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  1. Saprovore – Numinous Abditory Deflagration Review By Andy-War-Hall

    Numinous (adj.): evoking a sense of the mystical, sublime, or transcendent; awe-inspiring. Abditory (n.): a concealed location used for storage or to hide items (rare). Deflagration (n.): the act of deflagrating; an intense fire; a conflagration or explosion. Specifically, combustion that spreads subsonically via thermal conduction.1 Yup, it’s an I, Voidhanger release. Experimental industrial black/death band Saprovore is an eponymous solo project by the ringleader of Italy’s experimental group Strigiform, also supported by I, Voidhanger. Strigiform’s debut Aconite came out late last year and Saprovore’s debut Unuttered Aporetic Omen dropped this past March, so now I know who’s been hogging all the executive functioning around here. Now, Saprovore aims to build off their debut’s foundation with “a more refined and mindful approach to songwriting” on Numinous Abditory Deflagration. But can Saprovore evoke an awe-inspiring combustion of concealed mystical places with Numinous Abditory Deflagration?

    Well, Numinous Abditory Deflagration certainly doesn’t sound conventional. A synth-forward, drum machine-heavy electronic affair driven by speedy blackened fury and cavernous deathly density, Saprovore fit well within the I, Voidhanger canon. Drums take on largely black metal stylings, blasting through loud, slightly off-kilter beats as the synthesizers play dueling, drawn-out symphonic parts and Saprovore wretches out heavily distorted rasps on occasion. I’d bet money that Saprovore had every instrument running through every effect pedal they have at some point on Numinous Abditory Deflagration, as every song is sopping wet with reverb, distortion, delays, etcetera. Though Saprovore touted tighter songwriting this time around, Numinous Abditory Deflagration is still free-form in nature, sloshing into and out of parts with minimal transition or (if you’re not listening closely) notice. All this to say, with Numinous Abditory Deflagration Saprovore doesn’t sound a thing like Manowar. Wimps and posers, you’re free to stay.

    What’s flustered me this whole time with Saprovore’s latest is how something so off-beat from conventional songcraft can also be so bafflingly banal. Numinous Abditory Deflagration sounds like a wreck. An uninteresting wreck. With Saprovore, either almost nothing is happening, or everything is happening. Numinous Abditory Deflagration is either droning aimlessly or stacking unrelated synth leads over crushed drum loops ad nauseum. Saprovore’s melodies are also extremely rudimentary and tame, never reaching for soaring payoffs or even achieving all that much dissonance. This undynamic songwriting approach—echoed by its loud, blown-out lo-fi production—means Numinous Abditory Deflagration lacks true peaks and valleys. Meaning that songs and movements start to blend together after a while. Meaning that, after about a dozen listens to Numinous Abditory Deflagration, I still can’t fucking remember a fucking thing about it afterwards.

    Numinous Abditory Deflagration’s biggest problem, however, is that Saprovore just runs out of gas after track one. You’ve probably noticed that I haven’t discussed any songs in specific this whole review; that’s because nearly any comment levied on any one song could just as accurately describe any other song off Numinous Abditory Deflagration. Barring the drum and bass break on “Chalice of Spectral Residue” or an eerie key refrain on “Threnody Pt. 1 (Hush-Born),” every song on Numinous Abditory Deflagration is built out of the same few, boring ideas. Listless synths, drawling drum loops, negligible vocals. Speaking of, Saprovore’s vocals exemplify Numinous Abditory Deflagration’s utter banality. Not only are there no variety in delivery, but all but one song uses exactly three blocks of three lines. Barring “Threnody Pt. 1 (Hush-Born),” an instrumental, you get nothing else. If what Saprovore had anything going with Numinous Abditory Deflagration, monotony killed any chance of it meaning anything.

