#johncage — Public Fediverse posts

I wish this article were more in-depth about the new staging, but it gives a bit of info on a new production of Cage's Apartment House 1776.

Wish I could get to Detroit to see this!

https://www.npr.org/2026/05/21/nx-s1-5806321/apartment-house-1776-john-cage-opera

#JohnCage #Opera

I wish this article were more in-depth about the new staging, but it gives a bit of info on a new production of Cage's Apartment House 1776.

Wish I could get to Detroit to see this!

https://www.npr.org/2026/05/21/nx-s1-5806321/apartment-house-1776-john-cage-opera

#JohnCage #Opera

I wish this article were more in-depth about the new staging, but it gives a bit of info on a new production of Cage's Apartment House 1776.

Wish I could get to Detroit to see this!

https://www.npr.org/2026/05/21/nx-s1-5806321/apartment-house-1776-john-cage-opera

#JohnCage #Opera

I wish this article were more in-depth about the new staging, but it gives a bit of info on a new production of Cage's Apartment House 1776.

Wish I could get to Detroit to see this!

https://www.npr.org/2026/05/21/nx-s1-5806321/apartment-house-1776-john-cage-opera

#JohnCage #Opera

I wish this article were more in-depth about the new staging, but it gives a bit of info on a new production of Cage's Apartment House 1776.

Wish I could get to Detroit to see this!

https://www.npr.org/2026/05/21/nx-s1-5806321/apartment-house-1776-john-cage-opera

#JohnCage #Opera

https://www.europesays.com/uk/975655/ Escaping Aghartha – Lurkers of Languid Waters Review #15 #2026 #Ambient #BlackMetal #DoomMetal #Drone #DungeonSynth #Entertainment #EscapingAghartha #HypnoticDirgeRecords #JohnCage #LurkersOfLanguidWaters #May26 #music #noise #Review #Reviews #UK #UnitedKingdom

John Cage, 4'33''.

Joana Gama, piano, at the Rescaldo Festival, Lisbon, 18 February 2018.

https://youtu.be/IMRxkdQCsjE?si=Hful8xANZjnxCinn

#JohnCage #JoanaGama

Every artist needs their muse. For Avery Dart, that would be the eel, the main subject of Lurkers of Languid Waters, a record from his experimental ambient/black metal project, Escaping Aghartha. Dart uses his music to bring awareness to various environmental issues, such as the plight of frogs, birds, owls, the ocean, and pollution. The problem facing the eel, in particular the freshwater anguillid eels of Japan, Europe, and America, stems from overfishing. Dart seeks to raise awareness and money for the cause of protecting them. A portion of the record’s profits go towards Nature’s Anguillid Eel Specialist Group, a group that studies the population of these mysterious fish. Escaping Aghartha hopes you can spare some room in your heart for a moray.

A little-known fact about eels is their ability to shapeshift throughout the various cycles of their life, and Lurkers of Languid Waters similarly shifts genre across its 74-minute runtime. There’s progressive black metal, doom, drone, noise, industrial, ambient, dungeon synth, and more. The album is as slippery as its subject, though lacking in its bite. Opener “Eel Black Market” serves as a microcosm for the whole. The shifting guitar tones struggle to grasp for purpose from the start, and a repellent combination of “dirty” vocals and grating riffs starts things off on the wrong fin. Across 16 minutes, the song’s hooks fail to catch hold—a good outcome for the fish, but bad for the music. Escaping Aghartha utilizes synths that sound like a video game soundtrack, droning riffs, chanting, and bubble noises that make you feel trapped in a fish tank. Sure, the initial shock of the strangeness on display may grab one’s attention, but the intolerable nature of the music won’t hold it for long.

The choices that Avery Dart makes give the impression that he purposely set out to make the listener uncomfortable. To start, there are the vocals, mostly from Dart, that range from tolerable to unlistenable. By the end of “Eel Black Market,” his snarls are incomprehensible and grating. On the blackened doom of “The Phantoms that Haunt and Linger,” they are weak and muffled, contributing to a lethargic malaise. On “Eaten to Obliteration,” they are raw and hoarse. A few experimental choices bring to mind John Cage, such as bell chimes (“Eaten to Obliteration”) and a nightmarish buzzing segment that sounds like a mosquito in your ear (“Altered Currents”). These sections feel added without musical purpose, just random noise. This mammoth record will put you in the shoes of the eel in their final journey, when they travel thousands of miles to the Sargasso Sea on nothing but their stored fat reserves, spurt out millions of eggs, and then sink to their deaths from exhaustion.

