#radiohead — Public Fediverse posts

https://www.europesays.com/es/663368/ La canción más hermosa de Radiohead según Thom Yorke #Entertainment #Entretenimiento #ES #España #Music #Música #Radiohead #Spain #ThomYorke

Upon making landfall on the shores of AMG, Southern goth rock outfit Wailin Storms stirred up strong sentiments in our esteemed staff. Madam X praised this Texas-turned-North Carolina quartet’s One Foot in the Flesh Grave (2015) for its ‘oddly dark and tricksy’ swirl of Danzig and 16 Horsepower. Since this (Great) debut, subsequent squalls have been weaker but still potent. Cherd found Rattle (2020) a moving, if unvaried, gust of ‘dark psychedelic twang,’ while The Silver Snake Unfolds (2022) blew fresh air into the band’s ‘fire-and-brimstone snake handling speaking in tongues nightmare music.’ 1 In the Year of Our Lord 2026, Wailin Storms play The Arsonist on their new home, Season of Mist. Conjuring a conflagration for their fifth album, these Durham doom-punk goth rockers may once again set fire to the Score Safety Counter.

The Arsonist stokes the shift Wailin Storms started around Rattle. There, the band refined their swampy pastiche into a more measured fusion of their influences. Past outings in this idiom suffered from songwriting redundancy and sore-thumb tracks. The Arsonist, however, proceeds as a dynamically-sequenced, organically-produced dance between barn burners and smoldering pits. “Dead End” ignites the album with the darkly driving guitar enmeshments of Justin Storms and Ben Melton. Meanwhile, “You Never Answered” bursts with spasmodic rhythms from drummer Mark Oates and bassist Steve Stanczyk. Even when the fires abate, Wailin Storms bring the heat. “Heart of Mine” and “The Arsonist” excel at slow-burn setups with sizzling sendoffs, singeing the skin from within. Whether in the energetic or meditative category, the songs consistently hit the spot, feeling wrought to just the right degree. At 45 minutes, The Arsonist breathes when it needs to and scorches when it wants to.

The apex of this blaze are the vocals of Justin Storms, who mightily impresses with his range. Storms’s wail has recalled Glenn Danzig since Flesh Grave, and it continues to power some affecting choruses (“You Never Answered,” “The Arsonist”). Subsequent releases, however, have seen the frontman branch out beyond the Shirtless Wonder. On The Arsonist, Storms incorporates stylings akin to the silky mid-range of Chris Cornell (Soundgarden) and the alien warbling of Thom Yorke (Radiohead). On that latter reference: Storms’s voice, at its most tender and brittle, brilliantly inflects somber material that wouldn’t sound out of place on Hail to the Thief (“Heart of Mine,” “It’s All Dark Now Where Your Eyes Used to Be”). He even dips into some down n’ dirty blues moans, mixed with a flitting falsetto (“Saved”). Storms is not the only voice on The Arsonist, though; Melton melts faces with aggro shouts, imbuing the blues rock with a noisy edge (“Dead End,” “Never Rest”).2 As thrilling a display as I’ve heard in 2026, The Arsonist stands as a surefire frontrunner for Vocal Performance o’ the Year.3

Criticisms of The Arsonist are minimal and wispy, affording opportunities for further praise. Lighting a spark and growing into a flashover, The Arsonist does falter a tad in its pre-decay transition. “Patient Night” pleases with fun, shaker-fueled shimmies, but it’s a bit simplistic and truncated, comparatively speaking. Following this tune is “The Wind,” a more expansive number possessing sweet pseudo-metal punctuations. Its subdued ending, however, feels like a slightly redundant transition into the excellent closing piano ballad (“It’s All Dark Now…”). Another nitpick concerns lyrics. The Arsonist excels at marrying emotional realism with surrealist imagery. But one moment always sticks out: the punk ending of “Never Rest,” where Storms snarls an equally punk rallying cry (‘Fuck your fucking war…Fuck your fucking war’). I’m no puritan when it comes to profanity, and I like a good protest song as much as the next guy. Alas, something about these lyrics momentarily takes me out of the album’s arrestingly eerie aura.

Extinguishing these critical flamelets reveals a Safety Counter set ablaze. After three attempts, I didn’t think Wailin Storms would ever again produce an album as great as One Foot in the Flesh Grave. The Arsonist proved me wrong, though it’s greatness is of a different kind. Whereas Flesh Grave grounds its twists and turns in Danzigian blues rock/metal, The Arsonist enchants with its seamless shifts between combustible laments and fiery bangers. Arson may be a crime, but missing out on The Arsonist—whether you’re a longtime fan or a newcomer to Wailin Storms—would be the real crime.

