#morgoth — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #morgoth, aggregated by home.social.
-
Yes but see Tobias Forge is involved in the university Groningen psychology Epstein Zeta Grey timelime computers experiment... the mouth of Sauron IS behind it... they went to Ghost meet and greets. #mouthofsauron #shelob #tobiasforge #viy #morgoth #hexagonian #alchemicaltimelines #jarlborg #saintboniface #ruguniversitygroningen
-
Yes but see Tobias Forge is involved in the university Groningen psychology Epstein Zeta Grey timelime computers experiment... the mouth of Sauron IS behind it... they went to Ghost meet and greets. #mouthofsauron #shelob #tobiasforge #viy #morgoth #hexagonian #alchemicaltimelines #jarlborg #saintboniface #ruguniversitygroningen
-
What?? You think Tobias Forge is Sauron in the flesh?? What about the mouth of Sauron?? #morgoth #saturnalia #lordoftherings #shelob #tobiasforge #mouthofsauron #dagon #rebelmoon #viy
-
What?? You think Tobias Forge is Sauron in the flesh?? What about the mouth of Sauron?? #morgoth #saturnalia #lordoftherings #shelob #tobiasforge #mouthofsauron #dagon #rebelmoon #viy
-
@alexandrageese Ich denke, das passt ganz hervorragend zu der Entscheidung der baden-württembergischen Landtagsfraktion.
#palantir #saruman #sauron #morgoth #mordor #peterJackson #theWitchKingOfAngmar #urukHai #theLidlessEye oh und natürlich #dieGrünen ;) -
After Taste – Hungry For Life Review
By Grymm
I’ll be the first to admit, right now, that I miss Type O Negative. Chances are that you do, too. When bassist/vocalist Peter Steele died in 2010, he and his merry cohorts of doom and lust left a massive, gaping hole in the world of metal that no one to this day could replace or replicate. That hasn’t stopped others from trying, however. After Taste, hailing from the Netherlands and featuring Dave Meester of God Dethroned on guitar and vocals, are the latest in a line of those who worship at the altar of Black and Neon Green. With their second album, Hungry for Life, these Dutch doom-peddlers are hoping you will give in to your carnal cravings.
On a couple of songs, they do the trick. “Morning XTC” gives off a Host-era Paradise Lost vibe, with its somewhat upbeat, danceable rhythms and simple-yet-catchy riffs. Elsewhere, “Mind Over Body” could slot itself alongside Katatonia’s Night is the New Day in both atmosphere and performance, but with Meester aiming for Peter Steele instead of Jonas Renkse vocally. Their influences are sound, and their passions are in the right places when it comes to capturing a particular snapshot of a lifestyle of non-stop partying, and the grotesque, inevitable come-down afterwards.
So why doesn’t this land as well as it should? In their one-sheet, they’re aiming for a sound that’s equal parts Type O Negative, Rammstein, and Alice in Chains with electronic and synthwave vibes. Instead, what this reminds me of are the Century Media bands of the late 90s and early 2000s that decided they weren’t metal anymore: Morgoth, Moonspell, and Tiamat. Not necessarily a bad thing in and of itself, but Hungry for Life sounds exactly like those aforementioned bands that were once inspirational, but had gone pedestrian with their sound, and this album captures that complacency a bit too well.
For example, opener “Sustain Me” crawls along at a snail’s pace and doesn’t move the needle much in terms of melody or memorability. “Lost at Sea” could have been a strong single, but it drags out for too long, all while being a scant four-and-a-half minutes, due to its repetitive nature. “Methmouth” and “Liquid Courage” both aim for lyrical grossness, especially in the former (“You’re lips are locked/’Round my member/Yet your breath still fills the air”), yet don’t really go anywhere of note musically to back it up. Granted, the last band to impress me going this direction lyrically and stylistically was Voices, but London was released a long time ago at this point, and that band backed it up with chilling performances, compelling songwriting, and tight musicianship, all things that Hungry for Life lacks.I wanted to like Hungry for Life more than I did. It had all the ingredients in place to make for a fantastic album. Sadly, other than a scant few moments, it did little to quell my thirst for music in the vein of New York’s sorely missed goth overlords. I can only recommend this album for those that really, really miss Type of Negative, and even then, it’s not going to hit the same way as the originals did, and the end result yields an aggressively okay album. It’s a shame, because it feels like it could be a whole lot more.
