#cindysherman — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #cindysherman, aggregated by home.social.
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https://www.europesays.com/at/302078/ Gabriele Stötzer: Körper vs. Stumpfsinn #Art #ArtAndDesign #AT #Austria #CindySherman #CyTwombly #Design #Entertainment #Feuilleton #GabrieleStötzer #GeorgBaselitz #GerhardRichter #HenryMoore #JosephBeuys #Kunst #KunstUndDesign #Österreich #RebeccaHorn #RosemarieTrockel #Unterhaltung #WolfgangTillmans
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Can you have a world-class museum and a five-star hotel in one? MACAM says you can in Lisbon
If you walk through hotels, many have art collections, but what if one buil…
#Portugal #PT #Europe #Europa #EU #ArmandoMartins #artmuseum #CindySherman #ContemporaryArt #ErwinWurm #lisbon #MACAM #MartinParr #MuseudeArteContemporâneaArmandoMartins #NanGoldin #noticias #OlafurEliasson #PaulaRego #portugal #RirkritTiravanija #RodrigoOliveira #SamTaylor-Johnson #TonyCragg
https://www.europesays.com/3144388/ -
Viktor & Rolf Are Getting a Paris Retrospective
The Musée des Arts Décoratifs is to showcase 30 years of couture by Dutch design duo Viktor &…
#France #FR #Europe #EU #Paris #archivalmaterials #CindySherman #hautecouture #MuséedesArtsDécoratifs #StephenA.Schwarzman #TildaSwinton #Viktor&Rolf #WWD
https://www.europesays.com/france/45754/ -
https://www.europesays.com/ie/505393/ Virginia Museum of Fine Arts Receives Major Gift of Nearly 2,000 Important Photographs #alfredstieglitz #Arts #ArtsAndDesign #ArtsAndDesign #ArtsDesign #cindysherman #daguerreotypes #Design #donation #Éire #Entertainment #IE #Ireland #manray #nadar #stephenshore #virginiamuseumoffinearts
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Virginia Museum of Fine Arts Receives Major Gift of Nearly 2,000 Important Photographs https://petapixel.com/2026/05/27/virginia-museum-of-fine-arts-receives-major-gift-of-nearly-2000-important-photographs/ #virginiamuseumoffinearts #alfredstieglitz #daguerreotypes #cindysherman #stephenshore #donation #Analog #manray #nadar #News
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Virginia Museum of Fine Arts Receives Major Gift of Nearly 2,000 Important Photographs https://petapixel.com/2026/05/27/virginia-museum-of-fine-arts-receives-major-gift-of-nearly-2000-important-photographs/ #virginiamuseumoffinearts #alfredstieglitz #daguerreotypes #cindysherman #stephenshore #donation #Analog #manray #nadar #News
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Virginia Museum of Fine Arts Receives Major Gift of Nearly 2,000 Important Photographs https://petapixel.com/2026/05/27/virginia-museum-of-fine-arts-receives-major-gift-of-nearly-2000-important-photographs/ #virginiamuseumoffinearts #alfredstieglitz #daguerreotypes #cindysherman #stephenshore #donation #Analog #manray #nadar #News
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Virginia Museum of Fine Arts Receives Major Gift of Nearly 2,000 Important Photographs https://petapixel.com/2026/05/27/virginia-museum-of-fine-arts-receives-major-gift-of-nearly-2000-important-photographs/ #virginiamuseumoffinearts #alfredstieglitz #daguerreotypes #cindysherman #stephenshore #donation #Analog #manray #nadar #News
