#criticism — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #criticism, aggregated by home.social.
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‘Parallel Tales’ Review: Asghar Farhadi’s Dire Kieślowski Adaptation Turns ‘A Shot Film About Love’ Into a Long Film About Nothing
#IndieWire #Criticism #Movies #AsgharFarhadi #Cannes #Festivals #Film #ParallelTales #Reviewshttps://www.indiewire.com/criticism/movies/parallel-tales-movie-review-asghar-farhadi-1235193969/
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‘Fatherland’ Review: Pawel Pawlikowski Fans Will Feel Cozily, Coldly at Home with His Latest Tour Through Europe’s Regrets
#IndieWire #Criticism #Movies #Cannes #Fatherland #Festivals #Film #PawelPawlikowski #Reviews -
‘The Meltdown’ Review: A Teenage Girl Disappears from a Chilean Ski Resort in a Probing Thriller
#IndieWire #Criticism #Movies #Cannes #Festivals #Film #Reviews #TheMeltdownhttps://www.indiewire.com/criticism/movies/the-meltdown-movie-review-manuela-martelli-1235193627/
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Why I'm leaving #GitHub
source: jorijn.com/en/blog/leaving-git…
TL;DR
• GitHub logged 257 incidents in May 2025 to April 2026, 48 of them major. The CTO publicly apologised and said capacity needs to scale 30x to keep up with AI-driven load.
• In August 2025 GitHub stopped having its own CEO. It is now a unit of Microsoft's #CoreAI division, the same group building Copilot and the broader AI stack.
• On April 24, 2026 GitHub flipped #Copilot Free, Pro, and Pro+ user-interaction data to opt-in for AI training by default. There is no repository-level opt-out.
• US-jurisdictional risk under #FISA Section 702 and the CLOUD Act is unresolved. Microsoft's own attorney told the French Senate under oath he could not #guarantee #EU data was safe from silent US #government access.So tell me why do they still use GitHub?
#news #software #privacy #ai #economy #fail #problem #ethics #protest #foss #floss #opensource #code #coder #developer #nerd #hacker #usa #politics #freedom #internet #online #service #control #access #technology #economy #platform #criticism #future #society #microsoft #bigdata #bigtech #power
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Why I'm leaving #GitHub
source: jorijn.com/en/blog/leaving-git…
TL;DR
• GitHub logged 257 incidents in May 2025 to April 2026, 48 of them major. The CTO publicly apologised and said capacity needs to scale 30x to keep up with AI-driven load.
• In August 2025 GitHub stopped having its own CEO. It is now a unit of Microsoft's #CoreAI division, the same group building Copilot and the broader AI stack.
• On April 24, 2026 GitHub flipped #Copilot Free, Pro, and Pro+ user-interaction data to opt-in for AI training by default. There is no repository-level opt-out.
• US-jurisdictional risk under #FISA Section 702 and the CLOUD Act is unresolved. Microsoft's own attorney told the French Senate under oath he could not #guarantee #EU data was safe from silent US #government access.So tell me why do they still use GitHub?
#news #software #privacy #ai #economy #fail #problem #ethics #protest #foss #floss #opensource #code #coder #developer #nerd #hacker #usa #politics #freedom #internet #online #service #control #access #technology #economy #platform #criticism #future #society #microsoft #bigdata #bigtech #power
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Why I'm leaving #GitHub
source: jorijn.com/en/blog/leaving-git…
TL;DR
• GitHub logged 257 incidents in May 2025 to April 2026, 48 of them major. The CTO publicly apologised and said capacity needs to scale 30x to keep up with AI-driven load.
• In August 2025 GitHub stopped having its own CEO. It is now a unit of Microsoft's #CoreAI division, the same group building Copilot and the broader AI stack.
• On April 24, 2026 GitHub flipped #Copilot Free, Pro, and Pro+ user-interaction data to opt-in for AI training by default. There is no repository-level opt-out.