Rating: 2.0/5.0
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Independent/Unsigned
Websites: Facebook1
Releases Worldwide: June 6th, 2025#20 #2025 #AfterTaste #AliceInChains #DoomMetal #DutchMetal #GodDethroned #HardRock #HungryForLife #IndependentUnsigned #Jun25 #Katatonia #Moonspell #Morgoth #MyDyingBride #ParadiseLost #Rammstein #Review #Reviews #Tiamat #TypeONegative #Voices
-
After Taste – Hungry For Life Review
By Grymm
I’ll be the first to admit, right now, that I miss Type O Negative. Chances are that you do, too. When bassist/vocalist Peter Steele died in 2010, he and his merry cohorts of doom and lust left a massive, gaping hole in the world of metal that no one to this day could replace or replicate. That hasn’t stopped others from trying, however. After Taste, hailing from the Netherlands and featuring Dave Meester of God Dethroned on guitar and vocals, are the latest in a line of those who worship at the altar of Black and Neon Green. With their second album, Hungry for Life, these Dutch doom-peddlers are hoping you will give in to your carnal cravings.
On a couple of songs, they do the trick. “Morning XTC” gives off a Host-era Paradise Lost vibe, with its somewhat upbeat, danceable rhythms and simple-yet-catchy riffs. Elsewhere, “Mind Over Body” could slot itself alongside Katatonia’s Night is the New Day in both atmosphere and performance, but with Meester aiming for Peter Steele instead of Jonas Renkse vocally. Their influences are sound, and their passions are in the right places when it comes to capturing a particular snapshot of a lifestyle of non-stop partying, and the grotesque, inevitable come-down afterwards.
So why doesn’t this land as well as it should? In their one-sheet, they’re aiming for a sound that’s equal parts Type O Negative, Rammstein, and Alice in Chains with electronic and synthwave vibes. Instead, what this reminds me of are the Century Media bands of the late 90s and early 2000s that decided they weren’t metal anymore: Morgoth, Moonspell, and Tiamat. Not necessarily a bad thing in and of itself, but Hungry for Life sounds exactly like those aforementioned bands that were once inspirational, but had gone pedestrian with their sound, and this album captures that complacency a bit too well.
For example, opener “Sustain Me” crawls along at a snail’s pace and doesn’t move the needle much in terms of melody or memorability. “Lost at Sea” could have been a strong single, but it drags out for too long, all while being a scant four-and-a-half minutes, due to its repetitive nature. “Methmouth” and “Liquid Courage” both aim for lyrical grossness, especially in the former (“You’re lips are locked/’Round my member/Yet your breath still fills the air”), yet don’t really go anywhere of note musically to back it up. Granted, the last band to impress me going this direction lyrically and stylistically was Voices, but London was released a long time ago at this point, and that band backed it up with chilling performances, compelling songwriting, and tight musicianship, all things that Hungry for Life lacks.I wanted to like Hungry for Life more than I did. It had all the ingredients in place to make for a fantastic album. Sadly, other than a scant few moments, it did little to quell my thirst for music in the vein of New York’s sorely missed goth overlords. I can only recommend this album for those that really, really miss Type of Negative, and even then, it’s not going to hit the same way as the originals did, and the end result yields an aggressively okay album. It’s a shame, because it feels like it could be a whole lot more.
Rating: 2.0/5.0
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Independent/Unsigned
Websites: Facebook1
Releases Worldwide: June 6th, 2025#20 #2025 #AfterTaste #AliceInChains #DoomMetal #DutchMetal #GodDethroned #HardRock #HungryForLife #IndependentUnsigned #Jun25 #Katatonia #Moonspell #Morgoth #MyDyingBride #ParadiseLost #Rammstein #Review #Reviews #Tiamat #TypeONegative #Voices
-
After Taste – Hungry For Life Review
By Grymm
I’ll be the first to admit, right now, that I miss Type O Negative. Chances are that you do, too. When bassist/vocalist Peter Steele died in 2010, he and his merry cohorts of doom and lust left a massive, gaping hole in the world of metal that no one to this day could replace or replicate. That hasn’t stopped others from trying, however. After Taste, hailing from the Netherlands and featuring Dave Meester of God Dethroned on guitar and vocals, are the latest in a line of those who worship at the altar of Black and Neon Green. With their second album, Hungry for Life, these Dutch doom-peddlers are hoping you will give in to your carnal cravings.
