#thomasdreher — Public Fediverse posts

Scott Draves: Electric Sheep, 1999. Internet-connected personal computers, screensaver (with updates until today). Screenshots 2011-2012. More informations: Dreher, Thomas: History of Computer Art, chapter IV.3.3 Fractal Flames. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.3e.html #scottdraves #thomasdreher #evolutionaryart #generativeart #generativeartist #computerart #netart #screensaver #screensaverart #screensaverartwork #digitalart #digitalartist #digitalartists #computerart #computerartist

Allan Kaprow: 18 Happenings in Six Parts, 1959. Performance with Sam Francis, Red Grooms, Dick Higgins, Alfred Leslie, Robert Rauschenberg, Lucas Samaras, George Segal, Robert Whitman a.o. Reuben Gallery, New York. More informations: Dreher, Thomas: Performance Art seit 1945. Alktionstheater und Intermedia, Munich 2001, p.91-93,431. Internet: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00090.html #allankaprow #samfrancis #robertrauschenberg #georgesegal #robertwhitman #redgrooms #dickhiggins #thomasdreher #performanceart

Allan Kaprow: 18 Happenings in Six Parts, 1959. Performance with Sam Francis, Red Grooms, Dick Higgins, Alfred Leslie, Robert Rauschenberg, Lucas Samaras, George Segal, Robert Whitman a.o. Reuben Gallery, New York. More informations: Dreher, Thomas: Performance Art seit 1945. Alktionstheater und Intermedia, Munich 2001, p.91-93,431. Internet: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00090.html #allankaprow #samfrancis #robertrauschenberg #georgesegal #robertwhitman #redgrooms #dickhiggins #thomasdreher #performanceart

Jasper Johns: Arrive/Depart, 1963-64. Oil on canvas. Pinakothek der Moderne, Munich. © VG Bild-Kunst, Bonn 2016. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises, chapter Memory: Spuren. Internet: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Aesthetik.html #jasperjohns #thomasdreher #popart #popartists #popartist #popartwork #popartworks #popartpainting #popartpaintings #pinakothekdermoderne #pinakothekdermodernemünchen #pinakothekmodern #pinakothekmunich

Jasper Johns: Arrive/Depart, 1963-64. Oil on canvas. Pinakothek der Moderne, Munich. © VG Bild-Kunst, Bonn 2016. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises, chapter Memory: Spuren. Internet: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Aesthetik.html #jasperjohns #thomasdreher #popart #popartists #popartist #popartwork #popartworks #popartpainting #popartpaintings #pinakothekdermoderne #pinakothekdermodernemünchen #pinakothekmodern #pinakothekmunich

Robert Rauschenberg: Factum I and Factum II, 1957. Combine paintings: oil paint, ink, pencil, crayons, paper, fabric, newspaper, pictorial prints, and printed paper on canvas. Left: Museum of Contemporary Art, Los Angeles. Right: Museum of Modern Art, New York. Photo: Rocor. Creative Commons BY-NC 2.0. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises. Internet: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Aesthetik.html #robertrauschenberg #thomasdreher #popart #popartist #collageart #combinepainting #rauschenberg

John Cage: Untitled Event/Theatre Piece No.1, 1952. Performance. Black Mountain College, Asheville/North Carolina. More informations: Dreher, Thomas: Performance Art seit 1945. Aktionstheater und Intermedia, Munich 2001, p.57f. Internet: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00056.html #johncage #thomasdreher #robertrauschenberg #franzkline #mercecunningham #davidtudor #charlesolson #jaywatt #marycarolinerichards #timlafarge #nicholascernovich #performanceart #blackmountaincollege #intermediaart #multimediahappening

John Cage: Untitled Event/Theatre Piece No.1, 1952. Performance. Black Mountain College, Asheville/North Carolina. More informations: Dreher, Thomas: Performance Art seit 1945. Aktionstheater und Intermedia, Munich 2001, p.57f. Internet: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00056.html #johncage #thomasdreher #robertrauschenberg #franzkline #mercecunningham #davidtudor #charlesolson #jaywatt #marycarolinerichards #timlafarge #nicholascernovich #performanceart #blackmountaincollege #intermediaart #multimediahappening

