#internetart — Public Fediverse posts

I made a public living room and the internet keeps putting weirder stuff in it

https://www.theroom.lol

#HackerNews #publiclivingroom #internetart #weirdstuff #creativity

Jodi: wwwwwwwww.jodi.org, 1995, web project (screenshots 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2 HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #jodi #JoanHeemskerk #DirkPaesmans #thomasdreher #netart #netartists #netart #netartproject #newartwork #netartworks #htmlart #internetart #internetartists #internetartwork #internetartworks #belgianart #belgianartist #netherlandishart #netherlandishartist #webart #webartist #WebArtists #webartwork #htmlartwork

Jodi: wwwwwwwww.jodi.org, 1995, web project (screenshots 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2 HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #jodi #JoanHeemskerk #DirkPaesmans #thomasdreher #netart #netartists #netart #netartproject #newartwork #netartworks #htmlart #internetart #internetartists #internetartwork #internetartworks #belgianart #belgianartist #netherlandishart #netherlandishartist #webart #webartist #WebArtists #webartwork #htmlartwork

Roy Ascott: La Plissure du Texte, ARTEX (The Artist´s Electronic Exchange Program), I.P. Sharp Associates Computer Timesharing Network, 1983. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter II.3 Textproduktion durch Kollaboration im Datennetz. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Text.html #royascott #thomasdreher #netart #collaborativeart #digitalliterature #artandtext #digitalart #digitalartist #collaborativewriting #internetart

Roy Ascott: La Plissure du Texte, ARTEX (The Artist´s Electronic Exchange Program), I.P. Sharp Associates Computer Timesharing Network, 1983. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter II.3 Textproduktion durch Kollaboration im Datennetz. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Text.html #royascott #thomasdreher #netart #collaborativeart #digitalliterature #artandtext #digitalart #digitalartist #collaborativewriting #internetart

Bunting, Heath: _readme – own, be owned, or remain invisible, 1998. Web project (screenshot 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2. HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #heathbunting #thomasdreher #webart #netart #internetart #htmlart #htmlarts #webartwork #netartwork #internetartwork #netartist #netartists #internetartist #internetartists #webartist #webartists

Bunting, Heath: _readme – own, be owned, or remain invisible, 1998. Web project (screenshot 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2. HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #heathbunting #thomasdreher #webart #netart #internetart #htmlart #htmlarts #webartwork #netartwork #internetartwork #netartist #netartists #internetartist #internetartists #webartist #webartists

Bunting, Heath: _readme – own, be owned, or remain invisible, 1998. Web project (screenshot 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2. HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #heathbunting #thomasdreher #webart #netart #internetart #htmlart #htmlarts #webartwork #netartwork #internetartwork #netartist #netartists #internetartist #internetartists #webartist #webartists

Bunting, Heath: _readme – own, be owned, or remain invisible, 1998. Web project (screenshot 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2. HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #heathbunting #thomasdreher #webart #netart #internetart #htmlart #htmlarts #webartwork #netartwork #internetartwork #netartist #netartists #internetartist #internetartists #webartist #webartists

Opening November 24: Becoming Geological

The exhibition Becoming Geological provokes new and ancient imaginaries for the essential relation of the human with the earth and with the cosmos.

Featuring

Alfonso Borragán 
Cecilia Jonsson
Rosemary Lee
Anaïs Tondeur
Sissel Marie Tonn
Rosa Whiteley

Curated by Martin Howse and Florian Weigl. Publicity design and images: Alice Cannava, Martin Howse, Martin Sulzer, Antti Tenetz(data)

Dates and Times

November 25, 2022 - January 8, 2023
Wed–Sun 11–17h / Fri 11–21h

@v2unstable

#v2_ #test_lab #testlab #netart #internetart #internet #rotterdam #rotterdamart #art #artspace #artlab #creativetechnology #mediaart #mediatechnology #webart #digitalart #digitalculture #technology #visualculture #becominggeological #becoming #earth #cosmos

Opening November 24: Becoming Geological

The exhibition Becoming Geological provokes new and ancient imaginaries for the essential relation of the human with the earth and with the cosmos.

Featuring

Alfonso Borragán 
Cecilia Jonsson
Rosemary Lee
Anaïs Tondeur
Sissel Marie Tonn
Rosa Whiteley

Curated by Martin Howse and Florian Weigl. Publicity design and images: Alice Cannava, Martin Howse, Martin Sulzer, Antti Tenetz(data)

Dates and Times

November 25, 2022 - January 8, 2023
Wed–Sun 11–17h / Fri 11–21h

@v2unstable

#v2_ #test_lab #testlab #netart #internetart #internet #rotterdam #rotterdamart #art #artspace #artlab #creativetechnology #mediaart #mediatechnology #webart #digitalart #digitalculture #technology #visualculture #becominggeological #becoming #earth #cosmos

Opening November 24: Becoming Geological

The exhibition Becoming Geological provokes new and ancient imaginaries for the essential relation of the human with the earth and with the cosmos.

Featuring

Alfonso Borragán 
Cecilia Jonsson
Rosemary Lee
Anaïs Tondeur
Sissel Marie Tonn
Rosa Whiteley

Curated by Martin Howse and Florian Weigl. Publicity design and images: Alice Cannava, Martin Howse, Martin Sulzer, Antti Tenetz(data)

Dates and Times

November 25, 2022 - January 8, 2023
Wed–Sun 11–17h / Fri 11–21h

@v2unstable

#v2_ #test_lab #testlab #netart #internetart #internet #rotterdam #rotterdamart #art #artspace #artlab #creativetechnology #mediaart #mediatechnology #webart #digitalart #digitalculture #technology #visualculture #becominggeological #becoming #earth #cosmos

Opening November 24: Becoming Geological

The exhibition Becoming Geological provokes new and ancient imaginaries for the essential relation of the human with the earth and with the cosmos.

Featuring

Alfonso Borragán 
Cecilia Jonsson
Rosemary Lee
Anaïs Tondeur
Sissel Marie Tonn
Rosa Whiteley

Curated by Martin Howse and Florian Weigl. Publicity design and images: Alice Cannava, Martin Howse, Martin Sulzer, Antti Tenetz(data)

Dates and Times

November 25, 2022 - January 8, 2023
Wed–Sun 11–17h / Fri 11–21h

@v2unstable

#v2_ #test_lab #testlab #netart #internetart #internet #rotterdam #rotterdamart #art #artspace #artlab #creativetechnology #mediaart #mediatechnology #webart #digitalart #digitalculture #technology #visualculture #becominggeological #becoming #earth #cosmos

Opening November 24: Becoming Geological

The exhibition Becoming Geological provokes new and ancient imaginaries for the essential relation of the human with the earth and with the cosmos.

Featuring

Alfonso Borragán 
Cecilia Jonsson
Rosemary Lee
Anaïs Tondeur
Sissel Marie Tonn
Rosa Whiteley

Curated by Martin Howse and Florian Weigl. Publicity design and images: Alice Cannava, Martin Howse, Martin Sulzer, Antti Tenetz(data)

Dates and Times

November 25, 2022 - January 8, 2023
Wed–Sun 11–17h / Fri 11–21h

@v2unstable

#v2_ #test_lab #testlab #netart #internetart #internet #rotterdam #rotterdamart #art #artspace #artlab #creativetechnology #mediaart #mediatechnology #webart #digitalart #digitalculture #technology #visualculture #becominggeological #becoming #earth #cosmos