On a couple of songs, they do the trick. “Morning XTC” gives off a Host-era Paradise Lost vibe, with its somewhat upbeat, danceable rhythms and simple-yet-catchy riffs. Elsewhere, “Mind Over Body” could slot itself alongside Katatonia’s Night is the New Day in both atmosphere and performance, but with Meester aiming for Peter Steele instead of Jonas Renkse vocally. Their influences are sound, and their passions are in the right places when it comes to capturing a particular snapshot of a lifestyle of non-stop partying, and the grotesque, inevitable come-down afterwards.
So why doesn’t this land as well as it should? In their one-sheet, they’re aiming for a sound that’s equal parts Type O Negative, Rammstein, and Alice in Chains with electronic and synthwave vibes. Instead, what this reminds me of are the Century Media bands of the late 90s and early 2000s that decided they weren’t metal anymore: Morgoth, Moonspell, and Tiamat. Not necessarily a bad thing in and of itself, but Hungry for Life sounds exactly like those aforementioned bands that were once inspirational, but had gone pedestrian with their sound, and this album captures that complacency a bit too well.
For example, opener “Sustain Me” crawls along at a snail’s pace and doesn’t move the needle much in terms of melody or memorability. “Lost at Sea” could have been a strong single, but it drags out for too long, all while being a scant four-and-a-half minutes, due to its repetitive nature. “Methmouth” and “Liquid Courage” both aim for lyrical grossness, especially in the former (“You’re lips are locked/’Round my member/Yet your breath still fills the air”), yet don’t really go anywhere of note musically to back it up. Granted, the last band to impress me going this direction lyrically and stylistically was Voices, but London was released a long time ago at this point, and that band backed it up with chilling performances, compelling songwriting, and tight musicianship, all things that Hungry for Life lacks.I wanted to like Hungry for Life more than I did. It had all the ingredients in place to make for a fantastic album. Sadly, other than a scant few moments, it did little to quell my thirst for music in the vein of New York’s sorely missed goth overlords. I can only recommend this album for those that really, really miss Type of Negative, and even then, it’s not going to hit the same way as the originals did, and the end result yields an aggressively okay album. It’s a shame, because it feels like it could be a whole lot more.
Rating: 2.0/5.0
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Independent/Unsigned
Websites: Facebook1
Releases Worldwide: June 6th, 2025#20 #2025 #AfterTaste #AliceInChains #DoomMetal #DutchMetal #GodDethroned #HardRock #HungryForLife #IndependentUnsigned #Jun25 #Katatonia #Moonspell #Morgoth #MyDyingBride #ParadiseLost #Rammstein #Review #Reviews #Tiamat #TypeONegative #Voices
-
After Taste – Hungry For Life Review
By Grymm
I’ll be the first to admit, right now, that I miss Type O Negative. Chances are that you do, too. When bassist/vocalist Peter Steele died in 2010, he and his merry cohorts of doom and lust left a massive, gaping hole in the world of metal that no one to this day could replace or replicate. That hasn’t stopped others from trying, however. After Taste, hailing from the Netherlands and featuring Dave Meester of God Dethroned on guitar and vocals, are the latest in a line of those who worship at the altar of Black and Neon Green. With their second album, Hungry for Life, these Dutch doom-peddlers are hoping you will give in to your carnal cravings.
On a couple of songs, they do the trick. “Morning XTC” gives off a Host-era Paradise Lost vibe, with its somewhat upbeat, danceable rhythms and simple-yet-catchy riffs. Elsewhere, “Mind Over Body” could slot itself alongside Katatonia’s Night is the New Day in both atmosphere and performance, but with Meester aiming for Peter Steele instead of Jonas Renkse vocally. Their influences are sound, and their passions are in the right places when it comes to capturing a particular snapshot of a lifestyle of non-stop partying, and the grotesque, inevitable come-down afterwards.
So why doesn’t this land as well as it should? In their one-sheet, they’re aiming for a sound that’s equal parts Type O Negative, Rammstein, and Alice in Chains with electronic and synthwave vibes. Instead, what this reminds me of are the Century Media bands of the late 90s and early 2000s that decided they weren’t metal anymore: Morgoth, Moonspell, and Tiamat. Not necessarily a bad thing in and of itself, but Hungry for Life sounds exactly like those aforementioned bands that were once inspirational, but had gone pedestrian with their sound, and this album captures that complacency a bit too well.
