Search
1000 results for “Mucker”
-
Allgemeines Meckern über KI-Einsatz liest man überall. Ich teile mal ein positives Erlebnis mit der #KI der #DKB:
Es gibt im UI einfach keine Möglichkeit alle Dokumente aus dem Postfach herunterzuladen. In den letzten Jahren haben sich da über 500 angesammelt.
Die "Hilfe" befragt und die KI hat sofort bestätigt, dass es nur manuell geht und einen workflow vorgeschlagen, der es auch nicht IT-lern einfacher gemacht hätte.
Auf meinen Wunsch das an einen Menschen zu schicken, gab es einen Link zum Kontaktformular. Nach dem Klick war dort schon mein Anliegen kurz zusammengefasst vorausgefüllt.Topp!
So ist KI tatsächlich ein Gewinn für mich als Kunde.
Traurig ist aber das grottige UI. 😡 Leider funktioniert nicht einmal DownThemAll, da die Links erst auf den Klick hin generiert werden. 🤢
-
(3/?)
Now the other side also has a bit of a pattern. I mucked with the photo settings a bit to try to pick up the iridescence of the beads.
-
CW: RAINN (Rape, Abuse, & Incest National Network) Alternatives, Free Resources, uspol (US Politics) mentioned
Hey, finding out about this a little later than I would have liked, but if you have any resources linking to the organization RAINN, I would recommend you remove them and find safer alternatives. I'll provide some alternatives in this post, so we can continue to try and keep each other safe, though please hear me out on this situation until then.
In 2025 they removed any mentions of trans survivors and are no longer providing specialized life saving resources to the minorities who may happen to call. This resource is no longer safe for minorities to access, and I argue that it's not safe for anyone to access if they're silencing survivors, period.
It's claimed that "RAINN’s mission is to stop sexual violence by supporting survivors, holding perpetrators accountable, and creating safer communities." However, by submitting to a notorious perpetrator, Donald John Trump, they're making a mockery of the work they set out to do. This is not only shameful, but dangerous.
Cuts to funding is nothing new and I'm grateful that programs like *The Trevor Project are doing emergency fundraising to fight to keep their doors open instead of submitting to threats by facism. Standing by The People is more important than ever.
Please consider donating if it's financially safe for you to do so: https://www.thetrevorproject.org/emergencycampaign/Here's a couple of articles on the matter that I could find that aren't digustingly pay-walled. (Thanks for nothing NYT.) But yeah, please take from them what you will, do your own research as well, and make a more informed decision going forward.
https://newrepublic.com/post/195327/top-sexual-assault-hotline-rainn-caves-trump https://instinctmagazine.com/the-hotline-went-cold-rainn-pulls-support-for-lgbtq-survivors/
Here's some resources that could be better alternatives to RAINN. You may need to list more than one in its place for it to be a more complete replacement, so please keep this in mind. Please read up on them, so you can be well informed on the resources you're sharing.
https://translifeline.org/
https://translifeline.org/resources/
https://www.incestaware.org/
https://www.callblackline.com/
https://strongheartshelpline.org/get-help
https://thrivelifeline.org/
https://www.thetrevorproject.org/Thank you for listening and please continue to keep each other safe. ✊🏼
#Resources #FreeResources #KeepEachOTherSafe #Survivor #CSAsurvivor #MentalHealthResources #DomesticViolence #DomesticViolenceAwareness #Incest #IncestSurvivor #LGBT #LGBTQ #LGBTQIA2S #USpol
-
ShareSaturday, May 17The Kyiv Independent [unofficial]
Before you start reading, a minute of your attention. The Kyiv Independent’s journalism is backed by our readers. Right now, we need 2,000 more people to back us. Can we count you in?
Russia’s war against Ukraine
Turkish Foreign Minister Hakan Fidan chairs Turkiye-Russia-Ukraine Trilateral Meeting at Dolmabahce Presidential Office in Istanbul, Turkiye on May 16, 2025. (Arda Kucukkaya / Anadolu via Getty Images)
Ukraine-Russia talks in Istanbul end, Moscow demands Kyiv withdraw from 4 regions, no ceasefire agreement. Some of Russia’s demands include the withdrawal of Ukrainian troops from their own territory as a condition for a ceasefire, an unnamed Ukrainian source told Sky News.
Ukraine, Russia agree to hold follow-up meeting after Istanbul peace talks. “Parties have agreed in principle to come together again,” Turkish Foreign Minister Hakan Fidan said.
‘Time to increase the pressure‘ — Zelensky, European leaders speak with Trump following Istanbul peace talks. The conversation took place shortly after the conclusion of the Russia-Ukraine peace talks in Istanbul, which ended with little progress beyond an agreement on prisoner exchange.
Russia, Ukraine agree on 1,000-for-1,000 POW exchange in Istanbul, Umerov says. “We know the date, but we’re not going to say it yet,” Defense Minister Rustem Umerov said.
Your contribution helps keep the Kyiv Independent going. Become a member today.
Trump says he’s returning to US, expects to meet Putin ‘as soon as we can set it up.’ “I think it’s time for us to just do it,” U.S. Presidnet Donald Trump said in Abu Dhabi, adding that the meeting between the two would happen “as soon as we can set it up.”
Up to 640,000 Russian troops fighting against Ukraine, Syrskyi says. Vadym Skibitskyi, the deputy head of Ukraine’s military intelligence agency (HUR), reported in March that Russia had deployed 620,000 soldiers to fight in Ukraine, a rise from his previous estimate of nearly 580,000 in November 2024.
Putin appoints general who led Mariupol assault as new Russian Ground Forces Commander. Under Andrey Mordvichev’s command, Russian troops carried out the destruction of civilian infrastructure and committed atrocities against both civilians and the Ukrainian military, Ukraine has said.
Explosions rock occupied Crimea as drone attack reportedly sets Russian ammo depot on fire. A fire broke out at an ammunition depot in the village of Perevalne in Russian-occupied Crimea following a series of explosions during a drone attack on the morning of May 16, the Crimean Wind Telegram channel reported, citing local residents.
Read our exclusives
Ukraine war latest: Moscow demands Kyiv withdraw from 4 regions following the talks, no ceasefire agreement
Ukrainian and Russian delegations concluded their talks in Istanbul on May 16 after speaking for less than two hours, with no agreement reached on a full, 30-day ceasefire, and Moscow demanding Kyiv withdraw completely from Ukraine’s four oblasts that President Vladimir Putin claims to have annexed.
Photo: Arif Yaman / Anadolu via Getty Images
‘Putin is laughing at Trump’ — Ukraine in disbelief as Russia makes a mockery of US-led ceasefire attempts
Russian President Vladimir Putin had rebuffed President Volodymyr Zelensky, his European allies, and the U.S., and in response, Donald Trump simply went along with it, excusing his Russian counterpart for not attending the peace talks in Istanbul that Putin himself proposed.
Photo: Brendan Smialowski / AFP via Getty Images
‘It’s all a farce’ — Ukrainian soldiers on Russia’s ‘smokescreen’ peace talks in Istanbul
Ukraine continues to insist on a ceasefire, supported by the U.S. and Europe, saying that a halt to active warfare must come before any real peace talks are possible. Russia has so far rejected a truce four times — on March 11, March 25, May 11 and the most recent one on May 16 in Istanbul.
Photo: Contributor / Getty Images
Who is Vladimir Medinsky? The Putin aide leading Russia’s delegation at Ukraine peace talks
Despite an invitation from Volodymyr Zelensky to meet in Istanbul, Vladimir Putin was a no-show in Turkey, sending instead an aide, Vladimir Medinsky, to head the Russian delegation in peace talks. Medinsky headed the only other direct talks between the two sides in March–April 2022.
Photo: Yasin Akgul / AFP via Getty Images
Human cost of Russia’s war
Ukraine brings back bodies of 909 fallen soldiers. The bodies of soldiers were recovered from Donetsk, Luhansk, Zaporizhzhia, Sumy and Kharkiv oblasts as well as from morgues in Russia.
With Ukraine’s Peaky Blinders chasing Russian soldiers near Pokrovsk
International response
‘This is turkey time’ — Trump vows sanctions on Moscow if peace talks fail, says Putin is ‘tired’ of war. “Honestly, I will (impose sanctions), if we’re not gonna make a deal,” Trump told Fox News’ Bret Baier in an interview published on May 16. “This would be crushing for Russia because they’re having a hard time now with the economy.”
‘We have to increase the pressure‘ — Von der Leyen vows new Russia sanctions after Putin skips peace talks. Ursula von der Leyen announced that the European Commission is preparing a new sanctions package, which would include sanctions on the Nord Stream 1 and 2 pipelines, additional listings of vessels from Russia’s shadow fleet, a lower oil price cap, and sanctions on Russia’s financial sector.
As Russia sticks to hardline demands during peace talks, Europe frustrated with Trump’s swerves, Bloomberg reports. European officials, speaking on condition of anonymity, said they remain unsure of U.S. President Donald Trump’s next move and fear that his unpredictable stance could undercut momentum toward a unified Western response.
‘It was my duty to step down‘ — Former US Ambassador to Ukraine confirms resignation over Trump’s policy. Former U.S. Ambassador to Ukraine Bridget Brink, who held the role since 2022, accused the Trump administration of prioritizing pressure on Ukraine, the victim of Russia’s full-scale invasion, rather than confronting the Kremlin.
This issue was powered by the Kyiv Independent’s community of 18,000 paid members. We wouldn’t be here without them.
In other news
Russian economic growth slowing down, Rosstat reports. Russia’s economy is experiencing a sharp slowdown in growth, according to a report released by the governmental statistics agency Rosstat on May 16. GDP only grew by 1.4% in the first quarter of 2025 – a notable decline from 4.5% growth in the previous quarter and 5.4% in the same period last year.
This newsletter is open for sponsorship. Boost your brand’s visibility by reaching thousands of engaged subscribers. Click here for more details.
Today’s Ukraine Daily was brought to you by Martin Fornusek, Kateryna Denisova, Francis Farrell, Tymur Zadorozhnyy, Olena Goncharova, and Lucy Pakhnyuk.
If you’re enjoying this newsletter, consider joining our membership program. Start supporting independent journalism today.
Share -
ShareSaturday, May 17The Kyiv Independent [unofficial]
Before you start reading, a minute of your attention. The Kyiv Independent’s journalism is backed by our readers. Right now, we need 2,000 more people to back us. Can we count you in?
Russia’s war against Ukraine
Turkish Foreign Minister Hakan Fidan chairs Turkiye-Russia-Ukraine Trilateral Meeting at Dolmabahce Presidential Office in Istanbul, Turkiye on May 16, 2025. (Arda Kucukkaya / Anadolu via Getty Images)
Ukraine-Russia talks in Istanbul end, Moscow demands Kyiv withdraw from 4 regions, no ceasefire agreement. Some of Russia’s demands include the withdrawal of Ukrainian troops from their own territory as a condition for a ceasefire, an unnamed Ukrainian source told Sky News.
