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#whitneymuseum — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #whitneymuseum, aggregated by home.social.

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  1. Yayoi Kusama, who splashed polka dots across the art world, dies at 97

    TOKYO — Japanese artist Yayoi Kusama, who splashed her signature polka dots on paintings, sculptures and museum installations around the…
    #EuropeSays #Japan #JP #americanart #artworld #Company #hallucination #infinitymirrorrooms #Japanese #kusama #LosAngelesTimes #museuminstallation #newyork #polkadot #sculpture #Tokyo #whitneymuseum #yayoikusama
    europesays.com/japan/80978/

  2. A Wall That Plays Along, Taina H. Cruz. At the Whitney Biennial. #art #whitneymuseum #biennial

  3. A Wall That Plays Along, Taina H. Cruz. At the Whitney Biennial. #art #whitneymuseum #biennial

  4. A Wall That Plays Along, Taina H. Cruz. At the Whitney Biennial. #art #whitneymuseum #biennial

  5. Wstrząsająca tragedia w Whitney Museum - 34-letni mężczyzna zginął po skoku z muzeum. Scott Rothkopf poinformował pracowników o incydencie, podkreślając, jak głęboko wpływa na społeczność. Muzeum otworzy się nieco później, by dać czas na refleksję. Jak takie wydarzenia zmieniają nasz odbiór sztuki i przestrzeni publicznej? Dzielmy się wsparciem i troską. #WhitneyMuseum #Refleksja #Społeczność #artnews
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    artnews.com/art-news/news/whit

  6. Wstrząsająca tragedia w Whitney Museum - 34-letni mężczyzna zginął po skoku z muzeum. Scott Rothkopf poinformował pracowników o incydencie, podkreślając, jak głęboko wpływa na społeczność. Muzeum otworzy się nieco później, by dać czas na refleksję. Jak takie wydarzenia zmieniają nasz odbiór sztuki i przestrzeni publicznej? Dzielmy się wsparciem i troską. #WhitneyMuseum #Refleksja #Społeczność #artnews
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    artnews.com/art-news/news/whit

  7. Wstrząsająca tragedia w Whitney Museum - 34-letni mężczyzna zginął po skoku z muzeum. Scott Rothkopf poinformował pracowników o incydencie, podkreślając, jak głęboko wpływa na społeczność. Muzeum otworzy się nieco później, by dać czas na refleksję. Jak takie wydarzenia zmieniają nasz odbiór sztuki i przestrzeni publicznej? Dzielmy się wsparciem i troską. #WhitneyMuseum #Refleksja #Społeczność #artnews
    ---
    artnews.com/art-news/news/whit

  8. Wstrząsająca tragedia w Whitney Museum - 34-letni mężczyzna zginął po skoku z muzeum. Scott Rothkopf poinformował pracowników o incydencie, podkreślając, jak głęboko wpływa na społeczność. Muzeum otworzy się nieco później, by dać czas na refleksję. Jak takie wydarzenia zmieniają nasz odbiór sztuki i przestrzeni publicznej? Dzielmy się wsparciem i troską. #WhitneyMuseum #Refleksja #Społeczność #artnews
    ---
    artnews.com/art-news/news/whit

  9. Wstrząsająca tragedia w Whitney Museum - 34-letni mężczyzna zginął po skoku z muzeum. Scott Rothkopf poinformował pracowników o incydencie, podkreślając, jak głęboko wpływa na społeczność. Muzeum otworzy się nieco później, by dać czas na refleksję. Jak takie wydarzenia zmieniają nasz odbiór sztuki i przestrzeni publicznej? Dzielmy się wsparciem i troską. #WhitneyMuseum #Refleksja #Społeczność #artnews
    ---
    artnews.com/art-news/news/whit

  10. France to Accelerate Return of Looted Artworks—and More Art News

    The Headlines MORAL CODE OF MUSEUMS. “Why write a book about museum ethics?” Gareth Harris, author of Towards the Ethical Art…
    #NewsBeep #News #Artsanddesign #Arts #ArtsAndDesign #Design #EmmanuelMacron #Entertainment #Hauser&Wirth #UK #UnitedKingdom #WhitneyMuseum
    newsbeep.com/uk/36914/

  11. Whitney Museum Cancels Pro-Palestine Performance at Its Storied Independent Study Program | Participants in the renowned program claim it has lost its vaunted independence
    news.artnet.com/art-world/whit #museums #ProPalestine #WhitneyMuseum

