#thomasdreher — Public Fediverse posts

Scott Draves: Electric Sheep, 1999. Internet-connected personal computers, screensaver (with updates until today). Screenshots 2011-2012. More informations: Dreher, Thomas: History of Computer Art, chapter IV.3.3 Fractal Flames. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.3e.html #scottdraves #thomasdreher #evolutionaryart #generativeart #generativeartist #computerart #netart #screensaver #screensaverart #screensaverartwork #digitalart #digitalartist #digitalartists #computerart #computerartist

Art & Language (Terry Atkinson, Michael Baldwin): Map to not Indicate, 1967. Linotype on paper. Edition: 50. Tate Gallery, London. More informations: Dreher, Thomas: Art & Language und Luhmanns "Theorie der Beobachtung": "redescriptions", chapter II.1 Maps. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang3.html #artandlanguage #michaelbaldwin #terryatkinson #thomasdreher #conceptart #conceptartist #conceptartwork #conceptualart #conceptualartist #conceptualartwork #sixtiesart #artsixties #printart #printartwork

Art & Language (Terry Atkinson, Michael Baldwin): Map to not Indicate, 1967. Linotype on paper. Edition: 50. Tate Gallery, London. More informations: Dreher, Thomas: Art & Language und Luhmanns "Theorie der Beobachtung": "redescriptions", chapter II.1 Maps. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang3.html #artandlanguage #michaelbaldwin #terryatkinson #thomasdreher #conceptart #conceptartist #conceptartwork #conceptualart #conceptualartist #conceptualartwork #sixtiesart #artsixties #printart #printartwork

John Cage: Untitled Event/Theatre Piece No.1, 1952. Performance. Black Mountain College, Asheville/North Carolina. More informations: Dreher, Thomas: Performance Art seit 1945. Aktionstheater und Intermedia, Munich 2001, p.57f. Internet: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00056.html #johncage #thomasdreher #robertrauschenberg #franzkline #mercecunningham #davidtudor #charlesolson #jaywatt #marycarolinerichards #timlafarge #nicholascernovich #performanceart #blackmountaincollege #intermediaart #multimediahappening

Jodi: wwwwwwwww.jodi.org, 1995, web project (screenshots 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2 HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #jodi #JoanHeemskerk #DirkPaesmans #thomasdreher #netart #netartists #netart #netartproject #newartwork #netartworks #htmlart #internetart #internetartists #internetartwork #internetartworks #belgianart #belgianartist #netherlandishart #netherlandishartist #webart #webartist #WebArtists #webartwork #htmlartwork

Jodi: wwwwwwwww.jodi.org, 1995, web project (screenshots 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2 HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #jodi #JoanHeemskerk #DirkPaesmans #thomasdreher #netart #netartists #netart #netartproject #newartwork #netartworks #htmlart #internetart #internetartists #internetartwork #internetartworks #belgianart #belgianartist #netherlandishart #netherlandishartist #webart #webartist #WebArtists #webartwork #htmlartwork

Max Bill: Einheit aus drei gleichen Volumen/Unit from three equal volumes, 1961-66. Marble. Collection Robert W. Sarnoff, New York. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main 1992, p.267-269. PDF: http://dreher.netzliteratur.net/3_Konzeptkunst_Diss.pdf #maxbill #thomasdreher #abstractart #abstractartist #modernsculpture #modernsculptures #sculpture #concreteart #concreteartist #konkretekunst #konkretekünstler #swissart #swissartist #sixtiesart

John Cage: Water Walk, 1959. Notation for piano, tape, cymbals, 5 radios, water/ice steam, realized by Cage as TV performance. More informations: Dreher, Thomas: John Cage - kommentierte Chronologie. In: Bischoff, Ulrich (ed.): Kunst als Grenzbeschreitung: John Cage und die Moderne. Cat. of exhib. Staatsgalerie moderner Kunst, Munich 1991, p.234f. PDF: https://dreher.netzliteratur.net/1_Cage_Chronologie.pdf #johncage #thomasdreher #experimentalmusic #chanceoperations #tvperformance #fiftiesmusic #musicasperformance

Bonacic, Vladimir: G.F.E. (16,4), 1969-71. Computer-controlled light and sound installation. More informations: Dreher, Thomas: History of Computer art. Chapter II.3.3. Internet: http://iasl.uni-muenchen.de/links/GCA-II.3e.html #vladimirbonacic #thomasdreher #computerart #computerarts #computerartwork #computerartist #lightinstallation #lightinstallations #lightinstallationartist #sixtiesart #sixtiesartist #zagrebart #zagrebartists #zagrebartwork #zagrebartworks #croationart #yugoslavianart #yugoslavianartist

