#jasperjohns — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #jasperjohns, aggregated by home.social.
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Jasper Johns | White flag | Year 1955 | The Met Museum
Rights and Reproduction: Art ©Jasper Johns/Licensed by VAGA, New York, NY
Further reading :
https://www.metmuseum.org/art/collection/search/487065https://en.wikipedia.org/wiki/Jasper_Johns
#Painting #JasperJohns #HardEdge #NeoDada #PopArt #History #Humanity
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Jasper Johns | White flag | Year 1955 | The Met Museum
Rights and Reproduction: Art ©Jasper Johns/Licensed by VAGA, New York, NY
Further reading :
https://www.metmuseum.org/art/collection/search/487065https://en.wikipedia.org/wiki/Jasper_Johns
#Painting #JasperJohns #HardEdge #NeoDada #PopArt #History #Humanity
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Jasper Johns | White flag | Year 1955 | The Met Museum
Rights and Reproduction: Art ©Jasper Johns/Licensed by VAGA, New York, NY
Further reading :
https://www.metmuseum.org/art/collection/search/487065https://en.wikipedia.org/wiki/Jasper_Johns
#Painting #JasperJohns #HardEdge #NeoDada #PopArt #History #Humanity
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Jasper Johns | White flag | Year 1955 | The Met Museum
Rights and Reproduction: Art ©Jasper Johns/Licensed by VAGA, New York, NY
Further reading :
https://www.metmuseum.org/art/collection/search/487065https://en.wikipedia.org/wiki/Jasper_Johns
#Painting #JasperJohns #HardEdge #NeoDada #PopArt #History #Humanity
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Jasper Johns | White flag | Year 1955 | The Met Museum
Rights and Reproduction: Art ©Jasper Johns/Licensed by VAGA, New York, NY
Further reading :
https://www.metmuseum.org/art/collection/search/487065https://en.wikipedia.org/wiki/Jasper_Johns
#Painting #JasperJohns #HardEdge #NeoDada #PopArt #History #Humanity
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The bul's eye circle in my painting references #JasperJohns' painting at the C Art Institute titled Target. The circle signifies eternity in #Pueblo symbolism. I inclusion is a nod to my great-great-grandmother Nampeyo #Hopi s visit to C for the 1893 World's Fair-her work is (5).
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Painter Robert Rauschenberg (1925-2008) at New York’s Guggenheim Museum: “Life Can’t Be Stopped”
Various events around the world are marking the centennial of the birth of American artist Robert Rauschenberg (who…
#NewsBeep #News #Artsanddesign #"PopArt #"LifeCan’tBeStopped #AbstractExpressionism #Arts #ArtsAndDesign #AU #Australia #ConceptualArt #CyTwonbly #Design #Entertainment #GuggenheimMuseum #JasperJohns #robertrauschenberg
https://www.newsbeep.com/au/331920/ -
Painter Robert Rauschenberg (1925-2008) at New York’s Guggenheim Museum: “Life Can’t Be Stopped”
Various events around the world are marking the centennial of the birth of American artist Robert Rauschenberg (wh…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Artsanddesign #"PopArt #"LifeCan’tBeStopped #AbstractExpressionism #Arts #ArtsAndDesign #ConceptualArt #CyTwonbly #Design #Entertainment #GuggenheimMuseum #JasperJohns #RobertRauschenberg
https://www.newsbeep.com/us/334237/ -
Painter Robert Rauschenberg (1925-2008) at New York’s Guggenheim Museum: “Life Can’t Be Stopped”
Various events around the world are marking the centennial of the birth of American artist Robert Rauschenberg (wh…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Artsanddesign #"PopArt #"LifeCan’tBeStopped #AbstractExpressionism #Arts #ArtsAndDesign #ConceptualArt #CyTwonbly #Design #Entertainment #GuggenheimMuseum #JasperJohns #RobertRauschenberg
https://www.newsbeep.com/us/334237/ -
https://www.europesays.com/uk/616964/ Painter Robert Rauschenberg (1925-2008) at New York’s Guggenheim Museum: “Life Can’t Be Stopped” #"LifeCan’tBeStopped #AbstractExpressionism #Arts #ArtsAndDesign #ConceptualArt #CyTwonbly #Design #Entertainment #GuggenheimMuseum #JasperJohns #PopArt #RobertRauschenberg #UK #UnitedKingdom
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https://www.europesays.com/ie/219275/ Painter Robert Rauschenberg (1925-2008) at New York’s Guggenheim Museum: “Life Can’t Be Stopped” #"LifeCan’tBeStopped #AbstractExpressionism #Arts #ArtsAndDesign #ArtsAndDesign #ArtsDesign #ConceptualArt #CyTwonbly #Design #Éire #Entertainment #GuggenheimMuseum #IE #Ireland #JasperJohns #PopArt #RobertRauschenberg
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Neu im Comenius-Antiquariat 18.9.2025.
