtig toll finde ich übrigens folgende Version von „Valhalla Calling“, gesungen im Trio mit #MiracleOfSound und #EricHollaway (geile Bassstimme)

https://yewtu.be/watch?v=mQFPk8n97wk

#30daysongchallenge day 15: a song you like that is a cover by another artist

I think I'm opting here for one of the best ensemble metal recordings in years.

I'm going for #Feuerschwanz's fantastic cover of #manowar's "Warrior's of the world" featuring #MelissaBonny, #SaltatioMortis and #gloryhammer's #AngusMcfife

https://youtu.be/-rKOoM7S6mw