Ukraine, Russia agree to hold follow-up meeting after Istanbul peace talks. “Parties have agreed in principle to come together again,” Turkish Foreign Minister Hakan Fidan said.
‘Time to increase the pressure‘ — Zelensky, European leaders speak with Trump following Istanbul peace talks. The conversation took place shortly after the conclusion of the Russia-Ukraine peace talks in Istanbul, which ended with little progress beyond an agreement on prisoner exchange.
Russia, Ukraine agree on 1,000-for-1,000 POW exchange in Istanbul, Umerov says. “We know the date, but we’re not going to say it yet,” Defense Minister Rustem Umerov said.
Your contribution helps keep the Kyiv Independent going. Become a member today.
Trump says he’s returning to US, expects to meet Putin ‘as soon as we can set it up.’ “I think it’s time for us to just do it,” U.S. Presidnet Donald Trump said in Abu Dhabi, adding that the meeting between the two would happen “as soon as we can set it up.”
Up to 640,000 Russian troops fighting against Ukraine, Syrskyi says. Vadym Skibitskyi, the deputy head of Ukraine’s military intelligence agency (HUR), reported in March that Russia had deployed 620,000 soldiers to fight in Ukraine, a rise from his previous estimate of nearly 580,000 in November 2024.
Putin appoints general who led Mariupol assault as new Russian Ground Forces Commander. Under Andrey Mordvichev’s command, Russian troops carried out the destruction of civilian infrastructure and committed atrocities against both civilians and the Ukrainian military, Ukraine has said.
Explosions rock occupied Crimea as drone attack reportedly sets Russian ammo depot on fire. A fire broke out at an ammunition depot in the village of Perevalne in Russian-occupied Crimea following a series of explosions during a drone attack on the morning of May 16, the Crimean Wind Telegram channel reported, citing local residents.
Read our exclusives
Ukraine war latest: Moscow demands Kyiv withdraw from 4 regions following the talks, no ceasefire agreement
Ukrainian and Russian delegations concluded their talks in Istanbul on May 16 after speaking for less than two hours, with no agreement reached on a full, 30-day ceasefire, and Moscow demanding Kyiv withdraw completely from Ukraine’s four oblasts that President Vladimir Putin claims to have annexed.
Photo: Arif Yaman / Anadolu via Getty Images
‘Putin is laughing at Trump’ — Ukraine in disbelief as Russia makes a mockery of US-led ceasefire attempts
Russian President Vladimir Putin had rebuffed President Volodymyr Zelensky, his European allies, and the U.S., and in response, Donald Trump simply went along with it, excusing his Russian counterpart for not attending the peace talks in Istanbul that Putin himself proposed.
Photo: Brendan Smialowski / AFP via Getty Images
‘It’s all a farce’ — Ukrainian soldiers on Russia’s ‘smokescreen’ peace talks in Istanbul
Ukraine continues to insist on a ceasefire, supported by the U.S. and Europe, saying that a halt to active warfare must come before any real peace talks are possible. Russia has so far rejected a truce four times — on March 11, March 25, May 11 and the most recent one on May 16 in Istanbul.
Photo: Contributor / Getty Images
Who is Vladimir Medinsky? The Putin aide leading Russia’s delegation at Ukraine peace talks
Despite an invitation from Volodymyr Zelensky to meet in Istanbul, Vladimir Putin was a no-show in Turkey, sending instead an aide, Vladimir Medinsky, to head the Russian delegation in peace talks. Medinsky headed the only other direct talks between the two sides in March–April 2022.
Photo: Yasin Akgul / AFP via Getty Images
Human cost of Russia’s war
Ukraine brings back bodies of 909 fallen soldiers. The bodies of soldiers were recovered from Donetsk, Luhansk, Zaporizhzhia, Sumy and Kharkiv oblasts as well as from morgues in Russia.
With Ukraine’s Peaky Blinders chasing Russian soldiers near Pokrovsk
International response
‘This is turkey time’ — Trump vows sanctions on Moscow if peace talks fail, says Putin is ‘tired’ of war. “Honestly, I will (impose sanctions), if we’re not gonna make a deal,” Trump told Fox News’ Bret Baier in an interview published on May 16. “This would be crushing for Russia because they’re having a hard time now with the economy.”
‘We have to increase the pressure‘ — Von der Leyen vows new Russia sanctions after Putin skips peace talks. Ursula von der Leyen announced that the European Commission is preparing a new sanctions package, which would include sanctions on the Nord Stream 1 and 2 pipelines, additional listings of vessels from Russia’s shadow fleet, a lower oil price cap, and sanctions on Russia’s financial sector.
As Russia sticks to hardline demands during peace talks, Europe frustrated with Trump’s swerves, Bloomberg reports. European officials, speaking on condition of anonymity, said they remain unsure of U.S. President Donald Trump’s next move and fear that his unpredictable stance could undercut momentum toward a unified Western response.
‘It was my duty to step down‘ — Former US Ambassador to Ukraine confirms resignation over Trump’s policy. Former U.S. Ambassador to Ukraine Bridget Brink, who held the role since 2022, accused the Trump administration of prioritizing pressure on Ukraine, the victim of Russia’s full-scale invasion, rather than confronting the Kremlin.
This issue was powered by the Kyiv Independent’s community of 18,000 paid members. We wouldn’t be here without them.
In other news
Russian economic growth slowing down, Rosstat reports. Russia’s economy is experiencing a sharp slowdown in growth, according to a report released by the governmental statistics agency Rosstat on May 16. GDP only grew by 1.4% in the first quarter of 2025 – a notable decline from 4.5% growth in the previous quarter and 5.4% in the same period last year.
This newsletter is open for sponsorship. Boost your brand’s visibility by reaching thousands of engaged subscribers. Click here for more details.
Today’s Ukraine Daily was brought to you by Martin Fornusek, Kateryna Denisova, Francis Farrell, Tymur Zadorozhnyy, Olena Goncharova, and Lucy Pakhnyuk.
If you’re enjoying this newsletter, consider joining our membership program. Start supporting independent journalism today.
Share -
ShareSaturday, May 17The Kyiv Independent [unofficial]
Before you start reading, a minute of your attention. The Kyiv Independent’s journalism is backed by our readers. Right now, we need 2,000 more people to back us. Can we count you in?
Russia’s war against Ukraine
Turkish Foreign Minister Hakan Fidan chairs Turkiye-Russia-Ukraine Trilateral Meeting at Dolmabahce Presidential Office in Istanbul, Turkiye on May 16, 2025. (Arda Kucukkaya / Anadolu via Getty Images)
Ukraine-Russia talks in Istanbul end, Moscow demands Kyiv withdraw from 4 regions, no ceasefire agreement. Some of Russia’s demands include the withdrawal of Ukrainian troops from their own territory as a condition for a ceasefire, an unnamed Ukrainian source told Sky News.
Ukraine, Russia agree to hold follow-up meeting after Istanbul peace talks. “Parties have agreed in principle to come together again,” Turkish Foreign Minister Hakan Fidan said.
‘Time to increase the pressure‘ — Zelensky, European leaders speak with Trump following Istanbul peace talks. The conversation took place shortly after the conclusion of the Russia-Ukraine peace talks in Istanbul, which ended with little progress beyond an agreement on prisoner exchange.
Russia, Ukraine agree on 1,000-for-1,000 POW exchange in Istanbul, Umerov says. “We know the date, but we’re not going to say it yet,” Defense Minister Rustem Umerov said.
Your contribution helps keep the Kyiv Independent going. Become a member today.
Trump says he’s returning to US, expects to meet Putin ‘as soon as we can set it up.’ “I think it’s time for us to just do it,” U.S. Presidnet Donald Trump said in Abu Dhabi, adding that the meeting between the two would happen “as soon as we can set it up.”
Up to 640,000 Russian troops fighting against Ukraine, Syrskyi says. Vadym Skibitskyi, the deputy head of Ukraine’s military intelligence agency (HUR), reported in March that Russia had deployed 620,000 soldiers to fight in Ukraine, a rise from his previous estimate of nearly 580,000 in November 2024.
Putin appoints general who led Mariupol assault as new Russian Ground Forces Commander. Under Andrey Mordvichev’s command, Russian troops carried out the destruction of civilian infrastructure and committed atrocities against both civilians and the Ukrainian military, Ukraine has said.
Explosions rock occupied Crimea as drone attack reportedly sets Russian ammo depot on fire. A fire broke out at an ammunition depot in the village of Perevalne in Russian-occupied Crimea following a series of explosions during a drone attack on the morning of May 16, the Crimean Wind Telegram channel reported, citing local residents.
Read our exclusives
Ukraine war latest: Moscow demands Kyiv withdraw from 4 regions following the talks, no ceasefire agreement
Ukrainian and Russian delegations concluded their talks in Istanbul on May 16 after speaking for less than two hours, with no agreement reached on a full, 30-day ceasefire, and Moscow demanding Kyiv withdraw completely from Ukraine’s four oblasts that President Vladimir Putin claims to have annexed.
Photo: Arif Yaman / Anadolu via Getty Images
‘Putin is laughing at Trump’ — Ukraine in disbelief as Russia makes a mockery of US-led ceasefire attempts
Russian President Vladimir Putin had rebuffed President Volodymyr Zelensky, his European allies, and the U.S., and in response, Donald Trump simply went along with it, excusing his Russian counterpart for not attending the peace talks in Istanbul that Putin himself proposed.
Photo: Brendan Smialowski / AFP via Getty Images
‘It’s all a farce’ — Ukrainian soldiers on Russia’s ‘smokescreen’ peace talks in Istanbul
Ukraine continues to insist on a ceasefire, supported by the U.S. and Europe, saying that a halt to active warfare must come before any real peace talks are possible. Russia has so far rejected a truce four times — on March 11, March 25, May 11 and the most recent one on May 16 in Istanbul.
Photo: Contributor / Getty Images
Who is Vladimir Medinsky? The Putin aide leading Russia’s delegation at Ukraine peace talks
Despite an invitation from Volodymyr Zelensky to meet in Istanbul, Vladimir Putin was a no-show in Turkey, sending instead an aide, Vladimir Medinsky, to head the Russian delegation in peace talks. Medinsky headed the only other direct talks between the two sides in March–April 2022.
Photo: Yasin Akgul / AFP via Getty Images
Human cost of Russia’s war
Ukraine brings back bodies of 909 fallen soldiers. The bodies of soldiers were recovered from Donetsk, Luhansk, Zaporizhzhia, Sumy and Kharkiv oblasts as well as from morgues in Russia.
