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#radiohead — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #radiohead, aggregated by home.social.

  1. Hype! #Radiohead 🤞🏻🤞🏻🤞🏻🤞🏻🤞🏻🤞🏻🤞🏻🤞🏻🤞🏻🤞🏻🤞🏻🤞🏻🤞🏻
    reddit.com/r/radiohead/comment

  2. Hype! #Radiohead 🤞🏻🤞🏻🤞🏻🤞🏻🤞🏻🤞🏻🤞🏻🤞🏻🤞🏻🤞🏻🤞🏻🤞🏻🤞🏻
    reddit.com/r/radiohead/comment

  3. Wailin Storms – The Arsonist Review By Creeping Ivy

    Upon making landfall on the shores of AMG, Southern goth rock outfit Wailin Storms stirred up strong sentiments in our esteemed staff. Madam X praised this Texas-turned-North Carolina quartet’s One Foot in the Flesh Grave (2015) for its ‘oddly dark and tricksy’ swirl of Danzig and 16 Horsepower. Since this (Great) debut, subsequent squalls have been weaker but still potent. Cherd found Rattle (2020) a moving, if unvaried, gust of ‘dark psychedelic twang,’ while The Silver Snake Unfolds (2022) blew fresh air into the band’s ‘fire-and-brimstone snake handling speaking in tongues nightmare music.’ 1 In the Year of Our Lord 2026, Wailin Storms play The Arsonist on their new home, Season of Mist. Conjuring a conflagration for their fifth album, these Durham doom-punk goth rockers may once again set fire to the Score Safety Counter.

    The Arsonist stokes the shift Wailin Storms started around Rattle. There, the band refined their swampy pastiche into a more measured fusion of their influences. Past outings in this idiom suffered from songwriting redundancy and sore-thumb tracks. The Arsonist, however, proceeds as a dynamically-sequenced, organically-produced dance between barn burners and smoldering pits. “Dead End” ignites the album with the darkly driving guitar enmeshments of Justin Storms and Ben Melton. Meanwhile, “You Never Answered” bursts with spasmodic rhythms from drummer Mark Oates and bassist Steve Stanczyk. Even when the fires abate, Wailin Storms bring the heat. “Heart of Mine” and “The Arsonist” excel at slow-burn setups with sizzling sendoffs, singeing the skin from within. Whether in the energetic or meditative category, the songs consistently hit the spot, feeling wrought to just the right degree. At 45 minutes, The Arsonist breathes when it needs to and scorches when it wants to.

    The apex of this blaze are the vocals of Justin Storms, who mightily impresses with his range. Storms’s wail has recalled Glenn Danzig since Flesh Grave, and it continues to power some affecting choruses (“You Never Answered,” “The Arsonist”). Subsequent releases, however, have seen the frontman branch out beyond the Shirtless Wonder. On The Arsonist, Storms incorporates stylings akin to the silky mid-range of Chris Cornell (Soundgarden) and the alien warbling of Thom Yorke (Radiohead). On that latter reference: Storms’s voice, at its most tender and brittle, brilliantly inflects somber material that wouldn’t sound out of place on Hail to the Thief (“Heart of Mine,” “It’s All Dark Now Where Your Eyes Used to Be”). He even dips into some down n’ dirty blues moans, mixed with a flitting falsetto (“Saved”). Storms is not the only voice on The Arsonist, though; Melton melts faces with aggro shouts, imbuing the blues rock with a noisy edge (“Dead End,” “Never Rest”).2 As thrilling a display as I’ve heard in 2026, The Arsonist stands as a surefire frontrunner for Vocal Performance o’ the Year.3

    Criticisms of The Arsonist are minimal and wispy, affording opportunities for further praise. Lighting a spark and growing into a flashover, The Arsonist does falter a tad in its pre-decay transition. “Patient Night” pleases with fun, shaker-fueled shimmies, but it’s a bit simplistic and truncated, comparatively speaking. Following this tune is “The Wind,” a more expansive number possessing sweet pseudo-metal punctuations. Its subdued ending, however, feels like a slightly redundant transition into the excellent closing piano ballad (“It’s All Dark Now…”). Another nitpick concerns lyrics. The Arsonist excels at marrying emotional realism with surrealist imagery. But one moment always sticks out: the punk ending of “Never Rest,” where Storms snarls an equally punk rallying cry (‘Fuck your fucking war…Fuck your fucking war’). I’m no puritan when it comes to profanity, and I like a good protest song as much as the next guy. Alas, something about these lyrics momentarily takes me out of the album’s arrestingly eerie aura.