• US-jurisdictional risk under #FISA Section 702 and the CLOUD Act is unresolved. Microsoft's own attorney told the French Senate under oath he could not #guarantee #EU data was safe from silent US #government access.So tell me why do they still use GitHub?
#news #software #privacy #ai #economy #fail #problem #ethics #protest #foss #floss #opensource #code #coder #developer #nerd #hacker #usa #politics #freedom #internet #online #service #control #access #technology #economy #platform #criticism #future #society #microsoft #bigdata #bigtech #power
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GameStop CEO炮轟eBay董事會為一群失敗者(有片)
https://www.am730.com.hk/財經/1030462/gamestop-ceo炮轟ebay董事會為一群失敗者-有片- -
‘Is God Is’ Review: Filmmaker Aleshea Harris Fulfills Her Destiny in This Fizzy and Fiery Revenge Debut
#IndieWire #Criticism #Movies #AlesheaHarris #Film #IsGodIs #Reviewshttps://www.indiewire.com/criticism/movies/is-god-is-film-review-1235193878/
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‘Ashes’ Review: Diego Luna Directs a Complex Migration Story from the Heart
#IndieWire #Criticism #Movies #Ashes #Cannes #DiegoLuna #Festivals #Film #Reviewshttps://www.indiewire.com/criticism/movies/ashes-review-diego-luna-1235193827/
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‘Ashes’ Review: Diego Luna Directs a Complex Migration Story from the Heart
#IndieWire #Criticism #Movies #Ashes #Cannes #DiegoLuna #Festivals #Film #Reviewshttps://www.indiewire.com/criticism/movies/ashes-review-diego-luna-1235193827/
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‘Ashes’ Review: Diego Luna Directs a Complex Migration Story from the Heart
#IndieWire #Criticism #Movies #Ashes #Cannes #DiegoLuna #Festivals #Film #Reviewshttps://www.indiewire.com/criticism/movies/ashes-review-diego-luna-1235193827/
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‘Ashes’ Review: Diego Luna Directs a Complex Migration Story from the Heart
#IndieWire #Criticism #Movies #Ashes #Cannes #DiegoLuna #Festivals #Film #Reviewshttps://www.indiewire.com/criticism/movies/ashes-review-diego-luna-1235193827/
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‘Ashes’ Review: Diego Luna Directs a Complex Migration Story from the Heart
#IndieWire #Criticism #Movies #Ashes #Cannes #DiegoLuna #Festivals #Film #Reviewshttps://www.indiewire.com/criticism/movies/ashes-review-diego-luna-1235193827/
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‘Teenage Sex and Death at Camp Miasma’ Review: Jane Schoenbrun’s Affectionate Ode to Slashers, Orgasms, and Gillian Anderson
#IndieWire #Criticism #Movies #Cannes #Film #JaneSchoenbrun #Reviews #TeenageSexandDeathatCampMiasma -
According to figures from the NRW State Chancellery, which were reported by WDR, the black-green state government frequently fails to respond to parliamentary i... https://news.osna.fm/?p=45871 | #news #answers #criticism #faces #government
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‘Top Gun: Maverick’ Review: The Most Satisfying Summer Action Movie Since ‘Mission: Impossible — Fallout’
#IndieWire #Criticism #Movies #Film #JenniferConnelly #JonHamm #JosephKosinski #MilesTeller #Reviews #TomCruise #TopGunMaverickhttps://www.indiewire.com/criticism/movies/top-gun-maverick-review-1234723766/
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‘A Woman’s Life’ Review: No One Plays a Lady on the Edge Quite Like Léa Drucker
#IndieWire #Criticism #Movies #AWoman039sLife #Cannes #Festivals #Film #Reviewshttps://www.indiewire.com/criticism/movies/a-womans-life-review-lea-drucker-1235193127/
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‘Nagi Notes’ Review: Koji Fukada Returns with a Sweet and Quietly Spectacular Farm Drama About the Pleasures of Being Seen
#IndieWire #Criticism #Movies #Cannes #Festivals #Film #NagiNotes #Reviewshttps://www.indiewire.com/criticism/movies/nagi-notes-movie-review-1235193607/
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‘Butterfly Jam’ Review: Barry Keoghan Serves Up Some Delicious Insects in a Bizarre Coming-of-Age Drama
#IndieWire #Criticism #Movies #ButterflyJam #Cannes #Film #Reviewshttps://www.indiewire.com/criticism/movies/butterfly-jam-movie-review-1235193691/
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Critical Reception: Russell Brand’s 'How to Become a Christian in 7 Days'
Russell Brand's book 'How to Become a Christian in 7 Days' is getting very negative reviews from critics and readers. Many say it is confusing and not good.