With Ukraine’s Peaky Blinders chasing Russian soldiers near Pokrovsk
International response
‘This is turkey time’ — Trump vows sanctions on Moscow if peace talks fail, says Putin is ‘tired’ of war. “Honestly, I will (impose sanctions), if we’re not gonna make a deal,” Trump told Fox News’ Bret Baier in an interview published on May 16. “This would be crushing for Russia because they’re having a hard time now with the economy.”
‘We have to increase the pressure‘ — Von der Leyen vows new Russia sanctions after Putin skips peace talks. Ursula von der Leyen announced that the European Commission is preparing a new sanctions package, which would include sanctions on the Nord Stream 1 and 2 pipelines, additional listings of vessels from Russia’s shadow fleet, a lower oil price cap, and sanctions on Russia’s financial sector.
As Russia sticks to hardline demands during peace talks, Europe frustrated with Trump’s swerves, Bloomberg reports. European officials, speaking on condition of anonymity, said they remain unsure of U.S. President Donald Trump’s next move and fear that his unpredictable stance could undercut momentum toward a unified Western response.
‘It was my duty to step down‘ — Former US Ambassador to Ukraine confirms resignation over Trump’s policy. Former U.S. Ambassador to Ukraine Bridget Brink, who held the role since 2022, accused the Trump administration of prioritizing pressure on Ukraine, the victim of Russia’s full-scale invasion, rather than confronting the Kremlin.
This issue was powered by the Kyiv Independent’s community of 18,000 paid members. We wouldn’t be here without them.
In other news
Russian economic growth slowing down, Rosstat reports. Russia’s economy is experiencing a sharp slowdown in growth, according to a report released by the governmental statistics agency Rosstat on May 16. GDP only grew by 1.4% in the first quarter of 2025 – a notable decline from 4.5% growth in the previous quarter and 5.4% in the same period last year.
This newsletter is open for sponsorship. Boost your brand’s visibility by reaching thousands of engaged subscribers. Click here for more details.
Today’s Ukraine Daily was brought to you by Martin Fornusek, Kateryna Denisova, Francis Farrell, Tymur Zadorozhnyy, Olena Goncharova, and Lucy Pakhnyuk.
If you’re enjoying this newsletter, consider joining our membership program. Start supporting independent journalism today.
Share -
This Saturday, April 25 we celebrate our troupe's big 20th birthday so we're doing a retrospective countdown!
Year 16 (2021 - 2022) was when we could stage in-person commedia dell'arte again though we now had two different sets of masks such as the premiere of "The Horrible and Terrifying Deeds and Words of Niphleseth, Queen of the Wild Island of Chitterlingonian Sausages" for Ohio State University Center on Medieval & Renaissance Studies inspired by the 16th Century satirical novels by François Rabelais!
Year 17 (2022 - 2023) saw the world fully reopen and when faced what was expected to be the final Marcon (our premiere science-fiction convention) we decided to go out with a bang and stage our second adaptation of a play briefly scene in the pages of the "Girl Genius" gaslamp fantasy graphic novel series, the infamous and incredibly ribald "Heterodyne Boys & the Socket Wench of Prague"!
Year 18 (2023 - 2024) we staged more innuendo jokes in a 60 minute performance block than possibly the prior 18 years combined with "The Beavers of Venice", a last minute "Plan B" commedia dell'arte play for our biggest show at Pennsic!
Year 19 (2024 - 2025) finally completed plans begun in 2019 for our first D20 Project Play in 2019 when we staged "A Mockery of Mimicry" multiple times as a commedia dell'arte parody celebrating the 50th anniversary of Dungeons & Dragons where audience rolls of a giant die determined the course of our farce!
Year 20 (2025 - 2026) we continued our look into the more fantasy side of commedia dell'arte with several performances in historical pastorale style on our way to going down, down, down into a goblin town where we'll end on the madness of laughter!
So... where will the next 20 years take us?!
#CommediaDellArte #Commedia #Improv #Improvisation #Theater #ClevelandConCoction #Pennsic #PennsicWar #SCA #SocietyForCreativeAnachronism #Birthday #Anniversary #20Years
-
Just saw a guy on #TikTok who wrote a hip-hop musical about Anne Frank where all the characters are queer disabled people of color. The comments section was amazingly hostile. In all directions. #Antisemitism left and right, #liberal finger wagging, cries about the lack of respect, accusations of mockery.
Literally everyone was triggered in one way or another. An impressive feat.
:tri: :gge: :red:
#annefrank #slamfrankthemusical #troll #nazi #musicaltheater #triggered
-
#Supporters say a #SpaceProgram will provide jobs for #researchers and is likely to reduce the brain 🧠 drain of emigrating #scientists 🤔 https://apnews.com/article/turkey-recep-tayyip-erdogan-moon-spacex-europe-a763414e402eb70e78ae2c2a89134f33
-
#Supporters say a #SpaceProgram will provide jobs for #researchers and is likely to reduce the brain 🧠 drain of emigrating #scientists 🤔 https://apnews.com/article/turkey-recep-tayyip-erdogan-moon-spacex-europe-a763414e402eb70e78ae2c2a89134f33
-
#Supporters say a #SpaceProgram will provide jobs for #researchers and is likely to reduce the brain 🧠 drain of emigrating #scientists 🤔 https://apnews.com/article/turkey-recep-tayyip-erdogan-moon-spacex-europe-a763414e402eb70e78ae2c2a89134f33
-
#Supporters say a #SpaceProgram will provide jobs for #researchers and is likely to reduce the brain 🧠 drain of emigrating #scientists 🤔 https://apnews.com/article/turkey-recep-tayyip-erdogan-moon-spacex-europe-a763414e402eb70e78ae2c2a89134f33
-
Ich hab eine Frage an alle, die politsche Arbeit machen:
Wurde dir schon ein Signal-Account gelöscht, ohne dass du eine "Sicherheits-SMS" bekommen hast?
Die Frage ist ernst gemeint.
Betrifft es dich? Bitte melde dich.
Gerne teilen, das ist nicht unwichtig.A question to all doing political work:
Have you lost a signal account without havin received some "security SMS"?No joke. Are u affected? Please contact me.
Please spread, this is important.#chatkontrolle #sms #security #klartext #telefonnummer #signal #bigbrother
HINWEIS: Ich mecker hier nicht über Signal.
Es geht um Phonetracking. -
'The billionaire’s last three cases are part of a growing global list from fossil fuel companies against government decisions to reduce carbon emissions' https://www.theguardian.com/commentisfree/2025/sep/30/clive-palmer-singapore-investments-multi-billion-dollar-claims-make-mockery-tribunal #ISDS #auslaw #auspol #trade #investment
-
Who hasn’t forgotten to declare a free VIP flight on a rich oligarchs private plane? Let those who haven’t travelled on an elitist billionaire’s private jet throw the first stone. Pauline Hanson is definitely *not* Poor-line. #Gina Airline.
RE: https://bsky.app/profile/did:plc:5dkkzeuxu5zoygzzeg2mmbrp/post/3mdwege7zes2q -
#FotoVorschlag 'Der Weg ist das Ziel'
Im Weingartener Moor östlich von Karlsruhe gibt es nicht nur einen schmalen Bohlenweg und haufenweise Mücken. Es ist eines der letzten erhaltenen Niedermoore der Region und bildet damit ein seltenes Biotop inmitten unserer zersiedelten Kulturlandschaft. In unserem Entdeckerpfad gibt es kompakt aufbereitete Infos zum Biotop. -
A quotation from Bill Watterson
CALVIN: I’m thinking of starting my own talk radio show. I’ll spout simplistic opinions for hours on end, ridicule anyone who disagrees with me, and generally foster divisiveness, cynicism, and a lower level of public dialogue!
HOBBES: It would seem you were born for the job.
CALVIN: Imagine getting paid to act like a six-year-old!Bill Watterson (b. 1958) American cartoonist
Calvin and Hobbes (1995-01-19)More info about this quote: wist.info/watterson-bill/78925…
#quote #quotes #quotation #qotd #billwatterson #calvinandhobbes #cynicism #divisiveness #host #immaturity #mockery #opinion #publicdiscourse #pundit #ridicule #talkradio #talkshow
-
@Snowshadow @thetyee @gemelliz @GottaLaff #CanadianMediaFailsMiserably on all fronts. It has made a mockery of the esteem in which #FourthEstate was previously held. #MediaMalpractice is standard operating procedure now. #TheTyee is the exception. It exemplifies ethical and trustworthy journalism that advocates for citizens and positions political issues accurately and factually. #MuchRespect.
-
British Farmer's Perfect Explanation Of The Post Brexit Reality! https://youtu.be/o4ulANiNlcI via @YouTube #Brexit #brexitisntworking
-
British Farmer's Perfect Explanation Of The Post Brexit Reality! https://youtu.be/o4ulANiNlcI via @YouTube #Brexit #brexitisntworking
-
#March is a special month here at my QTH because it's the month that the mockery compositions under the pen name of Clara Listensprechen were launched via the #ASWLC
(American Short Wave Listener's Club) in 1978. Writings under that pen name were also submitted in a college course for grade points. All As.It was in a subsequent March when there was a Clara Listensprechen Report about Glenn Hauser's Review of International Broadcasting, called #RIB for short, with a send-up titled Review of International Programming (RIP).
#shortwaveradio #RIB #GlennHauser -
Stille Fahrraddemo (Visionzero-Demo) mit Geisterradtransport, Mahnwache und Demo vor dem BMDV
ADFC Velokiez (Möckernstraße 47), Freitag, 21. März um 16:00 MEZ
Wir müssen leider wieder ein Geisterrad aufstellen. Am 18.03.2025 wurde ein Radfahrer von einem rechtsabbiegenden Lkw-Fahrer getötet.
https://www.berlin.de/polizei/polizeimeldungen/2025/pressemitteilung.1542408.php
#VisionZero Demo
21. März 2025 (Freitag)
16:00 Uhr
Start: ADFC-Velokiez, Möckernstraße 47, Kreuzberg
17:30 Uhr
Gedenken und Geisterrad-Aufstellung
am Unfallort in Britz (Neukölln)
Gutschmidtstraße Ecke Buckower Dammca. 19:15 Uhr
Abschlusskundgebung:
Bundesministerium für Digitales und Verkehr
Invalidenstraße 44, 10115 Berlin -
Stille Fahrraddemo (Visionzero-Demo) mit Geisterradtransport, Mahnwache und Demo vor dem BMDV
ADFC Velokiez (Möckernstraße 47), Mittwoch, 19. März um 16:00 MEZ
Wir müssen leider wieder ein Geisterrad aufstellen. Am 18.03.2025 wurde ein Radfahrer von einem rechtsabbiegenden LKW getötet.
https://www.berlin.de/polizei/polizeimeldungen/2025/pressemitteilung.1542408.php
#VisionZero Demo
21. März 2025 (Freitag)
16:00 Uhr
Start: ADFC-Velokiez, Möckernstraße 47, Kreuzberg
17:30 Uhr
Gedenken und Geisterrad-Aufstellung
am Unfallort in Britz (Neukölln)
Gutschmidtstraße Ecke Buckower Dammca. 19:15 Uhr
Abschlusskundgebung:
Bundesministerium für Digitales und Verkehr
Invalidenstraße 44, 10115 Berlin -
FR | 08.MAI2026 | 19h00 | M U S I K S A A L
MuWoZi = MusikWohnZimmer = Session
Wir können auch ohne Geier maiseln.
