#thomasdreher — Public Fediverse posts

Scott Draves: Electric Sheep, 1999. Internet-connected personal computers, screensaver (with updates until today). Screenshots 2011-2012. More informations: Dreher, Thomas: History of Computer Art, chapter IV.3.3 Fractal Flames. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.3e.html #scottdraves #thomasdreher #evolutionaryart #generativeart #generativeartist #computerart #netart #screensaver #screensaverart #screensaverartwork #digitalart #digitalartist #digitalartists #computerart #computerartist

Bonacic, Vladimir: G.F.E. (16,4), 1969-71. Computer-controlled light and sound installation. More informations: Dreher, Thomas: History of Computer art. Chapter II.3.3. Internet: http://iasl.uni-muenchen.de/links/GCA-II.3e.html #vladimirbonacic #thomasdreher #computerart #computerarts #computerartwork #computerartist #lightinstallation #lightinstallations #lightinstallationartist #sixtiesart #sixtiesartist #zagrebart #zagrebartists #zagrebartwork #zagrebartworks #croationart #yugoslavianart #yugoslavianartist

Bunting, Heath: _readme – own, be owned, or remain invisible, 1998. Web project (screenshot 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2. HTML Art. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #heathbunting #thomasdreher #webart #netart #internetart #htmlart #htmlarts #webartwork #netartwork #internetartwork #netartist #netartists #internetartist #internetartists #webartist #webartists

John Cage: Fontana Mix, 1958. Notation published by C.F. Peters Corp. (EP 6712). More informations: Dreher, Thomas: John Cage - kommentierte Chronology. In: Bischoff, Ulrich (ed.): Kunst als Grenzbeschreitung: John Cage und die Moderne. Cat. exhibit. Staatsgalerie moderner Kunst, Munich 1991, p.234. PDF: http://dreher.netzliteratur.net/1_Cage_Chronologie.pdf #johncage #thomasdreher #chanceoperations #simultaneity #americanmusic #fiftiesmusic #experimentalnotation #experimentalnotations #experimentalmusic