    I come away from Numinous Abditory Deflagration with the inescapable feeling—one that I know can’t be true, but I feel regardless—that Saprovore spent considerably more time and care with its naming than its composition. More than anything I’ve reviewed during my tenure at AngryMetalGuy.com—even that one—this was the record I loathed returning to the most. Somehow, it gave me less to think about with each listen. Worse, I know Saprovore can do better. Having gone back to Unuttered Aporetic Omen, I disagree that Numinous Abditory Deflagration is the more refined album. Saprovore’s debut has some of Numinous Abditory Deflagration’s problems—its drums sound terrible, too—but there’s identity between songs. Some, at least. It doesn’t feel like listening to a thoroughly busted microwave fuck up a bag of popcorn for nearly fifty minutes, anyway. Was that the real deflagration all along?

    Rating: Unlistenable
    DR: 7 | Format Reviewed: 257 kbps MP3
    Label: I, Voidhanger Records
    Website: saprovoredeath.bandcamp.com
    Releases Worldwide: August 7th, 2026

    #05 #2026 #Aug26 #BlackMetal #DeathMetal #IVoidhangerRecords #IndustrialMetal #ItalianMetal #Manowar #NuminousAbditoryDeflagration #Review #Reviews #Saprovore #Strigiform
  2. Saprovore – Numinous Abditory Deflagration Review By Andy-War-Hall

    Numinous (adj.): evoking a sense of the mystical, sublime, or transcendent; awe-inspiring. Abditory (n.): a concealed location used for storage or to hide items (rare). Deflagration (n.): the act of deflagrating; an intense fire; a conflagration or explosion. Specifically, combustion that spreads subsonically via thermal conduction.1 Yup, it’s an I, Voidhanger release. Experimental industrial black/death band Saprovore is an eponymous solo project by the ringleader of Italy’s experimental group Strigiform, also supported by I, Voidhanger. Strigiform’s debut Aconite came out late last year and Saprovore’s debut Unuttered Aporetic Omen dropped this past March, so now I know who’s been hogging all the executive functioning around here. Now, Saprovore aims to build off their debut’s foundation with “a more refined and mindful approach to songwriting” on Numinous Abditory Deflagration. But can Saprovore evoke an awe-inspiring combustion of concealed mystical places with Numinous Abditory Deflagration?

    Well, Numinous Abditory Deflagration certainly doesn’t sound conventional. A synth-forward, drum machine-heavy electronic affair driven by speedy blackened fury and cavernous deathly density, Saprovore fit well within the I, Voidhanger canon. Drums take on largely black metal stylings, blasting through loud, slightly off-kilter beats as the synthesizers play dueling, drawn-out symphonic parts and Saprovore wretches out heavily distorted rasps on occasion. I’d bet money that Saprovore had every instrument running through every effect pedal they have at some point on Numinous Abditory Deflagration, as every song is sopping wet with reverb, distortion, delays, etcetera. Though Saprovore touted tighter songwriting this time around, Numinous Abditory Deflagration is still free-form in nature, sloshing into and out of parts with minimal transition or (if you’re not listening closely) notice. All this to say, with Numinous Abditory Deflagration Saprovore doesn’t sound a thing like Manowar. Wimps and posers, you’re free to stay.

    What’s flustered me this whole time with Saprovore’s latest is how something so off-beat from conventional songcraft can also be so bafflingly banal. Numinous Abditory Deflagration sounds like a wreck. An uninteresting wreck. With Saprovore, either almost nothing is happening, or everything is happening. Numinous Abditory Deflagration is either droning aimlessly or stacking unrelated synth leads over crushed drum loops ad nauseum. Saprovore’s melodies are also extremely rudimentary and tame, never reaching for soaring payoffs or even achieving all that much dissonance. This undynamic songwriting approach—echoed by its loud, blown-out lo-fi production—means Numinous Abditory Deflagration lacks true peaks and valleys. Meaning that songs and movements start to blend together after a while. Meaning that, after about a dozen listens to Numinous Abditory Deflagration, I still can’t fucking remember a fucking thing about it afterwards.