Aber nur im Mai.
Wir haben Instrumente, Mikros, Bühne u. Licht.
Traut euch u. kommt vorbei.K O S T nix > vllt. was i.d. Spendentopf ( ! )
#Wendland #Session #Jam #Live #Musik #Mucke #Kulturplattforum #Platenlaase
-
Stuck in the Filter: September 2025’s Angry Misses
By Kenstrosity
At last, a burst of cool calms the blood after a brutal summer, and the leaves are turning. Which means I was able to recruit a bunch of grubby little leaf-lookers off the highway to serve as minions to my ever-needy Filter! With a temporarily replenished staff of fools who are unwittingly risking their lives for mere nuggets, I conduct with renewed vigor the search for quality finds.
Today, I bring you those finds, in all of their sparkly glory. WITNESS THEM!
Kenstrosity’s Jaunty Juke
Jordsjuk // Naglet til livet [September 19th, 2025 – Indie Recordings]
The lack of conversation I’ve seen surrounding this Norwegian black metal riff machine is highly disconcerting. Brought to my attention by my wonderfully wise—and devilshly handsome—owlpal1 from… GASP… another blog, Jordsjuk’s debut LP Naglet til livet has my spine whipping to a fro from the onset of ripping opener “Kollaps.” The whiplash doesn’t stop there as thrashy numbers “Grovt skadeverk” and “Skreddersøm” body me against several walls and even a couple of ceilings. For 36 relentless minutes, with only one song pushing the four minute mark, Naglet til livet is an unqualified triumph of editing and tight, effective songwriting. My immediate comparison is 2007-2013 Skeletonwitch, but some of these riffs, like the turbobangers on “Parasitt,” “Rottebitt,” “Klarhet og dybde,” and “Rennestein,” give those hallowed skellybois a serious run for their money. When they aren’t thrashing, Jordsjuk shift into a dour, but still ravenous black metal shadow. Wraiths like “Riv skorpen av såret” and “Svikter din neste” showcase this looming character quite well, and prove Jordsjuk to be dynamic, versatile songwriters. In short, Naglet til livet is a raucous good time for anyone craving black metal with sharp teeth and limitless energy.
Baguette’s Bouncy Blessing
Arjen Anthony Lucassen // Songs No One Will Hear [September 12th, 2025 – Inside Out Music]
A year without an Arjen record would be a much lesser one. It’s not often the crazy Dutchman reuses a non-Ayreon project title, but here we have his fourth solo album becoming the second under the full Arjen Anthony Lucassen name! Dropping 13 years after the previous one, Songs No One Will Hear announces the end of the world is a mere five months away, its tracks depicting the resulting stages of chaos, disarray, and human silliness. It doesn’t fall far off the catchy and melodic Arjen tree but casts a wider net than prior prog rock adventures. Much of the record reflects different eras of Ayreon, including the ’70s prog whimsy of Into the Electric Castle (“Dr. Slumber’s Blue Bus”) and the fun ’80s metal edge of The Source (“Goddamn Conspiracy”). Closing epic “Our Final Song” is a microcosm of his musical breadth, shapeshifting from Jethro Tull flute shenanigans to analog synth ambience to dramatic riff bombast at will. But it’s “The Clock Ticks Down” that steals the spotlight, marking a brief return to the dark, somber grit of Guilt Machine and 01011001. It’s an unusually normal-sized album from Mr. Lucassen as well, the regular, unnarrated version being only 46 minutes and change. A condensed, jovial jack-of-all-trades showcase with many of the usual great guest musician and vocalist selections! And it’s always nice to hear him sing more, too.
Thus Spoke’s Lurid Leftovers
Fauna // Ochre and Ash [September 26th, 2025 – Lupus Lounge/Prophecy Productions]
It’s been 13 years since Cascadian black metal duo Fauna released Avifauna, to quiet yet great acclaim. Given their preoccupation with human prehistory, they might just be operating on a larger timescale than you or I. Ochre and Ash—the two main ingredients used in ancient cave paintings—is an attempt to invoke the spirit of forgotten ceremonies during which the stories of the people were immortalised on stone. Building on an atmospheric black metal base familiar in their better-known exemplars Wolves in the Throne Room and Agalloch, Fauna give Ochre and Ash a distinctive edge by roaming further afield into the experimental. For every metal-dominated track (“Nature & Madness,” “Labyrinths,” “Eternal Return”), there is an ambient, decidedly unsettling counterpart (“A Conjuring,” “Femoral Sun,” “Mockery”), and the latter are not interludes, but integral parts of the ritual. Each infuses skin-prickling drone with eerie chimes and rattles, and uncomfortable vocalisations ranging from moans and wails to laughter and the howling, yipping cries of animals—or humans mimicking them. In their repetition of haunting, hollow sounds, they are both frightening and trance-inducing. Ochre and Ash’s metallic segments are no less ominous, treading as they do between confrontationally turbulent atmoblack2 and diSEMBOWELMENT-adjacent death doom that puts me right back in the void of madness last year’s Spectral Voice generated. This is not a casual listen, and Fauna could have helped it a bit with some editing, as the weirdness combined with an excessive 70-minute runtime makes some longer passages feel tired and could be off-putting to some. Still, it’s an experience I’d recommend trying at least once.
Spicie Forrest’s Sautéed Surplus
Piece // Rambler’s Axe [September 5th, 2025 – This Charming Man Records]
Finding gym metal has always proven difficult for me. It’s not about the fastest or loudest, but about striking a balance between weight and pace. Rambler’s Axe fits the bill nicely. Influenced by the likes of Crowbar and High on Fire, these Berlin-based doomsters peddle raucous and sludgy heavy metal. There’s a bit of Conan in Piece’s DNA, too, making sure to worship each riff long enough for you to make it through any given set. Beefy basslines and aggressive, chiseled drums make it easy to drop into a groove and get your pump on. Faster cuts like “Demigod” and “Rambler’s Axe” go great with chest flies and leg press, but they’ve got tracks for bench press and deadlifts too. “Bastard Sword” and “Owl Eyes” rumble forward like the slow but inevitable rise of the barbell at max weight. Whether marching or running, baritone shouts like tank treads hang over riffs just looking for an excuse to blow off steam. Whatever your reason for visiting the glorious house of gains, Piece has your soundtrack covered.
Heruvim // Mercator [September 12th, 2025 – Self-Release]
As each passing year leaves the almighty Bolt Thrower further in the past, the yearning for that sound grows. I was quite surprised to find a small amount of solace in Heruvim, hailing from Odesa, Ukraine. I say small solace, because debut LP Mercator is more than just a clone. Augmented with the unsettling atmosphere of early Pestilence and the vocal malevolence of Sinister, this platter of old school death metal carves its own niche in a storied scene. Off-kilter leads bubble up and spew out of a murky, tarred rhythm section like prehistoric gases in a primordial soup (“Gnosis,” “Lacrimae Rerum”). Lachrymose, doom-laden passages and violent death threats trade back and forth, anchored by volatile blast beats and percussive assaults in the vein of Cannibal Corpse (“Nulla Res,” “Mercator”). Stitched together with eerie, short-and-sweet interludes, Mercator’s lean 30 minutes fly by and always leave me itching for more. Heruvim riffs on a slew of classic sounds, creating a casual brutality and primal barbarism that is both compelling and uniquely their own.
ClarkKent’s Melodic Monstrosities
Galundo Tenvulance // Insomnis Somnia [September 17th, 2025 – Spiritual Beast Records]
Falling somewhere between symphonic deathcore acts Assemble the Chariots and Grimnis enters Japan’s Galundo Tenvulance. On their second full-length LP, Insomnis Somnia, the sextet demonstrates raw power and frenetic energy throughout its 41-minute runtime. Songs are anchored by catchy melodic leads, atmospheric symphonies, and punishing, relentless kitwork (no drummer is credited, so hopefully it’s not programmed). Galundo Tenvulance’s new vocalist, Sao, delivers the goods, bringing a spirited energy to her performance that elevates the already terrific material. While the symphonics don’t quite elevate the music the same way they do for Assemble the Chariots, it’s the melodic riffs that make these guys stand out. “Noble Rot” is the highlight, with a killer lead riff that uses harmonics to add just that extra bit of oomph. Other highlights include the catchy “Regret Never Sleeps,” evoking Character-era Dark Tranquillity, and “In The Realms of the Unreal,” which demonstrates their ability to transform solos into surprising melodies. This might be too good to have landed in the filter, but with my TYMHM slots filled up, it’s better than nothing.
Mortal Scepter // Ethereal Dominance [September 9th, 2025 – Xtreem Music]
As if we didn’t have enough thrash floating in the filter, French outfit Mortal Scepter finds itself as yet another piece of thrash dredged from the muck. This quartet has been around since 2012, yet Ethereal Dominance is only their second full-length release. Their sound lands somewhere between the melodic thrash of Bloodletter and the mania of Deathhammer—though a touch less zany. The persistent level of energy these bands can maintain never ceases to amaze me. While the constant beat of drum blasts threatens to make thrash songs sound too similar, the variety of melodies Mortal Scepter delivers ensures that things never grow repetitive. They have a raw, blackened sound that feels immediate and in your face. Drummer Guillaume keeps an impressive pace with fresh-sounding, nonstop blast beats, while vocalist Lucas Scellier snarls with enthusiasm, with a voice comparable to Deathhammer’s Sergeant Salsten. However, it’s the guitars by Maxime and Scellier that really bring the band to life, from the noodly melodies to the dynamic, lengthy, and impressive solos on each song. These guys prove they are more than just simple thrash metallers on the epic thrash, ten-minute finale, “Into the Wolves Den,” which uses a mix of tempo shifts and hooky melodies to make the song just fly by. With this second LP under their belts, these guys have proven themselves an exciting newish band on the thrash scene.