Rating: 4.0/5.0
DR: 6 | Format Reviewed: 256 kbps mp3
Label: Season of Mist
Websites: Official | Instagram | Facebook
Releases Worldwide: July 10th, 2026

Upon making landfall on the shores of AMG, Southern goth rock outfit Wailin Storms stirred up strong sentiments in our esteemed staff. Madam X praised this Texas-turned-North Carolina quartet’s One Foot in the Flesh Grave (2015) for its ‘oddly dark and tricksy’ swirl of Danzig and 16 Horsepower. Since this (Great) debut, subsequent squalls have been weaker but still potent. Cherd found Rattle (2020) a moving, if unvaried, gust of ‘dark psychedelic twang,’ while The Silver Snake Unfolds (2022) blew fresh air into the band’s ‘fire-and-brimstone snake handling speaking in tongues nightmare music.’ 1 In the Year of Our Lord 2026, Wailin Storms play The Arsonist on their new home, Season of Mist. Conjuring a conflagration for their fifth album, these Durham doom-punk goth rockers may once again set fire to the Score Safety Counter.

The Arsonist stokes the shift Wailin Storms started around Rattle. There, the band refined their swampy pastiche into a more measured fusion of their influences. Past outings in this idiom suffered from songwriting redundancy and sore-thumb tracks. The Arsonist, however, proceeds as a dynamically-sequenced, organically-produced dance between barn burners and smoldering pits. “Dead End” ignites the album with the darkly driving guitar enmeshments of Justin Storms and Ben Melton. Meanwhile, “You Never Answered” bursts with spasmodic rhythms from drummer Mark Oates and bassist Steve Stanczyk. Even when the fires abate, Wailin Storms bring the heat. “Heart of Mine” and “The Arsonist” excel at slow-burn setups with sizzling sendoffs, singeing the skin from within. Whether in the energetic or meditative category, the songs consistently hit the spot, feeling wrought to just the right degree. At 45 minutes, The Arsonist breathes when it needs to and scorches when it wants to.

The apex of this blaze are the vocals of Justin Storms, who mightily impresses with his range. Storms’s wail has recalled Glenn Danzig since Flesh Grave, and it continues to power some affecting choruses (“You Never Answered,” “The Arsonist”). Subsequent releases, however, have seen the frontman branch out beyond the Shirtless Wonder. On The Arsonist, Storms incorporates stylings akin to the silky mid-range of Chris Cornell (Soundgarden) and the alien warbling of Thom Yorke (Radiohead). On that latter reference: Storms’s voice, at its most tender and brittle, brilliantly inflects somber material that wouldn’t sound out of place on Hail to the Thief (“Heart of Mine,” “It’s All Dark Now Where Your Eyes Used to Be”). He even dips into some down n’ dirty blues moans, mixed with a flitting falsetto (“Saved”). Storms is not the only voice on The Arsonist, though; Melton melts faces with aggro shouts, imbuing the blues rock with a noisy edge (“Dead End,” “Never Rest”).2 As thrilling a display as I’ve heard in 2026, The Arsonist stands as a surefire frontrunner for Vocal Performance o’ the Year.3

Criticisms of The Arsonist are minimal and wispy, affording opportunities for further praise. Lighting a spark and growing into a flashover, The Arsonist does falter a tad in its pre-decay transition. “Patient Night” pleases with fun, shaker-fueled shimmies, but it’s a bit simplistic and truncated, comparatively speaking. Following this tune is “The Wind,” a more expansive number possessing sweet pseudo-metal punctuations. Its subdued ending, however, feels like a slightly redundant transition into the excellent closing piano ballad (“It’s All Dark Now…”). Another nitpick concerns lyrics. The Arsonist excels at marrying emotional realism with surrealist imagery. But one moment always sticks out: the punk ending of “Never Rest,” where Storms snarls an equally punk rallying cry (‘Fuck your fucking war…Fuck your fucking war’). I’m no puritan when it comes to profanity, and I like a good protest song as much as the next guy. Alas, something about these lyrics momentarily takes me out of the album’s arrestingly eerie aura.