Remarkably, Lurkers of the Languid Waters undergoes a transformation once it crosses the hour mark. Hooks catch hold and stick. Buzzy guitars make way for hooky synths and blackened trems. Though “Transformations” is pretty good, it’s “Journey to the Sargasso Sea” where things really take a turn for the best. The album suddenly sounds musical and purposeful rather than meandering and dense. The synths and trems team up to conjure an uplifting, triumphant mood, serving as the soundtrack for the eel’s final journey. At 12 minutes, it’s a tad long, but its progressive structure keeps it engaging. This goes to show that a little bit of hooks can go a long way. If only Escaping Aghartha had applied this approach to the rest of the album.

I’ll give Dart this: I’ve learned a lot about eels and their plight thanks to my time with his record. The purpose of Lurkers of the Languid Waters is to spark interest, conversation, and perhaps even action to protect these misunderstood fish. Yet the mere existence of this album can only go so far if it’s a chore to listen to. I spent time with it because I took on the duty of reviewing it, but others likely won’t be so willing. I’d be more tempted to plunk down some money on a CD, which does feature some terrific artwork, if the music were just a little more tolerable. I’d love to help defend a cause like this, but my ears are important too.

Rating: 1.5/5.0
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Hypnotic Dirge Records
Websites: Bandcamp | Facebook
Releases Worldwide: May 22nd, 2026

Every artist needs their muse. For Avery Dart, that would be the eel, the main subject of Lurkers of Languid Waters, a record from his experimental ambient/black metal project, Escaping Aghartha. Dart uses his music to bring awareness to various environmental issues, such as the plight of frogs, birds, owls, the ocean, and pollution. The problem facing the eel, in particular the freshwater anguillid eels of Japan, Europe, and America, stems from overfishing. Dart seeks to raise awareness and money for the cause of protecting them. A portion of the record’s profits go towards Nature’s Anguillid Eel Specialist Group, a group that studies the population of these mysterious fish. Escaping Aghartha hopes you can spare some room in your heart for a moray.

A little-known fact about eels is their ability to shapeshift throughout the various cycles of their life, and Lurkers of Languid Waters similarly shifts genre across its 74-minute runtime. There’s progressive black metal, doom, drone, noise, industrial, ambient, dungeon synth, and more. The album is as slippery as its subject, though lacking in its bite. Opener “Eel Black Market” serves as a microcosm for the whole. The shifting guitar tones struggle to grasp for purpose from the start, and a repellent combination of “dirty” vocals and grating riffs starts things off on the wrong fin. Across 16 minutes, the song’s hooks fail to catch hold—a good outcome for the fish, but bad for the music. Escaping Aghartha utilizes synths that sound like a video game soundtrack, droning riffs, chanting, and bubble noises that make you feel trapped in a fish tank. Sure, the initial shock of the strangeness on display may grab one’s attention, but the intolerable nature of the music won’t hold it for long.

The choices that Avery Dart makes give the impression that he purposely set out to make the listener uncomfortable. To start, there are the vocals, mostly from Dart, that range from tolerable to unlistenable. By the end of “Eel Black Market,” his snarls are incomprehensible and grating. On the blackened doom of “The Phantoms that Haunt and Linger,” they are weak and muffled, contributing to a lethargic malaise. On “Eaten to Obliteration,” they are raw and hoarse. A few experimental choices bring to mind John Cage, such as bell chimes (“Eaten to Obliteration”) and a nightmarish buzzing segment that sounds like a mosquito in your ear (“Altered Currents”). These sections feel added without musical purpose, just random noise. This mammoth record will put you in the shoes of the eel in their final journey, when they travel thousands of miles to the Sargasso Sea on nothing but their stored fat reserves, spurt out millions of eggs, and then sink to their deaths from exhaustion.

Remarkably, Lurkers of the Languid Waters undergoes a transformation once it crosses the hour mark. Hooks catch hold and stick. Buzzy guitars make way for hooky synths and blackened trems. Though “Transformations” is pretty good, it’s “Journey to the Sargasso Sea” where things really take a turn for the best. The album suddenly sounds musical and purposeful rather than meandering and dense. The synths and trems team up to conjure an uplifting, triumphant mood, serving as the soundtrack for the eel’s final journey. At 12 minutes, it’s a tad long, but its progressive structure keeps it engaging. This goes to show that a little bit of hooks can go a long way. If only Escaping Aghartha had applied this approach to the rest of the album.