Friese, Holger: unendlich, fast..., 1995. Web project (screenshot 2010). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2 HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #holgerfriese #thomasdreher #htmlart #netart #netartist #netartists #netartwork #netartworks #webart #webartwork #webartworks #WebArtists #webartist #ninetiesart

John Baldessari: Brutus Killed Caesar, 1976. book with spiral binding, b/w offset print, 35 pages. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises, chapter Allegorische Montage. Internet: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Aesthetik.html #johnbaldessari #thomasdreher #fotomontage #conceptualart #conceptart #conceptartist #conceptartists #conceptartwork #conceptartworks #conceptualart #conceptualartwork #conceptualartworks #conceptualartist #conceptualartists #allegoricmontage #allegoricalmontage

John Baldessari: Brutus Killed Caesar, 1976. book with spiral binding, b/w offset print, 35 pages. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises, chapter Allegorische Montage. Internet: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Aesthetik.html #johnbaldessari #thomasdreher #fotomontage #conceptualart #conceptart #conceptartist #conceptartists #conceptartwork #conceptartworks #conceptualart #conceptualartwork #conceptualartworks #conceptualartist #conceptualartists #allegoricmontage #allegoricalmontage

Henry Flynt: Concept Art, 1963. In: Mac Low_Jackson/Young, La Monte (ed.): An Anthology of Chance Operations, New York 1963, unpaginated. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-1976, chapter Fluxus und "Concept Art". Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #henryflynt #thomasdreher #fluxus #fluxusart #fluxusartist #fluxusanthology #conceptart #conceptartist #conceptartwork #conceptualart #conceptualartist #conceptualartworks #arttheory #sixtiesart

Henry Flynt: Concept Art, 1963. In: Mac Low_Jackson/Young, La Monte (ed.): An Anthology of Chance Operations, New York 1963, unpaginated. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-1976, chapter Fluxus und "Concept Art". Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #henryflynt #thomasdreher #fluxus #fluxusart #fluxusartist #fluxusanthology #conceptart #conceptartist #conceptartwork #conceptualart #conceptualartist #conceptualartworks #arttheory #sixtiesart

RED SECTOR INC: Megademo, Commodore Amiga, 1989. More informations: Dreher, Thomas: History of Computer Art, chapter IV.2.1.4.3 Demoscene. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.2e.html #redsector #thomasdreher #demoscene #demoscener #computeranimation #digitalanimation #digitalanimationart #digitalanimationartist #digitalart #digitalartist #digitalartists #digitalartwork #digitalartworks #computerartwork #computerartworks

Roy Ascott: La Plissure du Texte, ARTEX (The Artist´s Electronic Exchange Program), I.P. Sharp Associates Computer Timesharing Network, 1983. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter II.3 Textproduktion durch Kollaboration im Datennetz. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Text.html #royascott #thomasdreher #netart #collaborativeart #digitalliterature #artandtext #digitalart #digitalartist #collaborativewriting #internetart

Roy Ascott: La Plissure du Texte, ARTEX (The Artist´s Electronic Exchange Program), I.P. Sharp Associates Computer Timesharing Network, 1983. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter II.3 Textproduktion durch Kollaboration im Datennetz. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Text.html #royascott #thomasdreher #netart #collaborativeart #digitalliterature #artandtext #digitalart #digitalartist #collaborativewriting #internetart

Bunting, Heath: _readme – own, be owned, or remain invisible, 1998. Web project (screenshot 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2. HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #heathbunting #thomasdreher #webart #netart #internetart #htmlart #htmlarts #webartwork #netartwork #internetartwork #netartist #netartists #internetartist #internetartists #webartist #webartists

Bunting, Heath: _readme – own, be owned, or remain invisible, 1998. Web project (screenshot 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2. HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #heathbunting #thomasdreher #webart #netart #internetart #htmlart #htmlarts #webartwork #netartwork #internetartwork #netartist #netartists #internetartist #internetartists #webartist #webartists

Bunting, Heath: _readme – own, be owned, or remain invisible, 1998. Web project (screenshot 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2. HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #heathbunting #thomasdreher #webart #netart #internetart #htmlart #htmlarts #webartwork #netartwork #internetartwork #netartist #netartists #internetartist #internetartists #webartist #webartists

Bunting, Heath: _readme – own, be owned, or remain invisible, 1998. Web project (screenshot 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2. HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #heathbunting #thomasdreher #webart #netart #internetart #htmlart #htmlarts #webartwork #netartwork #internetartwork #netartist #netartists #internetartist #internetartists #webartist #webartists

