#computerartwork — Public Fediverse posts

https://www.europesays.com/es/222272/ A qué hora ver el Preshow de LOS40 Music Awards Santander 2025 en directo desde cada país | LOS40 Music Awards Santander #artwork #astronomical #astronomy #BlackBackground #ColourImage #ComputerArtwork #Entertainment #Entretenimiento #ES #España #horizontal #mercury #Music #Música #NoPeople #planet #SolarSystem #space #Spain

Dan Sandin: Analog Image Processor, 1971-1973. Video synthesizer. More informations: Dreher, Thomas: History of Computer Art, chapter IV.1.2 Video Synthesizers. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.1e.html #dansandin #videosynthesizer #videoart #videoartist #videosynthesizers #seventiesart #seventiesartist #seventiesartists #seventiesartwork #experimentalart #videoartwork #videoartists #AnalogComputer #analogcomputers #analogcomputerart #computerart #computerartwork #computerartworks #computerartist

Dan Sandin: Analog Image Processor, 1971-1973. Video synthesizer. More informations: Dreher, Thomas: History of Computer Art, chapter IV.1.2 Video Synthesizers. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.1e.html #dansandin #videosynthesizer #videoart #videoartist #videosynthesizers #seventiesart #seventiesartist #seventiesartists #seventiesartwork #experimentalart #videoartwork #videoartists #AnalogComputer #analogcomputers #analogcomputerart #computerart #computerartwork #computerartworks #computerartist

Bonacic, Vladimir: G.F.E. (16,4), 1969-71. Computer-controlled light and sound installation. More informations: Dreher, Thomas: History of Computer art. Chapter II.3.3. Internet: http://iasl.uni-muenchen.de/links/GCA-II.3e.html #vladimirbonacic #thomasdreher #computerart #computerarts #computerartwork #computerartist #lightinstallation #lightinstallations #lightinstallationartist #sixtiesart #sixtiesartist #zagrebart #zagrebartists #zagrebartwork #zagrebartworks #croationart #yugoslavianart #yugoslavianartist

Bonacic, Vladimir: G.F.E. (16,4), 1969-71. Computer-controlled light and sound installation. More informations: Dreher, Thomas: History of Computer art. Chapter II.3.3. Internet: http://iasl.uni-muenchen.de/links/GCA-II.3e.html #vladimirbonacic #thomasdreher #computerart #computerarts #computerartwork #computerartist #lightinstallation #lightinstallations #lightinstallationartist #sixtiesart #sixtiesartist #zagrebart #zagrebartists #zagrebartwork #zagrebartworks #croationart #yugoslavianart #yugoslavianartist

Bonacic, Vladimir: G.F.E. (16,4), 1969-71. Computer-controlled light and sound installation. More informations: Dreher, Thomas: History of Computer art. Chapter II.3.3. Internet: http://iasl.uni-muenchen.de/links/GCA-II.3e.html #vladimirbonacic #thomasdreher #computerart #computerarts #computerartwork #computerartist #lightinstallation #lightinstallations #lightinstallationartist #sixtiesart #sixtiesartist #zagrebart #zagrebartists #zagrebartwork #zagrebartworks #croationart #yugoslavianart #yugoslavianartist

Bonacic, Vladimir: G.F.E. (16,4), 1969-71. Computer-controlled light and sound installation. More informations: Dreher, Thomas: History of Computer art. Chapter II.3.3. Internet: http://iasl.uni-muenchen.de/links/GCA-II.3e.html #vladimirbonacic #thomasdreher #computerart #computerarts #computerartwork #computerartist #lightinstallation #lightinstallations #lightinstallationartist #sixtiesart #sixtiesartist #zagrebart #zagrebartists #zagrebartwork #zagrebartworks #croationart #yugoslavianart #yugoslavianartist

RED SECTOR INC: Megademo, Commodore Amiga, 1989. More informations: Dreher, Thomas: History of Computer Art, chapter IV.2.1.4.3 Demoscene. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.2e.html #redsector #thomasdreher #demoscene #demoscener #computeranimation #digitalanimation #digitalanimationart #digitalanimationartist #digitalart #digitalartist #digitalartists #digitalartwork #digitalartworks #computerartwork #computerartworks