For example, opener “Sustain Me” crawls along at a snail’s pace and doesn’t move the needle much in terms of melody or memorability. “Lost at Sea” could have been a strong single, but it drags out for too long, all while being a scant four-and-a-half minutes, due to its repetitive nature. “Methmouth” and “Liquid Courage” both aim for lyrical grossness, especially in the former (“You’re lips are locked/’Round my member/Yet your breath still fills the air”), yet don’t really go anywhere of note musically to back it up. Granted, the last band to impress me going this direction lyrically and stylistically was Voices, but London was released a long time ago at this point, and that band backed it up with chilling performances, compelling songwriting, and tight musicianship, all things that Hungry for Life lacks.I wanted to like Hungry for Life more than I did. It had all the ingredients in place to make for a fantastic album. Sadly, other than a scant few moments, it did little to quell my thirst for music in the vein of New York’s sorely missed goth overlords. I can only recommend this album for those that really, really miss Type of Negative, and even then, it’s not going to hit the same way as the originals did, and the end result yields an aggressively okay album. It’s a shame, because it feels like it could be a whole lot more.
Rating: 2.0/5.0
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Independent/Unsigned
Websites: Facebook1
Releases Worldwide: June 6th, 2025#20 #2025 #AfterTaste #AliceInChains #DoomMetal #DutchMetal #GodDethroned #HardRock #HungryForLife #IndependentUnsigned #Jun25 #Katatonia #Moonspell #Morgoth #MyDyingBride #ParadiseLost #Rammstein #Review #Reviews #Tiamat #TypeONegative #Voices
-
À l'occasion du #BordeauxGeekfest au Parc des expositions de #Bordeaux, des membres de l'association #Tolkiendil prendront la parole autour du thème "Le mal chez #Tolkien" ce dimanche 25 mai de 11h45 à 12h30 en salle de conférence Arkham !
Partagez l'info ;)
#bordeauxgeekfest2025 #bgf25 #tolkien #sauron #morgoth #seigneurdesanneaux #leseigneurdesanneaux #laterredumilieu #terredumilieu #tolkienfrance #tolkienenfrancais #tolkienvf #tolkienenvf
-
À l'occasion du #BordeauxGeekfest au Parc des expositions de #Bordeaux, des membres de l'association #Tolkiendil prendront la parole autour du thème "Le mal chez #Tolkien" ce dimanche 25 mai de 11h45 à 12h30 en salle de conférence Arkham !
Partagez l'info ;)
#bordeauxgeekfest2025 #bgf25 #tolkien #sauron #morgoth #seigneurdesanneaux #leseigneurdesanneaux #laterredumilieu #terredumilieu #tolkienfrance #tolkienenfrancais #tolkienvf #tolkienenvf
-
Meet Michael Wright, the neo-nazi blogger, podcaster, and all-around right-wing "influencer" widely known as "Morgoth," whose influencees have included racist mass murderer Dylann Roof and members of banned UK-based terror group National Action. He's a piece of shit who likes to quote from 'Mein Kampf', still advocates for violence against his political adversaries, and believes all the things that Nazis have always believed.
This article warrants a content warning, just because it inevitably quotes the person in question as evidence. So be aware: there's some very nasty racist, antisemitic, and violent commentary quoted here.
#Morgoth #MichaelWright #NeoNazis #racism #antisemitism #fascism #FuckThatGuy #fcknzs
-
I posted that amazing Morgoth painting by Wisesnail the other day.
But this one by Álvaro Fernández González has been my main head canon Melkor/Morgoth for some time now.
And you know what? I think they actually 100% complement each other!
-
#TheMetalDogArticleList
#MetalInjection
SEVEN HOURS AFTER VIOLET (SYSTEM OF A DOWN, Etc.) Streams New Single "Alive"#SevenHoursAfterViolet #SystemOfADown #ShavoOdadjian #TaylorBarber #Morgoth #AlejandroAranda #JoshJohnson #WindsOfPlague
-
By Steel Druhm
Back in the era of the Great Plague (2021), I was exposed to the debut by long-lurking Bay Area death metal scuzzers Laceration. Demise was an entertaining old school platter of sensory destruction, borrowing from legends like Immolation and early days Death to deliver the hammer to the locked-down, infected masses. It showed high levels of technical finesse and songwriting chops and I looked forward to hearing what came next for them. What comes next is sophomore outing I Erode, and it finds Laceration even more proficient, confident, and ready to kick teeth and crack bones. Still borrowing from genre greats, they take a rough and nasty core OSDM sound and season it in the abyss with stunningly melodic and regal guitar work. That means you get a bit of beauty with a whole lotta beast, and that’s the way to the heart of an old time death fan.