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Virginia Museum of Fine Arts Receives Major Gift of Nearly 2,000 Important Photographs https://petapixel.com/2026/05/27/virginia-museum-of-fine-arts-receives-major-gift-of-nearly-2000-important-photographs/ #virginiamuseumoffinearts #alfredstieglitz #daguerreotypes #cindysherman #stephenshore #donation #Analog #manray #nadar #News
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https://www.europesays.com/ch-fr/110712/ Cindy Sherman signe l’affiche du Locarno 2026, entre identité et métamorphose #affiche #artiste #ArtsEtDivertissement #ArtsVisuels #CindySherman #Cinéma #Culture #Divertissement #Entertainment #Festival #FestivalDeCinéma #FestivalInternationalDuFilmDeLocarno #Photographie #Suisse #tourisme
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Locarno: Artist Cindy Sherman Designs 2026 Festival Poster
#News #CindySherman #Locarno #LocarnoFilmFestivalhttps://deadline.com/2026/04/locarno-cindy-sherman-2026-poster-1236875648/
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Locarno: Artist Cindy Sherman Designs 2026 Festival Poster
#News #CindySherman #Locarno #LocarnoFilmFestivalhttps://deadline.com/2026/04/locarno-cindy-sherman-2026-poster-1236875648/
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Locarno: Artist Cindy Sherman Designs 2026 Festival Poster
#News #CindySherman #Locarno #LocarnoFilmFestivalhttps://deadline.com/2026/04/locarno-cindy-sherman-2026-poster-1236875648/
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Locarno: Artist Cindy Sherman Designs 2026 Festival Poster
#News #CindySherman #Locarno #LocarnoFilmFestivalhttps://deadline.com/2026/04/locarno-cindy-sherman-2026-poster-1236875648/
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Locarno Film Festival 2026 Poster Features Cindy Sherman’s “Ecstatic Gaze”
#MovieNews #Movies #CindySherman #International #Locarno2026 #LocarnoFilmFestival -
Locarno Film Festival 2026 Poster Features Cindy Sherman’s “Ecstatic Gaze”
#MovieNews #Movies #CindySherman #International #Locarno2026 #LocarnoFilmFestival -
Locarno Film Festival 2026 Poster Features Cindy Sherman’s “Ecstatic Gaze”
#MovieNews #Movies #CindySherman #International #Locarno2026 #LocarnoFilmFestival -
Locarno Film Festival 2026 Poster Features Cindy Sherman’s “Ecstatic Gaze”
#MovieNews #Movies #CindySherman #International #Locarno2026 #LocarnoFilmFestival -
Locarno Film Festival 2026 Poster Features Cindy Sherman’s “Ecstatic Gaze”
#MovieNews #Movies #CindySherman #International #Locarno2026 #LocarnoFilmFestival -
Un théâtre de l’intime à Deauville
Envie de découvrir cette conversation silencieuse entre deux icônes ?
L’exposition est à voir à Deauville, dans le cadre du Planches Contact Festival, du 18 octobre 2025 au 4 janvier 2026.#photographie #exposition #deauville #planchescontactfestival #cindysherman #claudecahun #artvisuel #intimité #portrait #celinepivoine
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Un théâtre de l’intime à Deauville
Envie de découvrir cette conversation silencieuse entre deux icônes ?