Extinguishing these critical flamelets reveals a Safety Counter set ablaze. After three attempts, I didn’t think Wailin Storms would ever again produce an album as great as One Foot in the Flesh Grave. The Arsonist proved me wrong, though it’s greatness is of a different kind. Whereas Flesh Grave grounds its twists and turns in Danzigian blues rock/metal, The Arsonist enchants with its seamless shifts between combustible laments and fiery bangers. Arson may be a crime, but missing out on The Arsonist—whether you’re a longtime fan or a newcomer to Wailin Storms—would be the real crime.

Rating: 4.0/5.0
DR: 6 | Format Reviewed: 256 kbps mp3
Label: Season of Mist
Websites: Official | Instagram | Facebook
Releases Worldwide: July 10th, 2026

THOM YORKE
The Eraser
2006 UK pressing

For the most part, I’m 50/50 on all non-Jonny Greenwood projects outside of Radiohead.

That includes Thom’s records.
Some I really like, some not at all.

My favorite of his remains The Eraser, his first outside of the cozy confines of Radiohead.

Lots of really cool tunes on this, including “Harrowdown Hill”, which if I remember correctly, was the album’s single.

The Eraser is a record I can throw on and just let play through without issue.
Definitely Thom’s most satisfying solo effort.

#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #cratedigging #vinylcollection #vinylfinds #rare #art #thomyorke #theeraser #radiohead

THOM YORKE
The Eraser
2006 UK pressing

For the most part, I’m 50/50 on all non-Jonny Greenwood projects outside of Radiohead.

That includes Thom’s records.
Some I really like, some not at all.

My favorite of his remains The Eraser, his first outside of the cozy confines of Radiohead.

Lots of really cool tunes on this, including “Harrowdown Hill”, which if I remember correctly, was the album’s single.

The Eraser is a record I can throw on and just let play through without issue.
Definitely Thom’s most satisfying solo effort.

#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #cratedigging #vinylcollection #vinylfinds #rare #art #thomyorke #theeraser #radiohead

THOM YORKE
The Eraser
2006 UK pressing

For the most part, I’m 50/50 on all non-Jonny Greenwood projects outside of Radiohead.

That includes Thom’s records.
Some I really like, some not at all.

My favorite of his remains The Eraser, his first outside of the cozy confines of Radiohead.

Lots of really cool tunes on this, including “Harrowdown Hill”, which if I remember correctly, was the album’s single.

The Eraser is a record I can throw on and just let play through without issue.
Definitely Thom’s most satisfying solo effort.

#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #cratedigging #vinylcollection #vinylfinds #rare #art #thomyorke #theeraser #radiohead

THOM YORKE
The Eraser
2006 UK pressing

For the most part, I’m 50/50 on all non-Jonny Greenwood projects outside of Radiohead.

That includes Thom’s records.
Some I really like, some not at all.

My favorite of his remains The Eraser, his first outside of the cozy confines of Radiohead.

Lots of really cool tunes on this, including “Harrowdown Hill”, which if I remember correctly, was the album’s single.

The Eraser is a record I can throw on and just let play through without issue.
Definitely Thom’s most satisfying solo effort.

#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #cratedigging #vinylcollection #vinylfinds #rare #art #thomyorke #theeraser #radiohead

THOM YORKE
The Eraser
2006 UK pressing

For the most part, I’m 50/50 on all non-Jonny Greenwood projects outside of Radiohead.

That includes Thom’s records.
Some I really like, some not at all.

My favorite of his remains The Eraser, his first outside of the cozy confines of Radiohead.

Lots of really cool tunes on this, including “Harrowdown Hill”, which if I remember correctly, was the album’s single.

The Eraser is a record I can throw on and just let play through without issue.
Definitely Thom’s most satisfying solo effort.

#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #cratedigging #vinylcollection #vinylfinds #rare #art #thomyorke #theeraser #radiohead

The 2003 Radiohead album Thom Yorke refuses to listen to

Credit: Far Out / Press Tue 30 June 2026 18:52, UK Radiohead has practically made it a habit…
#NewsBeep #News #Music #1990s #1997 #Entertainment #Radiohead #ThomYorke #UK #UnitedKingdom
https://www.newsbeep.com/uk/667156/

On June 27th, 1997: Glastonbury Festival in Pilton, England opens: #TheProdigy, and #Radiohead headline; other performers include Smashing Pumpkins, #RayDavies, #VanMorrison, #Sting, Beck, Phish, and Nanci Griffith.