#RussellBrand, #BookReview, #Christianity, #NewBook, #Criticism
https://newsletter.tf/russell-brand-book-bad-reviews-may-2026/
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Russell Brand's new book has received overwhelmingly negative reviews, with many critics giving it one star. This is much lower than expected for a new release.
#RussellBrand, #BookReview, #Christianity, #NewBook, #Criticism
https://newsletter.tf/russell-brand-book-bad-reviews-may-2026/ -
‘In Waves’ Review: Gorgeous Animation Cannot Obscure This Too-Familiar, Too-Tragic Story
#IndieWire #Criticism #Movies #Cannes #Festivals #Film #InWaves #Reviewshttps://www.indiewire.com/criticism/movies/in-waves-film-review-animation-tragic-1235193480/
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‘The Electric Kiss’ Review: Pierre Salvadori’s Fizzy Carnival Saga Overstays Its Welcome
#IndieWire #Criticism #Movies #Cannes #Film #Reviews #TheElectricKisshttps://www.indiewire.com/criticism/movies/the-electric-kiss-review-cannes-1235193561/
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RE: https://mastodon.thi.ng/@toxi/110293441969762183
I wrote this in May 2023 and I'm still fully standing behind this, maybe even more so by now, with a position strengthened by "recent developments" and the ongoing normalization of mythologizing software/technology (and commercially exploiting these myths) rather than being focused on actively demystifying them, communicating the strengths/weaknesses of algorithms/techniques, their behaviors etc, also creatively/artistically...
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RE: https://mastodon.thi.ng/@toxi/110293441969762183
I wrote this in May 2023 and I'm still fully standing behind this, maybe even more so by now, with a position strengthened by "recent developments" and the ongoing normalization of mythologizing software/technology (and commercially exploiting these myths) rather than being focused on actively demystifying them, communicating the strengths/weaknesses of algorithms/techniques, their behaviors etc, also creatively/artistically...
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RE: https://mastodon.thi.ng/@toxi/110293441969762183
I wrote this in May 2023 and I'm still fully standing behind this, maybe even more so by now, with a position strengthened by "recent developments" and the ongoing normalization of mythologizing software/technology (and commercially exploiting these myths) rather than being focused on actively demystifying them, communicating the strengths/weaknesses of algorithms/techniques, their behaviors etc, also creatively/artistically...
-
RE: https://mastodon.thi.ng/@toxi/110293441969762183
I wrote this in May 2023 and I'm still fully standing behind this, maybe even more so by now, with a position strengthened by "recent developments" and the ongoing normalization of mythologizing software/technology (and commercially exploiting these myths) rather than being focused on actively demystifying them, communicating the strengths/weaknesses of algorithms/techniques, their behaviors etc, also creatively/artistically...
-
RE: https://mastodon.thi.ng/@toxi/110293441969762183
I wrote this in May 2023 and I'm still fully standing behind this, maybe even more so by now, with a position strengthened by "recent developments" and the ongoing normalization of mythologizing software/technology (and commercially exploiting these myths) rather than being focused on actively demystifying them, communicating the strengths/weaknesses of algorithms/techniques, their behaviors etc, also creatively/artistically...