L’exposition est à voir à Deauville, dans le cadre du Planches Contact Festival, du 18 octobre 2025 au 4 janvier 2026.#photographie #exposition #deauville #planchescontactfestival #cindysherman #claudecahun #artvisuel #intimité #portrait #celinepivoine
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Gizmodo: Grok Thinks This Border Patrol Chief Who Looks Like a Nazi Is Cindy Sherman. “Photos of Greg Bovino, the Border Patrol chief who’s become the face of President Donald Trump’s deportation campaign, have gone viral recently because Bovino’s fashion choices make him look like an old school Nazi. But don’t bother asking AI chatbots about the photos. Elon Musk’s Grok thinks that […]
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Gizmodo: Grok Thinks This Border Patrol Chief Who Looks Like a Nazi Is Cindy Sherman. “Photos of Greg Bovino, the Border Patrol chief who’s become the face of President Donald Trump’s deportation campaign, have gone viral recently because Bovino’s fashion choices make him look like an old school Nazi. But don’t bother asking AI chatbots about the photos. Elon Musk’s Grok thinks that […]
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Gizmodo: Grok Thinks This Border Patrol Chief Who Looks Like a Nazi Is Cindy Sherman. “Photos of Greg Bovino, the Border Patrol chief who’s become the face of President Donald Trump’s deportation campaign, have gone viral recently because Bovino’s fashion choices make him look like an old school Nazi. But don’t bother asking AI chatbots about the photos. Elon Musk’s Grok thinks that […]
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Gizmodo: Grok Thinks This Border Patrol Chief Who Looks Like a Nazi Is Cindy Sherman. “Photos of Greg Bovino, the Border Patrol chief who’s become the face of President Donald Trump’s deportation campaign, have gone viral recently because Bovino’s fashion choices make him look like an old school Nazi. But don’t bother asking AI chatbots about the photos. Elon Musk’s Grok thinks that […]
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Gizmodo: Grok Thinks This Border Patrol Chief Who Looks Like a Nazi Is Cindy Sherman. “Photos of Greg Bovino, the Border Patrol chief who’s become the face of President Donald Trump’s deportation campaign, have gone viral recently because Bovino’s fashion choices make him look like an old school Nazi. But don’t bother asking AI chatbots about the photos. Elon Musk’s Grok thinks that […]
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A mostra reúne mais de 60 obras e apresenta um panorama da efervescência artística de N.York nos anos 80. Em destaque o choque e a fusão de movimentos como o Neo-Expressionismo, a Arte de Rua e a Arte de Apropriação.
#KeithHaring #Warhol #Basquiat #CindySherman -
A mostra reúne mais de 60 obras e apresenta um panorama da efervescência artística de N.York nos anos 80. Em destaque o choque e a fusão de movimentos como o Neo-Expressionismo, a Arte de Rua e a Arte de Apropriação.
#KeithHaring #Warhol #Basquiat #CindySherman -
A mostra reúne mais de 60 obras e apresenta um panorama da efervescência artística de N.York nos anos 80. Em destaque o choque e a fusão de movimentos como o Neo-Expressionismo, a Arte de Rua e a Arte de Apropriação.
#KeithHaring #Warhol #Basquiat #CindySherman -
A mostra reúne mais de 60 obras e apresenta um panorama da efervescência artística de N.York nos anos 80. Em destaque o choque e a fusão de movimentos como o Neo-Expressionismo, a Arte de Rua e a Arte de Apropriação.
#KeithHaring #Warhol #Basquiat #CindySherman -
Good Movie: Smoke Signals
"Any similarity to actual persons, living, dead, or indigenous, is purely coincidental."
http://rustyring.blogspot.com/2013/02/good-movie-smoke-signals.html
#alienation, #FirstNations, #GoldSide, #movie, #review, #ShermanAlexie, #Spokane, #CindySherman
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Good Movie: Smoke Signals
"Any similarity to actual persons, living, dead, or indigenous, is purely coincidental."
http://rustyring.blogspot.com/2013/02/good-movie-smoke-signals.html
#alienation, #FirstNations, #GoldSide, #movie, #review, #ShermanAlexie, #Spokane, #CindySherman
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Good Movie: Smoke Signals
"Any similarity to actual persons, living, dead, or indigenous, is purely coincidental."
http://rustyring.blogspot.com/2013/02/good-movie-smoke-signals.html
#alienation, #FirstNations, #GoldSide, #movie, #review, #ShermanAlexie, #Spokane, #CindySherman
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Good Movie: Smoke Signals
"Any similarity to actual persons, living, dead, or indigenous, is purely coincidental."