On June 27th, 1997: Glastonbury Festival in Pilton, England opens: #TheProdigy, and #Radiohead headline; other performers include Smashing Pumpkins, #RayDavies, #VanMorrison, #Sting, Beck, Phish, and Nanci Griffith.

Cuando Radiohead estuvo a punto de desaparecer antes de In Rainbows: la crisis que casi acaba con la banda | vía #NaciónRock

https://www.nacionrock.com/cuando-radiohead-estuvo-a-punto-de-desaparecer-antes-de-in-rainbows-la-crisis-que-casi-acaba-con-la-banda/

#inrainbows #jonnygreenwood #radiohead #thomyorke

Radiohead’s ‘Hamlet Hail to the Thief’ Heads to London’s Barbican With ‘Alien: Earth’ Star Samuel Blenkin
#Variety #Asia #Global #News #Barbican #Hamlet #Radiohead #Shakespeare

https://variety.com/2026/theater/news/radiohead-hamlet-hail-to-the-thief-barbican-1236771204/

Radiohead’s ‘Hamlet Hail to the Thief’ Heads to London’s Barbican With ‘Alien: Earth’ Star Samuel Blenkin
#Variety #Asia #Global #News #Barbican #Hamlet #Radiohead #Shakespeare

https://variety.com/2026/theater/news/radiohead-hamlet-hail-to-the-thief-barbican-1236771204/

Radiohead’s ‘Hamlet Hail to the Thief’ Heads to London’s Barbican With ‘Alien: Earth’ Star Samuel Blenkin

http://web.brid.gy/r/https://variety.com/2026/theater/news/radiohead-hamlet-hail-to-the-thief-barbican-1236771204/

Radiohead’s ‘Hamlet Hail to the Thief’ Heads to London’s Barbican With ‘Alien: Earth’ Star Samuel Blenkin

http://web.brid.gy/r/https://variety.com/2026/theater/news/radiohead-hamlet-hail-to-the-thief-barbican-1236771204/

I would have absolutely lost my fucking mind at this show.

#radiohead #marvingaye #flea #thomyorke #redhotchilipeppers #livemusic

https://www.youtube.com/watch?v=u6t3MWlSle8

I would have absolutely lost my fucking mind at this show.

#radiohead #marvingaye #flea #thomyorke #redhotchilipeppers #livemusic

https://www.youtube.com/watch?v=u6t3MWlSle8

I would have absolutely lost my fucking mind at this show.

#radiohead #marvingaye #flea #thomyorke #redhotchilipeppers #livemusic

https://www.youtube.com/watch?v=u6t3MWlSle8

I would have absolutely lost my fucking mind at this show.

#radiohead #marvingaye #flea #thomyorke #redhotchilipeppers #livemusic

https://www.youtube.com/watch?v=u6t3MWlSle8

I would have absolutely lost my fucking mind at this show.

#radiohead #marvingaye #flea #thomyorke #redhotchilipeppers #livemusic

https://www.youtube.com/watch?v=u6t3MWlSle8

"Karma Police" is a song by the English rock band #Radiohead, released on 25 August 1997 as the second single from their third studio album, #OKComputer (1997). It features acoustic guitar and piano, and lyrical themes of insanity and dissatisfaction with #capitalism. The #musicVideo, directed by #JonathanGlazer, has the singer, #ThomYorke, in the back of a car pursuing a man. It won the #MTVVideoMusicAwardForBestDirection at the #1997MTVVideoMusicAwards.
https://www.youtube.com/watch?v=4IJI6soiQhI

"Karma Police" is a song by the English rock band #Radiohead, released on 25 August 1997 as the second single from their third studio album, #OKComputer (1997). It features acoustic guitar and piano, and lyrical themes of insanity and dissatisfaction with #capitalism. The #musicVideo, directed by #JonathanGlazer, has the singer, #ThomYorke, in the back of a car pursuing a man. It won the #MTVVideoMusicAwardForBestDirection at the #1997MTVVideoMusicAwards.
https://www.youtube.com/watch?v=4IJI6soiQhI

"Karma Police" is a song by the English rock band #Radiohead, released on 25 August 1997 as the second single from their third studio album, #OKComputer (1997). It features acoustic guitar and piano, and lyrical themes of insanity and dissatisfaction with #capitalism. The #musicVideo, directed by #JonathanGlazer, has the singer, #ThomYorke, in the back of a car pursuing a man. It won the #MTVVideoMusicAwardForBestDirection at the #1997MTVVideoMusicAwards.
https://www.youtube.com/watch?v=4IJI6soiQhI