I’ll give Dart this: I’ve learned a lot about eels and their plight thanks to my time with his record. The purpose of Lurkers of the Languid Waters is to spark interest, conversation, and perhaps even action to protect these misunderstood fish. Yet the mere existence of this album can only go so far if it’s a chore to listen to. I spent time with it because I took on the duty of reviewing it, but others likely won’t be so willing. I’d be more tempted to plunk down some money on a CD, which does feature some terrific artwork, if the music were just a little more tolerable. I’d love to help defend a cause like this, but my ears are important too.

Rating: 1.5/5.0
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Hypnotic Dirge Records
Websites: Bandcamp | Facebook
Releases Worldwide: May 22nd, 2026

Every artist needs their muse. For Avery Dart, that would be the eel, the main subject of Lurkers of Languid Waters, a record from his experimental ambient/black metal project, Escaping Aghartha. Dart uses his music to bring awareness to various environmental issues, such as the plight of frogs, birds, owls, the ocean, and pollution. The problem facing the eel, in particular the freshwater anguillid eels of Japan, Europe, and America, stems from overfishing. Dart seeks to raise awareness and money for the cause of protecting them. A portion of the record’s profits go towards Nature’s Anguillid Eel Specialist Group, a group that studies the population of these mysterious fish. Escaping Aghartha hopes you can spare some room in your heart for a moray.

A little-known fact about eels is their ability to shapeshift throughout the various cycles of their life, and Lurkers of Languid Waters similarly shifts genre across its 74-minute runtime. There’s progressive black metal, doom, drone, noise, industrial, ambient, dungeon synth, and more. The album is as slippery as its subject, though lacking in its bite. Opener “Eel Black Market” serves as a microcosm for the whole. The shifting guitar tones struggle to grasp for purpose from the start, and a repellent combination of “dirty” vocals and grating riffs starts things off on the wrong fin. Across 16 minutes, the song’s hooks fail to catch hold—a good outcome for the fish, but bad for the music. Escaping Aghartha utilizes synths that sound like a video game soundtrack, droning riffs, chanting, and bubble noises that make you feel trapped in a fish tank. Sure, the initial shock of the strangeness on display may grab one’s attention, but the intolerable nature of the music won’t hold it for long.

The choices that Avery Dart makes give the impression that he purposely set out to make the listener uncomfortable. To start, there are the vocals, mostly from Dart, that range from tolerable to unlistenable. By the end of “Eel Black Market,” his snarls are incomprehensible and grating. On the blackened doom of “The Phantoms that Haunt and Linger,” they are weak and muffled, contributing to a lethargic malaise. On “Eaten to Obliteration,” they are raw and hoarse. A few experimental choices bring to mind John Cage, such as bell chimes (“Eaten to Obliteration”) and a nightmarish buzzing segment that sounds like a mosquito in your ear (“Altered Currents”). These sections feel added without musical purpose, just random noise. This mammoth record will put you in the shoes of the eel in their final journey, when they travel thousands of miles to the Sargasso Sea on nothing but their stored fat reserves, spurt out millions of eggs, and then sink to their deaths from exhaustion.

Remarkably, Lurkers of the Languid Waters undergoes a transformation once it crosses the hour mark. Hooks catch hold and stick. Buzzy guitars make way for hooky synths and blackened trems. Though “Transformations” is pretty good, it’s “Journey to the Sargasso Sea” where things really take a turn for the best. The album suddenly sounds musical and purposeful rather than meandering and dense. The synths and trems team up to conjure an uplifting, triumphant mood, serving as the soundtrack for the eel’s final journey. At 12 minutes, it’s a tad long, but its progressive structure keeps it engaging. This goes to show that a little bit of hooks can go a long way. If only Escaping Aghartha had applied this approach to the rest of the album.