https://buchantiquariat.com/de/neue-artikel
#antiquariat #buchantiquariat #books #comenius_antiquariat #Kunstausstellung #Ausstellungskatalog #Retrospektive #Glaskunst #Kunsthandel #KunstGalerie #BiographienKunst #Kuenstlermonographien #JasperJohns #Graphik #KunstZeichnung -
Neu im Comenius-Antiquariat 18.9.2025.
https://buchantiquariat.com/de/neue-artikel
#antiquariat #buchantiquariat #books #comenius_antiquariat #Kunstausstellung #Ausstellungskatalog #Retrospektive #Glaskunst #Kunsthandel #KunstGalerie #BiographienKunst #Kuenstlermonographien #JasperJohns #Graphik #KunstZeichnung -
Neu im Comenius-Antiquariat 18.9.2025.
https://buchantiquariat.com/de/neue-artikel
#antiquariat #buchantiquariat #books #comenius_antiquariat #Kunstausstellung #Ausstellungskatalog #Retrospektive #Glaskunst #Kunsthandel #KunstGalerie #BiographienKunst #Kuenstlermonographien #JasperJohns #Graphik #KunstZeichnung -
Neu im Comenius-Antiquariat 18.9.2025.
https://buchantiquariat.com/de/neue-artikel
#antiquariat #buchantiquariat #books #comenius_antiquariat #Kunstausstellung #Ausstellungskatalog #Retrospektive #Glaskunst #Kunsthandel #KunstGalerie #BiographienKunst #Kuenstlermonographien #JasperJohns #Graphik #KunstZeichnung -
Neu im Comenius-Antiquariat 18.9.2025.
https://buchantiquariat.com/de/neue-artikel
#antiquariat #buchantiquariat #books #comenius_antiquariat #Kunstausstellung #Ausstellungskatalog #Retrospektive #Glaskunst #Kunsthandel #KunstGalerie #BiographienKunst #Kuenstlermonographien #JasperJohns #Graphik #KunstZeichnung -
There’s an amazing - and appalling poll result in Adam Tooze’s Chartbook today. (See below) Also some great #paintings by #JasperJohns adamtooze.substack.com/p/top-links-...
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There’s an amazing - and appalling poll result in Adam Tooze’s Chartbook today. (See below) Also some great #paintings by #JasperJohns adamtooze.substack.com/p/top-links-...
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post recenti su compostxt
gastone novelli : sul linguaggio / on language
william s. burroughs
dalla rivista “musica 80”psychic tv / genesis p. orridge : a coumprehensive collection ov lyrics 1981-90 : by vittore baroni
un testo di alessandra greco su ahida
joan jonas : leftside rightside (1972)
jana sterbak : attitudes (1987)
jasper johns : 0 through 9 (1961)
#ahida #AlessandraGreco #art #arte #blackOut #blogDiScritturaDiRicerca #compostxt #DianaBaylon #EmilioPrini #GastoneNovelli #GenesisPOrridge #JanaSterbak #JasperJohns #JoanJonas #link #music #musica #NanniBalestrini #postRecenti #PsychicTV #scritturaDiRicerca #scrittureDiRicerca #VittoreBaroni #WilliamBurroughs
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post recenti su compostxt
gastone novelli : sul linguaggio / on language
william s. burroughs
dalla rivista “musica 80”psychic tv / genesis p. orridge : a coumprehensive collection ov lyrics 1981-90 : by vittore baroni
un testo di alessandra greco su ahida
joan jonas : leftside rightside (1972)
jana sterbak : attitudes (1987)
jasper johns : 0 through 9 (1961)
#ahida #AlessandraGreco #art #arte #blackOut #blogDiScritturaDiRicerca #compostxt #DianaBaylon #EmilioPrini #GastoneNovelli #GenesisPOrridge #JanaSterbak #JasperJohns #JoanJonas #link #music #musica #NanniBalestrini #postRecenti #PsychicTV #scritturaDiRicerca #scrittureDiRicerca #VittoreBaroni #WilliamBurroughs
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Target with Four Faces by Jasper Johns, 1979 (intaglio)
#pridemonth #pride #gaypride #2SLGBTQ #queerart #queerarthistory #jasperjohns -
Target with Four Faces by Jasper Johns, 1979 (intaglio)
#pridemonth #pride #gaypride #2SLGBTQ #queerart #queerarthistory #jasperjohns -
Target with Four Faces by Jasper Johns, 1979 (intaglio)
#pridemonth #pride #gaypride #2SLGBTQ #queerart #queerarthistory #jasperjohns -
Target with Four Faces by Jasper Johns, 1979 (intaglio)
#pridemonth #pride #gaypride #2SLGBTQ #queerart #queerarthistory #jasperjohns -
Target with Four Faces by Jasper Johns, 1979 (intaglio)
#pridemonth #pride #gaypride #2SLGBTQ #queerart #queerarthistory #jasperjohns -
https://www.europesays.com/uk/144861/ Museum openings: V&A East Storehouse and the Met’s Rockefeller Wing, plus Rachel Whiteread at Goodwood Art Foundation—podcast #Arts #ArtsAndDesign #Design #Entertainment #JasperJohns #QueenElizabethII #TheWeekInArt #UK #UnitedKingdom #VeniceBiennale