John Cage: Untitled Event/Theatre Piece No.1, 1952. Performance. Black Mountain College, Asheville/North Carolina. More informations: Dreher, Thomas: Performance Art seit 1945. Aktionstheater und Intermedia, Munich 2001, p.57f. Internet: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00056.html #johncage #thomasdreher #robertrauschenberg #franzkline #mercecunningham #davidtudor #charlesolson #jaywatt #marycarolinerichards #timlafarge #nicholascernovich #performanceart #blackmountaincollege #intermediaart #multimediahappening

John Cage: Untitled Event/Theatre Piece No.1, 1952. Performance. Black Mountain College, Asheville/North Carolina. More informations: Dreher, Thomas: Performance Art seit 1945. Aktionstheater und Intermedia, Munich 2001, p.57f. Internet: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00056.html #johncage #thomasdreher #robertrauschenberg #franzkline #mercecunningham #davidtudor #charlesolson #jaywatt #marycarolinerichards #timlafarge #nicholascernovich #performanceart #blackmountaincollege #intermediaart #multimediahappening

Max Bill: Einheit aus drei gleichen Volumen/Unit from three equal volumes, 1961-66. Marble. Collection Robert W. Sarnoff, New York. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main 1992, p.267-269. PDF: http://dreher.netzliteratur.net/3_Konzeptkunst_Diss.pdf #maxbill #thomasdreher #abstractart #abstractartist #modernsculpture #modernsculptures #sculpture #concreteart #concreteartist #konkretekunst #konkretekünstler #swissart #swissartist #sixtiesart

Max Bill: Einheit aus drei gleichen Volumen/Unit from three equal volumes, 1961-66. Marble. Collection Robert W. Sarnoff, New York. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main 1992, p.267-269. PDF: http://dreher.netzliteratur.net/3_Konzeptkunst_Diss.pdf #maxbill #thomasdreher #abstractart #abstractartist #modernsculpture #modernsculptures #sculpture #concreteart #concreteartist #konkretekunst #konkretekünstler #swissart #swissartist #sixtiesart

Jasper Johns: Skin with O'Hara Poem, 1963-65. Lithograph on paper. Walker Art Center, Minneapolis. © 2017 Jasper Johns / Licensed by VAGA, New York. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises, chapter Memory: Spuren. Internet: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Aesthetik.html #jasperjohns #frankohara #frankoharapoetry #frankoharapoems #thomasdreher #popart #sixtiesart #sixtiesartwork #lithograph #lithography #lithographyprint #lithographyprints #sixtiesartist #sixtiesartists #lyrics #sixtieslyrics

Jasper Johns: Skin with O'Hara Poem, 1963-65. Lithograph on paper. Walker Art Center, Minneapolis. © 2017 Jasper Johns / Licensed by VAGA, New York. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises, chapter Memory: Spuren. Internet: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Aesthetik.html #jasperjohns #frankohara #frankoharapoetry #frankoharapoems #thomasdreher #popart #sixtiesart #sixtiesartwork #lithograph #lithography #lithographyprint #lithographyprints #sixtiesartist #sixtiesartists #lyrics #sixtieslyrics

John Cage: Water Walk, 1959. Notation for piano, tape, cymbals, 5 radios, water/ice steam, realized by Cage as TV performance. More informations: Dreher, Thomas: John Cage - kommentierte Chronologie. In: Bischoff, Ulrich (ed.): Kunst als Grenzbeschreitung: John Cage und die Moderne. Cat. of exhib. Staatsgalerie moderner Kunst, Munich 1991, p.234f. PDF: https://dreher.netzliteratur.net/1_Cage_Chronologie.pdf #johncage #thomasdreher #experimentalmusic #chanceoperations #tvperformance #fiftiesmusic #musicasperformance

Dieter Schnebel: Visible Music II: Zeitbilder, Solo für einen Dirigenten/time pictures, solo for a conductor, 1961-62. More information: Dreher, Thomas: "Après John Cage": Zeit in der Kunst der sechziger Jahre. In: Bischoff, Ulrich (ed.): Kunst als Grenzbeschreitung: John Cage und die Moderne. Cat. of exhib. Staatsgalerie moderner Kunst, Munich 1991, p.61f., ill.4. PDF: https://dreher.netzliteratur.net/2_Cage.pdf #dieterschnebel #fluxus #fluxusartist #thomasdreher #musicalnotation #sixtiesmusic #performanceart

