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348 results for “TDreher”

  1. Thomas Dreher @TDreher ·

    Sol LeWitt: Structures with Open Cubes, since 1965. Painted Wood. In: Dreher, Thomas: Differenz und Indifferenz. In: Künstler. Kritisches Lexikon der Gegenwartskunst. Issue 6, Munich 1989, p.6f. PDF with new illustrations: dreher.netzliteratur.net/3_Kon

    #conceptart #conceptartists #conceptualart #conceptualartists #minimalart #minimalartists
  2. Thomas Dreher @[email protected] ·

    Sol LeWitt: Structures with Open Cubes, since 1965. Painted Wood. In: Dreher, Thomas: Differenz und Indifferenz. In: Künstler. Kritisches Lexikon der Gegenwartskunst. Issue 6, Munich 1989, p.6f. PDF with new illustrations: dreher.netzliteratur.net/3_Kon
    #conceptart #conceptartists #conceptualart #conceptualartists #minimalart #minimalartists #sollewitt #DwanGallery #villastuck

    #villastuck #dwangallery #sollewitt #minimalartists #minimalart #conceptualartists
  3. Thomas Dreher @TDreher ·

    Robert Smithson: Double Non-Site, California and Nevada, 1968. Map, five painted steel boxes, lava from the Marl Mountains, California, and obsidian from the cinder cone near Truman Springs, Nevada. In: Dreher, Thomas: Epistrata. In: Künstler. Kritisches Lexikon der Gegenwartskunst. Issue 28, Munich 1994, p.6. PDF with new illustrations: URL: dreher.netzliteratur.net/6_Lan

    #landart #landartist #robertsmithson #minimalart #minimalartist #earthworks
  4. Thomas Dreher @[email protected] ·

    Robert Smithson: Double Non-Site, California and Nevada, 1968. Map, five painted steel boxes, lava from the Marl Mountains, California, and obsidian from the cinder cone near Truman Springs, Nevada. In: Dreher, Thomas: Epistrata. In: Künstler. Kritisches Lexikon der Gegenwartskunst. Issue 28, Munich 1994, p.6. PDF with new illustrations: URL: dreher.netzliteratur.net/6_Lan
    #landart #landartist #Robertsmithson #minimalart #minimalartist #earthworks #nonsite

    #nonsite #earthworks #minimalartist #minimalart #robertsmithson #landartist
  5. Thomas Dreher @[email protected] ·

    History of Computer Art, HTML versions in English and German with embedded videos: I updated the embed codes (YouTube, Vimeo and dailymotion changed them). Now you can see the videos within the text and go to the videos on the platforms - as it was before.
    All versions of the "History of Computer Art": URL: iasl.uni-muenchen.de/links/GCA #ComputerArt #ComputerGames #Animation #ComputerAnimation #ComputerGraphics #reactiveInstallations #Cybernetics #CyberneticSculptures

    #computerart #computergames #animation #computeranimation #computergraphics #reactiveinstallations
  6. Thomas Dreher @TDreher ·

    Ramona Westhof interviewed me about Allan Kaprow's "18 Happenings in 6 Parts" (1959) and its consequences for performance art. Deutschlandfunk Kultur, 10/04/2024. Corrections: In 1959 Allan Kaprow used the term happening for the first time in a title (He realized happenings since 1958). The person pressing the oranges was Rosalyn Montague, not Lette Eisenhauer.
    podcast.de/episode/643368284/a

    #allankaprow #happenings #performanceart
  7. Thomas Dreher @[email protected] ·

    Ramona Westhof interviewed me about Allan Kaprow's "18 Happenings in 6 Parts" (1959) and its consequences for performance art. Deutschlandfunk Kultur, 10/04/2024. Corrections: In 1959 Allan Kaprow used the term happening for the first time in a title (He realized happenings since 1958). The person pressing the oranges was Rosalyn Montague, not Lette Eisenhauer.
    #AllanKaprow #Happenings #PerformanceArt podcast.de/episode/643368284/a

    #performanceart #happenings #allankaprow
  8. Thomas Dreher @TDreher ·

    Gerhard Merz: Dove Sta Memoria, 1986. Installation in four rooms of the Kunstverein München/Munich. More informations: Dreher, Thomas: Kunst und Geschichte: Bundesrepublikanische Kunst und deutsches Nationalbewußtsein. In: Artefactum, Nr.32/February – March 1990, p.6-9. PDF: dreher.netzliteratur.net/9_Kon