I’ll give Dart this: I’ve learned a lot about eels and their plight thanks to my time with his record. The purpose of Lurkers of the Languid Waters is to spark interest, conversation, and perhaps even action to protect these misunderstood fish. Yet the mere existence of this album can only go so far if it’s a chore to listen to. I spent time with it because I took on the duty of reviewing it, but others likely won’t be so willing. I’d be more tempted to plunk down some money on a CD, which does feature some terrific artwork, if the music were just a little more tolerable. I’d love to help defend a cause like this, but my ears are important too.

Rating: 1.5/5.0
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Hypnotic Dirge Records
Websites: Bandcamp | Facebook
Releases Worldwide: May 22nd, 2026

Every artist needs their muse. For Avery Dart, that would be the eel, the main subject of Lurkers of Languid Waters, a record from his experimental ambient/black metal project, Escaping Aghartha. Dart uses his music to bring awareness to various environmental issues, such as the plight of frogs, birds, owls, the ocean, and pollution. The problem facing the eel, in particular the freshwater anguillid eels of Japan, Europe, and America, stems from overfishing. Dart seeks to raise awareness and money for the cause of protecting them. A portion of the record’s profits go towards Nature’s Anguillid Eel Specialist Group, a group that studies the population of these mysterious fish. Escaping Aghartha hopes you can spare some room in your heart for a moray.

A little-known fact about eels is their ability to shapeshift throughout the various cycles of their life, and Lurkers of Languid Waters similarly shifts genre across its 74-minute runtime. There’s progressive black metal, doom, drone, noise, industrial, ambient, dungeon synth, and more. The album is as slippery as its subject, though lacking in its bite. Opener “Eel Black Market” serves as a microcosm for the whole. The shifting guitar tones struggle to grasp for purpose from the start, and a repellent combination of “dirty” vocals and grating riffs starts things off on the wrong fin. Across 16 minutes, the song’s hooks fail to catch hold—a good outcome for the fish, but bad for the music. Escaping Aghartha utilizes synths that sound like a video game soundtrack, droning riffs, chanting, and bubble noises that make you feel trapped in a fish tank. Sure, the initial shock of the strangeness on display may grab one’s attention, but the intolerable nature of the music won’t hold it for long.

The choices that Avery Dart makes give the impression that he purposely set out to make the listener uncomfortable. To start, there are the vocals, mostly from Dart, that range from tolerable to unlistenable. By the end of “Eel Black Market,” his snarls are incomprehensible and grating. On the blackened doom of “The Phantoms that Haunt and Linger,” they are weak and muffled, contributing to a lethargic malaise. On “Eaten to Obliteration,” they are raw and hoarse. A few experimental choices bring to mind John Cage, such as bell chimes (“Eaten to Obliteration”) and a nightmarish buzzing segment that sounds like a mosquito in your ear (“Altered Currents”). These sections feel added without musical purpose, just random noise. This mammoth record will put you in the shoes of the eel in their final journey, when they travel thousands of miles to the Sargasso Sea on nothing but their stored fat reserves, spurt out millions of eggs, and then sink to their deaths from exhaustion.

Remarkably, Lurkers of the Languid Waters undergoes a transformation once it crosses the hour mark. Hooks catch hold and stick. Buzzy guitars make way for hooky synths and blackened trems. Though “Transformations” is pretty good, it’s “Journey to the Sargasso Sea” where things really take a turn for the best. The album suddenly sounds musical and purposeful rather than meandering and dense. The synths and trems team up to conjure an uplifting, triumphant mood, serving as the soundtrack for the eel’s final journey. At 12 minutes, it’s a tad long, but its progressive structure keeps it engaging. This goes to show that a little bit of hooks can go a long way. If only Escaping Aghartha had applied this approach to the rest of the album.

I’ll give Dart this: I’ve learned a lot about eels and their plight thanks to my time with his record. The purpose of Lurkers of the Languid Waters is to spark interest, conversation, and perhaps even action to protect these misunderstood fish. Yet the mere existence of this album can only go so far if it’s a chore to listen to. I spent time with it because I took on the duty of reviewing it, but others likely won’t be so willing. I’d be more tempted to plunk down some money on a CD, which does feature some terrific artwork, if the music were just a little more tolerable. I’d love to help defend a cause like this, but my ears are important too.