RED SECTOR INC: Megademo, Commodore Amiga, 1989. More informations: Dreher, Thomas: History of Computer Art, chapter IV.2.1.4.3 Demoscene. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.2e.html #redsector #thomasdreher #demoscene #demoscener #computeranimation #digitalanimation #digitalanimationart #digitalanimationartist #digitalart #digitalartist #digitalartists #digitalartwork #digitalartworks #computerartwork #computerartworks

RED SECTOR INC: Megademo, Commodore Amiga, 1989. More informations: Dreher, Thomas: History of Computer Art, chapter IV.2.1.4.3 Demoscene. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.2e.html #redsector #thomasdreher #demoscene #demoscener #computeranimation #digitalanimation #digitalanimationart #digitalanimationartist #digitalart #digitalartist #digitalartists #digitalartwork #digitalartworks #computerartwork #computerartworks

RED SECTOR INC: Megademo, Commodore Amiga, 1989. More informations: Dreher, Thomas: History of Computer Art, chapter IV.2.1.4.3 Demoscene. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.2e.html #redsector #thomasdreher #demoscene #demoscener #computeranimation #digitalanimation #digitalanimationart #digitalanimationartist #digitalart #digitalartist #digitalartists #digitalartwork #digitalartworks #computerartwork #computerartworks

RED SECTOR INC: Megademo, Commodore Amiga, 1989. More informations: Dreher, Thomas: History of Computer Art, chapter IV.2.1.4.3 Demoscene. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.2e.html #redsector #thomasdreher #demoscene #demoscener #computeranimation #digitalanimation #digitalanimationart #digitalanimationartist #digitalart #digitalartist #digitalartists #digitalartwork #digitalartworks #computerartwork #computerartworks

Napier, Mark: The Shredder, 1998. Web project (screenshot 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.3. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #marknapier #thomasdreher #netart #netarts #browserart #ArtBrowser #netsourcecode #htmlart #computerart #computerartist #computerartists #computerartwork #computerartproject #netartist #netartists #netartwork #netartworks #netartproject

Napier, Mark: The Shredder, 1998. Web project (screenshot 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.3. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #marknapier #thomasdreher #netart #netarts #browserart #ArtBrowser #netsourcecode #htmlart #computerart #computerartist #computerartists #computerartwork #computerartproject #netartist #netartists #netartwork #netartworks #netartproject

Napier, Mark: The Shredder, 1998. Web project (screenshot 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.3. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #marknapier #thomasdreher #netart #netarts #browserart #ArtBrowser #netsourcecode #htmlart #computerart #computerartist #computerartists #computerartwork #computerartproject #netartist #netartists #netartwork #netartworks #netartproject

Raphael Montañez Ortiz: The Kiss, 1985. Video. More informations: Dreher, Thomas: Destruktionskunst für und in selbstinstituierender Gesellschaft, chapter Computer und Video. Internet: https://dreher.netzliteratur.net/2_Performance_Ortiz_Text.html #raphaelmontañezortiz #raphaelmontanezortiz #raphaelmontañezortíz #thomasdreher #videoart #videoartist #videoartists #videoartwork #videoartworks #videoeighties #computeranimation #computeranimationarts #computeranimationarts #computerart #computerarts #computerartwork #computerartworks

Raphael Montañez Ortiz: The Kiss, 1985. Video. More informations: Dreher, Thomas: Destruktionskunst für und in selbstinstituierender Gesellschaft, chapter Computer und Video. Internet: https://dreher.netzliteratur.net/2_Performance_Ortiz_Text.html #raphaelmontañezortiz #raphaelmontanezortiz #raphaelmontañezortíz #thomasdreher #videoart #videoartist #videoartists #videoartwork #videoartworks #videoeighties #computeranimation #computeranimationarts #computeranimationarts #computerart #computerarts #computerartwork #computerartworks

