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#protest-art — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #protest-art, aggregated by home.social.

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  1. By Banksy (born 1974), Love Is In The Air, 2006, spray paint and oil on linen, 91.5 by 91.5 cm. 36 by 36 inches, photo: Sotheby’s New York, 12 May 2021. The original work on which this one is based was a 2003 stencil mural in Beit Sahour in the West Bank. #art #banksy #protestart #resist #protest

    “I like to think I have the guts to stand up anonymously in a Western democracy and call for things no-one else believes in – like peace and justice and freedom.” ~ Banksy, “Banksy, Wall and Piece.” I’m sure he’s aware of the irony in these words.

    From the catalogue note: “Love is in the Air is a quintessential Banksy painting: instantly recognizable, the image has become synonymous with the artist’s indelible graphic style, wry humor and galvanizing political commentary. Banksy’s subject adopts the archetypal pose of civic unrest, preparing to hurl a brick or bomb towards an unseen foe, however the artist replaces his projectile with a bunch of flowers, disarming this image of violent unrest to create a work that is both a call for change and advocation of peace.”

  2. By Banksy (born 1974), Love Is In The Air, 2006, spray paint and oil on linen, 91.5 by 91.5 cm. 36 by 36 inches, photo: Sotheby’s New York, 12 May 2021. The original work on which this one is based was a 2003 stencil mural in Beit Sahour in the West Bank. #art #banksy #protestart #resist #protest

    “I like to think I have the guts to stand up anonymously in a Western democracy and call for things no-one else believes in – like peace and justice and freedom.” ~ Banksy, “Banksy, Wall and Piece.” I’m sure he’s aware of the irony in these words.

    From the catalogue note: “Love is in the Air is a quintessential Banksy painting: instantly recognizable, the image has become synonymous with the artist’s indelible graphic style, wry humor and galvanizing political commentary. Banksy’s subject adopts the archetypal pose of civic unrest, preparing to hurl a brick or bomb towards an unseen foe, however the artist replaces his projectile with a bunch of flowers, disarming this image of violent unrest to create a work that is both a call for change and advocation of peace.”

  3. By the artist known as Banksy, “Flag Man,“ 2026, fiberglass or resin, Waterloo Place, London. Given its placement near monuments to Britain’s past Imperialism, it seems a comment on the blindness of unquestioning nationalism. Could fit in a lot of places, including Washington DC. #art #protestart #protest #statue #banksy

  4. By the artist known as Banksy, “Flag Man,“ 2026, fiberglass or resin, Waterloo Place, London. Given its placement near monuments to Britain’s past Imperialism, it seems a comment on the blindness of unquestioning nationalism. Could fit in a lot of places, including Washington DC. #art #protestart #protest #statue #banksy

  5. @nek
    That’s so true - now you say it - there *is* a really noticeable aesthetic to their work - having looked through about two pages of it now, including the Christmas compilation. One briefly showed the tech for the projections; it must be a real art just finding suitable buildings & somewhere safe to project from.
    Noticed that below the animation of Patel rolling his eyes was the text: “paid for by Lincoln Project Advocacy” or similar but can’t find anything on their website.

    #USPol #protestArt #projections #streetArt #creativeComment

    @PeterLG

  6. @nek
    That’s so true - now you say it - there *is* a really noticeable aesthetic to their work - having looked through about two pages of it now, including the Christmas compilation. One briefly showed the tech for the projections; it must be a real art just finding suitable buildings & somewhere safe to project from.
    Noticed that below the animation of Patel rolling his eyes was the text: “paid for by Lincoln Project Advocacy” or similar but can’t find anything on their website.

    #USPol #protestArt #projections #streetArt #creativeComment

    @PeterLG

  7. @nek
    Then there’s this -
    bsky.app/profile/kateration.bs

    “Someone has been projecting images all over D.C. “It’s swampier than ever.” The Kennedy Center one is pretty hilarious. 😂😂😂
    Nighttime video of swamp imagery and Trump administration references projected onto several Washington, D.C. landmarks, covering building facades set to Another One Bites the Dust by Queen.”