Rating: 1.5/5.0
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Hypnotic Dirge Records
Websites: Bandcamp | Facebook
Releases Worldwide: May 22nd, 2026

Every artist needs their muse. For Avery Dart, that would be the eel, the main subject of Lurkers of Languid Waters, a record from his experimental ambient/black metal project, Escaping Aghartha. Dart uses his music to bring awareness to various environmental issues, such as the plight of frogs, birds, owls, the ocean, and pollution. The problem facing the eel, in particular the freshwater anguillid eels of Japan, Europe, and America, stems from overfishing. Dart seeks to raise awareness and money for the cause of protecting them. A portion of the record’s profits go towards Nature’s Anguillid Eel Specialist Group, a group that studies the population of these mysterious fish. Escaping Aghartha hopes you can spare some room in your heart for a moray.

A little-known fact about eels is their ability to shapeshift throughout the various cycles of their life, and Lurkers of Languid Waters similarly shifts genre across its 74-minute runtime. There’s progressive black metal, doom, drone, noise, industrial, ambient, dungeon synth, and more. The album is as slippery as its subject, though lacking in its bite. Opener “Eel Black Market” serves as a microcosm for the whole. The shifting guitar tones struggle to grasp for purpose from the start, and a repellent combination of “dirty” vocals and grating riffs starts things off on the wrong fin. Across 16 minutes, the song’s hooks fail to catch hold—a good outcome for the fish, but bad for the music. Escaping Aghartha utilizes synths that sound like a video game soundtrack, droning riffs, chanting, and bubble noises that make you feel trapped in a fish tank. Sure, the initial shock of the strangeness on display may grab one’s attention, but the intolerable nature of the music won’t hold it for long.

The choices that Avery Dart makes give the impression that he purposely set out to make the listener uncomfortable. To start, there are the vocals, mostly from Dart, that range from tolerable to unlistenable. By the end of “Eel Black Market,” his snarls are incomprehensible and grating. On the blackened doom of “The Phantoms that Haunt and Linger,” they are weak and muffled, contributing to a lethargic malaise. On “Eaten to Obliteration,” they are raw and hoarse. A few experimental choices bring to mind John Cage, such as bell chimes (“Eaten to Obliteration”) and a nightmarish buzzing segment that sounds like a mosquito in your ear (“Altered Currents”). These sections feel added without musical purpose, just random noise. This mammoth record will put you in the shoes of the eel in their final journey, when they travel thousands of miles to the Sargasso Sea on nothing but their stored fat reserves, spurt out millions of eggs, and then sink to their deaths from exhaustion.

Remarkably, Lurkers of the Languid Waters undergoes a transformation once it crosses the hour mark. Hooks catch hold and stick. Buzzy guitars make way for hooky synths and blackened trems. Though “Transformations” is pretty good, it’s “Journey to the Sargasso Sea” where things really take a turn for the best. The album suddenly sounds musical and purposeful rather than meandering and dense. The synths and trems team up to conjure an uplifting, triumphant mood, serving as the soundtrack for the eel’s final journey. At 12 minutes, it’s a tad long, but its progressive structure keeps it engaging. This goes to show that a little bit of hooks can go a long way. If only Escaping Aghartha had applied this approach to the rest of the album.

I’ll give Dart this: I’ve learned a lot about eels and their plight thanks to my time with his record. The purpose of Lurkers of the Languid Waters is to spark interest, conversation, and perhaps even action to protect these misunderstood fish. Yet the mere existence of this album can only go so far if it’s a chore to listen to. I spent time with it because I took on the duty of reviewing it, but others likely won’t be so willing. I’d be more tempted to plunk down some money on a CD, which does feature some terrific artwork, if the music were just a little more tolerable. I’d love to help defend a cause like this, but my ears are important too.

Rating: 1.5/5.0
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Hypnotic Dirge Records
Websites: Bandcamp | Facebook
Releases Worldwide: May 22nd, 2026

John Cage, a brilliant person.

#JohnCage #quote #ideas

Bei »4′33″« von #JohnCage ist der Ort der Aufführung ja wichtiger, als die aufführenden Musiker.

Bei mir vor der Tür, uff de Gass ist das Stück zum Beispiel meist eher stressige Kacke, außer man steht halt auf Autowerkstatt-Lärm.

EDIT: Seh grad, es ist ca 12:20. Also eigentlich Mittagsruhe. EGAAAAL!

Bei »4′33″« von #JohnCage ist der Ort der Aufführung ja wichtiger, als die aufführenden Musiker.