    #thomasdreher #installationart #ezrapound #eightiesart #artforartssake #contextart
  9. Thomas Dreher @[email protected] ·

    Gerhard Merz: Dove Sta Memoria, 1986. Installation in four rooms of the Kunstverein München/Munich. More informations: Dreher, Thomas: Kunst und Geschichte: Bundesrepublikanische Kunst und deutsches Nationalbewußtsein. In: Artefactum, Nr.32/February – March 1990, p.6-9. PDF: dreher.netzliteratur.net/9_Kon #thomasdreher #installationart #ezrapound #eightiesart #artforartssake #contextart #abstractartist

    #thomasdreher #installationart #ezrapound #eightiesart #artforartssake #contextart
  10. Thomas Dreher @[email protected] ·

    Scott Draves: Electric Sheep, 1999. Internet-connected personal computers, screensaver (with updates until today). Screenshots 2011-2012. More informations: Dreher, Thomas: History of Computer Art, chapter IV.3.3 Fractal Flames. Internet: iasl.uni-muenchen.de/links/GCA #scottdraves #thomasdreher #evolutionaryart #generativeart #generativeartist #computerart #netart #screensaver #screensaverart #screensaverartwork #digitalart #digitalartist #digitalartists #computerart #computerartist

    #computerartist #digitalartists #digitalartist #digitalart #screensaverartwork #screensaverart
  11. Thomas Dreher @TDreher ·

    Scott Draves: Electric Sheep, 1999. Internet-connected personal computers, screensaver (with updates until today). Screenshots 2011-2012. More informations: Dreher, Thomas: History of Computer Art, chapter IV.3.3 Fractal Flames. Internet: iasl.uni-muenchen.de/links/GCA

    #scottdraves #thomasdreher #evolutionaryart #generativeart #generativeartist #computerart
  12. Thomas Dreher @[email protected] ·

    Scott Draves: Electric Sheep, 1999. Internet-connected personal computers, screensaver (with updates until today). Screenshots 2011-2012. More informations: Dreher, Thomas: History of Computer Art, chapter IV.3.3 Fractal Flames. Internet: iasl.uni-muenchen.de/links/GCA #scottdraves #thomasdreher #evolutionaryart #generativeart #generativeartist #computerart #netart #screensaver #screensaverart #screensaverartwork #digitalart #digitalartist #digitalartists #computerart #computerartist

    #computerartist #digitalartists #digitalartist #digitalart #screensaverartwork #screensaverart
  13. Thomas Dreher @[email protected] ·

    Scott Draves: Electric Sheep, 1999. Internet-connected personal computers, screensaver (with updates until today). Screenshots 2011-2012. More informations: Dreher, Thomas: History of Computer Art, chapter IV.3.3 Fractal Flames. Internet: iasl.uni-muenchen.de/links/GCA #scottdraves #thomasdreher #evolutionaryart #generativeart #generativeartist #computerart #netart #screensaver #screensaverart #screensaverartwork #digitalart #digitalartist #digitalartists #computerart #computerartist

    #scottdraves #thomasdreher #evolutionaryart #generativeart #generativeartist #computerart
  14. Thomas Dreher @[email protected] ·

    Scott Draves: Electric Sheep, 1999. Internet-connected personal computers, screensaver (with updates until today). Screenshots 2011-2012. More informations: Dreher, Thomas: History of Computer Art, chapter IV.3.3 Fractal Flames. Internet: iasl.uni-muenchen.de/links/GCA #scottdraves #thomasdreher #evolutionaryart #generativeart #generativeartist #computerart #netart #screensaver #screensaverart #screensaverartwork #digitalart #digitalartist #digitalartists #computerart #computerartist

    #computerartist #digitalartists #digitalartist #digitalart #screensaverartwork #screensaverart
  15. Thomas Dreher @TDreher ·

    Allan Kaprow: 18 Happenings in Six Parts, 1959. Performance with Sam Francis, Red Grooms, Dick Higgins, Alfred Leslie, Robert Rauschenberg, Lucas Samaras, George Segal, Robert Whitman a.o. Reuben Gallery, New York. More informations: Dreher, Thomas: Performance Art seit 1945. Alktionstheater und Intermedia, Munich 2001, p.91-93,431. Internet: digi20.digitale-sammlungen.de/

    #allankaprow #samfrancis #robertrauschenberg #georgesegal #robertwhitman #redgrooms
  16. Thomas Dreher @[email protected] ·