    0:24 / 0:58

    #USPol #protestArt #ProtestProjections

  8. @nek
    Then there’s this -
    bsky.app/profile/kateration.bs

    “Someone has been projecting images all over D.C. “It’s swampier than ever.” The Kennedy Center one is pretty hilarious. 😂😂😂
    Nighttime video of swamp imagery and Trump administration references projected onto several Washington, D.C. landmarks, covering building facades set to Another One Bites the Dust by Queen.”

    0:24 / 0:58

    #USPol #protestArt #ProtestProjections

  9. « Stop War », calligraphie de l’artiste polonaise Barbara Galińska. Puissance de la typographie : le message est simple et direct ; et le visuel frappant et élégant à la fois.

    Signe des temps (et de l’état du monde), ce visuel c’est largement diffusé et surtout a été réutilisé et détourné massivement et de façon créative de par le monde.

    « Il y a déjà eu une fresque à Brooklyn, une autre sera réalisée en Suisse. Ses affiches étaient présentes à la FOA National March for Palestine. Les enfants de l’organisation caritative CISV (Children International Summer Village) en Italie portent des t-shirts avec ce motif graphique. Il y a même eu une inscription “Stop Wart” de 77 mètres sur la plage de Bridlington South en Angleterre. Des affiches et des autocollants sont visibles dans les rues de nombreuses villes en Europe et en Amérique. À Varsovie, à l’occasion de l’anniversaire du déclenchement de la guerre en Ukraine, la visuel a été affichée en grand format sur le mur du centre culturel, et un “Stop War” de deux mètres de haut se dresse au milieu de la verdure » (Artsper).

    Barbara Galińska est polonaise, architecte de formation, elle a travaillé sur des animations et des décors de dessins animés, et a été illustratrice et graphiste pendant de nombreuses années. La typographie et la calligraphie occupent depuis longtemps une place importante dans son travail créatif.

    ⋅⋅⋅ https://www.instagram.com/barbara_calligraphy
    ⋅⋅⋅ https://www.behance.net/gallery/189829097...

    #calligraphie #typographie #graphisme #ProtestArt #StopWar #ContreLaGuerre #Pologne #BarbaraGalinska

  10. 'World’s smallest public statue' proposed for Cork mosquito linked to death of Oliver Cromwell

    Green Party councillor Oliver Moran says the unusual proposal could become a quirky tourist attraction for Cork city

    irishexaminer.com/news/munster

    #ArtMatters #OliverCromwell #mosquito #OliverMoran #GreenParty #ProtestArt #Cork #mastodaoine #CorkCity #tourism

  11. 'World’s smallest public statue' proposed for Cork mosquito linked to death of Oliver Cromwell

    Green Party councillor Oliver Moran says the unusual proposal could become a quirky tourist attraction for Cork city

    irishexaminer.com/news/munster

    #ArtMatters #OliverCromwell #mosquito #OliverMoran #GreenParty #ProtestArt #Cork #mastodaoine #CorkCity #tourism

  12. « Caution. Children playing with barbed wire » (Attention. Enfant qui jouent avec du fil barbelé). Cette photo puissante d’un pochoir sur un mur prise par Jacob Rubner a été choisie par l’hebdomadaire « Politis » pour illustrer un article consacré à l’histoire d’amour entre une jeune journaliste gazaouie et l’homme dont elle est tombée amoureuse en pleine guerre...

    L’image est non seulement magnifique, mais elle semble donner au premier abord un sens politique au récit de cette romance résistante. Sauf que...

    Sauf que... D’une part, elle est publiée sans légende (du moins dans la version en ligne de l’article) ce qui introduit un doute sur le lieu même et le contexte où la photo a été prise. D’autre part, les graffitis en arabe (en arrière plan sur le mur), valident instinctivement un lien qui n’est qu’apparent entre la situation du récit et le contenu de l’image (le pochoir).