Dieter Schnebel: Visible Music II: Zeitbilder, Solo für einen Dirigenten/time pictures, solo for a conductor, 1961-62. More information: Dreher, Thomas: "Après John Cage": Zeit in der Kunst der sechziger Jahre. In: Bischoff, Ulrich (ed.): Kunst als Grenzbeschreitung: John Cage und die Moderne. Cat. of exhib. Staatsgalerie moderner Kunst, Munich 1991, p.61f., ill.4. PDF: https://dreher.netzliteratur.net/2_Cage.pdf #dieterschnebel #fluxus #fluxusartist #thomasdreher #musicalnotation #sixtiesmusic #performanceart

Bonacic, Vladimir: G.F.E. (16,4), 1969-71. Computer-controlled light and sound installation. More informations: Dreher, Thomas: History of Computer art. Chapter II.3.3. Internet: http://iasl.uni-muenchen.de/links/GCA-II.3e.html #vladimirbonacic #thomasdreher #computerart #computerarts #computerartwork #computerartist #lightinstallation #lightinstallations #lightinstallationartist #sixtiesart #sixtiesartist #zagrebart #zagrebartists #zagrebartwork #zagrebartworks #croationart #yugoslavianart #yugoslavianartist

Bonacic, Vladimir: G.F.E. (16,4), 1969-71. Computer-controlled light and sound installation. More informations: Dreher, Thomas: History of Computer art. Chapter II.3.3. Internet: http://iasl.uni-muenchen.de/links/GCA-II.3e.html #vladimirbonacic #thomasdreher #computerart #computerarts #computerartwork #computerartist #lightinstallation #lightinstallations #lightinstallationartist #sixtiesart #sixtiesartist #zagrebart #zagrebartists #zagrebartwork #zagrebartworks #croationart #yugoslavianart #yugoslavianartist

Bonacic, Vladimir: G.F.E. (16,4), 1969-71. Computer-controlled light and sound installation. More informations: Dreher, Thomas: History of Computer art. Chapter II.3.3. Internet: http://iasl.uni-muenchen.de/links/GCA-II.3e.html #vladimirbonacic #thomasdreher #computerart #computerarts #computerartwork #computerartist #lightinstallation #lightinstallations #lightinstallationartist #sixtiesart #sixtiesartist #zagrebart #zagrebartists #zagrebartwork #zagrebartworks #croationart #yugoslavianart #yugoslavianartist

Friese, Holger: unendlich, fast..., 1995. Web project (screenshot 2010). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2 HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #holgerfriese #thomasdreher #htmlart #netart #netartist #netartists #netartwork #netartworks #webart #webartwork #webartworks #WebArtists #webartist #ninetiesart

Friese, Holger: unendlich, fast..., 1995. Web project (screenshot 2010). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2 HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #holgerfriese #thomasdreher #htmlart #netart #netartist #netartists #netartwork #netartworks #webart #webartwork #webartworks #WebArtists #webartist #ninetiesart

Friese, Holger: unendlich, fast..., 1995. Web project (screenshot 2010). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2 HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #holgerfriese #thomasdreher #htmlart #netart #netartist #netartists #netartwork #netartworks #webart #webartwork #webartworks #WebArtists #webartist #ninetiesart

Friese, Holger: unendlich, fast..., 1995. Web project (screenshot 2010). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2 HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #holgerfriese #thomasdreher #htmlart #netart #netartist #netartists #netartwork #netartworks #webart #webartwork #webartworks #WebArtists #webartist #ninetiesart

Otto Mühl: Gerümpelskulpturen/junk sculptures, Blutorgel, Vienna, Perinetkeller, 1962. More informations: Dreher, Thomas: Aktionstheater als Provokation, chapter Kadaver, ab 1962. Internet: https://dreher.netzliteratur.net/2_Performance_Aktionismus.html #ottomuehl #ottomühl #thomasdreher #viennaactionism #wieneraktionismus #blutorgel #installationart #expandedsculpture #sculptureexpanded #viennaart #viennaartist #sixtiesart #sixtiesartwork #austrianart #austrianartists #austrianartist #artsixties #artinthesixties #sixtiessculpture