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Cette oeuvre de Jasper Johns représentait-elle autre chose en 1958 que l'impérialisme satisfait? Sans doute... En 1990, David Hammons réplique avec "African American Flag". #artcontemporain #fondationlouisvuitton #jasperjohns #davidhammons #popart
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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"15" #promvent24
Für die Aufführung des Stückes "Variation II", komponiert von John Cage als Geburtstagsgeschenk für David Tudor, malte Jasper Johns "15’ Entr’acte (15 Minuten Pause)". Es wurde am 20. Juni 1961 im Theater der Amerikanischen Botschaft in Paris während der Pause auf die Bühne gebracht.#zahlenausallerwelt #kreta #agiosnikolaos #hafen
#zahlenausdembildarchiv #jasperjohns #15Entracte #15minutenpause #johncage #davidtudor -
"15" #promvent24
Für die Aufführung des Stückes "Variation II", komponiert von John Cage als Geburtstagsgeschenk für David Tudor, malte Jasper Johns "15’ Entr’acte (15 Minuten Pause)". Es wurde am 20. Juni 1961 im Theater der Amerikanischen Botschaft in Paris während der Pause auf die Bühne gebracht.#zahlenausallerwelt #kreta #agiosnikolaos #hafen
#zahlenausdembildarchiv #jasperjohns #15Entracte #15minutenpause #johncage #davidtudor -
Читал биографию Джаспера Джонса, про «бизона, закутанного в одеяло» и всякое такое, — очень скучно. #JasperJohns #artstars #books
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Читал биографию Джаспера Джонса, про «бизона, закутанного в одеяло» и всякое такое, — очень скучно. #JasperJohns #artstars #books
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Читал биографию Джаспера Джонса, про «бизона, закутанного в одеяло» и всякое такое, — очень скучно. #JasperJohns #artstars #books
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Читал биографию Джаспера Джонса, про «бизона, закутанного в одеяло» и всякое такое, — очень скучно. #JasperJohns #artstars #books
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Читал биографию Джаспера Джонса, про «бизона, закутанного в одеяло» и всякое такое, — очень скучно. #JasperJohns #artstars #books
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How a photo in #NationalGeographic inspired painter and sculptor #JasperJohns in 1973. https://greg.org/archive/2024/05/31/el-arbol-de-barbero.html
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How a photo in #NationalGeographic inspired painter and sculptor #JasperJohns in 1973. https://greg.org/archive/2024/05/31/el-arbol-de-barbero.html
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How a photo in #NationalGeographic inspired painter and sculptor #JasperJohns in 1973. https://greg.org/archive/2024/05/31/el-arbol-de-barbero.html
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How a photo in #NationalGeographic inspired painter and sculptor #JasperJohns in 1973. https://greg.org/archive/2024/05/31/el-arbol-de-barbero.html
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How a photo in #NationalGeographic inspired painter and sculptor #JasperJohns in 1973. https://greg.org/archive/2024/05/31/el-arbol-de-barbero.html
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Jasper Johns: Arrive/Depart, 1963-64. Oil on canvas. Pinakothek der Moderne, Munich. © VG Bild-Kunst, Bonn 2016. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises, chapter Memory: Spuren. Internet: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Aesthetik.html #jasperjohns #thomasdreher #popart #popartists #popartist #popartwork #popartworks #popartpainting #popartpaintings #pinakothekdermoderne #pinakothekdermodernemünchen #pinakothekmodern #pinakothekmunich
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Jasper Johns: Arrive/Depart, 1963-64. Oil on canvas. Pinakothek der Moderne, Munich. © VG Bild-Kunst, Bonn 2016. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises, chapter Memory: Spuren. Internet: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Aesthetik.html #jasperjohns #thomasdreher #popart #popartists #popartist #popartwork #popartworks #popartpainting #popartpaintings #pinakothekdermoderne #pinakothekdermodernemünchen #pinakothekmodern #pinakothekmunich
