#richard-hamilton — Public Fediverse posts
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Dzisiaj obchodzimy rocznicę urodzin Richarda Hamiltona, ojca pop-artu. Jego twórczość zmieniła świat sztuki, dając początek nowej erze sztuki współczesnej. Hamilton to niezwykły artysta, który swoim dziełem "Just What Is It That Makes Today's Homes So Different, So Appealing?" zdefiniował pop-art jako formę ekspresji kultury masowej. Jego prace są nieprzemijające i pełne nowych znaczeń. #RichardHamilton #PopArt #Sztuka #Kultura (fot. Wikipedia)
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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It’s in the telling, not the story
My time is my only real resource. My time is finite. I’m temporarily able-bodied. I’m temporarily in control of my thoughts—and only mostly in control if I’m honest. We feel deeply touched when someone pays attention to us. This is why many people fight (figuratively and literally) for attention. The power of all the solitary experiences (books and music, meditation and personal movement, writing and all other composition, regardless of medium) is that we are free from the constraints of others’ time. With the solitary we remain entirely in control of the use of our own time.
By comparison, the consumption of stories via electronic media can leave us feeling peculiarly undernourished, dissatisfied and unfulfilled, as if we had just gulped down fast food. Despite an insatiable desire for more, we rarely feel uplifted, and it’s not often that we think about the characters for days afterwards. Storytelling is the oldest, purest and most direct form of human communication. Modern technology is no substitute for this unique compact between narrator and listener.
~ Richard Hamilton from, A story told aloud, in person, has a power like no other | Aeon Essays
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The trick (in addition to T. E. Lawrence’s “not minding it hurts”) is to be aware of when we need to surrender our control to the others’ time. Sometimes we need to be enthralled. Sometimes we need to feel touched. Sometimes we need to feel ourselves given over to the power of others. For that, the power is more so in the telling.
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Solomon R. Guggenheim by Richard Hamilton, 1967 #richardhamilton #guggenheim https://www.guggenheim.org/artwork/1610
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Er gilt als Gründungsvater der Pop-Art. Lange vor Andy Warhol schlachtete der Brite Richard Hamilton den Bilderschatz der populären Kultur für seine Kunst aus.
Prophet der Pop-Art: Richard Hamilton zum 100. | DW | 23.02.2022
#RichardHamilton #PopArt #AndyWarhol