    Extinguishing these critical flamelets reveals a Safety Counter set ablaze. After three attempts, I didn’t think Wailin Storms would ever again produce an album as great as One Foot in the Flesh Grave. The Arsonist proved me wrong, though it’s greatness is of a different kind. Whereas Flesh Grave grounds its twists and turns in Danzigian blues rock/metal, The Arsonist enchants with its seamless shifts between combustible laments and fiery bangers. Arson may be a crime, but missing out on The Arsonist—whether you’re a longtime fan or a newcomer to Wailin Storms—would be the real crime.

    Rating: 4.0/5.0
    DR: 6 | Format Reviewed: 256 kbps mp3
    Label: Season of Mist
    Websites: Official | Instagram | Facebook
    Releases Worldwide: July 10th, 2026

    #16Horsepower #2026 #40 #AmericanRock #Danzig #DoomMetal #GothicMetal #GothicRock #Jul26 #NoiseRock #postPunk #Radiohead #Review #Reviews #SeasonOfMist #Soundgarden #SouthernMetal #TheArsonist #WailinStorms
  4. Wailin Storms – The Arsonist Review By Creeping Ivy

    Upon making landfall on the shores of AMG, Southern goth rock outfit Wailin Storms stirred up strong sentiments in our esteemed staff. Madam X praised this Texas-turned-North Carolina quartet’s One Foot in the Flesh Grave (2015) for its ‘oddly dark and tricksy’ swirl of Danzig and 16 Horsepower. Since this (Great) debut, subsequent squalls have been weaker but still potent. Cherd found Rattle (2020) a moving, if unvaried, gust of ‘dark psychedelic twang,’ while The Silver Snake Unfolds (2022) blew fresh air into the band’s ‘fire-and-brimstone snake handling speaking in tongues nightmare music.’ 1 In the Year of Our Lord 2026, Wailin Storms play The Arsonist on their new home, Season of Mist. Conjuring a conflagration for their fifth album, these Durham doom-punk goth rockers may once again set fire to the Score Safety Counter.

    The Arsonist stokes the shift Wailin Storms started around Rattle. There, the band refined their swampy pastiche into a more measured fusion of their influences. Past outings in this idiom suffered from songwriting redundancy and sore-thumb tracks. The Arsonist, however, proceeds as a dynamically-sequenced, organically-produced dance between barn burners and smoldering pits. “Dead End” ignites the album with the darkly driving guitar enmeshments of Justin Storms and Ben Melton. Meanwhile, “You Never Answered” bursts with spasmodic rhythms from drummer Mark Oates and bassist Steve Stanczyk. Even when the fires abate, Wailin Storms bring the heat. “Heart of Mine” and “The Arsonist” excel at slow-burn setups with sizzling sendoffs, singeing the skin from within. Whether in the energetic or meditative category, the songs consistently hit the spot, feeling wrought to just the right degree. At 45 minutes, The Arsonist breathes when it needs to and scorches when it wants to.

    The apex of this blaze are the vocals of Justin Storms, who mightily impresses with his range. Storms’s wail has recalled Glenn Danzig since Flesh Grave, and it continues to power some affecting choruses (“You Never Answered,” “The Arsonist”). Subsequent releases, however, have seen the frontman branch out beyond the Shirtless Wonder. On The Arsonist, Storms incorporates stylings akin to the silky mid-range of Chris Cornell (Soundgarden) and the alien warbling of Thom Yorke (Radiohead). On that latter reference: Storms’s voice, at its most tender and brittle, brilliantly inflects somber material that wouldn’t sound out of place on Hail to the Thief (“Heart of Mine,” “It’s All Dark Now Where Your Eyes Used to Be”). He even dips into some down n’ dirty blues moans, mixed with a flitting falsetto (“Saved”). Storms is not the only voice on The Arsonist, though; Melton melts faces with aggro shouts, imbuing the blues rock with a noisy edge (“Dead End,” “Never Rest”).2 As thrilling a display as I’ve heard in 2026, The Arsonist stands as a surefire frontrunner for Vocal Performance o’ the Year.3