Art&Language (Atkinson, Terry/Baldwin, Michael): Map of the Sahara Desert after Lewis Carroll, 1967. India ink on graph paper. Collection Art & Language. More informations: Dreher, Thomas: Art & LanguageUK (1966-72): Maps and Models. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang2.html #artandlanguage #lewiscarroll #thomasdreher #conceptart #conceptartist #conceptartists #conceptartwork #conceptualart #conceptualartist #conceptualartists #conceptualartwork #sixtiesart #artsixties #drawing #mapping #mapart

Art&Language (Atkinson, Terry/Baldwin, Michael): Map of the Sahara Desert after Lewis Carroll, 1967. India ink on graph paper. Collection Art & Language. More informations: Dreher, Thomas: Art & LanguageUK (1966-72): Maps and Models. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang2.html #artandlanguage #lewiscarroll #thomasdreher #conceptart #conceptartist #conceptartists #conceptartwork #conceptualart #conceptualartist #conceptualartists #conceptualartwork #sixtiesart #artsixties #drawing #mapping #mapart

On Kawara: Date Paintings, 1966, oil on canvas, photographed at artist's studio, 13th Street, New York, 1966. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Dematerialisierung und Textkunst. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #onkawara #thomasdreher #datepaintings #conceptart #conceptualart #conceptualartist #conceptualartists #conceptualartwork #conceptualartworks #conceptartist #conceptartists #conceptartwork #conceptartworks #sixtiesart

On Kawara: Date Paintings, 1966, oil on canvas, photographed at artist's studio, 13th Street, New York, 1966. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Dematerialisierung und Textkunst. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #onkawara #thomasdreher #datepaintings #conceptart #conceptualart #conceptualartist #conceptualartists #conceptualartwork #conceptualartworks #conceptartist #conceptartists #conceptartwork #conceptartworks #sixtiesart

On Kawara: Date Paintings, 1966, oil on canvas, photographed at artist's studio, 13th Street, New York, 1966. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Dematerialisierung und Textkunst. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #onkawara #thomasdreher #datepaintings #conceptart #conceptualart #conceptualartist #conceptualartists #conceptualartwork #conceptualartworks #conceptartist #conceptartists #conceptartwork #conceptartworks #sixtiesart

Dire Straits: Money for Nothing, 1985. Music video by Steve Barron. More informations: Dreher, Thomas: History of Computer Art, chapter IV.2.1.4.2 Music Videos. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.2e.html #direstraits #stevebarron #markknopfler #moneyfornothing #thomasdreher #musicvideos #computeranimation #musicclips #musicclip #musicvideo #videoart #videoartist #videoartists #videoanimation #videoanimations #filmanimation #filmanimations

Dire Straits: Money for Nothing, 1985. Music video by Steve Barron. More informations: Dreher, Thomas: History of Computer Art, chapter IV.2.1.4.2 Music Videos. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.2e.html #direstraits #stevebarron #markknopfler #moneyfornothing #thomasdreher #musicvideos #computeranimation #musicclips #musicclip #musicvideo #videoart #videoartist #videoartists #videoanimation #videoanimations #filmanimation #filmanimations

Dire Straits: Money for Nothing, 1985. Music video by Steve Barron. More informations: Dreher, Thomas: History of Computer Art, chapter IV.2.1.4.2 Music Videos. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.2e.html #direstraits #stevebarron #markknopfler #moneyfornothing #thomasdreher #musicvideos #computeranimation #musicclips #musicclip #musicvideo #videoart #videoartist #videoartists #videoanimation #videoanimations #filmanimation #filmanimations

Lawrence Weiner: One Quart Exterior Green Industrial Enamel Thrown On A Brick Wall, 1968 (Work-Nr. 002). Several realizations by different people as text on a wall (with text variations). More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Fluxus und "Concept Art". Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #lawrenceweiner #thomasdreher #artandlanguage #weinertext #conceptualart #conceptart #conceptartist #conceptartists #conceptartwork #textinstallations

Lawrence Weiner: One Quart Exterior Green Industrial Enamel Thrown On A Brick Wall, 1968 (Work-Nr. 002). Several realizations by different people as text on a wall (with text variations). More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Fluxus und "Concept Art". Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #lawrenceweiner #thomasdreher #artandlanguage #weinertext #conceptualart #conceptart #conceptartist #conceptartists #conceptartwork #textinstallations