Bei mir vor der Tür, uff de Gass ist das Stück zum Beispiel meist eher stressige Kacke, außer man steht halt auf Autowerkstatt-Lärm.

EDIT: Seh grad, es ist ca 12:20. Also eigentlich Mittagsruhe. EGAAAAL!

#JohnCage

#JohnCage

#JohnCage

#JohnCage

#JohnCage

JOHN CAGE / STEVE REICH / MICHAEL TILSON THOMAS / RALPH GRIERSON
Three Dances & Four Organs
1975 U.S. pressing

Early evening warped tomfoolery.

About to paint my study bookshelf, and wanted something weird and a little out there.

This fits the bill and then some.

A curated program featuring Reich’s landmark “Four Organs For Four Electric Organs & Maracas” piece, as well as John Cage’s three-part “Three Dances For Two Amplified Prepared Pianos”.

It is a #minimal , post-modern #classical mindfuck.
Definitely not something you’d listen to while driving in your car or cue up at a party. 😂

#vinyl #vinylrecords #vinylcommunity #vinylcollection #retro #vintage #art #music #abstract #artrock #weird #bizarre #fringe #stevereich #johncage

JOHN CAGE / STEVE REICH / MICHAEL TILSON THOMAS / RALPH GRIERSON
Three Dances & Four Organs
1975 U.S. pressing

Early evening warped tomfoolery.

About to paint my study bookshelf, and wanted something weird and a little out there.

This fits the bill and then some.

A curated program featuring Reich’s landmark “Four Organs For Four Electric Organs & Maracas” piece, as well as John Cage’s three-part “Three Dances For Two Amplified Prepared Pianos”.

It is a #minimal , post-modern #classical mindfuck.
Definitely not something you’d listen to while driving in your car or cue up at a party. 😂

#vinyl #vinylrecords #vinylcommunity #vinylcollection #retro #vintage #art #music #abstract #artrock #weird #bizarre #fringe #stevereich #johncage

JOHN CAGE / STEVE REICH / MICHAEL TILSON THOMAS / RALPH GRIERSON
Three Dances & Four Organs
1975 U.S. pressing

Early evening warped tomfoolery.

About to paint my study bookshelf, and wanted something weird and a little out there.

This fits the bill and then some.

A curated program featuring Reich’s landmark “Four Organs For Four Electric Organs & Maracas” piece, as well as John Cage’s three-part “Three Dances For Two Amplified Prepared Pianos”.

It is a #minimal , post-modern #classical mindfuck.
Definitely not something you’d listen to while driving in your car or cue up at a party. 😂

#vinyl #vinylrecords #vinylcommunity #vinylcollection #retro #vintage #art #music #abstract #artrock #weird #bizarre #fringe #stevereich #johncage

JOHN CAGE / STEVE REICH / MICHAEL TILSON THOMAS / RALPH GRIERSON
Three Dances & Four Organs
1975 U.S. pressing

Early evening warped tomfoolery.

About to paint my study bookshelf, and wanted something weird and a little out there.

This fits the bill and then some.

A curated program featuring Reich’s landmark “Four Organs For Four Electric Organs & Maracas” piece, as well as John Cage’s three-part “Three Dances For Two Amplified Prepared Pianos”.

It is a #minimal , post-modern #classical mindfuck.
Definitely not something you’d listen to while driving in your car or cue up at a party. 😂

#vinyl #vinylrecords #vinylcommunity #vinylcollection #retro #vintage #art #music #abstract #artrock #weird #bizarre #fringe #stevereich #johncage

JOHN CAGE / STEVE REICH / MICHAEL TILSON THOMAS / RALPH GRIERSON
Three Dances & Four Organs
1975 U.S. pressing

Early evening warped tomfoolery.

About to paint my study bookshelf, and wanted something weird and a little out there.

This fits the bill and then some.

A curated program featuring Reich’s landmark “Four Organs For Four Electric Organs & Maracas” piece, as well as John Cage’s three-part “Three Dances For Two Amplified Prepared Pianos”.