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Book Review: The Complete Book of 1990s Broadway Musicals by Dan Dietz
Author: Dan Dietz
Title: The Complete Book of 1990s Broadway Musicals
Other Books Read by the Same Author:- The Complete Book of 1930s Broadway Musicals
- The Complete Book of 1940s Broadway Musicals
- The Complete Book of 1950s Broadway Musicals
- The Complete Book of 1960s Broadway Musicals
- The Complete Book of 1970s Broadway Musicals
- The Compete Book of 1980s Broadway Musicals
Publication Info: Rowman & Littlefield (2016)
Summary/Review:The 1990s feels like a transitional decade for Broadway. On the one hand, after a couple of decades of financial decline, the Broadway theater district felt thriving and viable again. On the other hand, many critics – including author Dan Dietz – saw the decade as the Disnification of Broadway.
Disney introduced only two musicals during the decade – adaptations of Beauty and the Beast and The Lion King – but the overall effect is that family-friendly megamusicals that attracted tourists edged out shows intended for grown-up audiences and local theater buffs. Revivals of books musicals continued to outnumber new productions, including Chicago, which became more successful than its original run and still plays to this day. Speaking of long running shows, any new production on Broadway had to compete with hits like Cats, Les Miserables, and Phantom of the Opera which occupied theaters throughout the decade.
The decade also saw an increase in adapting relatively recent movies as musicals including My Favorite Year, The Goodbye Girl, Big, Victor/Victoria, and Footloose. There were also a number of revues of songs by Rodgers & Hammerstein, Stephen Sondhem, Johnny Burke, Johnny Mercer, George and Ira Gershwin and blues and swing by Black artists. This trend presaged the 2000s when movie adaptations and/or jukebox musical rely on reiterating the familiar and nostalgic at the expense of the new. Nevertheless, several memorable musicals made their debut in the 1990s including: Once on This Island, The Secret Garden, The Will Rogers Follies, Crazy for You, Falsettos, Jelly’s Last Jam, Kiss of the Spider Woman, Passion, Smokey Joe’s Cafe, Sunset Boulevard, Bring in ‘da Noise, Bring in ‘da Funk, Titanic, Ragtime, Fosse, and Parade. Dan Dietz, who grows crankier with each volume of this series, disliked most of these shows, and trashed Rent and Ragtime (two shows I love). Dietz’s obvious prejudices which manifest themselves in his rents against “political correctness” make this unpleasant read. But I do still enjoy that he’s gathered together so many facts about each show in one place that are hard to find anywhere else.
Rating: ***
#BookReviews #Books #Broadway #Criticism #MusicalTheater #Reference -
Book Review: The Complete Book of 1990s Broadway Musicals by Dan Dietz
Author: Dan Dietz
Title: The Complete Book of 1990s Broadway Musicals
Other Books Read by the Same Author:- The Complete Book of 1930s Broadway Musicals
- The Complete Book of 1940s Broadway Musicals
- The Complete Book of 1950s Broadway Musicals
- The Complete Book of 1960s Broadway Musicals
- The Complete Book of 1970s Broadway Musicals
- The Compete Book of 1980s Broadway Musicals
Publication Info: Rowman & Littlefield (2016)
Summary/Review:The 1990s feels like a transitional decade for Broadway. On the one hand, after a couple of decades of financial decline, the Broadway theater district felt thriving and viable again. On the other hand, many critics – including author Dan Dietz – saw the decade as the Disnification of Broadway.
Disney introduced only two musicals during the decade – adaptations of Beauty and the Beast and The Lion King – but the overall effect is that family-friendly megamusicals that attracted tourists edged out shows intended for grown-up audiences and local theater buffs. Revivals of books musicals continued to outnumber new productions, including Chicago, which became more successful than its original run and still plays to this day. Speaking of long running shows, any new production on Broadway had to compete with hits like Cats, Les Miserables, and Phantom of the Opera which occupied theaters throughout the decade.