    Allan Kaprow: 18 Happenings in Six Parts, 1959. Performance with Sam Francis, Red Grooms, Dick Higgins, Alfred Leslie, Robert Rauschenberg, Lucas Samaras, George Segal, Robert Whitman a.o. Reuben Gallery, New York. More informations: Dreher, Thomas: Performance Art seit 1945. Alktionstheater und Intermedia, Munich 2001, p.91-93,431. Internet: digi20.digitale-sammlungen.de/ #allankaprow #samfrancis #robertrauschenberg #georgesegal #robertwhitman #redgrooms #dickhiggins #thomasdreher #performanceart

    #allankaprow #samfrancis #robertrauschenberg #georgesegal #robertwhitman #redgrooms
  17. Thomas Dreher @TDreher ·

    Art & Language (Terry Atkinson, Michael Baldwin): Map of a thirty-six square mile surface area of the Pacific Ocean west of Oahu, 1967. Linotype on paper. Edition: 50. More informations: Dreher, Thomas: Art & Language (UK) 1966-72: Maps and Models, chapter II.1 Mapping. Internet: dreher.netzliteratur.net/3_Kon

    #artandlanguage #michaelbaldwin #terryatkinson #thomasdreher #conceptart #conceptartists
  18. Thomas Dreher @[email protected] ·

    Art & Language (Terry Atkinson, Michael Baldwin): Map of a thirty-six square mile surface area of the Pacific Ocean west of Oahu, 1967. Linotype on paper. Edition: 50. More informations: Dreher, Thomas: Art & Language (UK) 1966-72: Maps and Models, chapter II.1 Mapping. Internet: dreher.netzliteratur.net/3_Kon #artandlanguage #michaelbaldwin #terryatkinson #thomasdreher #conceptart #conceptartists #conceptualart #conceptartworks #mapping #mapart #mapartwork #mapartworks #sixtiesart #sixtiesartwork

    #artandlanguage #michaelbaldwin #terryatkinson #thomasdreher #conceptart #conceptartists
  19. Thomas Dreher @TDreher ·

    Art & Language (Terry Atkinson, Michael Baldwin): Map to not Indicate, 1967. Linotype on paper. Edition: 50. Tate Gallery, London. More informations: Dreher, Thomas: Art & Language und Luhmanns "Theorie der Beobachtung": "redescriptions", chapter II.1 Maps. Internet: dreher.netzliteratur.net/3_Kon

    #artandlanguage #michaelbaldwin #terryatkinson #thomasdreher #conceptart #conceptartist
  20. Thomas Dreher @[email protected] ·

    Art & Language (Terry Atkinson, Michael Baldwin): Map to not Indicate, 1967. Linotype on paper. Edition: 50. Tate Gallery, London. More informations: Dreher, Thomas: Art & Language und Luhmanns "Theorie der Beobachtung": "redescriptions", chapter II.1 Maps. Internet: dreher.netzliteratur.net/3_Kon #artandlanguage #michaelbaldwin #terryatkinson #thomasdreher #conceptart #conceptartist #conceptartwork #conceptualart #conceptualartist #conceptualartwork #sixtiesart #artsixties #printart #printartwork

    #artandlanguage #michaelbaldwin #terryatkinson #thomasdreher #conceptart #conceptartist
  21. Thomas Dreher @TDreher ·

    Peter Foldes: Hunger/La Faim, 1974. Computer animated film. More informations: Dreher, Thomas: History of Computer Art, chapter IV.2.1.3 The Seventies. Internet: iasl.uni-muenchen.de/links/GCA

    #peterfoldes #thomasdreher #filmanimation #digitalanimation #linearinterpolation #nestorburtnyk
  22. Thomas Dreher @[email protected] ·

    Peter Foldes: Hunger/La Faim, 1974. Computer animated film. More informations: Dreher, Thomas: History of Computer Art, chapter IV.2.1.3 The Seventies. Internet: iasl.uni-muenchen.de/links/GCA #peterfoldes #thomasdreher #filmanimation #digitalanimation #linearinterpolation #nestorburtnyk #MarcelliWein #cartoonfilm #stroketostrokemapping #intermediateimage #experimentalfilm #computeranimation

    #peterfoldes #thomasdreher #filmanimation #digitalanimation #linearinterpolation #nestorburtnyk
  23. Thomas Dreher @TDreher ·

    John Cage/Merce Cunningham/Billy Klüver/Robert Moog/Gordon Mumma/David Tudor/Stan Vanderbeek/Nam June Paik: Variations V. Remarks re an Audio-Visual Performance, 1965. Philharmonic Hall, NY, 1965/NDR German Television, Hamburg 1967. More informations: Dreher, Thomas: John Cage - kommentierte Chronologie, p.238. PDF: dreher.netzliteratur.net/1_Cag