Otto Mühl: Gerümpelskulpturen/junk sculptures, Blutorgel, Vienna, Perinetkeller, 1962. More informations: Dreher, Thomas: Aktionstheater als Provokation, chapter Kadaver, ab 1962. Internet: https://dreher.netzliteratur.net/2_Performance_Aktionismus.html #ottomuehl #ottomühl #thomasdreher #viennaactionism #wieneraktionismus #blutorgel #installationart #expandedsculpture #sculptureexpanded #viennaart #viennaartist #sixtiesart #sixtiesartwork #austrianart #austrianartists #austrianartist #artsixties #artinthesixties #sixtiessculpture

RED SECTOR INC: Megademo, Commodore Amiga, 1989. More informations: Dreher, Thomas: History of Computer Art, chapter IV.2.1.4.3 Demoscene. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.2e.html #redsector #thomasdreher #demoscene #demoscener #computeranimation #digitalanimation #digitalanimationart #digitalanimationartist #digitalart #digitalartist #digitalartists #digitalartwork #digitalartworks #computerartwork #computerartworks

RED SECTOR INC: Megademo, Commodore Amiga, 1989. More informations: Dreher, Thomas: History of Computer Art, chapter IV.2.1.4.3 Demoscene. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.2e.html #redsector #thomasdreher #demoscene #demoscener #computeranimation #digitalanimation #digitalanimationart #digitalanimationartist #digitalart #digitalartist #digitalartists #digitalartwork #digitalartworks #computerartwork #computerartworks

Bunting, Heath: _readme – own, be owned, or remain invisible, 1998. Web project (screenshot 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2. HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #heathbunting #thomasdreher #webart #netart #internetart #htmlart #htmlarts #webartwork #netartwork #internetartwork #netartist #netartists #internetartist #internetartists #webartist #webartists

Joseph Beuys: Hasengrab/Rabbit Grave, 1962/67. Various materials. Lenbachhaus Munich. More informations: Dreher, Thomas: Performance Art seit 1945. Aktionstheater und Intermedia. Munich 2001, p.261f. Internet: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00260.html #josephbeuys #thomasdreher #beuyshare #beuyshase #objectart #artsixties #Eurasia #beuyseurasia #theaterofobjects #sixtiesart

Joseph Beuys: Hasengrab/Rabbit Grave, 1962/67. Various materials. Lenbachhaus Munich. More informations: Dreher, Thomas: Performance Art seit 1945. Aktionstheater und Intermedia. Munich 2001, p.261f. Internet: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00260.html #josephbeuys #thomasdreher #beuyshare #beuyshase #objectart #artsixties #Eurasia #beuyseurasia #theaterofobjects #sixtiesart

Hermann Nitsch: Wachsbild (wax picture), 1960. Wax and paint on canvas. Archive Hanns Sohm, Staatsgalerie Stuttgart (left: detail of the top left side). More informations: Dreher, Thomas: Aktionstheater als Provokation. Internet: https://dreher.netzliteratur.net/2_Performance_Aktionismus.html #hermannnitsch #thomasdreher #archivehannssohm #staatsgaleriestuttgart #viennaactionism #performanceart #performanceartist #orgymysterytheater #orgymysterytheatre #sixtiesart #viennaart #viennaartist #viennaartists #wieneraktionismus

Hermann Nitsch: Wachsbild (wax picture), 1960. Wax and paint on canvas. Archive Hanns Sohm, Staatsgalerie Stuttgart (left: detail of the top left side). More informations: Dreher, Thomas: Aktionstheater als Provokation. Internet: https://dreher.netzliteratur.net/2_Performance_Aktionismus.html #hermannnitsch #thomasdreher #archivehannssohm #staatsgaleriestuttgart #viennaactionism #performanceart #performanceartist #orgymysterytheater #orgymysterytheatre #sixtiesart #viennaart #viennaartist #viennaartists #wieneraktionismus