The decade also saw an increase in adapting relatively recent movies as musicals including My Favorite Year, The Goodbye Girl, Big, Victor/Victoria, and Footloose. There were also a number of revues of songs by Rodgers & Hammerstein, Stephen Sondhem, Johnny Burke, Johnny Mercer, George and Ira Gershwin and blues and swing by Black artists. This trend presaged the 2000s when movie adaptations and/or jukebox musical rely on reiterating the familiar and nostalgic at the expense of the new. Nevertheless, several memorable musicals made their debut in the 1990s including: Once on This Island, The Secret Garden, The Will Rogers Follies, Crazy for You, Falsettos, Jelly’s Last Jam, Kiss of the Spider Woman, Passion, Smokey Joe’s Cafe, Sunset Boulevard, Bring in ‘da Noise, Bring in ‘da Funk, Titanic, Ragtime, Fosse, and Parade. Dan Dietz, who grows crankier with each volume of this series, disliked most of these shows, and trashed Rent and Ragtime (two shows I love). Dietz’s obvious prejudices which manifest themselves in his rents against “political correctness” make this unpleasant read. But I do still enjoy that he’s gathered together so many facts about each show in one place that are hard to find anywhere else.
Rating: ***
#BookReviews #Books #Broadway #Criticism #MusicalTheater #Reference -
Book Review: The Complete Book of 1990s Broadway Musicals by Dan Dietz
Author: Dan Dietz
Title: The Complete Book of 1990s Broadway Musicals
Other Books Read by the Same Author:- The Complete Book of 1930s Broadway Musicals
- The Complete Book of 1940s Broadway Musicals
- The Complete Book of 1950s Broadway Musicals
- The Complete Book of 1960s Broadway Musicals
- The Complete Book of 1970s Broadway Musicals
- The Compete Book of 1980s Broadway Musicals
Publication Info: Rowman & Littlefield (2016)
Summary/Review:The 1990s feels like a transitional decade for Broadway. On the one hand, after a couple of decades of financial decline, the Broadway theater district felt thriving and viable again. On the other hand, many critics – including author Dan Dietz – saw the decade as the Disnification of Broadway.
Disney introduced only two musicals during the decade – adaptations of Beauty and the Beast and The Lion King – but the overall effect is that family-friendly megamusicals that attracted tourists edged out shows intended for grown-up audiences and local theater buffs. Revivals of books musicals continued to outnumber new productions, including Chicago, which became more successful than its original run and still plays to this day. Speaking of long running shows, any new production on Broadway had to compete with hits like Cats, Les Miserables, and Phantom of the Opera which occupied theaters throughout the decade.
The decade also saw an increase in adapting relatively recent movies as musicals including My Favorite Year, The Goodbye Girl, Big, Victor/Victoria, and Footloose. There were also a number of revues of songs by Rodgers & Hammerstein, Stephen Sondhem, Johnny Burke, Johnny Mercer, George and Ira Gershwin and blues and swing by Black artists. This trend presaged the 2000s when movie adaptations and/or jukebox musical rely on reiterating the familiar and nostalgic at the expense of the new. Nevertheless, several memorable musicals made their debut in the 1990s including: Once on This Island, The Secret Garden, The Will Rogers Follies, Crazy for You, Falsettos, Jelly’s Last Jam, Kiss of the Spider Woman, Passion, Smokey Joe’s Cafe, Sunset Boulevard, Bring in ‘da Noise, Bring in ‘da Funk, Titanic, Ragtime, Fosse, and Parade. Dan Dietz, who grows crankier with each volume of this series, disliked most of these shows, and trashed Rent and Ragtime (two shows I love). Dietz’s obvious prejudices which manifest themselves in his rents against “political correctness” make this unpleasant read. But I do still enjoy that he’s gathered together so many facts about each show in one place that are hard to find anywhere else.
