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#jasperjohns — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #jasperjohns, aggregated by home.social.

  1. The bul's eye circle in my painting references #JasperJohns' painting at the C Art Institute titled Target. The circle signifies eternity in #Pueblo symbolism. I inclusion is a nod to my great-great-grandmother Nampeyo #Hopi s visit to C for the 1893 World's Fair-her work is (5).

  2. Painter Robert Rauschenberg (1925-2008) at New York’s Guggenheim Museum: “Life Can’t Be Stopped”

    Various events around the world are marking the centennial of the birth of American artist Robert Rauschenberg (who…
    #NewsBeep #News #Artsanddesign #"PopArt #"LifeCan’tBeStopped #AbstractExpressionism #Arts #ArtsAndDesign #AU #Australia #ConceptualArt #CyTwonbly #Design #Entertainment #GuggenheimMuseum #JasperJohns #robertrauschenberg
    newsbeep.com/au/331920/

  3. Painter Robert Rauschenberg (1925-2008) at New York’s Guggenheim Museum: “Life Can’t Be Stopped”

    Various events around the world are marking the centennial of the birth of American artist Robert Rauschenberg (wh…
    #NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Artsanddesign #"PopArt #"LifeCan’tBeStopped #AbstractExpressionism #Arts #ArtsAndDesign #ConceptualArt #CyTwonbly #Design #Entertainment #GuggenheimMuseum #JasperJohns #RobertRauschenberg
    newsbeep.com/us/334237/

  4. Painter Robert Rauschenberg (1925-2008) at New York’s Guggenheim Museum: “Life Can’t Be Stopped”

    Various events around the world are marking the centennial of the birth of American artist Robert Rauschenberg (wh…
    #NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Artsanddesign #"PopArt #"LifeCan’tBeStopped #AbstractExpressionism #Arts #ArtsAndDesign #ConceptualArt #CyTwonbly #Design #Entertainment #GuggenheimMuseum #JasperJohns #RobertRauschenberg
    newsbeep.com/us/334237/

  5. There’s an amazing - and appalling poll result in Adam Tooze’s Chartbook today. (See below) Also some great #paintings by #JasperJohns adamtooze.substack.com/p/top-links-...

  6. There’s an amazing - and appalling poll result in Adam Tooze’s Chartbook today. (See below) Also some great #paintings by #JasperJohns adamtooze.substack.com/p/top-links-...

  7. hal foster: “fail better. reckoning with artists and critics”

    Sandro Ricaldone

    HAL FOSTER
    Fail Better
    Reckoning with Artists and Critics
    The MIT Press, 2025
    (forthcoming)

    “Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.

    In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.

    Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.

    #AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram

  8. hal foster: “fail better. reckoning with artists and critics”

    Sandro Ricaldone

    HAL FOSTER
    Fail Better
    Reckoning with Artists and Critics
    The MIT Press, 2025
    (forthcoming)

    “Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.

    In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.

    Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.

    #AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram

  9. hal foster: “fail better. reckoning with artists and critics”

    Sandro Ricaldone

    HAL FOSTER
    Fail Better
    Reckoning with Artists and Critics
    The MIT Press, 2025
    (forthcoming)

    “Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.

    In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.

    Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.

    #AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram

  10. hal foster: “fail better. reckoning with artists and critics”

    Sandro Ricaldone

    HAL FOSTER
    Fail Better
    Reckoning with Artists and Critics
    The MIT Press, 2025
    (forthcoming)

    “Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.

    In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.

    Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.

    #AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram

  11. "15" #promvent24
    Für die Aufführung des Stückes "Variation II", komponiert von John Cage als Geburtstagsgeschenk für David Tudor, malte Jasper Johns "15’ Entr’acte (15 Minuten Pause)". Es wurde am 20. Juni 1961 im Theater der Amerikanischen Botschaft in Paris während der Pause auf die Bühne gebracht.

    #zahlenausallerwelt #kreta #agiosnikolaos #hafen
    #zahlenausdembildarchiv #jasperjohns #15Entracte #15minutenpause #johncage #davidtudor

  12. "15" #promvent24
    Für die Aufführung des Stückes "Variation II", komponiert von John Cage als Geburtstagsgeschenk für David Tudor, malte Jasper Johns "15’ Entr’acte (15 Minuten Pause)". Es wurde am 20. Juni 1961 im Theater der Amerikanischen Botschaft in Paris während der Pause auf die Bühne gebracht.

    #zahlenausallerwelt #kreta #agiosnikolaos #hafen
    #zahlenausdembildarchiv #jasperjohns #15Entracte #15minutenpause #johncage #davidtudor

  13. Читал биографию Джаспера Джонса, про «бизона, закутанного в одеяло» и всякое такое, — очень скучно. #JasperJohns #artstars #books

  14. Читал биографию Джаспера Джонса, про «бизона, закутанного в одеяло» и всякое такое, — очень скучно. #JasperJohns #artstars #books

  15. Читал биографию Джаспера Джонса, про «бизона, закутанного в одеяло» и всякое такое, — очень скучно. #JasperJohns #artstars #books

  16. Читал биографию Джаспера Джонса, про «бизона, закутанного в одеяло» и всякое такое, — очень скучно. #JasperJohns #artstars #books

  17. Jasper Johns: Arrive/Depart, 1963-64. Oil on canvas. Pinakothek der Moderne, Munich. © VG Bild-Kunst, Bonn 2016. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises, chapter Memory: Spuren. Internet: dreher.netzliteratur.net/8_Kon

  18. Jasper Johns: Skin with O'Hara Poem, 1963-65. Lithograph on paper. Walker Art Center, Minneapolis. © 2017 Jasper Johns / Licensed by VAGA, New York. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises, chapter Memory: Spuren. Internet: dreher.netzliteratur.net/8_Kon

  19. Jasper Johns: Skin with O'Hara Poem, 1963-65. Lithograph on paper. Walker Art Center, Minneapolis. © 2017 Jasper Johns / Licensed by VAGA, New York. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises, chapter Memory: Spuren. Internet: dreher.netzliteratur.net/8_Kon #jasperjohns #frankohara #frankoharapoetry #frankoharapoems #thomasdreher #popart #sixtiesart #sixtiesartwork #lithograph #lithography #lithographyprint #lithographyprints #sixtiesartist #sixtiesartists #lyrics #sixtieslyrics

  20. Jasper JOHNS: ln Memory of My Feelings - Frank O'Hara, 1961. Oil on canvas and objects. More informations: Dreher, Thomas: Traces: whatdoyoumeanandhowdoyoumeanit. Frank O'Hara - the New York School. In: Artefactum Nr.43/April-May 1992, p.16f. PDF: dreher.netzliteratur.net/1_OHa

  21. Jasper JOHNS: ln Memory of My Feelings - Frank O'Hara, 1961. Oil on canvas and objects. More informations: Dreher, Thomas: Traces: whatdoyoumeanandhowdoyoumeanit. Frank O'Hara - the New York School. In: Artefactum Nr.43/April-May 1992, p.16f. PDF: dreher.netzliteratur.net/1_OHa #jasperjohns #thomasdreher #frankohara #popart #popartist #popartists #popartwork #popartworks #artandliterature #artandwriting

  22. Watching the Diplomat? Get your famous artist goggles on.

    #JasperJohns