John Cage: Water Music, spring 1952. Third: notation. First and second: David Tudor performing Water Music in Darmstadt, 1958. Photographer unknown. Collection Getty Museum, Los Angeles. More informations: Dreher, Thomas: John Cage - Kommentierte Chronologie, p.229f. PDF: https://dreher.netzliteratur.net/1_Cage_Chronologie.pdf #johncage #davidtudor #thomasdreher #chanceoperations #experimentalnotation #experimentalnotations #experimentalmusic #experimentalmusician #musicfifties #fiftiesmusic #actionmusic #soundart

John Cage: Water Music, spring 1952. Third: notation. First and second: David Tudor performing Water Music in Darmstadt, 1958. Photographer unknown. Collection Getty Museum, Los Angeles. More informations: Dreher, Thomas: John Cage - Kommentierte Chronologie, p.229f. PDF: https://dreher.netzliteratur.net/1_Cage_Chronologie.pdf #johncage #davidtudor #thomasdreher #chanceoperations #experimentalnotation #experimentalnotations #experimentalmusic #experimentalmusician #musicfifties #fiftiesmusic #actionmusic #soundart

John Cage: Water Music, spring 1952. Third: notation. First and second: David Tudor performing Water Music in Darmstadt, 1958. Photographer unknown. Collection Getty Museum, Los Angeles. More informations: Dreher, Thomas: John Cage - Kommentierte Chronologie, p.229f. PDF: https://dreher.netzliteratur.net/1_Cage_Chronologie.pdf #johncage #davidtudor #thomasdreher #chanceoperations #experimentalnotation #experimentalnotations #experimentalmusic #experimentalmusician #musicfifties #fiftiesmusic #actionmusic #soundart

Jevbratt, Lisa: 1:1, every IP, 1999, 2001-2002, web project (screenshot 2009). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.3 Browser Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #lisajevbratt #thomasdreher #browserart #netart #netarts #netartist #netartists #netartwork #netartworks #computerart #computerarts #computerartist #computerartists

Jevbratt, Lisa: 1:1, every IP, 1999, 2001-2002, web project (screenshot 2009). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.3 Browser Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #lisajevbratt #thomasdreher #browserart #netart #netarts #netartist #netartists #netartwork #netartworks #computerart #computerarts #computerartist #computerartists

Ken Goldberg: The Telegarden, 1995. Ars Electronica Center, Linz, September 1996 (right) and September 1998 (left). More informations: Dreher, Thomas: Telepräsenz: Eduardo Kac und Ken Goldberg, chapter Telepräsenz-Installationen. In: IASLonline Lessons in Netart (2000). Internet: http://www.iasl.uni-muenchen.de/links/lektion5.html #kengoldberg #telepresence #telepresenceart #thomasdreher #netart #netartist #netartists #netartworks #telepresenceartist #telepresenceartists

Kraynik, Ted: Synergic Light Buoys, 1968. Drawing. In 1968 Ted Kraynik planned to install buoys with lights in the harbor of Boston, which were to react to the number of telephone calls, to the street and subway traffic, and to the consumption of gas and power. More informations in: Dreher, Thomas: Lichtraum - Kunstraum - Stadtraum (1993), p.31f. PDF: https://dreher.netzliteratur.net/4_Lichtraum.pdf #kraynikted #tedkraynik #thomasdreher #lightinstallation #electronicart #electroniarts #environmentart #synergicart

John Cage: Fontana Mix, 1958. Notation published by C.F. Peters Corp. (EP 6712). More informations: Dreher, Thomas: John Cage - kommentierte Chronology. In: Bischoff, Ulrich (ed.): Kunst als Grenzbeschreitung: John Cage und die Moderne. Cat. exhibit. Staatsgalerie moderner Kunst, Munich 1991, p.234. PDF: http://dreher.netzliteratur.net/1_Cage_Chronologie.pdf #johncage #thomasdreher #chanceoperations #simultaneity #americanmusic #fiftiesmusic #experimentalnotation #experimentalnotations #experimentalmusic

Jasper JOHNS: ln Memory of My Feelings - Frank O'Hara, 1961. Oil on canvas and objects. More informations: Dreher, Thomas: Traces: whatdoyoumeanandhowdoyoumeanit. Frank O'Hara - the New York School. In: Artefactum Nr.43/April-May 1992, p.16f. PDF: https://dreher.netzliteratur.net/1_OHara.pdf #jasperjohns #thomasdreher #frankohara #popart #popartist #popartists #popartwork #popartworks #artandliterature #artandwriting