"Karma Police" is a song by the English rock band #Radiohead, released on 25 August 1997 as the second single from their third studio album, #OKComputer (1997). It features acoustic guitar and piano, and lyrical themes of insanity and dissatisfaction with #capitalism. The #musicVideo, directed by #JonathanGlazer, has the singer, #ThomYorke, in the back of a car pursuing a man. It won the #MTVVideoMusicAwardForBestDirection at the #1997MTVVideoMusicAwards.
https://www.youtube.com/watch?v=4IJI6soiQhI

"Karma Police" is a song by the English rock band #Radiohead, released on 25 August 1997 as the second single from their third studio album, #OKComputer (1997). It features acoustic guitar and piano, and lyrical themes of insanity and dissatisfaction with #capitalism. The #musicVideo, directed by #JonathanGlazer, has the singer, #ThomYorke, in the back of a car pursuing a man. It won the #MTVVideoMusicAwardForBestDirection at the #1997MTVVideoMusicAwards.
https://www.youtube.com/watch?v=4IJI6soiQhI

🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 Radiohead - Fake Plastic Trees

▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net

💬 Join us on Discord:
https://discord.gg/d82hJZBeDE

#VortexWave #Radiohead #AlternativeRock #PostBritpop #90s

🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 Radiohead - The Numbers

▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net

💬 Join us on Discord:
https://discord.gg/d82hJZBeDE

#VortexWave #Radiohead #ExperimentalRock #ArtRock #2010s

https://www.europesays.com/es/581242/ La canción más oscura de Radiohead según Thom Yorke: «No hay luz al final» #Entertainment #Entretenimiento #ES #España #Music #Música #Radiohead #Spain #ThomYorke

Ein psychologischer Fiebertraum in Designerkleidung. Pablo Larraín verwandelt Weihnachten bei den Windsors in eine surreale Geisterbahnfahrt durch den goldenen Käfig der britischen Monarchie. Das Schloss in diesem Film ist kein Ort, es ist ein Zustand. Tatsächlich gab es für mich nur zwei Gründe, diesen Film zu sehen – den Regisseur und Kristen Stewart. Denn die spielt die Diana nicht, sie bewohnt sie. Allein ihr Gesicht spricht lauter als alle Dialoge. Die berühmteste Frau der Welt wurde von ihr nicht verklärt, sondern vielmehr dekonstruiert. (ARD, Wh.)

https://www.europesays.com/ee/190367/ Tõnu Kõrvits seadis Radioheadi kitarristi sooloalbumile setu itku. „Mulle tundus, et see võiks midagi erilist olla“ #@muusikan6unikud #Alika #ConverseEesti #EdO #EE #Eesti #EestiKeel #Entertainment #Estonia #Estonian #meelelahutus #MuusikalinnTallinn #radiohead #Tepsli #TõnuKõrvits

https://www.europesays.com/at/179742/ Thom Yorke spielt „Space Walk“ bei den Ivor Novello Awards #AT #Austria #Entertainment #Music #Musik #Österreich #Radiohead #ThomYorke #Unterhaltung

https://www.wacoca.com/media/666444/ レディオヘッドのトム・ヨーク、アイヴァー・ノヴェロ賞の受賞スピーチの内容が明らかに – NME Japan #music #NEWS #Radiohead #ThomYorke #音楽

https://www.wacoca.com/media/666444/ レディオヘッドのトム・ヨーク、アイヴァー・ノヴェロ賞の受賞スピーチの内容が明らかに – NME Japan #music #NEWS #Radiohead #ThomYorke #音楽

https://www.wacoca.com/media/666444/ レディオヘッドのトム・ヨーク、アイヴァー・ノヴェロ賞の受賞スピーチの内容が明らかに – NME Japan #music #NEWS #Radiohead #ThomYorke #音楽