    Criticisms of The Arsonist are minimal and wispy, affording opportunities for further praise. Lighting a spark and growing into a flashover, The Arsonist does falter a tad in its pre-decay transition. “Patient Night” pleases with fun, shaker-fueled shimmies, but it’s a bit simplistic and truncated, comparatively speaking. Following this tune is “The Wind,” a more expansive number possessing sweet pseudo-metal punctuations. Its subdued ending, however, feels like a slightly redundant transition into the excellent closing piano ballad (“It’s All Dark Now…”). Another nitpick concerns lyrics. The Arsonist excels at marrying emotional realism with surrealist imagery. But one moment always sticks out: the punk ending of “Never Rest,” where Storms snarls an equally punk rallying cry (‘Fuck your fucking war…Fuck your fucking war’). I’m no puritan when it comes to profanity, and I like a good protest song as much as the next guy. Alas, something about these lyrics momentarily takes me out of the album’s arrestingly eerie aura.

    Extinguishing these critical flamelets reveals a Safety Counter set ablaze. After three attempts, I didn’t think Wailin Storms would ever again produce an album as great as One Foot in the Flesh Grave. The Arsonist proved me wrong, though it’s greatness is of a different kind. Whereas Flesh Grave grounds its twists and turns in Danzigian blues rock/metal, The Arsonist enchants with its seamless shifts between combustible laments and fiery bangers. Arson may be a crime, but missing out on The Arsonist—whether you’re a longtime fan or a newcomer to Wailin Storms—would be the real crime.

    Rating: 4.0/5.0
    DR: 6 | Format Reviewed: 256 kbps mp3
    Label: Season of Mist
    Websites: Official | Instagram | Facebook
    Releases Worldwide: July 10th, 2026

    #16Horsepower #2026 #40 #AmericanRock #Danzig #DoomMetal #GothicMetal #GothicRock #Jul26 #NoiseRock #postPunk #Radiohead #Review #Reviews #SeasonOfMist #Soundgarden #SouthernMetal #TheArsonist #WailinStorms
  5. THOM YORKE
    The Eraser
    2006 UK pressing

    For the most part, I’m 50/50 on all non-Jonny Greenwood projects outside of Radiohead.

    That includes Thom’s records.
    Some I really like, some not at all.

    My favorite of his remains The Eraser, his first outside of the cozy confines of Radiohead.

    Lots of really cool tunes on this, including “Harrowdown Hill”, which if I remember correctly, was the album’s single.

    The Eraser is a record I can throw on and just let play through without issue.
    Definitely Thom’s most satisfying solo effort.

    #vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #cratedigging #vinylcollection #vinylfinds #rare #art #thomyorke #theeraser #radiohead

  6. THOM YORKE
    The Eraser
    2006 UK pressing

    For the most part, I’m 50/50 on all non-Jonny Greenwood projects outside of Radiohead.

    That includes Thom’s records.
    Some I really like, some not at all.

    My favorite of his remains The Eraser, his first outside of the cozy confines of Radiohead.

    Lots of really cool tunes on this, including “Harrowdown Hill”, which if I remember correctly, was the album’s single.

    The Eraser is a record I can throw on and just let play through without issue.
    Definitely Thom’s most satisfying solo effort.

    #vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #cratedigging #vinylcollection #vinylfinds #rare #art #thomyorke #theeraser #radiohead

  7. THOM YORKE
    The Eraser
    2006 UK pressing

    For the most part, I’m 50/50 on all non-Jonny Greenwood projects outside of Radiohead.

    That includes Thom’s records.
    Some I really like, some not at all.

    My favorite of his remains The Eraser, his first outside of the cozy confines of Radiohead.

    Lots of really cool tunes on this, including “Harrowdown Hill”, which if I remember correctly, was the album’s single.

    The Eraser is a record I can throw on and just let play through without issue.
    Definitely Thom’s most satisfying solo effort.

    #vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #cratedigging #vinylcollection #vinylfinds #rare #art #thomyorke #theeraser #radiohead

  8. THOM YORKE
    The Eraser
    2006 UK pressing

    For the most part, I’m 50/50 on all non-Jonny Greenwood projects outside of Radiohead.

    That includes Thom’s records.
    Some I really like, some not at all.

    My favorite of his remains The Eraser, his first outside of the cozy confines of Radiohead.

    Lots of really cool tunes on this, including “Harrowdown Hill”, which if I remember correctly, was the album’s single.

    The Eraser is a record I can throw on and just let play through without issue.
    Definitely Thom’s most satisfying solo effort.