    Numinous Abditory Deflagration’s biggest problem, however, is that Saprovore just runs out of gas after track one. You’ve probably noticed that I haven’t discussed any songs in specific this whole review; that’s because nearly any comment levied on any one song could just as accurately describe any other song off Numinous Abditory Deflagration. Barring the drum and bass break on “Chalice of Spectral Residue” or an eerie key refrain on “Threnody Pt. 1 (Hush-Born),” every song on Numinous Abditory Deflagration is built out of the same few, boring ideas. Listless synths, drawling drum loops, negligible vocals. Speaking of, Saprovore’s vocals exemplify Numinous Abditory Deflagration’s utter banality. Not only are there no variety in delivery, but all but one song uses exactly three blocks of three lines. Barring “Threnody Pt. 1 (Hush-Born),” an instrumental, you get nothing else. If what Saprovore had anything going with Numinous Abditory Deflagration, monotony killed any chance of it meaning anything.

    I come away from Numinous Abditory Deflagration with the inescapable feeling—one that I know can’t be true, but I feel regardless—that Saprovore spent considerably more time and care with its naming than its composition. More than anything I’ve reviewed during my tenure at AngryMetalGuy.com—even that one—this was the record I loathed returning to the most. Somehow, it gave me less to think about with each listen. Worse, I know Saprovore can do better. Having gone back to Unuttered Aporetic Omen, I disagree that Numinous Abditory Deflagration is the more refined album. Saprovore’s debut has some of Numinous Abditory Deflagration’s problems—its drums sound terrible, too—but there’s identity between songs. Some, at least. It doesn’t feel like listening to a thoroughly busted microwave fuck up a bag of popcorn for nearly fifty minutes, anyway. Was that the real deflagration all along?

    Rating: Unlistenable
    DR: 7 | Format Reviewed: 257 kbps MP3
    Label: I, Voidhanger Records
    Website: saprovoredeath.bandcamp.com
    Releases Worldwide: August 7th, 2026

    #05 #2026 #Aug26 #BlackMetal #DeathMetal #IVoidhangerRecords #IndustrialMetal #ItalianMetal #Manowar #NuminousAbditoryDeflagration #Review #Reviews #Saprovore #Strigiform
  3. Looks like it's turning into a hot ship-to-ship summer. There is #DropShip #BattleFleetGothic and #ManOWar channels appearing on my clubs Discord, while I'm going to play #SilentDeath with none other than Joe McCullough on Wednesday.

  4. Looks like it's turning into a hot ship-to-ship summer. There is #DropShip #BattleFleetGothic and #ManOWar channels appearing on my clubs Discord, while I'm going to play #SilentDeath with none other than Joe McCullough on Wednesday.

  5. An album that makes you raise your sword... even if the sharpest thing you own is the TV remote. 🤘🏽🤘🏽🤘🏽🎸

    Album que te hace levantar la espada… aunque lo más afilado que tengas sea el mando de la tele. 🤘🏽🤘🏽🤘🏽🎸
    #heavymetal #manowar #metal #music #vinyl

  6. An album that makes you raise your sword... even if the sharpest thing you own is the TV remote. 🤘🏽🤘🏽🤘🏽🎸

    Album que te hace levantar la espada… aunque lo más afilado que tengas sea el mando de la tele. 🤘🏽🤘🏽🤘🏽🎸
    #heavymetal #manowar #metal #music #vinyl

  7. It is an oath of steel and blood, where Manowar turns epic into legend and metal into eternal battle. 🤘🏽🤘🏽🤘🏽🎸

    Es un juramento de acero y sangre, donde Manowar convierte la épica en leyenda y el metal en batalla eterna.🤘🏽🤘🏽🎸
    #heavymetal #manowar #metal #music #vinyl

