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Jodi: wwwwwwwww.jodi.org, 1995, web project (screenshots 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2 HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #jodi #JoanHeemskerk #DirkPaesmans #thomasdreher #netart #netartists #netart #netartproject #newartwork #netartworks #htmlart #internetart #internetartists #internetartwork #internetartworks #belgianart #belgianartist #netherlandishart #netherlandishartist #webart #webartist #WebArtists #webartwork #htmlartwork
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Max Bill: Einheit aus drei gleichen Volumen/Unit from three equal volumes, 1961-66. Marble. Collection Robert W. Sarnoff, New York. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main 1992, p.267-269. PDF: http://dreher.netzliteratur.net/3_Konzeptkunst_Diss.pdf #maxbill #thomasdreher #abstractart #abstractartist #modernsculpture #modernsculptures #sculpture #concreteart #concreteartist #konkretekunst #konkretekünstler #swissart #swissartist #sixtiesart
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Dan Sandin: Analog Image Processor, 1971-1973. Video synthesizer. More informations: Dreher, Thomas: History of Computer Art, chapter IV.1.2 Video Synthesizers. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.1e.html #dansandin #videosynthesizer #videoart #videoartist #videosynthesizers #seventiesart #seventiesartist #seventiesartists #seventiesartwork #experimentalart #videoartwork #videoartists #AnalogComputer #analogcomputers #analogcomputerart #computerart #computerartwork #computerartworks #computerartist
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Bunting, Heath: _readme – own, be owned, or remain invisible, 1998. Web project (screenshot 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2. HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #heathbunting #thomasdreher #webart #netart #internetart #htmlart #htmlarts #webartwork #netartwork #internetartwork #netartist #netartists #internetartist #internetartists #webartist #webartists
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Dire Straits: Money for Nothing, 1985. Music video by Steve Barron. More informations: Dreher, Thomas: History of Computer Art, chapter IV.2.1.4.2 Music Videos. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.2e.html #direstraits #stevebarron #markknopfler #moneyfornothing #thomasdreher #musicvideos #computeranimation #musicclips #musicclip #musicvideo #videoart #videoartist #videoartists #videoanimation #videoanimations #filmanimation #filmanimations
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Eduardo Kac: Uirapuru, 1999. InterCommunication Center, Tokyo 1999. Web-coordination of an installation space with a VRML-Animation. More informations: Dreher, Thomas: Telepräsenz: Eduardo Kac und Ken Goldberg, chapter Telepräsenz-Installationen. In: IASLonline Lessons/Lektionen in NetArt, Lesson 5. Internet: http://iasl.uni-muenchen.de/links/lektion5.html #EduardoKac #kengoldberg #thomasdreher #telepresenceart #telepresence #netart #netartwork #netartist #netartists #webart #webartist #webartwork #webartworks
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Peter Weibel: lmaginärer Würfel (Kalter Kubus)/lmaginary Cube (Cold Cube), 1980. Video closed-circuit installation with two cameras and mixer. More informations: Dreher, Thomas: Peter Weibel. Polykontexturalität in reaktiver Medienkunst. In: Schuler, Romana (ed.): Peter Weibel, Peter. Bildwelten 1982-1996. Vienna 1997, p.36-39. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Weibel.pdf #PeterWeibel #thomasdreher #videoclosedcircuit #videoinstallation #closedcircuit #videoart #videoartist #installationart
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Woody Vasulka: C-Trend, video, 1974. More Informations: Dreher, Thomas: History of Computer Art, chapter IV.1.2. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.1e.html #woodyvasulka #vasulkas #thevasulkas #thomasdreher #videoart #videoartist #videoartists #videosythesizer #videosynthesizers #ruttetra #ruttetrasynthesizer #ruttetrasynthesizers #videoworks #videoartwork #videoartworks
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Ken Goldberg: The Telegarden, 1995. Ars Electronica Center, Linz, September 1996 (right) and September 1998 (left). More informations: Dreher, Thomas: Telepräsenz: Eduardo Kac und Ken Goldberg, chapter Telepräsenz-Installationen. In: IASLonline Lessons in Netart (2000). Internet: http://www.iasl.uni-muenchen.de/links/lektion5.html #kengoldberg #telepresence #telepresenceart #thomasdreher #netart #netartist #netartists #netartworks #telepresenceartist #telepresenceartists
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Raphael Montañez Ortiz: The Kiss, 1985. Video. More informations: Dreher, Thomas: Destruktionskunst für und in selbstinstituierender Gesellschaft, chapter Computer und Video. Internet: https://dreher.netzliteratur.net/2_Performance_Ortiz_Text.html #raphaelmontañezortiz #raphaelmontanezortiz #raphaelmontañezortíz #thomasdreher #videoart #videoartist #videoartists #videoartwork #videoartworks #videoeighties #computeranimation #computeranimationarts #computeranimationarts #computerart #computerarts #computerartwork #computerartworks
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John Cage: Fontana Mix, 1958. Notation published by C.F. Peters Corp. (EP 6712). More informations: Dreher, Thomas: John Cage - kommentierte Chronology. In: Bischoff, Ulrich (ed.): Kunst als Grenzbeschreitung: John Cage und die Moderne. Cat. exhibit. Staatsgalerie moderner Kunst, Munich 1991, p.234. PDF: http://dreher.netzliteratur.net/1_Cage_Chronologie.pdf #johncage #thomasdreher #chanceoperations #simultaneity #americanmusic #fiftiesmusic #experimentalnotation #experimentalnotations #experimentalmusic
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Beck, Stephen/Jepson, Warner: Illuminated Music 2 & 3, video documentation of a PBS broadcast (Public Broadcasting Service), 1973. Left: Beck's visualisation of Jepson's music. Right: Beck at the Direct Video Synthesizer. More informations: Dreher, Thomas: History of Computer Art, chapter IV.1.2. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.1e.html #stephenbeck #warnerjepson #videosynthesizer #videosynthesizers #artoftheseventies #seventiesart #seventiesartwork #videoart #videoartist #videoartists