Jasper JOHNS: ln Memory of My Feelings - Frank O'Hara, 1961. Oil on canvas and objects. More informations: Dreher, Thomas: Traces: whatdoyoumeanandhowdoyoumeanit. Frank O'Hara - the New York School. In: Artefactum Nr.43/April-May 1992, p.16f. PDF: https://dreher.netzliteratur.net/1_OHara.pdf #jasperjohns #thomasdreher #frankohara #popart #popartist #popartists #popartwork #popartworks #artandliterature #artandwriting

Man Ray: Object To Be Destroyed, 1932. More informations: Dreher, Thomas: Conceptual Art and Software Art, chapter I.1. Internet: http://iasl.uni-muenchen.de/links/NAKSe.html #manray #dada #dadaism #dadaismus #dadaart #dadaartwork #conceptualart #conceptart #conceptartwork #conceptualartwork #actionsculpture #aktionsskulptur #actionart #notation #notationart #notationartwork #thomasdreher

Gruppe/Group Spur: Spurbahn, 1963. Lenbachhaus, Munich. More informations: Dreher, Thomas: Zwischen Kunst und Lebensform. Von den Lettristen zu den Situationisten. In: neue bildende kunst, Nr.6/1992, p.13,15. PDF: https://dreher.netzliteratur.net/1_SI.pdf #gruppespur #hpzimmer #lotharfischer #lenbachhaus #lenbachhausmünchen #lenbachhausmunich #thespurgroup #groupspur #thomasdreher #heimradprem #helmutspur

Gruppe/Group Spur: Spurbahn, 1963. Lenbachhaus, Munich. More informations: Dreher, Thomas: Zwischen Kunst und Lebensform. Von den Lettristen zu den Situationisten. In: neue bildende kunst, Nr.6/1992, p.13,15. PDF: https://dreher.netzliteratur.net/1_SI.pdf #gruppespur #hpzimmer #lotharfischer #lenbachhaus #lenbachhausmünchen #lenbachhausmunich #thespurgroup #groupspur #thomasdreher #heimradprem #helmutspur

Gruppe/Group Spur: Spurbahn, 1963. Lenbachhaus, Munich. More informations: Dreher, Thomas: Zwischen Kunst und Lebensform. Von den Lettristen zu den Situationisten. In: neue bildende kunst, Nr.6/1992, p.13,15. PDF: https://dreher.netzliteratur.net/1_SI.pdf #gruppespur #hpzimmer #lotharfischer #lenbachhaus #lenbachhausmünchen #lenbachhausmunich #thespurgroup #groupspur #thomasdreher #heimradprem #helmutspur

Günter Brus: Ana (with Anni Brus), Mühl studio, Vienna, Obere Augartenstraße 14a, October/November 1964. Photos: Otto Mühl (Sohm archive), Siegfried Klein (Hummel collection, photo in center). More information: Dreher, Thomas: Aktionstheater als Provokation. Groteske Körperkonzeption im Wiener Aktionismus, chapter Rasierklingen. Internet: https://dreher.netzliteratur.net/2_Performance_Aktionismus.html #guenterbrus #ottomuehl #viennaactionism #wieneraktionismus #performanceart #thomasdreher #happening #happenings #actiontheater

Günter Brus: Ana (with Anni Brus), Mühl studio, Vienna, Obere Augartenstraße 14a, October/November 1964. Photos: Otto Mühl (Sohm archive), Siegfried Klein (Hummel collection, photo in center). More information: Dreher, Thomas: Aktionstheater als Provokation. Groteske Körperkonzeption im Wiener Aktionismus, chapter Rasierklingen. Internet: https://dreher.netzliteratur.net/2_Performance_Aktionismus.html #guenterbrus #ottomuehl #viennaactionism #wieneraktionismus #performanceart #thomasdreher #happening #happenings #actiontheater

George Brecht: Word Event: Exit, 1961. Event card and two realisations. More informations: Dreher, Thomas: Performance Art nach 1945. Aktionstheater und Intermedia. Munich 2001, p.123,126f. PDF: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00122.html
#georgebrecht #eventcard #fluxus #fluxusart #fluxusartist #performanceart #performanceartist #performanceartists #happenings #thomasdreher