http://rustyring.blogspot.com/2013/02/good-movie-smoke-signals.html
#alienation, #FirstNations, #GoldSide, #movie, #review, #ShermanAlexie, #Spokane, #CindySherman
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The New Yorker Magazine Commissions Six Photographers to Shoot 100th Anniversary Covers https://petapixel.com/2025/09/18/the-new-yorker-magazine-commissions-six-photographers-to-shoot-100th-anniversary-covers/ #100thanniversary #magazinecover #cindysherman #newyorker #spikelee #Culture #News
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The New Yorker Magazine Commissions Six Photographers to Shoot 100th Anniversary Covers https://petapixel.com/2025/09/18/the-new-yorker-magazine-commissions-six-photographers-to-shoot-100th-anniversary-covers/ #100thanniversary #magazinecover #cindysherman #newyorker #spikelee #Culture #News
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The New Yorker Magazine Commissions Six Photographers to Shoot 100th Anniversary Covers https://petapixel.com/2025/09/18/the-new-yorker-magazine-commissions-six-photographers-to-shoot-100th-anniversary-covers/ #100thanniversary #magazinecover #cindysherman #newyorker #spikelee #Culture #News
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The New Yorker Magazine Commissions Six Photographers to Shoot 100th Anniversary Covers https://petapixel.com/2025/09/18/the-new-yorker-magazine-commissions-six-photographers-to-shoot-100th-anniversary-covers/ #100thanniversary #magazinecover #cindysherman #newyorker #spikelee #Culture #News
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The New Yorker Magazine Commissions Six Photographers to Shoot 100th Anniversary Covers https://petapixel.com/2025/09/18/the-new-yorker-magazine-commissions-six-photographers-to-shoot-100th-anniversary-covers/ #100thanniversary #magazinecover #cindysherman #newyorker #spikelee #Culture #News
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Cindy Sherman is Destroying and Reprinting Her Damaged Photographs https://petapixel.com/2025/06/16/cindy-sherman-is-destroying-and-reprinting-her-damaged-photographs/ #artconservation #damagedphotos #cindysherman #Culture #News #moma
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Cindy Sherman is Destroying and Reprinting Her Damaged Photographs https://petapixel.com/2025/06/16/cindy-sherman-is-destroying-and-reprinting-her-damaged-photographs/ #artconservation #damagedphotos #cindysherman #Culture #News #moma
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Cindy Sherman is Destroying and Reprinting Her Damaged Photographs https://petapixel.com/2025/06/16/cindy-sherman-is-destroying-and-reprinting-her-damaged-photographs/ #artconservation #damagedphotos #cindysherman #Culture #News #moma
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Cindy Sherman is Destroying and Reprinting Her Damaged Photographs https://petapixel.com/2025/06/16/cindy-sherman-is-destroying-and-reprinting-her-damaged-photographs/ #artconservation #damagedphotos #cindysherman #Culture #News #moma
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Cindy Sherman is Destroying and Reprinting Her Damaged Photographs https://petapixel.com/2025/06/16/cindy-sherman-is-destroying-and-reprinting-her-damaged-photographs/ #artconservation #damagedphotos #cindysherman #Culture #News #moma
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THE STORY OF ART WITHOUT MEN
#KatyHesselText Bild und Foto-Performance (80er Jahre)
Cindy Sherman - Fotografin
( *1954 )Untitled Film Still #4
In der 70 Fotos umfassenden Serie von SW-Fotos UNTITLED FILM STILLS inszeniert sich die Künstlerin als Frau allein in verletzlichen Situationen.
Bildquelle:
https://www.icaboston.org/art/cindy-sherman/untitled-film-still-48/#TheStoryOfArtWithoutMen #WomanArt #WomanArtist #Frauenkunst #Kunst #CindySherman
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THE STORY OF ART WITHOUT MEN
#KatyHesselText Bild und Foto-Performance (80er Jahre)
Cindy Sherman - Fotografin
( *1954 )Untitled Film Still #4
In der 70 Fotos umfassenden Serie von SW-Fotos UNTITLED FILM STILLS inszeniert sich die Künstlerin als Frau allein in verletzlichen Situationen.
Bildquelle:
https://www.icaboston.org/art/cindy-sherman/untitled-film-still-48/#TheStoryOfArtWithoutMen #WomanArt #WomanArtist #Frauenkunst #Kunst #CindySherman
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THE STORY OF ART WITHOUT MEN
#KatyHesselText Bild und Foto-Performance (80er Jahre)
Cindy Sherman - Fotografin
( *1954 )Untitled Film Still #4
In der 70 Fotos umfassenden Serie von SW-Fotos UNTITLED FILM STILLS inszeniert sich die Künstlerin als Frau allein in verletzlichen Situationen.