It is a #minimal , post-modern #classical mindfuck.
Definitely not something you’d listen to while driving in your car or cue up at a party. 😂

#vinyl #vinylrecords #vinylcommunity #vinylcollection #retro #vintage #art #music #abstract #artrock #weird #bizarre #fringe #stevereich #johncage

#NowPlaying #ScottishMusic #ModeRecords #Improvisation

#TheWhistlebinkies perform #JohnCage's "Scottish Circus" (studio version, Glasgow 2007)

https://moderecords.bandcamp.com/album/scottish-circus-mode-352

#NowPlaying #ScottishMusic #ModeRecords #Improvisation

#TheWhistlebinkies perform #JohnCage's "Scottish Circus" (studio version, Glasgow 2007)

https://moderecords.bandcamp.com/album/scottish-circus-mode-352

#NowPlaying #ScottishMusic #ModeRecords #Improvisation

#TheWhistlebinkies perform #JohnCage's "Scottish Circus" (studio version, Glasgow 2007)

https://moderecords.bandcamp.com/album/scottish-circus-mode-352

#NowPlaying #ScottishMusic #ModeRecords #Improvisation

#TheWhistlebinkies perform #JohnCage's "Scottish Circus" (studio version, Glasgow 2007)

https://moderecords.bandcamp.com/album/scottish-circus-mode-352

opere asemiche di differx esposte a palazzo collicola, spoleto, 2026 / video di dino ignani

il contesto è quello della mostra Vita minore, a cura di Gianni e Giuseppe Garrera: https://slowforward.net/2026/02/21/oggi-21-febbraio-a-palazzo-collicola-spoleto-vita-minore-a-cura-di-gianni-e-giuseppe-garrera

altri link: https://slowforward.net/2026/03/28/scritture-contro-il-linguaggio-a-palazzo-collicola/ e  https://slowforward.net/2026/03/14/differx-a-palazzo-collicola/

opere asemiche di differx esposte a palazzo collicola, spoleto, 2026 / video di dino ignani

il contesto è quello della mostra Vita minore, a cura di Gianni e Giuseppe Garrera: https://slowforward.net/2026/02/21/oggi-21-febbraio-a-palazzo-collicola-spoleto-vita-minore-a-cura-di-gianni-e-giuseppe-garrera

altri link: https://slowforward.net/2026/03/28/scritture-contro-il-linguaggio-a-palazzo-collicola/ e  https://slowforward.net/2026/03/14/differx-a-palazzo-collicola/

opere asemiche di differx esposte a palazzo collicola, spoleto, 2026 / video di dino ignani

il contesto è quello della mostra Vita minore, a cura di Gianni e Giuseppe Garrera: https://slowforward.net/2026/02/21/oggi-21-febbraio-a-palazzo-collicola-spoleto-vita-minore-a-cura-di-gianni-e-giuseppe-garrera

altri link: https://slowforward.net/2026/03/28/scritture-contro-il-linguaggio-a-palazzo-collicola/ e  https://slowforward.net/2026/03/14/differx-a-palazzo-collicola/

opere asemiche di differx esposte a palazzo collicola, spoleto, 2026 / video di dino ignani

il contesto è quello della mostra Vita minore, a cura di Gianni e Giuseppe Garrera: https://slowforward.net/2026/02/21/oggi-21-febbraio-a-palazzo-collicola-spoleto-vita-minore-a-cura-di-gianni-e-giuseppe-garrera

altri link: https://slowforward.net/2026/03/28/scritture-contro-il-linguaggio-a-palazzo-collicola/ e  https://slowforward.net/2026/03/14/differx-a-palazzo-collicola/

oggi, sabato 18 aprile, a spoleto: john cage a palazzo collicola – intervento di giuseppe garrera

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oggi, sabato 18 aprile, a spoleto: john cage a palazzo collicola – intervento di giuseppe garrera

cliccare per ingrandire

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sabato 18 aprile, spoleto: john cage a palazzo collicola – intervento di giuseppe garrera

cliccare per ingrandire

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sabato 18 aprile, spoleto: john cage a palazzo collicola – intervento di giuseppe garrera

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oggi, 4 aprile, a spoleto: nel contesto della mostra “vita minore”, intervento di giuseppe garrera su gino de dominicis

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oggi, 4 aprile, a spoleto: nel contesto della mostra “vita minore”, intervento di giuseppe garrera su gino de dominicis

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4 aprile, spoleto: nel contesto della mostra “vita minore”, intervento di giuseppe garrera su gino de dominicis

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4 aprile, spoleto: nel contesto della mostra “vita minore”, intervento di giuseppe garrera su gino de dominicis

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Bonjour à toutes et à tous,

nous jouons Vidiel'a
les 8, 9 et 10 avril prochain
aux Quinconces-L'Espal, Scène Nationale du Mans.
https://www.quinconces-espal.com/la-saison/spectacles/vidiel-a

Au plaisir de vous voir!