Rating: ***
#BookReviews #Books #Broadway #Criticism #MusicalTheater #Reference -
Book Review: The Complete Book of 1990s Broadway Musicals by Dan Dietz
Author: Dan Dietz
Title: The Complete Book of 1990s Broadway Musicals
Other Books Read by the Same Author:- The Complete Book of 1930s Broadway Musicals
- The Complete Book of 1940s Broadway Musicals
- The Complete Book of 1950s Broadway Musicals
- The Complete Book of 1960s Broadway Musicals
- The Complete Book of 1970s Broadway Musicals
- The Compete Book of 1980s Broadway Musicals
Publication Info: Rowman & Littlefield (2016)
Summary/Review:The 1990s feels like a transitional decade for Broadway. On the one hand, after a couple of decades of financial decline, the Broadway theater district felt thriving and viable again. On the other hand, many critics – including author Dan Dietz – saw the decade as the Disnification of Broadway.
Disney introduced only two musicals during the decade – adaptations of Beauty and the Beast and The Lion King – but the overall effect is that family-friendly megamusicals that attracted tourists edged out shows intended for grown-up audiences and local theater buffs. Revivals of books musicals continued to outnumber new productions, including Chicago, which became more successful than its original run and still plays to this day. Speaking of long running shows, any new production on Broadway had to compete with hits like Cats, Les Miserables, and Phantom of the Opera which occupied theaters throughout the decade.
The decade also saw an increase in adapting relatively recent movies as musicals including My Favorite Year, The Goodbye Girl, Big, Victor/Victoria, and Footloose. There were also a number of revues of songs by Rodgers & Hammerstein, Stephen Sondhem, Johnny Burke, Johnny Mercer, George and Ira Gershwin and blues and swing by Black artists. This trend presaged the 2000s when movie adaptations and/or jukebox musical rely on reiterating the familiar and nostalgic at the expense of the new. Nevertheless, several memorable musicals made their debut in the 1990s including: Once on This Island, The Secret Garden, The Will Rogers Follies, Crazy for You, Falsettos, Jelly’s Last Jam, Kiss of the Spider Woman, Passion, Smokey Joe’s Cafe, Sunset Boulevard, Bring in ‘da Noise, Bring in ‘da Funk, Titanic, Ragtime, Fosse, and Parade. Dan Dietz, who grows crankier with each volume of this series, disliked most of these shows, and trashed Rent and Ragtime (two shows I love). Dietz’s obvious prejudices which manifest themselves in his rents against “political correctness” make this unpleasant read. But I do still enjoy that he’s gathered together so many facts about each show in one place that are hard to find anywhere else.
Rating: ***
#BookReviews #Books #Broadway #Criticism #MusicalTheater #Reference -
Book Review: The Complete Book of 1990s Broadway Musicals by Dan Dietz
Author: Dan Dietz
Title: The Complete Book of 1990s Broadway Musicals
Other Books Read by the Same Author:- The Complete Book of 1930s Broadway Musicals
- The Complete Book of 1940s Broadway Musicals
- The Complete Book of 1950s Broadway Musicals
- The Complete Book of 1960s Broadway Musicals
- The Complete Book of 1970s Broadway Musicals
- The Compete Book of 1980s Broadway Musicals
Publication Info: Rowman & Littlefield (2016)
Summary/Review:The 1990s feels like a transitional decade for Broadway. On the one hand, after a couple of decades of financial decline, the Broadway theater district felt thriving and viable again. On the other hand, many critics – including author Dan Dietz – saw the decade as the Disnification of Broadway.
Disney introduced only two musicals during the decade – adaptations of Beauty and the Beast and The Lion King – but the overall effect is that family-friendly megamusicals that attracted tourists edged out shows intended for grown-up audiences and local theater buffs. Revivals of books musicals continued to outnumber new productions, including Chicago, which became more successful than its original run and still plays to this day. Speaking of long running shows, any new production on Broadway had to compete with hits like Cats, Les Miserables, and Phantom of the Opera which occupied theaters throughout the decade.