Grin Reaper’s Woodland Windfall
Autrest // Burning Embers, Forgotten Wolves [September 5th, 2025 – Northern Silence Productions]
Burning Embers, Forgotten Wolves merges atmospheric black metal with nature, resuming Autrest’s vision from debut Follow the Cold Path. Like Saor or Falls of Rauros, stunning melodies play across untamed backdrops that stir heartstrings in unexpected ways. Ethereal keys, mournful strings, and rapid-fire tremolos impeccably capture Burning Embers, Forgotten Wolves’ autumnal artwork, bringing Autrest’s imagery to life. Harsh vocals sit back in the mix, evoking windswept trees as cool harvest gusts leach branches of color, while sporadic baritone cleans add variation. “Lobos (Offering)” sets the stage with melancholic guitar plucks bolstered by forlorn strings, giving way to a controlled spark as “Ashes from the Burning Embers” ratchets up roiling vigor. Through forty-two minutes, Autrest expertly guides listeners across shifting landscapes that are delightful in their earnestness. Mastermind Matheus Vidor establishes himself as a preeminent architect of mood, channeling transitions from gentle, wonder-filled serenity to unyielding wrath. The dynamic between aggression and introspection is marvelous, permeating the album with emotion. While I could understand a complaint that some songs blur together, the spirit of Burning Embers, Forgotten Wolves is never stale or disposable. Rather, Autrest has taken what began two years ago and enriched it, composing an ode to self-discovery and transformation.3 My own experience with the music conjures wilderness’s last hurrah before succumbing to winter’s embrace. As days grow shorter and temperatures drop,4 I encourage you to seek refuge and draw warmth from these Burning Embers.
Dolphin Whisperer’s Very Not Late Novella
Sterveling // Sterveling [September 26th, 2025 – Self Release]
Between the world of atmospheric and post-tinged black metal, there exists a twisted form of progressive music that teeters about brooding moods and crackling tones to explore shrieking sadness and profound sorrow. Michiel van der Werff (Prospectors, Weltschmerz), primary Dutch proprietor of Sterveling, places his expressive guitar runs and lurching rhythm clangs in the company of trusted friends to carry out his tortured, baroque vision of black metal. Against the hissing design of synth maestro and Prospectors bandmate Matthias Ruijgrok, a fullness and warping warmth pervades the spacious amp textures and muscular rhythmic framework of each piece. And through the bloodied cries of Weltschmerz bandmate Hreim, a vocal lightning flashes to illuminate the nooks between pulsing synth lines and deathly bursts of full tremolo assault. In three longform pieces, all still totaling a generous forty-two minutes, Sterveling tints a monochrome narrative with vibrant shades from thoughtful tones and well-timed, emotional escalations. Committed to each careful iteration on a melody, the woven Sterveling web grows ever stickier with every passing moment, none of the ten-minute-plus excursions ever feeling even close to their declared runtimes. And with a sound construction that hits delicate yet forceful, creaking yet incising, it’s easy to wander through several journeys on this debut outing before realizing what time has passed. Fans of equally forlorn acts like Tongues or Andalvald will feel more at home here than others. But with a tonal palette that’s as inviting as it is crushing, Sterveling should attract the ears of fans across the extreme spectrum.
#2025 #agalloch #americanMetal #andavald #arjenAnthonyLucassen #assembleTheChariots #atmosphericBlackMetal #autrest #ayreon #blackMetal #bloodletter #boltThrower #brazillianMetal #burningEmbersForgottenWolves #cannibalCorpse #conan #crowbar #darkTranquillity #deathDoom #deathMetal #deathcore #deathhammer #disembowelment #doomMetal #dutchMetal #etherealDominance #fallsOfRauros #fauna #frenchMetal #galundoTenvulance #grimnis #guiltMachine #heruvim #highOnFire #independentRelease #indieRecordings #insideoutMusic #insomnisSomnia #japaneseMetal #jethroTull #jordsjuk #lupusLounge #melodicBlackMetal #melodicDeathMetal #melodicThrashMetal #mercator #mortalScepter #nagletTilLivet #northernSilenceProductions #norwegianMetal #ochreAndAsh #pestilence #piece #postBlackMetal #progressiveBlackMetal #progressiveMetal #progressiveRock #prophecyProductions #ramblersAxe #review #reviews #saor #selfRelease #selfReleased #sep25 #sinister #skeletonwitch #sludge #sludgeMetal #songsNoOneWillHear #spectralVoice #sterveling #stuckInTheFilter #stuckInTheFilter2025 #symphonicDeathcore #thisCharmingManRecords #thrashMetal #tongues #ukrainianMetal #wolvesInTheThroneRoom
-
Stuck in the Filter: September 2025’s Angry Misses
By Kenstrosity
At last, a burst of cool calms the blood after a brutal summer, and the leaves are turning. Which means I was able to recruit a bunch of grubby little leaf-lookers off the highway to serve as minions to my ever-needy Filter! With a temporarily replenished staff of fools who are unwittingly risking their lives for mere nuggets, I conduct with renewed vigor the search for quality finds.
Today, I bring you those finds, in all of their sparkly glory. WITNESS THEM!
Kenstrosity’s Jaunty Juke
Jordsjuk // Naglet til livet [September 19th, 2025 – Indie Recordings]
The lack of conversation I’ve seen surrounding this Norwegian black metal riff machine is highly disconcerting. Brought to my attention by my wonderfully wise—and devilshly handsome—owlpal1 from… GASP… another blog, Jordsjuk’s debut LP Naglet til livet has my spine whipping to a fro from the onset of ripping opener “Kollaps.” The whiplash doesn’t stop there as thrashy numbers “Grovt skadeverk” and “Skreddersøm” body me against several walls and even a couple of ceilings. For 36 relentless minutes, with only one song pushing the four minute mark, Naglet til livet is an unqualified triumph of editing and tight, effective songwriting. My immediate comparison is 2007-2013 Skeletonwitch, but some of these riffs, like the turbobangers on “Parasitt,” “Rottebitt,” “Klarhet og dybde,” and “Rennestein,” give those hallowed skellybois a serious run for their money. When they aren’t thrashing, Jordsjuk shift into a dour, but still ravenous black metal shadow. Wraiths like “Riv skorpen av såret” and “Svikter din neste” showcase this looming character quite well, and prove Jordsjuk to be dynamic, versatile songwriters. In short, Naglet til livet is a raucous good time for anyone craving black metal with sharp teeth and limitless energy.
Baguette’s Bouncy Blessing
Arjen Anthony Lucassen // Songs No One Will Hear [September 12th, 2025 – Inside Out Music]
A year without an Arjen record would be a much lesser one. It’s not often the crazy Dutchman reuses a non-Ayreon project title, but here we have his fourth solo album becoming the second under the full Arjen Anthony Lucassen name! Dropping 13 years after the previous one, Songs No One Will Hear announces the end of the world is a mere five months away, its tracks depicting the resulting stages of chaos, disarray, and human silliness. It doesn’t fall far off the catchy and melodic Arjen tree but casts a wider net than prior prog rock adventures. Much of the record reflects different eras of Ayreon, including the ’70s prog whimsy of Into the Electric Castle (“Dr. Slumber’s Blue Bus”) and the fun ’80s metal edge of The Source (“Goddamn Conspiracy”). Closing epic “Our Final Song” is a microcosm of his musical breadth, shapeshifting from Jethro Tull flute shenanigans to analog synth ambience to dramatic riff bombast at will. But it’s “The Clock Ticks Down” that steals the spotlight, marking a brief return to the dark, somber grit of Guilt Machine and 01011001. It’s an unusually normal-sized album from Mr. Lucassen as well, the regular, unnarrated version being only 46 minutes and change. A condensed, jovial jack-of-all-trades showcase with many of the usual great guest musician and vocalist selections! And it’s always nice to hear him sing more, too.
Thus Spoke’s Lurid Leftovers
Fauna // Ochre and Ash [September 26th, 2025 – Lupus Lounge/Prophecy Productions]
It’s been 13 years since Cascadian black metal duo Fauna released Avifauna, to quiet yet great acclaim. Given their preoccupation with human prehistory, they might just be operating on a larger timescale than you or I. Ochre and Ash—the two main ingredients used in ancient cave paintings—is an attempt to invoke the spirit of forgotten ceremonies during which the stories of the people were immortalised on stone. Building on an atmospheric black metal base familiar in their better-known exemplars Wolves in the Throne Room and Agalloch, Fauna give Ochre and Ash a distinctive edge by roaming further afield into the experimental. For every metal-dominated track (“Nature & Madness,” “Labyrinths,” “Eternal Return”), there is an ambient, decidedly unsettling counterpart (“A Conjuring,” “Femoral Sun,” “Mockery”), and the latter are not interludes, but integral parts of the ritual. Each infuses skin-prickling drone with eerie chimes and rattles, and uncomfortable vocalisations ranging from moans and wails to laughter and the howling, yipping cries of animals—or humans mimicking them. In their repetition of haunting, hollow sounds, they are both frightening and trance-inducing. Ochre and Ash’s metallic segments are no less ominous, treading as they do between confrontationally turbulent atmoblack2 and diSEMBOWELMENT-adjacent death doom that puts me right back in the void of madness last year’s Spectral Voice generated. This is not a casual listen, and Fauna could have helped it a bit with some editing, as the weirdness combined with an excessive 70-minute runtime makes some longer passages feel tired and could be off-putting to some. Still, it’s an experience I’d recommend trying at least once.
Spicie Forrest’s Sautéed Surplus
Piece // Rambler’s Axe [September 5th, 2025 – This Charming Man Records]
Finding gym metal has always proven difficult for me. It’s not about the fastest or loudest, but about striking a balance between weight and pace. Rambler’s Axe fits the bill nicely. Influenced by the likes of Crowbar and High on Fire, these Berlin-based doomsters peddle raucous and sludgy heavy metal. There’s a bit of Conan in Piece’s DNA, too, making sure to worship each riff long enough for you to make it through any given set. Beefy basslines and aggressive, chiseled drums make it easy to drop into a groove and get your pump on. Faster cuts like “Demigod” and “Rambler’s Axe” go great with chest flies and leg press, but they’ve got tracks for bench press and deadlifts too. “Bastard Sword” and “Owl Eyes” rumble forward like the slow but inevitable rise of the barbell at max weight. Whether marching or running, baritone shouts like tank treads hang over riffs just looking for an excuse to blow off steam. Whatever your reason for visiting the glorious house of gains, Piece has your soundtrack covered.
Heruvim // Mercator [September 12th, 2025 – Self-Release]
As each passing year leaves the almighty Bolt Thrower further in the past, the yearning for that sound grows. I was quite surprised to find a small amount of solace in Heruvim, hailing from Odesa, Ukraine. I say small solace, because debut LP Mercator is more than just a clone. Augmented with the unsettling atmosphere of early Pestilence and the vocal malevolence of Sinister, this platter of old school death metal carves its own niche in a storied scene. Off-kilter leads bubble up and spew out of a murky, tarred rhythm section like prehistoric gases in a primordial soup (“Gnosis,” “Lacrimae Rerum”). Lachrymose, doom-laden passages and violent death threats trade back and forth, anchored by volatile blast beats and percussive assaults in the vein of Cannibal Corpse (“Nulla Res,” “Mercator”). Stitched together with eerie, short-and-sweet interludes, Mercator’s lean 30 minutes fly by and always leave me itching for more. Heruvim riffs on a slew of classic sounds, creating a casual brutality and primal barbarism that is both compelling and uniquely their own.