    #vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #cratedigging #vinylcollection #vinylfinds #rare #art #thomyorke #theeraser #radiohead

  9. THOM YORKE
    The Eraser
    2006 UK pressing

    For the most part, I’m 50/50 on all non-Jonny Greenwood projects outside of Radiohead.

    That includes Thom’s records.
    Some I really like, some not at all.

    My favorite of his remains The Eraser, his first outside of the cozy confines of Radiohead.

    Lots of really cool tunes on this, including “Harrowdown Hill”, which if I remember correctly, was the album’s single.

    The Eraser is a record I can throw on and just let play through without issue.
    Definitely Thom’s most satisfying solo effort.

    #vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #cratedigging #vinylcollection #vinylfinds #rare #art #thomyorke #theeraser #radiohead

  10. Robert Glasper performs an emotional cover of "Everything In Its Right Place" live in Paris. #Jazz #Radiohead

    youtube.com/live/LsjaLJMAbnk

  11. Robert Glasper performs an emotional cover of "Everything In Its Right Place" live in Paris. #Jazz #Radiohead

    youtube.com/live/LsjaLJMAbnk

  12. The 2003 Radiohead album Thom Yorke refuses to listen to

    Credit: Far Out / Press Tue 30 June 2026 18:52, UK Radiohead has practically made it a habit…
    #NewsBeep #News #Music #1990s #1997 #Entertainment #Radiohead #ThomYorke #UK #UnitedKingdom
    newsbeep.com/uk/667156/

  13. On June 27th, 1997: Glastonbury Festival in Pilton, England opens: #TheProdigy, and #Radiohead headline; other performers include Smashing Pumpkins, #RayDavies, #VanMorrison, #Sting, Beck, Phish, and Nanci Griffith.

  14. On June 27th, 1997: Glastonbury Festival in Pilton, England opens: #TheProdigy, and #Radiohead headline; other performers include Smashing Pumpkins, #RayDavies, #VanMorrison, #Sting, Beck, Phish, and Nanci Griffith.

  15. Today's show - I'm Sorry the Whole Jackson Family

    From Jazz to Techno to Rednohonk plus a bunch of leaked Radiohead tracks. What's not to like?

    Louis Armstrong – Stormy Weather
    Duke Ellington & John Coltrane – In A Sentimental Mood
    Coppe – My Funny Valentine
    Oleksiy H/SITKA - Peppermint
    Oleksiy H/SITKA – Rotation
    Hania Rani – 24:03
    Brian Jackson, Adrian Younge, Ali Shaheed Muhammad – Nancy Wilson
    The Weather
    HHY & The Macumbas – A Scar In The Bone
    Sarathy Korwar – Amongst All Of The Rubble
    Sarathy Korwar – Is There Beauty
    Radiohead - Hacked

    https://pirate.mxtthxw.art/@thekalimerashow/episodes/im-sorry-the-whole-jackson-family

    #Music #RSS #PirateRadio #Hacked #Jazz #Techno #RednoHonk #Radiohead

  16. Today's show - I'm Sorry the Whole Jackson Family

    From Jazz to Techno to Rednohonk plus a bunch of leaked Radiohead tracks. What's not to like?

    Louis Armstrong – Stormy Weather
    Duke Ellington & John Coltrane – In A Sentimental Mood
    Coppe – My Funny Valentine
    Oleksiy H/SITKA - Peppermint
    Oleksiy H/SITKA – Rotation
    Hania Rani – 24:03
    Brian Jackson, Adrian Younge, Ali Shaheed Muhammad – Nancy Wilson
    The Weather
    HHY & The Macumbas – A Scar In The Bone
    Sarathy Korwar – Amongst All Of The Rubble
    Sarathy Korwar – Is There Beauty
    Radiohead - Hacked

    https://pirate.mxtthxw.art/@thekalimerashow/episodes/im-sorry-the-whole-jackson-family

    #Music #RSS #PirateRadio #Hacked #Jazz #Techno #RednoHonk #Radiohead

  17. Today's show - I'm Sorry the Whole Jackson Family

    From Jazz to Techno to Rednohonk plus a bunch of leaked Radiohead tracks. What's not to like?