Raphael Montañez Ortiz: The Kiss, 1985. Video. More informations: Dreher, Thomas: Destruktionskunst für und in selbstinstituierender Gesellschaft, chapter Computer und Video. Internet: https://dreher.netzliteratur.net/2_Performance_Ortiz_Text.html #raphaelmontañezortiz #raphaelmontanezortiz #raphaelmontañezortíz #thomasdreher #videoart #videoartist #videoartists #videoartwork #videoartworks #videoeighties #computeranimation #computeranimationarts #computeranimationarts #computerart #computerarts #computerartwork #computerartworks

Davis, Douglas: The World's First Collaborative Sentence, 1994. Web project. More informations: Dreher, Thomas: History of Computer Art, chapter VI.2.3. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.2e.html
#douglasdavis #thomasdreher #hypertext #collaborativeproject #collaborativeart #interactiveart #netartist #netart #netartwork #netartworks #netartproject #computerart #digitalart #digitalartist #digitalartists #computerartwork #computerartworks #collaborativewriting #collaborativewritingproject

Davis, Douglas: The World's First Collaborative Sentence, 1994. Web project. More informations: Dreher, Thomas: History of Computer Art, chapter VI.2.3. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.2e.html
#douglasdavis #thomasdreher #hypertext #collaborativeproject #collaborativeart #interactiveart #netartist #netart #netartwork #netartworks #netartproject #computerart #digitalart #digitalartist #digitalartists #computerartwork #computerartworks #collaborativewriting #collaborativewritingproject

Nake, Frieder: Walk-Through-Raster, series 2.1, four realisations, 1966, plotter drawings. More informations: Dreher, Thomas: History of Computer Art, chap. III.2. Internet: http://iasl.uni-muenchen.de/links/GCA-III.2e.html #friedernake #thomasdreher #computerart #computergraphics #computerartist #computerartists #artsixties #artofthesixties #sixtiesart #computerartwork #computerartsixties

Nake, Frieder: Walk-Through-Raster, series 2.1, four realisations, 1966, plotter drawings. More informations: Dreher, Thomas: History of Computer Art, chap. III.2. Internet: http://iasl.uni-muenchen.de/links/GCA-III.2e.html #friedernake #thomasdreher #computerart #computergraphics #computerartist #computerartists #artsixties #artofthesixties #sixtiesart #computerartwork #computerartsixties

Nake, Frieder: Walk-Through-Raster, series 2.1, four realisations, 1966, plotter drawings. More informations: Dreher, Thomas: History of Computer Art, chap. III.2. Internet: http://iasl.uni-muenchen.de/links/GCA-III.2e.html #friedernake #thomasdreher #computerart #computergraphics #computerartist #computerartists #artsixties #artofthesixties #sixtiesart #computerartwork #computerartsixties

I/O/D (Matthew Fuller, Colin Green, Simon Pope): Web Stalker, 1997, browser art (photo from the monitor, August 2000). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #MatthewFuller #colingreen #simonpope #thomasdreher #webstalker #browserart #netart #netartwork #digitalart #digitalartist #digitalartists #netartworks #netartprojects #netartists #webartist #WebArtists #computerart #computerartist #computerartists #computerartwork

I/O/D (Matthew Fuller, Colin Green, Simon Pope): Web Stalker, 1997, browser art (photo from the monitor, August 2000). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #MatthewFuller #colingreen #simonpope #thomasdreher #webstalker #browserart #netart #netartwork #digitalart #digitalartist #digitalartists #netartworks #netartprojects #netartists #webartist #WebArtists #computerart #computerartist #computerartists #computerartwork

I/O/D (Matthew Fuller, Colin Green, Simon Pope): Web Stalker, 1997, browser art (photo from the monitor, August 2000). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3. Internet: http://iasl.uni-muenchen.de/links/GCA-VI.3e.html #MatthewFuller #colingreen #simonpope #thomasdreher #webstalker #browserart #netart #netartwork #digitalart #digitalartist #digitalartists #netartworks #netartprojects #netartists #webartist #WebArtists #computerart #computerartist #computerartists #computerartwork