ClarkKent’s Melodic Monstrosities
Galundo Tenvulance // Insomnis Somnia [September 17th, 2025 – Spiritual Beast Records]
Falling somewhere between symphonic deathcore acts Assemble the Chariots and Grimnis enters Japan’s Galundo Tenvulance. On their second full-length LP, Insomnis Somnia, the sextet demonstrates raw power and frenetic energy throughout its 41-minute runtime. Songs are anchored by catchy melodic leads, atmospheric symphonies, and punishing, relentless kitwork (no drummer is credited, so hopefully it’s not programmed). Galundo Tenvulance’s new vocalist, Sao, delivers the goods, bringing a spirited energy to her performance that elevates the already terrific material. While the symphonics don’t quite elevate the music the same way they do for Assemble the Chariots, it’s the melodic riffs that make these guys stand out. “Noble Rot” is the highlight, with a killer lead riff that uses harmonics to add just that extra bit of oomph. Other highlights include the catchy “Regret Never Sleeps,” evoking Character-era Dark Tranquillity, and “In The Realms of the Unreal,” which demonstrates their ability to transform solos into surprising melodies. This might be too good to have landed in the filter, but with my TYMHM slots filled up, it’s better than nothing.
Mortal Scepter // Ethereal Dominance [September 9th, 2025 – Xtreem Music]
As if we didn’t have enough thrash floating in the filter, French outfit Mortal Scepter finds itself as yet another piece of thrash dredged from the muck. This quartet has been around since 2012, yet Ethereal Dominance is only their second full-length release. Their sound lands somewhere between the melodic thrash of Bloodletter and the mania of Deathhammer—though a touch less zany. The persistent level of energy these bands can maintain never ceases to amaze me. While the constant beat of drum blasts threatens to make thrash songs sound too similar, the variety of melodies Mortal Scepter delivers ensures that things never grow repetitive. They have a raw, blackened sound that feels immediate and in your face. Drummer Guillaume keeps an impressive pace with fresh-sounding, nonstop blast beats, while vocalist Lucas Scellier snarls with enthusiasm, with a voice comparable to Deathhammer’s Sergeant Salsten. However, it’s the guitars by Maxime and Scellier that really bring the band to life, from the noodly melodies to the dynamic, lengthy, and impressive solos on each song. These guys prove they are more than just simple thrash metallers on the epic thrash, ten-minute finale, “Into the Wolves Den,” which uses a mix of tempo shifts and hooky melodies to make the song just fly by. With this second LP under their belts, these guys have proven themselves an exciting newish band on the thrash scene.
Grin Reaper’s Woodland Windfall
Autrest // Burning Embers, Forgotten Wolves [September 5th, 2025 – Northern Silence Productions]
Burning Embers, Forgotten Wolves merges atmospheric black metal with nature, resuming Autrest’s vision from debut Follow the Cold Path. Like Saor or Falls of Rauros, stunning melodies play across untamed backdrops that stir heartstrings in unexpected ways. Ethereal keys, mournful strings, and rapid-fire tremolos impeccably capture Burning Embers, Forgotten Wolves’ autumnal artwork, bringing Autrest’s imagery to life. Harsh vocals sit back in the mix, evoking windswept trees as cool harvest gusts leach branches of color, while sporadic baritone cleans add variation. “Lobos (Offering)” sets the stage with melancholic guitar plucks bolstered by forlorn strings, giving way to a controlled spark as “Ashes from the Burning Embers” ratchets up roiling vigor. Through forty-two minutes, Autrest expertly guides listeners across shifting landscapes that are delightful in their earnestness. Mastermind Matheus Vidor establishes himself as a preeminent architect of mood, channeling transitions from gentle, wonder-filled serenity to unyielding wrath. The dynamic between aggression and introspection is marvelous, permeating the album with emotion. While I could understand a complaint that some songs blur together, the spirit of Burning Embers, Forgotten Wolves is never stale or disposable. Rather, Autrest has taken what began two years ago and enriched it, composing an ode to self-discovery and transformation.3 My own experience with the music conjures wilderness’s last hurrah before succumbing to winter’s embrace. As days grow shorter and temperatures drop,4 I encourage you to seek refuge and draw warmth from these Burning Embers.
Dolphin Whisperer’s Very Not Late Novella
Sterveling // Sterveling [September 26th, 2025 – Self Release]
Between the world of atmospheric and post-tinged black metal, there exists a twisted form of progressive music that teeters about brooding moods and crackling tones to explore shrieking sadness and profound sorrow. Michiel van der Werff (Prospectors, Weltschmerz), primary Dutch proprietor of Sterveling, places his expressive guitar runs and lurching rhythm clangs in the company of trusted friends to carry out his tortured, baroque vision of black metal. Against the hissing design of synth maestro and Prospectors bandmate Matthias Ruijgrok, a fullness and warping warmth pervades the spacious amp textures and muscular rhythmic framework of each piece. And through the bloodied cries of Weltschmerz bandmate Hreim, a vocal lightning flashes to illuminate the nooks between pulsing synth lines and deathly bursts of full tremolo assault. In three longform pieces, all still totaling a generous forty-two minutes, Sterveling tints a monochrome narrative with vibrant shades from thoughtful tones and well-timed, emotional escalations. Committed to each careful iteration on a melody, the woven Sterveling web grows ever stickier with every passing moment, none of the ten-minute-plus excursions ever feeling even close to their declared runtimes. And with a sound construction that hits delicate yet forceful, creaking yet incising, it’s easy to wander through several journeys on this debut outing before realizing what time has passed. Fans of equally forlorn acts like Tongues or Andalvald will feel more at home here than others. But with a tonal palette that’s as inviting as it is crushing, Sterveling should attract the ears of fans across the extreme spectrum.
#2025 #agalloch #americanMetal #andavald #arjenAnthonyLucassen #assembleTheChariots #atmosphericBlackMetal #autrest #ayreon #blackMetal #bloodletter #boltThrower #brazillianMetal #burningEmbersForgottenWolves #cannibalCorpse #conan #crowbar #darkTranquillity #deathDoom #deathMetal #deathcore #deathhammer #disembowelment #doomMetal #dutchMetal #etherealDominance #fallsOfRauros #fauna #frenchMetal #galundoTenvulance #grimnis #guiltMachine #heruvim #highOnFire #independentRelease #indieRecordings #insideoutMusic #insomnisSomnia #japaneseMetal #jethroTull #jordsjuk #lupusLounge #melodicBlackMetal #melodicDeathMetal #melodicThrashMetal #mercator #mortalScepter #nagletTilLivet #northernSilenceProductions #norwegianMetal #ochreAndAsh #pestilence #piece #postBlackMetal #progressiveBlackMetal #progressiveMetal #progressiveRock #prophecyProductions #ramblersAxe #review #reviews #saor #selfRelease #selfReleased #sep25 #sinister #skeletonwitch #sludge #sludgeMetal #songsNoOneWillHear #spectralVoice #sterveling #stuckInTheFilter #stuckInTheFilter2025 #symphonicDeathcore #thisCharmingManRecords #thrashMetal #tongues #ukrainianMetal #wolvesInTheThroneRoom
-
Stuck in the Filter: September 2025’s Angry Misses
By Kenstrosity
At last, a burst of cool calms the blood after a brutal summer, and the leaves are turning. Which means I was able to recruit a bunch of grubby little leaf-lookers off the highway to serve as minions to my ever-needy Filter! With a temporarily replenished staff of fools who are unwittingly risking their lives for mere nuggets, I conduct with renewed vigor the search for quality finds.
Today, I bring you those finds, in all of their sparkly glory. WITNESS THEM!
Kenstrosity’s Jaunty Juke
Jordsjuk // Naglet til livet [September 19th, 2025 – Indie Recordings]
The lack of conversation I’ve seen surrounding this Norwegian black metal riff machine is highly disconcerting. Brought to my attention by my wonderfully wise—and devilshly handsome—owlpal1 from… GASP… another blog, Jordsjuk’s debut LP Naglet til livet has my spine whipping to a fro from the onset of ripping opener “Kollaps.” The whiplash doesn’t stop there as thrashy numbers “Grovt skadeverk” and “Skreddersøm” body me against several walls and even a couple of ceilings. For 36 relentless minutes, with only one song pushing the four minute mark, Naglet til livet is an unqualified triumph of editing and tight, effective songwriting. My immediate comparison is 2007-2013 Skeletonwitch, but some of these riffs, like the turbobangers on “Parasitt,” “Rottebitt,” “Klarhet og dybde,” and “Rennestein,” give those hallowed skellybois a serious run for their money. When they aren’t thrashing, Jordsjuk shift into a dour, but still ravenous black metal shadow. Wraiths like “Riv skorpen av såret” and “Svikter din neste” showcase this looming character quite well, and prove Jordsjuk to be dynamic, versatile songwriters. In short, Naglet til livet is a raucous good time for anyone craving black metal with sharp teeth and limitless energy.
Baguette’s Bouncy Blessing
Arjen Anthony Lucassen // Songs No One Will Hear [September 12th, 2025 – Inside Out Music]
A year without an Arjen record would be a much lesser one. It’s not often the crazy Dutchman reuses a non-Ayreon project title, but here we have his fourth solo album becoming the second under the full Arjen Anthony Lucassen name! Dropping 13 years after the previous one, Songs No One Will Hear announces the end of the world is a mere five months away, its tracks depicting the resulting stages of chaos, disarray, and human silliness. It doesn’t fall far off the catchy and melodic Arjen tree but casts a wider net than prior prog rock adventures. Much of the record reflects different eras of Ayreon, including the ’70s prog whimsy of Into the Electric Castle (“Dr. Slumber’s Blue Bus”) and the fun ’80s metal edge of The Source (“Goddamn Conspiracy”). Closing epic “Our Final Song” is a microcosm of his musical breadth, shapeshifting from Jethro Tull flute shenanigans to analog synth ambience to dramatic riff bombast at will. But it’s “The Clock Ticks Down” that steals the spotlight, marking a brief return to the dark, somber grit of Guilt Machine and 01011001. It’s an unusually normal-sized album from Mr. Lucassen as well, the regular, unnarrated version being only 46 minutes and change. A condensed, jovial jack-of-all-trades showcase with many of the usual great guest musician and vocalist selections! And it’s always nice to hear him sing more, too.