The decade also saw an increase in adapting relatively recent movies as musicals including My Favorite Year, The Goodbye Girl, Big, Victor/Victoria, and Footloose. There were also a number of revues of songs by Rodgers & Hammerstein, Stephen Sondhem, Johnny Burke, Johnny Mercer, George and Ira Gershwin and blues and swing by Black artists. This trend presaged the 2000s when movie adaptations and/or jukebox musical rely on reiterating the familiar and nostalgic at the expense of the new. Nevertheless, several memorable musicals made their debut in the 1990s including: Once on This Island, The Secret Garden, The Will Rogers Follies, Crazy for You, Falsettos, Jelly’s Last Jam, Kiss of the Spider Woman, Passion, Smokey Joe’s Cafe, Sunset Boulevard, Bring in ‘da Noise, Bring in ‘da Funk, Titanic, Ragtime, Fosse, and Parade. Dan Dietz, who grows crankier with each volume of this series, disliked most of these shows, and trashed Rent and Ragtime (two shows I love). Dietz’s obvious prejudices which manifest themselves in his rents against “political correctness” make this unpleasant read. But I do still enjoy that he’s gathered together so many facts about each show in one place that are hard to find anywhere else.
Rating: ***
#BookReviews #Books #Broadway #Criticism #MusicalTheater #Reference -
Life is not just one pleasure ride, there are ups and there are downs and the description, heard many years ago, that life is a rollercoaster still fits to this day. How we weather the individual events of our lives is impossible to regulate, and also to foresee. Events happen which we have not expected, which we could never anticipate, and wit
Recording the Dark Side of Life
https://urban.camera/2026/05/recording-the-dark-side-of-life/#Art #Criticism #Education #Jazz #Literature #Music #Society
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‘The Sheep Detectives’ Review: Digital Barnyard Animals Solve a Murder in a Cozy Mystery for the Whole Flock
#IndieWire #Criticism #Movies #Film #HughJackman #Reviews #TheSheepDetectiveshttps://www.indiewire.com/criticism/movies/the-sheep-detectives-review-1235192819/
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‘Remarkably Bright Creatures’ Review: Sally Field Bonds with an Octopus, but the Human Drama Works Too
#IndieWire #Criticism #Movies #Film #LewisPullman #Netflix #OliviaNewman #RemarkablyBrightCreatures #Reviews #SallyField -
‘Billie Eilish – Hit Me Hard and Soft: The Tour’ Review: James Cameron Captures the Singer in 3D, and in All Her Doomy Grandeur
#IndieWire #Criticism #Movies #BillieEilish #Film #JamesCameron #Reviews -
‘Mortal Kombat II’ Review: Not Even Kitana Can Save This Doomed IP from Another Film Fatality
#IndieWire #Criticism #Movies #Film #KarlUrban #MortalKombatII #Reviewshttps://www.indiewire.com/criticism/movies/mortal-kombat-2-film-review-1235192434/
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Celtics’ Jaylen Brown fined $50,000 by the NBA for public criticism of playoff officiating https://www.rawchili.com/4993602/ #agenda #BasketballOperationsJamesJones #Boston #Celtics #Criticism #day #fined #FirstRoundExit #FirstRoundPlayoffSeries #GameOfficial #head #JaylenBrown #livestream #loss #NBA #officiating #PLAYOFF #Public #PublicCriticism #thousands
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Celtics’ Jaylen Brown fined $50,000 by the NBA for public criticism of playoff officiating https://www.rawchili.com/4993602/ #agenda #BasketballOperationsJamesJones #Boston #Celtics #Criticism #day #fined #FirstRoundExit #FirstRoundPlayoffSeries #GameOfficial #head #JaylenBrown #livestream #loss #NBA #officiating #PLAYOFF #Public #PublicCriticism #thousands
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Dallas Morning News and Texas Monthly journalists win Pulitzer prizes
"Lamster’s criticism frequently examines the consequences of rapid urban growth, questioning who benefits and who is left out when cities evolve. He’s critiqued proposals to tear down Dallas City Hall and advocated for the building, designed by famed architect I.M. Pei."