Krueger, Myron: Videospace, since 1974. Responsive environment with camera, screen and computer. More informations: Dreher, Thomas: History of Computer Art, Chap. V.I. Internet: http://iasl.uni-muenchen.de/links/GCA-V.1e.html #Myronkrueger #responsiveenvironment #computarart #computerartists #computerartist #computerartwork #videoclosedcircuit #reactiveinstallation #thomasdreher

Krueger, Myron: Psychic Space, 1971. Responsive environment with sensing grid, camera, screen and computer. More informations: Dreher, Thomas: History of Computer Art, Chap. V.I. Internet: http://iasl.uni-muenchen.de/links/GCA-V.1e.html #Myronkrueger #responsiveenvironment #computarart #computerartists #computerartist #computerartwork #videoclosedcircuit #reactiveinstallation #thomasdreher

Laurel, Brenda/Strickland, Rachel: Placeholder, virtual reality installation, 1993. More informations: Dreher, Thomas: History of Computer Art, chap. V.2. Internet: http://iasl.uni-muenchen.de/links/GCA-V.2e.html #brendalaurel #rachelstrickland #placeholder #virtualreality #reactiveinstallation #datagloves #computerart #computerartwork #thomasdreher #interactiveinstallation #interactiveartinstallation

Fuchshuber, Roland K.: Left: Rocker, 1960, plotter drawing.
Right: Polstelle, 1960, plotter drawing. More informations: Dreher, Thomas: History of Computer Art, chapter III.2. Internet: http://iasl.uni-muenchen.de/links/GCA-III.2e.html
#rolandfuchshuber #computergraphics #computerart #computerartist #computerartists #computerartwork #computerartworks #thomasdreher

Fuchshuber, Roland K.: Left: Rocker, 1960, plotter drawing.
Right: Polstelle, 1960, plotter drawing. More informations: Dreher, Thomas: History of Computer Art, chapter III.2. Internet: http://iasl.uni-muenchen.de/links/GCA-III.2e.html
#rolandfuchshuber #computergraphics #computerart #computerartist #computerartists #computerartwork #computerartworks #thomasdreher

Franke, Herbert W.: Oscillograms, 1956. Photos of an oscillograph's screen. More informations: Dreher, Thomas: History of Computer Art. Chapter III.2.1 Analog Graphics. Internet: http://iasl.uni-muenchen.de/links/GCA-III.2e.html #herbertwfranke #herbertwernerfranke #herbertfranke #oscillograph #oscillogram #computergraphics #thomasdreher #computerart #computerartist #computerartists #computerartwork #computerartworks

Franke, Herbert W.: Oscillograms, 1956. Photos of an oscillograph's screen. More informations: Dreher, Thomas: History of Computer Art. Chapter III.2.1 Analog Graphics. Internet: http://iasl.uni-muenchen.de/links/GCA-III.2e.html #herbertwfranke #herbertwernerfranke #herbertfranke #oscillograph #oscillogram #computergraphics #thomasdreher #computerart #computerartist #computerartists #computerartwork #computerartworks

William Latham: Mutations, film, 1992. More informations: Dreher, Thomas: History of Computer Art. Chapter IV.3 Evolutionary Art. Internet: http://iasl.uni-muenchen.de/links/GCA-IV.3e.html #williamlatham #stephentodd #filmanimation #evolutionaryart #computerart #computerartists #computerartist #computerartwork #computerartworks #filmanimations #animationsfilm #thomasdreher

Benayoun, Maurice: World Skin, 1997-2003. Reactive installation in the CAVE. More informations: Dreher, Thomas: History of Computer Art, chapter V.2. Internet: http://iasl.uni-muenchen.de/links/GCA-V.2e.html
#mauricebenayoun #reactiveinstallation #reactiveinstallations #ResponsiveEnvironments #computerart #sandincave #dansandincave #computerartist #computerartists #computerartwork #thomasdreher