#cindysherman — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #cindysherman, aggregated by home.social.
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Locarno: Artist Cindy Sherman Designs 2026 Festival Poster
#News #CindySherman #Locarno #LocarnoFilmFestivalhttps://deadline.com/2026/04/locarno-cindy-sherman-2026-poster-1236875648/
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Locarno Film Festival 2026 Poster Features Cindy Sherman’s “Ecstatic Gaze”
#MovieNews #Movies #CindySherman #International #Locarno2026 #LocarnoFilmFestival -
Un théâtre de l’intime à Deauville
Envie de découvrir cette conversation silencieuse entre deux icônes ?
L’exposition est à voir à Deauville, dans le cadre du Planches Contact Festival, du 18 octobre 2025 au 4 janvier 2026.#photographie #exposition #deauville #planchescontactfestival #cindysherman #claudecahun #artvisuel #intimité #portrait #celinepivoine
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Un théâtre de l’intime à Deauville
Envie de découvrir cette conversation silencieuse entre deux icônes ?
L’exposition est à voir à Deauville, dans le cadre du Planches Contact Festival, du 18 octobre 2025 au 4 janvier 2026.#photographie #exposition #deauville #planchescontactfestival #cindysherman #claudecahun #artvisuel #intimité #portrait #celinepivoine
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Un théâtre de l’intime à Deauville
Envie de découvrir cette conversation silencieuse entre deux icônes ?
L’exposition est à voir à Deauville, dans le cadre du Planches Contact Festival, du 18 octobre 2025 au 4 janvier 2026.#photographie #exposition #deauville #planchescontactfestival #cindysherman #claudecahun #artvisuel #intimité #portrait #celinepivoine
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Gizmodo: Grok Thinks This Border Patrol Chief Who Looks Like a Nazi Is Cindy Sherman. “Photos of Greg Bovino, the Border Patrol chief who’s become the face of President Donald Trump’s deportation campaign, have gone viral recently because Bovino’s fashion choices make him look like an old school Nazi. But don’t bother asking AI chatbots about the photos. Elon Musk’s Grok thinks that […]
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A mostra reúne mais de 60 obras e apresenta um panorama da efervescência artística de N.York nos anos 80. Em destaque o choque e a fusão de movimentos como o Neo-Expressionismo, a Arte de Rua e a Arte de Apropriação.
#KeithHaring #Warhol #Basquiat #CindySherman -
Cindy Sherman is Destroying and Reprinting Her Damaged Photographs https://petapixel.com/2025/06/16/cindy-sherman-is-destroying-and-reprinting-her-damaged-photographs/ #artconservation #damagedphotos #cindysherman #Culture #News #moma
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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Люсия (Люся?) Сотникова решила перешерманить Синди Шерман • Lucia Sotnikova, unknown title, 2024, from the exhibition “Stage Lights, Kitchen Nights” at Berthold Pott, Cologne ★ Russia/Germany ★ https://artviewer.org/lucia-sotnikova-at-berthold-pott/ #LuciaSotnikova #contemporaryart #feministart #photobasedart #collage #multilayered #transformation #misfittings #clichés #dolls #deconstruction #malegaze #appropriation #conсeptualselfportrait #selfportrait #Barbieworld #picturesgeneration #comparisons #CindySherman #2020s
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Hundreds of #photos from the #collection of #EltonJohn and #DavidFurnish will go on #display in #London.
The #exhibition, titled “#FragileBeauty,” will include 300 #images by more than 140 #photographers, including #DianeArbus, #CindySherman, #RobertMapplethorpe, #WilliamEggleston, #ZaneleMuholi and #AiWeiwei..
#UK #Entertainment #TheArts #Photography #Representation #Culture
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The astonishing work #YourRainbowPanorama by #OlafurEliasson rides on top of the art museum #ARoS in Århus. The Vogt has experienced the joy of this rainbow before, and was this time also excited over the exhibition #Tapestries by #CindySherman. And riding an ARoS coat hanger is of course an unforgettable thrill too!Tomorrow we make a new move, to København/Copenhagen.
https://aros.dk/en/art/current-exhibitions/cindy-sherman-tapestries/
#TheVogt #TheVogt2023 #ReRailed2023 #interrail #Århus #Aarhus