    En fait cette photographie a été publiée par son auteur sur le site Unsplash en octobre 2019. Si elle n’y est pas non plus accompagnée d’une légende, les hashtag associés indiquent comme localisation probable Bethléem Est (بَيْت لَحْم). Nous sommes donc en Cisjordanie, en territoire Palestinien au Sud de Jérusalem... Donc dans un tout autre lieu/contexte que celui suggéré au premier abord.

    Rien de très grave en fait (et je précise que cette note n’est pas une attaque contre « Politis » que vous pouvez continuer à lire sans honte).

    Ce qui m’interroge par contre c’est la perte de culture du sens de l’image, sa réduction aussi à un élément décoratif ou marketing, qui sont induits par l’effet de brouillage du flux pléthorique d’images misent en circulation sur le Web.

    Si l’hebdomadaire avait accompagné cette photo d’une légende, en plus de la créditer, celle-ci aurait été sans ambiguïté une image d’illustration entrant en resonance avec le contenu de l’article. Inversement, l’absence de celle-ci suggère de façon trompeuse une relation d’actualité et de validation entre la photo et le récit qu’elle accompagne.

    Or, ce que je trouve puissant dans cette image — la photo tout autant que le pochoir — c’est justement qu’elle ne soit pas localisée à Gaza, et qu’elle soit antérieure à la Guerre de Gaza... Ce qui dit en fait beaucoup de la situation en Palestine, et en particulier de la guerre permanent qui est conduite par l’Etat Israélien.

    ⋅⋅⋅ https://unsplash.com/fr/photos/attention-enfants...
    ⋅⋅⋅ https://www.politis.fr/articles/2026/05...

    #photographie #StreetArt #pochoir #ProtestArt #guerre #VictimesCiviles #JacobRubner #Israel #Palestine #Gaza #Bethleem #Cisjordanie @politis

  13. ‘The doorbell went at 5am. Six masked men were outside’: Belarus Free Theatre bring totalitarian terror to the Venice Biennale

    They’ve been imprisoned, tortured and spied upon. Now dissidents from Europe’s last dictatorship are bringing the sights, sounds, smells and even tastes of brutal repression to the world’s biggest festival of art

    theguardian.com/artanddesign/2

    #ProtestArt #resistance #VeniceBiennale #ArtMatters #Art #PoliticalPrisoner #PerformanceArt #PoliticalTheatre

  14. ‘The doorbell went at 5am. Six masked men were outside’: Belarus Free Theatre bring totalitarian terror to the Venice Biennale

    They’ve been imprisoned, tortured and spied upon. Now dissidents from Europe’s last dictatorship are bringing the sights, sounds, smells and even tastes of brutal repression to the world’s biggest festival of art

    theguardian.com/artanddesign/2

    #ProtestArt #resistance #VeniceBiennale #ArtMatters #Art #PoliticalPrisoner #PerformanceArt #PoliticalTheatre

  15. This is how they protest "No Kings" in Palmer, Alaska, summer 2025.

    Fish-shaped signs on the ends of poles spell out NO KINGS BUT THE KING, in bold hand-lettering bright against a wide blue sky.

    I like how the humor and civic message sit together, playful and pointed at the same time. chrisboese.photo/warehouse-ope

    #art #photography #protestart #alaska #KingSalmon #communityvoices #mastoart #mastodonart #chris-boese #boese-galleries

  16. This is how they protest "No Kings" in Palmer, Alaska, summer 2025.

    Fish-shaped signs on the ends of poles spell out NO KINGS BUT THE KING, in bold hand-lettering bright against a wide blue sky.

    I like how the humor and civic message sit together, playful and pointed at the same time. chrisboese.photo/warehouse-ope

    #art #photography #protestart #alaska #KingSalmon #communityvoices #mastoart #mastodonart #chris-boese #boese-galleries

  17. I wanted to share a poem I wrote: protest.art/comrades/BBBobr/My

    Also I'm building pages to feature artists who make Protest.Art. I have a few in progress, but if you or someone you know would like to be featured just let me know!

    #resist #protest #art #poem #protestart #activism #fightfascism