Thus Spoke’s Lurid Leftovers
Fauna // Ochre and Ash [September 26th, 2025 – Lupus Lounge/Prophecy Productions]
It’s been 13 years since Cascadian black metal duo Fauna released Avifauna, to quiet yet great acclaim. Given their preoccupation with human prehistory, they might just be operating on a larger timescale than you or I. Ochre and Ash—the two main ingredients used in ancient cave paintings—is an attempt to invoke the spirit of forgotten ceremonies during which the stories of the people were immortalised on stone. Building on an atmospheric black metal base familiar in their better-known exemplars Wolves in the Throne Room and Agalloch, Fauna give Ochre and Ash a distinctive edge by roaming further afield into the experimental. For every metal-dominated track (“Nature & Madness,” “Labyrinths,” “Eternal Return”), there is an ambient, decidedly unsettling counterpart (“A Conjuring,” “Femoral Sun,” “Mockery”), and the latter are not interludes, but integral parts of the ritual. Each infuses skin-prickling drone with eerie chimes and rattles, and uncomfortable vocalisations ranging from moans and wails to laughter and the howling, yipping cries of animals—or humans mimicking them. In their repetition of haunting, hollow sounds, they are both frightening and trance-inducing. Ochre and Ash’s metallic segments are no less ominous, treading as they do between confrontationally turbulent atmoblack2 and diSEMBOWELMENT-adjacent death doom that puts me right back in the void of madness last year’s Spectral Voice generated. This is not a casual listen, and Fauna could have helped it a bit with some editing, as the weirdness combined with an excessive 70-minute runtime makes some longer passages feel tired and could be off-putting to some. Still, it’s an experience I’d recommend trying at least once.
Spicie Forrest’s Sautéed Surplus
Piece // Rambler’s Axe [September 5th, 2025 – This Charming Man Records]
Finding gym metal has always proven difficult for me. It’s not about the fastest or loudest, but about striking a balance between weight and pace. Rambler’s Axe fits the bill nicely. Influenced by the likes of Crowbar and High on Fire, these Berlin-based doomsters peddle raucous and sludgy heavy metal. There’s a bit of Conan in Piece’s DNA, too, making sure to worship each riff long enough for you to make it through any given set. Beefy basslines and aggressive, chiseled drums make it easy to drop into a groove and get your pump on. Faster cuts like “Demigod” and “Rambler’s Axe” go great with chest flies and leg press, but they’ve got tracks for bench press and deadlifts too. “Bastard Sword” and “Owl Eyes” rumble forward like the slow but inevitable rise of the barbell at max weight. Whether marching or running, baritone shouts like tank treads hang over riffs just looking for an excuse to blow off steam. Whatever your reason for visiting the glorious house of gains, Piece has your soundtrack covered.
Heruvim // Mercator [September 12th, 2025 – Self-Release]
As each passing year leaves the almighty Bolt Thrower further in the past, the yearning for that sound grows. I was quite surprised to find a small amount of solace in Heruvim, hailing from Odesa, Ukraine. I say small solace, because debut LP Mercator is more than just a clone. Augmented with the unsettling atmosphere of early Pestilence and the vocal malevolence of Sinister, this platter of old school death metal carves its own niche in a storied scene. Off-kilter leads bubble up and spew out of a murky, tarred rhythm section like prehistoric gases in a primordial soup (“Gnosis,” “Lacrimae Rerum”). Lachrymose, doom-laden passages and violent death threats trade back and forth, anchored by volatile blast beats and percussive assaults in the vein of Cannibal Corpse (“Nulla Res,” “Mercator”). Stitched together with eerie, short-and-sweet interludes, Mercator’s lean 30 minutes fly by and always leave me itching for more. Heruvim riffs on a slew of classic sounds, creating a casual brutality and primal barbarism that is both compelling and uniquely their own.
ClarkKent’s Melodic Monstrosities
Galundo Tenvulance // Insomnis Somnia [September 17th, 2025 – Spiritual Beast Records]
Falling somewhere between symphonic deathcore acts Assemble the Chariots and Grimnis enters Japan’s Galundo Tenvulance. On their second full-length LP, Insomnis Somnia, the sextet demonstrates raw power and frenetic energy throughout its 41-minute runtime. Songs are anchored by catchy melodic leads, atmospheric symphonies, and punishing, relentless kitwork (no drummer is credited, so hopefully it’s not programmed). Galundo Tenvulance’s new vocalist, Sao, delivers the goods, bringing a spirited energy to her performance that elevates the already terrific material. While the symphonics don’t quite elevate the music the same way they do for Assemble the Chariots, it’s the melodic riffs that make these guys stand out. “Noble Rot” is the highlight, with a killer lead riff that uses harmonics to add just that extra bit of oomph. Other highlights include the catchy “Regret Never Sleeps,” evoking Character-era Dark Tranquillity, and “In The Realms of the Unreal,” which demonstrates their ability to transform solos into surprising melodies. This might be too good to have landed in the filter, but with my TYMHM slots filled up, it’s better than nothing.
Mortal Scepter // Ethereal Dominance [September 9th, 2025 – Xtreem Music]
As if we didn’t have enough thrash floating in the filter, French outfit Mortal Scepter finds itself as yet another piece of thrash dredged from the muck. This quartet has been around since 2012, yet Ethereal Dominance is only their second full-length release. Their sound lands somewhere between the melodic thrash of Bloodletter and the mania of Deathhammer—though a touch less zany. The persistent level of energy these bands can maintain never ceases to amaze me. While the constant beat of drum blasts threatens to make thrash songs sound too similar, the variety of melodies Mortal Scepter delivers ensures that things never grow repetitive. They have a raw, blackened sound that feels immediate and in your face. Drummer Guillaume keeps an impressive pace with fresh-sounding, nonstop blast beats, while vocalist Lucas Scellier snarls with enthusiasm, with a voice comparable to Deathhammer’s Sergeant Salsten. However, it’s the guitars by Maxime and Scellier that really bring the band to life, from the noodly melodies to the dynamic, lengthy, and impressive solos on each song. These guys prove they are more than just simple thrash metallers on the epic thrash, ten-minute finale, “Into the Wolves Den,” which uses a mix of tempo shifts and hooky melodies to make the song just fly by. With this second LP under their belts, these guys have proven themselves an exciting newish band on the thrash scene.
Grin Reaper’s Woodland Windfall
Autrest // Burning Embers, Forgotten Wolves [September 5th, 2025 – Northern Silence Productions]
Burning Embers, Forgotten Wolves merges atmospheric black metal with nature, resuming Autrest’s vision from debut Follow the Cold Path. Like Saor or Falls of Rauros, stunning melodies play across untamed backdrops that stir heartstrings in unexpected ways. Ethereal keys, mournful strings, and rapid-fire tremolos impeccably capture Burning Embers, Forgotten Wolves’ autumnal artwork, bringing Autrest’s imagery to life. Harsh vocals sit back in the mix, evoking windswept trees as cool harvest gusts leach branches of color, while sporadic baritone cleans add variation. “Lobos (Offering)” sets the stage with melancholic guitar plucks bolstered by forlorn strings, giving way to a controlled spark as “Ashes from the Burning Embers” ratchets up roiling vigor. Through forty-two minutes, Autrest expertly guides listeners across shifting landscapes that are delightful in their earnestness. Mastermind Matheus Vidor establishes himself as a preeminent architect of mood, channeling transitions from gentle, wonder-filled serenity to unyielding wrath. The dynamic between aggression and introspection is marvelous, permeating the album with emotion. While I could understand a complaint that some songs blur together, the spirit of Burning Embers, Forgotten Wolves is never stale or disposable. Rather, Autrest has taken what began two years ago and enriched it, composing an ode to self-discovery and transformation.3 My own experience with the music conjures wilderness’s last hurrah before succumbing to winter’s embrace. As days grow shorter and temperatures drop,4 I encourage you to seek refuge and draw warmth from these Burning Embers.
Dolphin Whisperer’s Very Not Late Novella
Sterveling // Sterveling [September 26th, 2025 – Self Release]
Between the world of atmospheric and post-tinged black metal, there exists a twisted form of progressive music that teeters about brooding moods and crackling tones to explore shrieking sadness and profound sorrow. Michiel van der Werff (Prospectors, Weltschmerz), primary Dutch proprietor of Sterveling, places his expressive guitar runs and lurching rhythm clangs in the company of trusted friends to carry out his tortured, baroque vision of black metal. Against the hissing design of synth maestro and Prospectors bandmate Matthias Ruijgrok, a fullness and warping warmth pervades the spacious amp textures and muscular rhythmic framework of each piece. And through the bloodied cries of Weltschmerz bandmate Hreim, a vocal lightning flashes to illuminate the nooks between pulsing synth lines and deathly bursts of full tremolo assault. In three longform pieces, all still totaling a generous forty-two minutes, Sterveling tints a monochrome narrative with vibrant shades from thoughtful tones and well-timed, emotional escalations. Committed to each careful iteration on a melody, the woven Sterveling web grows ever stickier with every passing moment, none of the ten-minute-plus excursions ever feeling even close to their declared runtimes. And with a sound construction that hits delicate yet forceful, creaking yet incising, it’s easy to wander through several journeys on this debut outing before realizing what time has passed. Fans of equally forlorn acts like Tongues or Andalvald will feel more at home here than others. But with a tonal palette that’s as inviting as it is crushing, Sterveling should attract the ears of fans across the extreme spectrum.
#2025 #agalloch #americanMetal #andavald #arjenAnthonyLucassen #assembleTheChariots #atmosphericBlackMetal #autrest #ayreon #blackMetal #bloodletter #boltThrower #brazillianMetal #burningEmbersForgottenWolves #cannibalCorpse #conan #crowbar #darkTranquillity #deathDoom #deathMetal #deathcore #deathhammer #disembowelment #doomMetal #dutchMetal #etherealDominance #fallsOfRauros #fauna #frenchMetal #galundoTenvulance #grimnis #guiltMachine #heruvim #highOnFire #independentRelease #indieRecordings #insideoutMusic #insomnisSomnia #japaneseMetal #jethroTull #jordsjuk #lupusLounge #melodicBlackMetal #melodicDeathMetal #melodicThrashMetal #mercator #mortalScepter #nagletTilLivet #northernSilenceProductions #norwegianMetal #ochreAndAsh #pestilence #piece #postBlackMetal #progressiveBlackMetal #progressiveMetal #progressiveRock #prophecyProductions #ramblersAxe #review #reviews #saor #selfRelease #selfReleased #sep25 #sinister #skeletonwitch #sludge #sludgeMetal #songsNoOneWillHear #spectralVoice #sterveling #stuckInTheFilter #stuckInTheFilter2025 #symphonicDeathcore #thisCharmingManRecords #thrashMetal #tongues #ukrainianMetal #wolvesInTheThroneRoom
-
Stuck in the Filter: September 2025’s Angry Misses
By Kenstrosity
At last, a burst of cool calms the blood after a brutal summer, and the leaves are turning. Which means I was able to recruit a bunch of grubby little leaf-lookers off the highway to serve as minions to my ever-needy Filter! With a temporarily replenished staff of fools who are unwittingly risking their lives for mere nuggets, I conduct with renewed vigor the search for quality finds.