Bildquelle:
https://www.icaboston.org/art/cindy-sherman/untitled-film-still-48/#TheStoryOfArtWithoutMen #WomanArt #WomanArtist #Frauenkunst #Kunst #CindySherman
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THE STORY OF ART WITHOUT MEN
#KatyHesselText Bild und Foto-Performance (80er Jahre)
Cindy Sherman - Fotografin
( *1954 )Untitled Film Still #4
In der 70 Fotos umfassenden Serie von SW-Fotos UNTITLED FILM STILLS inszeniert sich die Künstlerin als Frau allein in verletzlichen Situationen.
Bildquelle:
https://www.icaboston.org/art/cindy-sherman/untitled-film-still-48/#TheStoryOfArtWithoutMen #WomanArt #WomanArtist #Frauenkunst #Kunst #CindySherman
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Madame De Pompadour (Née Poisson) [Soup Tureen With Platter, part of a set] by Cindy Sherman, 1990 (screenprint and hand-painting on porcelain)
#cindysherman #art #contemporaryart -
Madame De Pompadour (Née Poisson) [Soup Tureen With Platter, part of a set] by Cindy Sherman, 1990 (screenprint and hand-painting on porcelain)
#cindysherman #art #contemporaryart -
Madame De Pompadour (Née Poisson) [Soup Tureen With Platter, part of a set] by Cindy Sherman, 1990 (screenprint and hand-painting on porcelain)
#cindysherman #art #contemporaryart -
Les métamorphoses de Cindy Sherman
Par Guillaume Lasserre sur @mediapartblogs
À Anvers, le FOMU présente une rétrospective d’envergure de la photographe américaine à travers deux expositions permettant de couvrir cinquante ans de carrière. À « Early works » qui rend compte de ses débuts répond « Anti-fashion » qui illustre sa fascination pour la mode, dressant une critique féroce du milieu en remettant en question les canons de beauté établis.
« Entre attraction et rejet, Cindy Sherman est très vite confrontée à un rapport ambigu avec le glamour du monde de la mode. À partir de 1983, elle collabore avec de maisons de haute-couture et des magazines réputés. Plusieurs de ses créations trouvent alors leur origine dans des commandes de l’industrie de la mode. Dans les années quatre-vingt, celle-ci est fortement stimulée par l’accélération du consumérisme. Dans les commandes, comme dans son œuvre personnelle, Sherman va adopter une attitude critique, créant des photos de mode subversives au point de choquer plusieurs de ses clients, qui refuseront ses images, les considérant comme antipublicitaires. »
Pour relativiser le caractère « subversif » de son travil, notons tout de même que Cindy Sherman doit le succès de sa carrière au soutien indéfectible de la famille Vuitton, de magazines de luxe comme « Vogue » ou « Harper’s Bazaar ».
Photo : Cindy Sherman, Untitled #462, 2007/2008.
⭕ https://blogs.mediapart.fr/guillaume-lasserre/blog/310125/les-metamorphoses-de-cindy-sherman
#photographie #PhotographiePlasticienne #ArtConceptuel #mode #pub #CindySherman #EtatsUnis
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Les métamorphoses de Cindy Sherman
Par Guillaume Lasserre sur @mediapartblogs
À Anvers, le FOMU présente une rétrospective d’envergure de la photographe américaine à travers deux expositions permettant de couvrir cinquante ans de carrière. À « Early works » qui rend compte de ses débuts répond « Anti-fashion » qui illustre sa fascination pour la mode, dressant une critique féroce du milieu en remettant en question les canons de beauté établis.