Lawrence Weiner: One Quart Exterior Green Industrial Enamel Thrown On A Brick Wall, 1968 (Work-Nr. 002). Several realizations by different people as text on a wall (with text variations). More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Fluxus und "Concept Art". Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #lawrenceweiner #thomasdreher #artandlanguage #weinertext #conceptualart #conceptart #conceptartist #conceptartists #conceptartwork #textinstallations

Eduardo Kac: Uirapuru, 1999. InterCommunication Center, Tokyo 1999. Web-coordination of an installation space with a VRML-Animation. More informations: Dreher, Thomas: Telepräsenz: Eduardo Kac und Ken Goldberg, chapter Telepräsenz-Installationen. In: IASLonline Lessons/Lektionen in NetArt, Lesson 5. Internet: http://iasl.uni-muenchen.de/links/lektion5.html #EduardoKac #kengoldberg #thomasdreher #telepresenceart #telepresence #netart #netartwork #netartist #netartists #webart #webartist #webartwork #webartworks

Eduardo Kac: Uirapuru, 1999. InterCommunication Center, Tokyo 1999. Web-coordination of an installation space with a VRML-Animation. More informations: Dreher, Thomas: Telepräsenz: Eduardo Kac und Ken Goldberg, chapter Telepräsenz-Installationen. In: IASLonline Lessons/Lektionen in NetArt, Lesson 5. Internet: http://iasl.uni-muenchen.de/links/lektion5.html #EduardoKac #kengoldberg #thomasdreher #telepresenceart #telepresence #netart #netartwork #netartist #netartists #webart #webartist #webartwork #webartworks

Eduardo Kac: Uirapuru, 1999. InterCommunication Center, Tokyo 1999. Web-coordination of an installation space with a VRML-Animation. More informations: Dreher, Thomas: Telepräsenz: Eduardo Kac und Ken Goldberg, chapter Telepräsenz-Installationen. In: IASLonline Lessons/Lektionen in NetArt, Lesson 5. Internet: http://iasl.uni-muenchen.de/links/lektion5.html #EduardoKac #kengoldberg #thomasdreher #telepresenceart #telepresence #netart #netartwork #netartist #netartists #webart #webartist #webartwork #webartworks

John Cage: Water Music, spring 1952. Third: notation. First and second: David Tudor performing Water Music in Darmstadt, 1958. Photographer unknown. Collection Getty Museum, Los Angeles. More informations: Dreher, Thomas: John Cage - Kommentierte Chronologie, p.229f. PDF: https://dreher.netzliteratur.net/1_Cage_Chronologie.pdf #johncage #davidtudor #thomasdreher #chanceoperations #experimentalnotation #experimentalnotations #experimentalmusic #experimentalmusician #musicfifties #fiftiesmusic #actionmusic #soundart

Sol LeWitt: Red Square White Letters, 1962. Oil on canvas. Museum Ludwig, Cologne. More informations in: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Selbst- und Fremdbezug. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #sollewitt #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartworks #minimalart #minimalartist #minimalartists #minimalartwork #minimalartworks #artsixties #artofthesixties #paintingsixties #artandlanguage

Sol LeWitt: Red Square White Letters, 1962. Oil on canvas. Museum Ludwig, Cologne. More informations in: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Selbst- und Fremdbezug. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #sollewitt #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartworks #minimalart #minimalartist #minimalartists #minimalartwork #minimalartworks #artsixties #artofthesixties #paintingsixties #artandlanguage

Sol LeWitt: Red Square White Letters, 1962. Oil on canvas. Museum Ludwig, Cologne. More informations in: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Selbst- und Fremdbezug. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #sollewitt #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartworks #minimalart #minimalartist #minimalartists #minimalartwork #minimalartworks #artsixties #artofthesixties #paintingsixties #artandlanguage

Peter Weibel: lmaginärer Würfel (Kalter Kubus)/lmaginary Cube (Cold Cube), 1980. Video closed-circuit installation with two cameras and mixer. More informations: Dreher, Thomas: Peter Weibel. Polykontexturalität in reaktiver Medienkunst. In: Schuler, Romana (ed.): Peter Weibel, Peter. Bildwelten 1982-1996. Vienna 1997, p.36-39. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Weibel.pdf #PeterWeibel #thomasdreher #videoclosedcircuit #videoinstallation #closedcircuit #videoart #videoartist #installationart

Peter Weibel: lmaginärer Würfel (Kalter Kubus)/lmaginary Cube (Cold Cube), 1980. Video closed-circuit installation with two cameras and mixer. More informations: Dreher, Thomas: Peter Weibel. Polykontexturalität in reaktiver Medienkunst. In: Schuler, Romana (ed.): Peter Weibel, Peter. Bildwelten 1982-1996. Vienna 1997, p.36-39. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Weibel.pdf #PeterWeibel #thomasdreher #videoclosedcircuit #videoinstallation #closedcircuit #videoart #videoartist #installationart