  12. Whitney Museum Cancels Pro-Palestine Performance at Its Storied Independent Study Program | Participants in the renowned program claim it has lost its vaunted independence
    news.artnet.com/art-world/whit #museums #ProPalestine #WhitneyMuseum

  13. Whitney Museum Cancels Pro-Palestine Performance at Its Storied Independent Study Program | Participants in the renowned program claim it has lost its vaunted independence
    news.artnet.com/art-world/whit #museums #ProPalestine #WhitneyMuseum

  14. Whitney Museum Cancels Pro-Palestine Performance at Its Storied Independent Study Program | Participants in the renowned program claim it has lost its vaunted independence
    news.artnet.com/art-world/whit #museums #ProPalestine #WhitneyMuseum

  15. Whitney Museum Cancels Pro-Palestine Performance at Its Storied Independent Study Program | Participants in the renowned program claim it has lost its vaunted independence
    news.artnet.com/art-world/whit #museums #ProPalestine #WhitneyMuseum

  16. hal foster: “fail better. reckoning with artists and critics”

    Sandro Ricaldone

    HAL FOSTER
    Fail Better
    Reckoning with Artists and Critics
    The MIT Press, 2025
    (forthcoming)

    “Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.

    In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.

    Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.

    #AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram

  17. hal foster: “fail better. reckoning with artists and critics”

    Sandro Ricaldone

    HAL FOSTER
    Fail Better
    Reckoning with Artists and Critics
    The MIT Press, 2025
    (forthcoming)

    “Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.

    In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.

    Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.

    #AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram

  18. hal foster: “fail better. reckoning with artists and critics”

    Sandro Ricaldone

    HAL FOSTER
    Fail Better
    Reckoning with Artists and Critics
    The MIT Press, 2025
    (forthcoming)

    “Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.

    In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.

    Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.

    #AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram

  19. hal foster: “fail better. reckoning with artists and critics”

    Sandro Ricaldone

    HAL FOSTER
    Fail Better
    Reckoning with Artists and Critics
    The MIT Press, 2025
    (forthcoming)

    “Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.

    In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.

    Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.

    #AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram

  20. (4/4) And finally, just a snapshot. I had no idea this painting is at the Whitney, which is where it becomes obvious I'd never been to the Whitney before 😉

    #whitneymuseum #edwardhopper #nyc

  21. [4 of 4] And finally, just a snapshot. I had no idea this painting is at the Whitney, which is where it becomes obvious I'd never been to the Whitney before 😉

    #whitneymuseum #edwardhopper #nyc

  22. (4/4) And finally, just a snapshot. I had no idea this painting is at the Whitney, which is where it becomes obvious I'd never been to the Whitney before 😉

    #whitneymuseum #edwardhopper #nyc

  23. (4/4) And finally, just a snapshot. I had no idea this painting is at the Whitney, which is where it becomes obvious I'd never been to the Whitney before 😉

    #whitneymuseum #edwardhopper #nyc

  24. (4/4) And finally, just a snapshot. I had no idea this painting is at the Whitney, which is where it becomes obvious I'd never been to the Whitney before 😉

    #whitneymuseum #edwardhopper #nyc

  25. (1/4) A few from an impromptu Whitney Museum trip. The Meatpacking District is so gentrified that it’s a caricature of itself, but the Whitney made for a great afternoon.

    #photography #mobilephotography #iphonephotography #architecurephotography #nyc #newyorkcity #whitneymuseum

  26. (1/4) A few from an impromptu Whitney Museum trip. The Meatpacking District is so gentrified that it’s a caricature of itself, but the Whitney made for a great afternoon.

    #photography #mobilephotography #iphonephotography #architecurephotography #nyc #newyorkcity #whitneymuseum

  27. (1/4) A few from an impromptu Whitney Museum trip. The Meatpacking District is so gentrified that it’s a caricature of itself, but the Whitney made for a great afternoon.

    #photography #mobilephotography #iphonephotography #architecurephotography #nyc #newyorkcity #whitneymuseum

  28. (1/4) A few from an impromptu Whitney Museum trip. The Meatpacking District is so gentrified that it’s a caricature of itself, but the Whitney made for a great afternoon.

    #photography #mobilephotography #iphonephotography #architecurephotography #nyc #newyorkcity #whitneymuseum

  29. (1/4) A few from an impromptu Whitney Museum trip. The Meatpacking District is so gentrified that it’s a caricature of itself, but the Whitney made for a great afternoon.

    #photography #mobilephotography #iphonephotography #architecurephotography #nyc #newyorkcity #whitneymuseum