    Louis Armstrong – Stormy Weather
    Duke Ellington & John Coltrane – In A Sentimental Mood
    Coppe – My Funny Valentine
    Oleksiy H/SITKA - Peppermint
    Oleksiy H/SITKA – Rotation
    Hania Rani – 24:03
    Brian Jackson, Adrian Younge, Ali Shaheed Muhammad – Nancy Wilson
    The Weather
    HHY & The Macumbas – A Scar In The Bone
    Sarathy Korwar – Amongst All Of The Rubble
    Sarathy Korwar – Is There Beauty
    Radiohead - Hacked

    https://pirate.mxtthxw.art/@thekalimerashow/episodes/im-sorry-the-whole-jackson-family

    #Music #RSS #PirateRadio #Hacked #Jazz #Techno #RednoHonk #Radiohead

  18. Today's show - I'm Sorry the Whole Jackson Family

    From Jazz to Techno to Rednohonk plus a bunch of leaked Radiohead tracks. What's not to like?

    Louis Armstrong – Stormy Weather
    Duke Ellington & John Coltrane – In A Sentimental Mood
    Coppe – My Funny Valentine
    Oleksiy H/SITKA - Peppermint
    Oleksiy H/SITKA – Rotation
    Hania Rani – 24:03
    Brian Jackson, Adrian Younge, Ali Shaheed Muhammad – Nancy Wilson
    The Weather
    HHY & The Macumbas – A Scar In The Bone
    Sarathy Korwar – Amongst All Of The Rubble
    Sarathy Korwar – Is There Beauty
    Radiohead - Hacked

    https://pirate.mxtthxw.art/@thekalimerashow/episodes/im-sorry-the-whole-jackson-family

    #Music #RSS #PirateRadio #Hacked #Jazz #Techno #RednoHonk #Radiohead

  19. guys,

    guys.

    i #exercise and read #mastodon. its my release time. today was a maintenance window, no masto. very sad.

    Literally last rep; on comes #radiohead Everything in its Right place, and masto goes live.

    #synergy is real.

    youtube.com/watch?v=NUnXxh5U25Y

  20. guys,

    guys.

    i #exercise and read #mastodon. its my release time. today was a maintenance window, no masto. very sad.

    Literally last rep; on comes #radiohead Everything in its Right place, and masto goes live.

    #synergy is real.

    youtube.com/watch?v=NUnXxh5U25Y

  21. On June 21, 2017: Glastonbury Festival in Pilton, England opens: #Radiohead, #FooFighters, and #EdSheeran headline; other performers include #KrisKristofferson, #BarryGibb, #KatyPerry, The National, and Orchestra Baobob.

  22. On June 21, 2017: Glastonbury Festival in Pilton, England opens: #Radiohead, #FooFighters, and #EdSheeran headline; other performers include #KrisKristofferson, #BarryGibb, #KatyPerry, The National, and Orchestra Baobob.

  23. 🎵 Now Playing

    When: 19 Jun 2026
    Where: Cirencester

    🎤 - Radiohead
    🎵 - Karma Police
    💿 - OK Computer

    Playing from: apple music streaming

    🔗 - Listen here

    #NowListening #Radiohead #AppleMusic #NowPlaying #JonsMusicShortcuts #MusicCloud

  24. 🎵 Now Playing

    When: 19 Jun 2026
    Where: Cirencester

    🎤 - Radiohead
    🎵 - Karma Police
    💿 - OK Computer

    Playing from: apple music streaming

    🔗 - Listen here

    #NowListening #Radiohead #AppleMusic #NowPlaying #JonsMusicShortcuts #MusicCloud

  25. “This is what you’ll get …”

    #Radiohead #OKComputer #altrock #90smusic #90srock #rock #rockmusic #music #musicsky #musiciansky June 16, 1997 ~ Radiohead release OK Computer. When an album is included in the Library of Congress as "culturally, historically, or aesthetically significant," you know it's something special. Besides that, OK Computer received critical acclaim and has been cited by listeners, critics and musicians as one of the greatest albums of all time. It…

    robinbannks.com/2026/06/16/thi

  26. “This is what you’ll get …”

    #Radiohead #OKComputer #altrock #90smusic #90srock #rock #rockmusic #music #musicsky #musiciansky June 16, 1997 ~ Radiohead release OK Computer. When an album is included in the Library of Congress as "culturally, historically, or aesthetically significant," you know it's something special. Besides that, OK Computer received critical acclaim and has been cited by listeners, critics and musicians as one of the greatest albums of all time. It…

    robinbannks.com/2026/06/16/thi

  27. Any Radiohead fans here?

    What is your favourite album? #radiohead

  28. Any Radiohead fans here?

    What is your favourite album? #radiohead