The most consistently impressive frontman, according to Jack Black

Credit: Far Out / YouTube Still Mon 25 May 2026 21:30, UK It doesn’t matter how long Jack…
#NewsBeep #News #Music #Entertainment #JackBlack #Radiohead #ThomYorke #UK #UnitedKingdom
https://www.newsbeep.com/uk/603745/

https://www.europesays.com/fi/258061/ Harry Styles paljastaa: Menetin neitsyyteni Radioheadin tahtiin #Celebrities #Entertainment #FI #Finland #Finnish #HarryStyles #Julkkikset #radiohead #Suomi #TaylorSwift #ThomYorke #viihde #ZoëKravitz

https://www.europesays.com/at/178605/ Harry Styles verlor seine Jungfräulichkeit bei einem Radiohead-Song #AT #Austria #Entertainment #Geständnis #HarryStyles #Jungfräulichkeit #kritik #Music #Musik #Österreich #Radiohead #Rede“ #Song #ThomYorke #Tournee #Unterhaltung

https://www.europesays.com/be-fr/117397/ Ed O’Brien, le secret bien gardé du groupe Radiohead #BE #BEFr #Belgique #Belgium #Divertissement #Entertainment #GeorgeHarrisson #Music #Musique #NeilYoung #Radiohead #ThomYorke

https://www.europesays.com/ch-fr/144775/ Ed O’Brien, le secret bien gardé du groupe Radiohead #Divertissement #Entertainment #GeorgeHarrisson #Music #Musique #NeilYoung #Radiohead #Suisse #ThomYorke

https://www.europesays.com/fr/953907/ Ed O’Brien, le secret bien gardé du groupe Radiohead #Divertissement #Entertainment #FR #France #GeorgeHarrisson #Music #musique #NeilYoung #Radiohead #ThomYorke

#NowPlaying #Jazz #JazzFusion #ExperimentalJazz #Québécois #HugoBlouin

"L’abîme est un band de Montréal influencé par le jazz, le rock et le classique contemporain qui évoque la musique de #HerbieHancock, #Radiohead et #Messiaen."

https://labime.bandcamp.com/track/corvus

Thom Yorke Debuts New Song ‘Space Walk’ at Ivor Novello Awards: Watch

Harry Styles, presenting to the Radiohead singer, also reveals he lost his virginity to “the intro” of the…
#NewsBeep #News #Celebrities #Entertainment #Radiohead #ThomYorke #UK #UnitedKingdom
https://www.newsbeep.com/uk/598632/

Harry Styles diz que perdeu a virgindade ao som de Radiohead: ‘É a minha banda favorita’

https://fed.brid.gy/r/https://rollingstone.com.br/musica/harry-styles-diz-que-perdeu-a-virgindade-ao-som-de-radiohead-e-a-minha-banda-favorita/

https://www.europesays.com/hu/109783/ After: Harry Styles úgy tisztelgett Thom Yorke előtt egy díjátadón, hogy elárulta, melyik Radiohead-számra vesztette el a szüzességét #After #Celebrities #Entertainment #HarryStyles #Hírességek #HU #Hungarian #Hungary #IvorNovello #Magyar #Magyarország #Radiohead #Szórakozás #ThomYorke

https://www.europesays.com/es/563461/ La canción «más alegre» de Radiohead según Thom Yorke #Entertainment #Entretenimiento #ES #España #Music #Música #Radiohead #Spain #ThomYorke

Radiohead y la belleza de desaparecer: 10 años de A Moon Shaped Pool | #RollingStoneES

https://es.rollingstone.com/radiohead-y-la-belleza-de-desaparecer-10-anos-de-a-moon-shaped-pool/

#10años #amoonshapedpool #radiohead

Linus Volkmann und Philipp Kressmann "über Kulturboykotte und die #BDS-Kampagne" im #KaputMag:

https://kaput-mag.com/stories-de/ein-lied-soll-keine-bruecke-sein/

#YuvalRaphael #RamiAman #Liraz #NogaErez #Sharon #BĘÃTFÓØT #AboutBlank #HafenklangHamburg #BoozeCruise #Radiohead #as1one

"Paranoid Android" is a song by English #alternativeRock band #Radiohead, released as the lead single from their third studio album, #OKComputer (1997), on 26 May 1997. The lyrics were written by singer #ThomYorke following an unpleasant experience in a Los Angeles #bar. The song is over six minutes long and contains four #sections. The name is taken from #MarvinTheParanoidAndroid from the science fiction series #TheHitchhikersGuideToTheGalaxy.
https://www.youtube.com/watch?v=Lt8AfIeJOxw

"Paranoid Android" is a song by English #alternativeRock band #Radiohead, released as the lead single from their third studio album, #OKComputer (1997), on 26 May 1997. The lyrics were written by singer #ThomYorke following an unpleasant experience in a Los Angeles #bar. The song is over six minutes long and contains four #sections. The name is taken from #MarvinTheParanoidAndroid from the science fiction series #TheHitchhikersGuideToTheGalaxy.
https://www.youtube.com/watch?v=Lt8AfIeJOxw