« Entre attraction et rejet, Cindy Sherman est très vite confrontée à un rapport ambigu avec le glamour du monde de la mode. À partir de 1983, elle collabore avec de maisons de haute-couture et des magazines réputés. Plusieurs de ses créations trouvent alors leur origine dans des commandes de l’industrie de la mode. Dans les années quatre-vingt, celle-ci est fortement stimulée par l’accélération du consumérisme. Dans les commandes, comme dans son œuvre personnelle, Sherman va adopter une attitude critique, créant des photos de mode subversives au point de choquer plusieurs de ses clients, qui refuseront ses images, les considérant comme antipublicitaires. »
Pour relativiser le caractère « subversif » de son travil, notons tout de même que Cindy Sherman doit le succès de sa carrière au soutien indéfectible de la famille Vuitton, de magazines de luxe comme « Vogue » ou « Harper’s Bazaar ».
Photo : Cindy Sherman, Untitled #462, 2007/2008.
⭕ https://blogs.mediapart.fr/guillaume-lasserre/blog/310125/les-metamorphoses-de-cindy-sherman
#photographie #PhotographiePlasticienne #ArtConceptuel #mode #pub #CindySherman #EtatsUnis
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Les métamorphoses de Cindy Sherman
Par Guillaume Lasserre sur @mediapartblogs
À Anvers, le FOMU présente une rétrospective d’envergure de la photographe américaine à travers deux expositions permettant de couvrir cinquante ans de carrière. À « Early works » qui rend compte de ses débuts répond « Anti-fashion » qui illustre sa fascination pour la mode, dressant une critique féroce du milieu en remettant en question les canons de beauté établis.
« Entre attraction et rejet, Cindy Sherman est très vite confrontée à un rapport ambigu avec le glamour du monde de la mode. À partir de 1983, elle collabore avec de maisons de haute-couture et des magazines réputés. Plusieurs de ses créations trouvent alors leur origine dans des commandes de l’industrie de la mode. Dans les années quatre-vingt, celle-ci est fortement stimulée par l’accélération du consumérisme. Dans les commandes, comme dans son œuvre personnelle, Sherman va adopter une attitude critique, créant des photos de mode subversives au point de choquer plusieurs de ses clients, qui refuseront ses images, les considérant comme antipublicitaires. »
Pour relativiser le caractère « subversif » de son travil, notons tout de même que Cindy Sherman doit le succès de sa carrière au soutien indéfectible de la famille Vuitton, de magazines de luxe comme « Vogue » ou « Harper’s Bazaar ».
Photo : Cindy Sherman, Untitled #462, 2007/2008.
⭕ https://blogs.mediapart.fr/guillaume-lasserre/blog/310125/les-metamorphoses-de-cindy-sherman
#photographie #PhotographiePlasticienne #ArtConceptuel #mode #pub #CindySherman #EtatsUnis
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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"7" #promvent24
Cindy Shermans "Untitled Film Stills" ist eine Sammlung von siebzig Schwarz-Weiß-Fotografien aus den Jahren zwischen 1977 und 1980, auf denen die Künstlerin in der Gestalt verschiedener generischer weiblicher Filmcharaktere posiert, darunter Arbeiterin, Vamp, einsame Hausfrau. Die Bilder sind so inszeniert, dass sie Szenen aus Hollywoodfilmen der 1950er- und 60er-Jahre ähneln#zahlenausallerwelt #Berlin #ostbahnhof #berlingram
#zahlenausdembildarchiv #cindysherman #filmstills -
"7" #promvent24
Cindy Shermans "Untitled Film Stills" ist eine Sammlung von siebzig Schwarz-Weiß-Fotografien aus den Jahren zwischen 1977 und 1980, auf denen die Künstlerin in der Gestalt verschiedener generischer weiblicher Filmcharaktere posiert, darunter Arbeiterin, Vamp, einsame Hausfrau. Die Bilder sind so inszeniert, dass sie Szenen aus Hollywoodfilmen der 1950er- und 60er-Jahre ähneln#zahlenausallerwelt #Berlin #ostbahnhof #berlingram
#zahlenausdembildarchiv #cindysherman #filmstills