  8. It is an oath of steel and blood, where Manowar turns epic into legend and metal into eternal battle. 🤘🏽🤘🏽🤘🏽🎸

    Es un juramento de acero y sangre, donde Manowar convierte la épica en leyenda y el metal en batalla eterna.🤘🏽🤘🏽🎸
    #heavymetal #manowar #metal #music #vinyl

  9. This seems a bit off, but no - listen and think of it

    It works for some neurodiverse as well

    #men #manosphere #manowar

    infosec.exchange/@littlealex/1

  10. This seems a bit off, but no - listen and think of it

    It works for some neurodiverse as well

    #men #manosphere #manowar

    infosec.exchange/@littlealex/1

  11. t's a war cry with riffs that make you raise your fist even when you didn't know you were in battle.

    Es un grito de guerra con riffs que te obligan a levantar el puño incluso cuando no sabías que estabas en batalla. 🤘🏽🤘🏽🤘🏽🎸
    #heavymetal #manowar #music #metal #vinyl

  12. t's a war cry with riffs that make you raise your fist even when you didn't know you were in battle.

    Es un grito de guerra con riffs que te obligan a levantar el puño incluso cuando no sabías que estabas en batalla. 🤘🏽🤘🏽🤘🏽🎸
    #heavymetal #manowar #music #metal #vinyl

  13. Ross the boss tribute. Just some fun pentatonics improv over Manowar: Bridge of death #umbersound #rosstheboss #manowar #metal #music

  14. Ein guter Anlass, sich mal wieder die Single-Version vom Defender anzuhören, die ungefähr 200% geiler ist als die auf dem späteren Fighting-the-World-Album.

    youtube.com/watch?v=-WX8JmNUjKk

    #metal #manowar #rosstheboss

  15. Ein guter Anlass, sich mal wieder die Single-Version vom Defender anzuhören, die ungefähr 200% geiler ist als die auf dem späteren Fighting-the-World-Album.

    youtube.com/watch?v=-WX8JmNUjKk

    #metal #manowar #rosstheboss

  16. Uff, jetzt hat's auch Ross the Boss erwischt:

    loudwire.com/manowar-dictators

    RIP, ohne ihn würde heute wohl niemand Manowar kennen. Und wer weiß, wäre er nicht 1988 gegangen, hätten Manowar womöglich noch viele wirklich relevante Alben geschrieben.

    #manowar #rosstheboss

  17. Uff, jetzt hat's auch Ross the Boss erwischt:

    loudwire.com/manowar-dictators

    RIP, ohne ihn würde heute wohl niemand Manowar kennen. Und wer weiß, wäre er nicht 1988 gegangen, hätten Manowar womöglich noch viele wirklich relevante Alben geschrieben.

    #manowar #rosstheboss

  18. Sad News 😭

    Ross "The Boss" Friedman, a founding member of both Manowar and The Dictators has died at the age of 72.

    His passing comes a little over a month after it was announced that he had been diagnosed with ALS

    #RipRossFriedmann #RipTheBoss #manowar #thedictators

  19. Sad News 😭

    Ross "The Boss" Friedman, a founding member of both Manowar and The Dictators has died at the age of 72.

    His passing comes a little over a month after it was announced that he had been diagnosed with ALS

    #RipRossFriedmann #RipTheBoss #manowar #thedictators

  20. #musica #manowar #heavy #heavyrock #RossTheBossOfManowarFameDeadAt72 #rosstheboss #heavymetal #powermetal #
    #RossFriedman (1954-2026)💀🎸🤘🎸💀
    Se acaba de confirmar el fallecimiento del mítico guitarrista de "MANOWAR", *Ross "The Boss*, quien hace solamente dos meses anunció que estaba librando una dura batalla contra la esclerosis múltiple.
    Álbumes como:
    - «Kings Of Metal» (1988).
    - «Hail To England» (1984).
    - «Into Glory Ride» (1983).
    - «Battle Hymns» (1982), no hubieran tenido tanta repercusión sin la técnica de esta ya eterna leyenda.