#Dallas #Journalism #MarkLamster #PulitzerPrize #Criticism #Architecture #Texas
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A quotation from Richard Steele
It’s a particular Observation I have always made, That of all Mortals, a Critick is the silliest; for by inuring himself to examine all Things, whether they are of Consequence or not, he never looks upon any Thing but with a Design of passing Sentence upon it; by which Means, he is never a Companion, but always a Censor. This makes him earnest upon Trifles; and dispute on the most indifferent Occasions with vehemence.
Richard Steele (1672-1729) Anglo-Irish writer, journalist, playwright, politician
Essay (1709-07-14), The Tatler, No. 29More about this quote: wist.info/steele-richard/21787…
#quote #quotes #quotation #qotd #richardsteele #appraisal #censor #condemnation #contention #critic #criticism #critics #focus #judgment #objections #sentence #trivia
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‘Departures’ Review: This Gay, British Dark Comedy Is a Cult Classic in the Making
#IndieWire #Criticism #Movies #Departures #Film #Reviewshttps://www.indiewire.com/criticism/movies/departures-review-gay-british-comedy-1235192132/
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‘Lord of the Flies’ Review: ‘Adolescence’ Echoes Through Netflix’s Vivid, Eerie Adaptation
#IndieWire #Criticism #Shows #JackThorne #LordoftheFlies #Netflix #Reviews #TV -
‘Lord of the Flies’ Review: ‘Adolescence’ Echoes Through Netflix’s Vivid, Eerie Adaptation
#IndieWire #Criticism #Shows #JackThorne #LordoftheFlies #Netflix #Reviews #TV -
‘Lord of the Flies’ Review: ‘Adolescence’ Echoes Through Netflix’s Vivid, Eerie Adaptation
#IndieWire #Criticism #Shows #JackThorne #LordoftheFlies #Netflix #Reviews #TV -
‘Lord of the Flies’ Review: ‘Adolescence’ Echoes Through Netflix’s Vivid, Eerie Adaptation
#IndieWire #Criticism #Shows #JackThorne #LordoftheFlies #Netflix #Reviews #TV -
@holdenweb Criticism of the only #Jewish #political #Party #leader in the UK by a non-Jewish one on the grounds of alleged #antisemitism & illegitimate #criticism of the #MetPolice is absurd & invalid. @thegreenparty aren't stupid & neither is @ZackPolanski. They know, & he knows, just exactly what Keir #Starmer is about - & it STINKS!
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A quotation from Robert Louis Stevenson
It is the business of this life to make excuses for others, but none for ourselves. We should be clearly persuaded of our own misconduct, for that is the part of knowledge in which we are most apt to be defective.
Robert Louis Stevenson (1850-1894) Scottish essayist, novelist, poet
Essay (1880-01/02?), “Reflections and Remarks on Human Life,” § 1.1 “Justice and Justification”More about this quote: wist.info/stevenson-robert-lou…
#quote #quotes #quotation #qotd #robertlouisstevenson #criticism #excuses #forgiveness #selfawareness #selfblame #selfconsciousness #selfcorrection #selfcriticism #selfdiscipline #selfdoubt #selfevaluation #selfimprovement #selfjudgment #selfopinion #selfregard #blame #selfblame #accountability
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A quotation from Robert Louis Stevenson
It is the business of this life to make excuses for others, but none for ourselves. We should be clearly persuaded of our own misconduct, for that is the part of knowledge in which we are most apt to be defective.
Robert Louis Stevenson (1850-1894) Scottish essayist, novelist, poet
Essay (1880-01/02?), “Reflections and Remarks on Human Life,” § 1.1 “Justice and Justification”More about this quote: wist.info/stevenson-robert-lou…
#quote #quotes #quotation #qotd #robertlouisstevenson #criticism #excuses #forgiveness #selfawareness #selfblame #selfconsciousness #selfcorrection #selfcriticism #selfdiscipline #selfdoubt #selfevaluation #selfimprovement #selfjudgment #selfopinion #selfregard #blame #selfblame #accountability