#musiquecontemporaine
#JohnCage
# Marie-NoëlleDeverre
#Edwigebage
#Margotcharon

Ich kann nicht verstehen, warum die #Menschen vor neuen #Ideen #Angst haben. Ich habe Angst vor den alten.
(John #Cage)
#psychotHHerapie #Zitat #Zitate #JohnCage

https://www.jangoeritz.de/zitate

John Cage – the #Italian #quiz show winner!

https://www.theguardian.com/culture/2026/mar/24/artists-side-hustles-john-cage-jean-genet-kathy-acker-shoplifting-sex-shows-sheepdog-breeding

' In the 1950s, the American #avantgarde composer #JohnCage turned a thoroughly wholesome hobby into an unexpected source of cash. The hobby was #mushrooms (non-psychedelic varieties). '

(…)

' Cage appeared in five episodes in 1959, where he was quizzed on – of course – his beloved mushrooms. At the end, the composer walked away with 5m lire, equivalent to about £70,000 today. He used his winnings to buy a Steinway piano. '

John Cage – the #Italian #quiz show winner!

https://www.theguardian.com/culture/2026/mar/24/artists-side-hustles-john-cage-jean-genet-kathy-acker-shoplifting-sex-shows-sheepdog-breeding

' In the 1950s, the American #avantgarde composer #JohnCage turned a thoroughly wholesome hobby into an unexpected source of cash. The hobby was #mushrooms (non-psychedelic varieties). '

(…)

' Cage appeared in five episodes in 1959, where he was quizzed on – of course – his beloved mushrooms. At the end, the composer walked away with 5m lire, equivalent to about £70,000 today. He used his winnings to buy a Steinway piano. '

John Cage – the #Italian #quiz show winner!

https://www.theguardian.com/culture/2026/mar/24/artists-side-hustles-john-cage-jean-genet-kathy-acker-shoplifting-sex-shows-sheepdog-breeding

' In the 1950s, the American #avantgarde composer #JohnCage turned a thoroughly wholesome hobby into an unexpected source of cash. The hobby was #mushrooms (non-psychedelic varieties). '

(…)

' Cage appeared in five episodes in 1959, where he was quizzed on – of course – his beloved mushrooms. At the end, the composer walked away with 5m lire, equivalent to about £70,000 today. He used his winnings to buy a Steinway piano. '

Shoplifting, sex shows and sheepdog-breeding: great artists and the side-hustles they did to get by https://www.theguardian.com/culture/2026/mar/24/artists-side-hustles-john-cage-jean-genet-kathy-acker-shoplifting-sex-shows-sheepdog-breeding #Culture #JohnCage #JeanGenet #ChantalAkerman #JeanlucGodard #Film #Books #Art #ArtAndDesign #Painting #ClassicalMusic #Music

Shoplifting, sex shows and sheepdog-breeding: great artists and the side-hustles they did to get by https://www.theguardian.com/culture/2026/mar/24/artists-side-hustles-john-cage-jean-genet-kathy-acker-shoplifting-sex-shows-sheepdog-breeding #Culture #JohnCage #JeanGenet #ChantalAkerman #JeanlucGodard #Film #Books #Art #ArtAndDesign #Painting #ClassicalMusic #Music

Shoplifting, sex shows and sheepdog-breeding: great artists and the side-hustles they did to get by https://www.theguardian.com/culture/2026/mar/24/artists-side-hustles-john-cage-jean-genet-kathy-acker-shoplifting-sex-shows-sheepdog-breeding #Culture #JohnCage #JeanGenet #ChantalAkerman #JeanlucGodard #Film #Books #Art #ArtAndDesign #Painting #ClassicalMusic #Music

Shoplifting, sex shows and sheepdog-breeding: great artists and the side-hustles they did to get by https://www.theguardian.com/culture/2026/mar/24/artists-side-hustles-john-cage-jean-genet-kathy-acker-shoplifting-sex-shows-sheepdog-breeding #Culture #JohnCage #JeanGenet #ChantalAkerman #JeanlucGodard #Film #Books #Art #ArtAndDesign #Painting #ClassicalMusic #Music