After the obligatory mood-setting intro that sounds like something from a shitty horror film, Laceration come to cut on proper opener “Excised.” It’s a gleefully blasting, pummelling affair with beefy, cargo-beshorted death riffs trudging grooves in your brain as gruesome death roars and frantic drumming tenderize you. It’s got more than a little Immolation in its DNA and the careful listener will discern traces of James Murphy-era Death and bits and pieces of Morgoth as well. The slick, hyper-melodic solos are a stark relief from the caveman pounding and knuckle-dragging excesses, and that my friends is what makes for entertaining death metal! The ghastly good times keep coming on “Sadistic Enthrallment” with its Immolation-esque thrills and Malevolent Creation-ish chills. It’s fast, furious, and technically impressive, with knotty riffs twisting and bending left and right, but things never feel too techy or wonky. This tune really grabs the listener and I’ve been replaying it to the point of maniacal obsession. “Cancerality” is another winner, full of hyperactive thrashing and ear-trashing blasts and sizzling guitar heroics with loving nods to Immolation and Suffocation dotting the way like severed heads on stakes. If this one doesn’t get you outside throwing garbage cans at passing cars, your best days are behind you.
“Impaling Sorrow” is a nasty, brutish, and short stab at the frontal lobe, and I don’t know what Cazares is screaming but at one point it sounds like “Mulligan!” and now I will be replicating that noise whenever I hit an errant shot during my drunken golf forays. So what are the downsides? First and foremost is the shortness of the album (how often do you hear that at AMG?). At a skinny 32 minutes, Laceration leave me wanting much more. The style of death they execute isn’t so smothering that you need to come up for air at 32 minutes, and 2 more killer cuts would make this the ideal length. I could also argue “Vile Incarnate” is a bit more rote and standard death than the rest of its peers, but it’s not bad at all. The production by Matt Harvey of Exhumed / Gruesome is first-rate. The guitars have ample heft, the drums sound great, and the mix is spot on. Most importantly, things aren’t overly polished and this sounds like a filthy pile of tentacle shit. Kudos.
First things first. Donnie Snalles is a sickly talented lead guitarist. The dude rips it up on every track with gorgeous solos and stunning fretboard gymnastics. Along with Luke Cazares, he also crafts an extra large body bag full of ace death riffs, crushing grooves, and sick flourishes that accent the core death constructs in elegant and horrific ways. While some bands might let the melodic elements take up too much space and thereby reduce the overall heaviness, these cats know how to put the brutal first and though you get some seriously refined moments, the boot is never far behind. Cazares is a great death vocalist, with a harsh, ragged roar that spews the stench of olden days death loudly and proudly. Aerin Johson beats the unholy fuck out of his kit and by extension, you. There are plenty of blast bits but he’s best when the guitars find a sick groove and he locks in and follows them into the maelstrom with smart fills and rolls. This is a very talented collective and they could do straight-up tech death all day, but fortunately, their first love is caveman death, and boy do they deliver it.
Laceration have a kind of “it” factor. You can’t always describe what that is, but you know it when you get mugged by it and wake up in the gutter with no shoes, wallet, or kidneys. Their 2021 debut was all sorts of fun, and I Erode takes everything to the next level and shows a band ready to elbow their way higher up the death metal food chain. Get this in your puke bucket, pronto.
Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: 20 Buck Spin
Websites: facebook.com/lacerationofficial | instagram.com/laceration_official
Releases Worldwide: July 26th, 2024#20BuckSpin #2024 #35 #AmericanMetal #DeathMetal #IErode #Jul24 #Laceration #MorbidAngel #Morgoth #Review #Reviews
-
By Steel Druhm
Back in the era of the Great Plague (2021), I was exposed to the debut by long-lurking Bay Area death metal scuzzers Laceration. Demise was an entertaining old school platter of sensory destruction, borrowing from legends like Immolation and early days Death to deliver the hammer to the locked-down, infected masses. It showed high levels of technical finesse and songwriting chops and I looked forward to hearing what came next for them. What comes next is sophomore outing I Erode, and it finds Laceration even more proficient, confident, and ready to kick teeth and crack bones. Still borrowing from genre greats, they take a rough and nasty core OSDM sound and season it in the abyss with stunningly melodic and regal guitar work. That means you get a bit of beauty with a whole lotta beast, and that’s the way to the heart of an old time death fan.