    #johncage #mercecunningham #thomasdreher #stanvanderbeek #namjunepaik #robertmoog
  24. Thomas Dreher @[email protected] ·

    John Cage/Merce Cunningham/Billy Klüver/Robert Moog/Gordon Mumma/David Tudor/Stan Vanderbeek/Nam June Paik: Variations V. Remarks re an Audio-Visual Performance, 1965. Philharmonic Hall, NY, 1965/NDR German Television, Hamburg 1967. More informations: Dreher, Thomas: John Cage - kommentierte Chronologie, p.238. PDF: dreher.netzliteratur.net/1_Cag #johncage #mercecunningham #thomasdreher #stanvanderbeek #namjunepaik #robertmoog #davidtudor #closedcircuit #experimentaltheater #multimediaperformance

    #johncage #mercecunningham #thomasdreher #stanvanderbeek #namjunepaik #robertmoog
  25. Thomas Dreher @TDreher ·

    Vito Acconci: Corrections, 1970. Performance with video closed-circuit. Museum of Conceptual Art, San Francisco. More informations: Dreher, Thomas: Performance Art seit 1945. Aktionstheater und Intermedia. Munich 2001, p. 347-349. PDF: digi20.digitale-sammlungen.de/

    #vitoacconci #thomasdreher #performanceart #performanceartist #performanceartists #performanceartwork
  26. Thomas Dreher @[email protected] ·

    Vito Acconci: Corrections, 1970. Performance with video closed-circuit. Museum of Conceptual Art, San Francisco. More informations: Dreher, Thomas: Performance Art seit 1945. Aktionstheater und Intermedia. Munich 2001, p. 347-349. PDF: digi20.digitale-sammlungen.de/ #vitoacconci #thomasdreher #performanceart #performanceartist #performanceartists #performanceartwork #performanceartworks #performancearts #videoclosedcircuit #closedcircuit #performanceclosedcircuit #museumofconceptualart #bodyart

    #vitoacconci #thomasdreher #performanceart #performanceartist #performanceartists #performanceartwork
  27. Thomas Dreher @TDreher ·

    Jasper Johns: Arrive/Depart, 1963-64. Oil on canvas. Pinakothek der Moderne, Munich. © VG Bild-Kunst, Bonn 2016. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises, chapter Memory: Spuren. Internet: dreher.netzliteratur.net/8_Kon

    #jasperjohns #thomasdreher #popart #popartists #popartist #popartwork
  28. Thomas Dreher @[email protected] ·

    Jasper Johns: Arrive/Depart, 1963-64. Oil on canvas. Pinakothek der Moderne, Munich. © VG Bild-Kunst, Bonn 2016. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises, chapter Memory: Spuren. Internet: dreher.netzliteratur.net/8_Kon #jasperjohns #thomasdreher #popart #popartists #popartist #popartwork #popartworks #popartpainting #popartpaintings #pinakothekdermoderne #pinakothekdermodernemünchen #pinakothekmodern #pinakothekmunich

    #jasperjohns #thomasdreher #popart #popartists #popartist #popartwork
  29. Thomas Dreher @TDreher ·

    Robert Rauschenberg: Factum I and Factum II, 1957. Combine paintings: oil paint, ink, pencil, crayons, paper, fabric, newspaper, pictorial prints, and printed paper on canvas. Left: Museum of Contemporary Art, Los Angeles. Right: Museum of Modern Art, New York. Photo: Rocor. Creative Commons BY-NC 2.0. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises. Internet: dreher.netzliteratur.net/8_Kon

    #robertrauschenberg #thomasdreher #popart #popartist #collageart #combinepainting
  30. Thomas Dreher @[email protected] ·

    Robert Rauschenberg: Factum I and Factum II, 1957. Combine paintings: oil paint, ink, pencil, crayons, paper, fabric, newspaper, pictorial prints, and printed paper on canvas. Left: Museum of Contemporary Art, Los Angeles. Right: Museum of Modern Art, New York. Photo: Rocor. Creative Commons BY-NC 2.0. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises. Internet: dreher.netzliteratur.net/8_Kon #robertrauschenberg #thomasdreher #popart #popartist #collageart #combinepainting #rauschenberg

    #robertrauschenberg #thomasdreher #popart #popartist #collageart #combinepainting
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