Peter Weibel: lmaginärer Würfel (Kalter Kubus)/lmaginary Cube (Cold Cube), 1980. Video closed-circuit installation with two cameras and mixer. More informations: Dreher, Thomas: Peter Weibel. Polykontexturalität in reaktiver Medienkunst. In: Schuler, Romana (ed.): Peter Weibel, Peter. Bildwelten 1982-1996. Vienna 1997, p.36-39. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Weibel.pdf #PeterWeibel #thomasdreher #videoclosedcircuit #videoinstallation #closedcircuit #videoart #videoartist #installationart

Robert Barry: Marcuse Pieces, 1970-71. Series of invitations (illustration: card with invitation Nr.6: gallery Eugenia Butler, Los Angeles). More informations: Dreher, Thomas: Kontextreflexive Kunst. In: Weibel, Peter (ed.): Kontext Kunst. Kunst der 90er Jahre. Cologne 1994, p.88. PDF: https://dreher.netzliteratur.net/9_KontextKunst_Text.pdf #robertbarry #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartist #conceptartists #contextart #contextartwork

Robert Barry: Marcuse Pieces, 1970-71. Series of invitations (illustration: card with invitation Nr.6: gallery Eugenia Butler, Los Angeles). More informations: Dreher, Thomas: Kontextreflexive Kunst. In: Weibel, Peter (ed.): Kontext Kunst. Kunst der 90er Jahre. Cologne 1994, p.88. PDF: https://dreher.netzliteratur.net/9_KontextKunst_Text.pdf #robertbarry #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartist #conceptartists #contextart #contextartwork

Robert Barry: Marcuse Pieces, 1970-71. Series of invitations (illustration: card with invitation Nr.6: gallery Eugenia Butler, Los Angeles). More informations: Dreher, Thomas: Kontextreflexive Kunst. In: Weibel, Peter (ed.): Kontext Kunst. Kunst der 90er Jahre. Cologne 1994, p.88. PDF: https://dreher.netzliteratur.net/9_KontextKunst_Text.pdf #robertbarry #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartist #conceptartists #contextart #contextartwork

Woody Vasulka: C-Trend, video, 1974. More Informations: Dreher, Thomas: History of Computer Art, chapter IV.1.2. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.1e.html #woodyvasulka #vasulkas #thevasulkas #thomasdreher #videoart #videoartist #videoartists #videosythesizer #videosynthesizers #ruttetra #ruttetrasynthesizer #ruttetrasynthesizers #videoworks #videoartwork #videoartworks

Woody Vasulka: C-Trend, video, 1974. More Informations: Dreher, Thomas: History of Computer Art, chapter IV.1.2. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.1e.html #woodyvasulka #vasulkas #thevasulkas #thomasdreher #videoart #videoartist #videoartists #videosythesizer #videosynthesizers #ruttetra #ruttetrasynthesizer #ruttetrasynthesizers #videoworks #videoartwork #videoartworks

Robert Barry: Closed Galleris, 1969. Invitation card, part of a series of invitations of galleries with the information "During the exhibition the gallery will be closed". More informations: Dreher, Thomas: Kontextreflexive Kunst. In: Weibel, Peter (ed.): Kontext Kunst. Kunst der 90er Jahre. Cologne 1994, p.87f. PDF: https://dreher.netzliteratur.net/9_KontextKunst_Text.pdf #robertbarry #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartists #contextart #contextartwork

Robert Barry: Closed Galleris, 1969. Invitation card, part of a series of invitations of galleries with the information "During the exhibition the gallery will be closed". More informations: Dreher, Thomas: Kontextreflexive Kunst. In: Weibel, Peter (ed.): Kontext Kunst. Kunst der 90er Jahre. Cologne 1994, p.87f. PDF: https://dreher.netzliteratur.net/9_KontextKunst_Text.pdf #robertbarry #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartists #contextart #contextartwork

Robert Barry: Closed Galleris, 1969. Invitation card, part of a series of invitations of galleries with the information "During the exhibition the gallery will be closed". More informations: Dreher, Thomas: Kontextreflexive Kunst. In: Weibel, Peter (ed.): Kontext Kunst. Kunst der 90er Jahre. Cologne 1994, p.87f. PDF: https://dreher.netzliteratur.net/9_KontextKunst_Text.pdf #robertbarry #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartists #contextart #contextartwork