After the obligatory mood-setting intro that sounds like something from a shitty horror film, Laceration come to cut on proper opener “Excised.” It’s a gleefully blasting, pummelling affair with beefy, cargo-beshorted death riffs trudging grooves in your brain as gruesome death roars and frantic drumming tenderize you. It’s got more than a little Immolation in its DNA and the careful listener will discern traces of James Murphy-era Death and bits and pieces of Morgoth as well. The slick, hyper-melodic solos are a stark relief from the caveman pounding and knuckle-dragging excesses, and that my friends is what makes for entertaining death metal! The ghastly good times keep coming on “Sadistic Enthrallment” with its Immolation-esque thrills and Malevolent Creation-ish chills. It’s fast, furious, and technically impressive, with knotty riffs twisting and bending left and right, but things never feel too techy or wonky. This tune really grabs the listener and I’ve been replaying it to the point of maniacal obsession. “Cancerality” is another winner, full of hyperactive thrashing and ear-trashing blasts and sizzling guitar heroics with loving nods to Immolation and Suffocation dotting the way like severed heads on stakes. If this one doesn’t get you outside throwing garbage cans at passing cars, your best days are behind you.
“Impaling Sorrow” is a nasty, brutish, and short stab at the frontal lobe, and I don’t know what Cazares is screaming but at one point it sounds like “Mulligan!” and now I will be replicating that noise whenever I hit an errant shot during my drunken golf forays. So what are the downsides? First and foremost is the shortness of the album (how often do you hear that at AMG?). At a skinny 32 minutes, Laceration leave me wanting much more. The style of death they execute isn’t so smothering that you need to come up for air at 32 minutes, and 2 more killer cuts would make this the ideal length. I could also argue “Vile Incarnate” is a bit more rote and standard death than the rest of its peers, but it’s not bad at all. The production by Matt Harvey of Exhumed / Gruesome is first-rate. The guitars have ample heft, the drums sound great, and the mix is spot on. Most importantly, things aren’t overly polished and this sounds like a filthy pile of tentacle shit. Kudos.
First things first. Donnie Snalles is a sickly talented lead guitarist. The dude rips it up on every track with gorgeous solos and stunning fretboard gymnastics. Along with Luke Cazares, he also crafts an extra large body bag full of ace death riffs, crushing grooves, and sick flourishes that accent the core death constructs in elegant and horrific ways. While some bands might let the melodic elements take up too much space and thereby reduce the overall heaviness, these cats know how to put the brutal first and though you get some seriously refined moments, the boot is never far behind. Cazares is a great death vocalist, with a harsh, ragged roar that spews the stench of olden days death loudly and proudly. Aerin Johson beats the unholy fuck out of his kit and by extension, you. There are plenty of blast bits but he’s best when the guitars find a sick groove and he locks in and follows them into the maelstrom with smart fills and rolls. This is a very talented collective and they could do straight-up tech death all day, but fortunately, their first love is caveman death, and boy do they deliver it.
Laceration have a kind of “it” factor. You can’t always describe what that is, but you know it when you get mugged by it and wake up in the gutter with no shoes, wallet, or kidneys. Their 2021 debut was all sorts of fun, and I Erode takes everything to the next level and shows a band ready to elbow their way higher up the death metal food chain. Get this in your puke bucket, pronto.
Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: 20 Buck Spin
Websites: facebook.com/lacerationofficial | instagram.com/laceration_official
Releases Worldwide: July 26th, 2024#20BuckSpin #2024 #35 #AmericanMetal #DeathMetal #IErode #Jul24 #Laceration #MorbidAngel #Morgoth #Review #Reviews
-
#TheMetalDogArticleList
#MetalInjection
Watch VOLBEAT's MICHAEL POULSEN Debut His Death Metal Band ASINHELL Live
Poulsen can still shred.#Asinhell #MichaelPoulsen #Volbeat #DeathMetal #MortenToftHansen #MarcGrewe #Morgoth #BloodEagle
-
#TheMetalDogArticleList
#MetalInjection
Watch VOLBEAT's MICHAEL POULSEN Debut His Death Metal Band ASINHELL Live
Poulsen can still shred.#Asinhell #MichaelPoulsen #Volbeat #DeathMetal #MortenToftHansen #MarcGrewe #Morgoth #BloodEagle
-
#TheMetalDogArticleList
#MetalInjection
Watch VOLBEAT's MICHAEL POULSEN Debut His Death Metal Band ASINHELL Live
Poulsen can still shred.#Asinhell #MichaelPoulsen #Volbeat #DeathMetal #MortenToftHansen #MarcGrewe #Morgoth #BloodEagle
-
#TheMetalDogArticleList
#MetalInjection
Watch VOLBEAT's MICHAEL POULSEN Debut His Death Metal Band ASINHELL Live
Poulsen can still shred.#Asinhell #MichaelPoulsen #Volbeat #DeathMetal #MortenToftHansen #MarcGrewe #Morgoth #BloodEagle
-
#TheMetalDogArticleList
#MetalInjection
Watch VOLBEAT's MICHAEL POULSEN Debut His Death Metal Band ASINHELL Live
Poulsen can still shred.#Asinhell #MichaelPoulsen #Volbeat #DeathMetal #MortenToftHansen #MarcGrewe #Morgoth #BloodEagle
-
#nowplaying Morgoth - Odium
A now mostly-forgotten Death/Thrash Metal album originally released in 1993. They released another three albums in 1996, 2012 and 2015, and then went on indefinite hiatus.
This particular version is a 2014 rerelease in deep red vinyl.
-
And finally here I come with a #Moringotto aka the guy who thought it was a good idea to work with a giant spider...🙈
#MorgothBauglir #Morgoth #Melkor #Vala #Valar #Tolkien #JRRT #TheSilmarillion #Silmarilli #TheGreatEnemy #Wisesnail #SpeedPaint
-
And finally here I come with a #Moringotto aka the guy who thought it was a good idea to work with a giant spider...🙈
#MorgothBauglir #Morgoth #Melkor #Vala #Valar #Tolkien #JRRT #TheSilmarillion #Silmarilli #TheGreatEnemy #Wisesnail #SpeedPaint
-
And finally here I come with a #Moringotto aka the guy who thought it was a good idea to work with a giant spider...🙈
#MorgothBauglir #Morgoth #Melkor #Vala #Valar #Tolkien #JRRT #TheSilmarillion #Silmarilli #TheGreatEnemy #Wisesnail #SpeedPaint
-
And finally here I come with a #Moringotto aka the guy who thought it was a good idea to work with a giant spider...🙈
#MorgothBauglir #Morgoth #Melkor #Vala #Valar #Tolkien #JRRT #TheSilmarillion #Silmarilli #TheGreatEnemy #Wisesnail #SpeedPaint
-
And finally here I come with a #Moringotto aka the guy who thought it was a good idea to work with a giant spider...🙈
#MorgothBauglir #Morgoth #Melkor #Vala #Valar #Tolkien #JRRT #TheSilmarillion #Silmarilli #TheGreatEnemy #Wisesnail #SpeedPaint
-
unpopular opinion (especially back then): "feel sorry for the fanatic" was an amazing album by #morgoth. the main problem it had was a stubborn fanbase who wouldn't accept something so far out their previous death metal releases, even though "odium" clearly paved the way with it's industrial elements. just let the album title sink in and it becomes obvious how brave they were to stick to this release:
https://www.youtube.com/watch?v=WOm4rl7muTg&list=OLAK5uy_nOZXEvor_n-zaqXkdX7HMtcuqmoMhxwTg
-
But he that sows lies in the end shall not lack of a harvest, and soon he may rest from toil indeed while others reap and sow in his stead. Ever Melkor found some ears that would heed him, and some tongues that would enlarge what they had heard; and his lies passed from friend to friend
#Silmarillon #morgoth
https://www.artstation.com/artwork/klxmk0 -
After listening to several #LordOfTheRings lore videos, I wanted to try to paint my own #Balrog-like creature.
Still #WorkInProgress, but so far I'm quite satisfied with the #fire effects I created in #deviantART's #mur using the #DrPepper drawing tool and its blending tool, combined with the smoke tool for the fire whips.
Image marked as sensitive because of demonic imagery, as I assume some might not want that in their timelines?
#FiXatoCreative #FiXatoPaintsDigitally #mastoArt #LotR #demons #Morgoth #Melkor #DailyDrawing