Today, I bring you those finds, in all of their sparkly glory. WITNESS THEM!
Kenstrosity’s Jaunty Juke
Jordsjuk // Naglet til livet [September 19th, 2025 – Indie Recordings]
The lack of conversation I’ve seen surrounding this Norwegian black metal riff machine is highly disconcerting. Brought to my attention by my wonderfully wise—and devilshly handsome—owlpal1 from… GASP… another blog, Jordsjuk’s debut LP Naglet til livet has my spine whipping to a fro from the onset of ripping opener “Kollaps.” The whiplash doesn’t stop there as thrashy numbers “Grovt skadeverk” and “Skreddersøm” body me against several walls and even a couple of ceilings. For 36 relentless minutes, with only one song pushing the four minute mark, Naglet til livet is an unqualified triumph of editing and tight, effective songwriting. My immediate comparison is 2007-2013 Skeletonwitch, but some of these riffs, like the turbobangers on “Parasitt,” “Rottebitt,” “Klarhet og dybde,” and “Rennestein,” give those hallowed skellybois a serious run for their money. When they aren’t thrashing, Jordsjuk shift into a dour, but still ravenous black metal shadow. Wraiths like “Riv skorpen av såret” and “Svikter din neste” showcase this looming character quite well, and prove Jordsjuk to be dynamic, versatile songwriters. In short, Naglet til livet is a raucous good time for anyone craving black metal with sharp teeth and limitless energy.
Baguette’s Bouncy Blessing
Arjen Anthony Lucassen // Songs No One Will Hear [September 12th, 2025 – Inside Out Music]
A year without an Arjen record would be a much lesser one. It’s not often the crazy Dutchman reuses a non-Ayreon project title, but here we have his fourth solo album becoming the second under the full Arjen Anthony Lucassen name! Dropping 13 years after the previous one, Songs No One Will Hear announces the end of the world is a mere five months away, its tracks depicting the resulting stages of chaos, disarray, and human silliness. It doesn’t fall far off the catchy and melodic Arjen tree but casts a wider net than prior prog rock adventures. Much of the record reflects different eras of Ayreon, including the ’70s prog whimsy of Into the Electric Castle (“Dr. Slumber’s Blue Bus”) and the fun ’80s metal edge of The Source (“Goddamn Conspiracy”). Closing epic “Our Final Song” is a microcosm of his musical breadth, shapeshifting from Jethro Tull flute shenanigans to analog synth ambience to dramatic riff bombast at will. But it’s “The Clock Ticks Down” that steals the spotlight, marking a brief return to the dark, somber grit of Guilt Machine and 01011001. It’s an unusually normal-sized album from Mr. Lucassen as well, the regular, unnarrated version being only 46 minutes and change. A condensed, jovial jack-of-all-trades showcase with many of the usual great guest musician and vocalist selections! And it’s always nice to hear him sing more, too.
Thus Spoke’s Lurid Leftovers
Fauna // Ochre and Ash [September 26th, 2025 – Lupus Lounge/Prophecy Productions]
It’s been 13 years since Cascadian black metal duo Fauna released Avifauna, to quiet yet great acclaim. Given their preoccupation with human prehistory, they might just be operating on a larger timescale than you or I. Ochre and Ash—the two main ingredients used in ancient cave paintings—is an attempt to invoke the spirit of forgotten ceremonies during which the stories of the people were immortalised on stone. Building on an atmospheric black metal base familiar in their better-known exemplars Wolves in the Throne Room and Agalloch, Fauna give Ochre and Ash a distinctive edge by roaming further afield into the experimental. For every metal-dominated track (“Nature & Madness,” “Labyrinths,” “Eternal Return”), there is an ambient, decidedly unsettling counterpart (“A Conjuring,” “Femoral Sun,” “Mockery”), and the latter are not interludes, but integral parts of the ritual. Each infuses skin-prickling drone with eerie chimes and rattles, and uncomfortable vocalisations ranging from moans and wails to laughter and the howling, yipping cries of animals—or humans mimicking them. In their repetition of haunting, hollow sounds, they are both frightening and trance-inducing. Ochre and Ash’s metallic segments are no less ominous, treading as they do between confrontationally turbulent atmoblack2 and diSEMBOWELMENT-adjacent death doom that puts me right back in the void of madness last year’s Spectral Voice generated. This is not a casual listen, and Fauna could have helped it a bit with some editing, as the weirdness combined with an excessive 70-minute runtime makes some longer passages feel tired and could be off-putting to some. Still, it’s an experience I’d recommend trying at least once.
Spicie Forrest’s Sautéed Surplus
Piece // Rambler’s Axe [September 5th, 2025 – This Charming Man Records]
Finding gym metal has always proven difficult for me. It’s not about the fastest or loudest, but about striking a balance between weight and pace. Rambler’s Axe fits the bill nicely. Influenced by the likes of Crowbar and High on Fire, these Berlin-based doomsters peddle raucous and sludgy heavy metal. There’s a bit of Conan in Piece’s DNA, too, making sure to worship each riff long enough for you to make it through any given set. Beefy basslines and aggressive, chiseled drums make it easy to drop into a groove and get your pump on. Faster cuts like “Demigod” and “Rambler’s Axe” go great with chest flies and leg press, but they’ve got tracks for bench press and deadlifts too. “Bastard Sword” and “Owl Eyes” rumble forward like the slow but inevitable rise of the barbell at max weight. Whether marching or running, baritone shouts like tank treads hang over riffs just looking for an excuse to blow off steam. Whatever your reason for visiting the glorious house of gains, Piece has your soundtrack covered.
Heruvim // Mercator [September 12th, 2025 – Self-Release]
As each passing year leaves the almighty Bolt Thrower further in the past, the yearning for that sound grows. I was quite surprised to find a small amount of solace in Heruvim, hailing from Odesa, Ukraine. I say small solace, because debut LP Mercator is more than just a clone. Augmented with the unsettling atmosphere of early Pestilence and the vocal malevolence of Sinister, this platter of old school death metal carves its own niche in a storied scene. Off-kilter leads bubble up and spew out of a murky, tarred rhythm section like prehistoric gases in a primordial soup (“Gnosis,” “Lacrimae Rerum”). Lachrymose, doom-laden passages and violent death threats trade back and forth, anchored by volatile blast beats and percussive assaults in the vein of Cannibal Corpse (“Nulla Res,” “Mercator”). Stitched together with eerie, short-and-sweet interludes, Mercator’s lean 30 minutes fly by and always leave me itching for more. Heruvim riffs on a slew of classic sounds, creating a casual brutality and primal barbarism that is both compelling and uniquely their own.
ClarkKent’s Melodic Monstrosities
Galundo Tenvulance // Insomnis Somnia [September 17th, 2025 – Spiritual Beast Records]
Falling somewhere between symphonic deathcore acts Assemble the Chariots and Grimnis enters Japan’s Galundo Tenvulance. On their second full-length LP, Insomnis Somnia, the sextet demonstrates raw power and frenetic energy throughout its 41-minute runtime. Songs are anchored by catchy melodic leads, atmospheric symphonies, and punishing, relentless kitwork (no drummer is credited, so hopefully it’s not programmed). Galundo Tenvulance’s new vocalist, Sao, delivers the goods, bringing a spirited energy to her performance that elevates the already terrific material. While the symphonics don’t quite elevate the music the same way they do for Assemble the Chariots, it’s the melodic riffs that make these guys stand out. “Noble Rot” is the highlight, with a killer lead riff that uses harmonics to add just that extra bit of oomph. Other highlights include the catchy “Regret Never Sleeps,” evoking Character-era Dark Tranquillity, and “In The Realms of the Unreal,” which demonstrates their ability to transform solos into surprising melodies. This might be too good to have landed in the filter, but with my TYMHM slots filled up, it’s better than nothing.
Mortal Scepter // Ethereal Dominance [September 9th, 2025 – Xtreem Music]
As if we didn’t have enough thrash floating in the filter, French outfit Mortal Scepter finds itself as yet another piece of thrash dredged from the muck. This quartet has been around since 2012, yet Ethereal Dominance is only their second full-length release. Their sound lands somewhere between the melodic thrash of Bloodletter and the mania of Deathhammer—though a touch less zany. The persistent level of energy these bands can maintain never ceases to amaze me. While the constant beat of drum blasts threatens to make thrash songs sound too similar, the variety of melodies Mortal Scepter delivers ensures that things never grow repetitive. They have a raw, blackened sound that feels immediate and in your face. Drummer Guillaume keeps an impressive pace with fresh-sounding, nonstop blast beats, while vocalist Lucas Scellier snarls with enthusiasm, with a voice comparable to Deathhammer’s Sergeant Salsten. However, it’s the guitars by Maxime and Scellier that really bring the band to life, from the noodly melodies to the dynamic, lengthy, and impressive solos on each song. These guys prove they are more than just simple thrash metallers on the epic thrash, ten-minute finale, “Into the Wolves Den,” which uses a mix of tempo shifts and hooky melodies to make the song just fly by. With this second LP under their belts, these guys have proven themselves an exciting newish band on the thrash scene.
Grin Reaper’s Woodland Windfall
Autrest // Burning Embers, Forgotten Wolves [September 5th, 2025 – Northern Silence Productions]
Burning Embers, Forgotten Wolves merges atmospheric black metal with nature, resuming Autrest’s vision from debut Follow the Cold Path. Like Saor or Falls of Rauros, stunning melodies play across untamed backdrops that stir heartstrings in unexpected ways. Ethereal keys, mournful strings, and rapid-fire tremolos impeccably capture Burning Embers, Forgotten Wolves’ autumnal artwork, bringing Autrest’s imagery to life. Harsh vocals sit back in the mix, evoking windswept trees as cool harvest gusts leach branches of color, while sporadic baritone cleans add variation. “Lobos (Offering)” sets the stage with melancholic guitar plucks bolstered by forlorn strings, giving way to a controlled spark as “Ashes from the Burning Embers” ratchets up roiling vigor. Through forty-two minutes, Autrest expertly guides listeners across shifting landscapes that are delightful in their earnestness. Mastermind Matheus Vidor establishes himself as a preeminent architect of mood, channeling transitions from gentle, wonder-filled serenity to unyielding wrath. The dynamic between aggression and introspection is marvelous, permeating the album with emotion. While I could understand a complaint that some songs blur together, the spirit of Burning Embers, Forgotten Wolves is never stale or disposable. Rather, Autrest has taken what began two years ago and enriched it, composing an ode to self-discovery and transformation.3 My own experience with the music conjures wilderness’s last hurrah before succumbing to winter’s embrace. As days grow shorter and temperatures drop,4 I encourage you to seek refuge and draw warmth from these Burning Embers.
Dolphin Whisperer’s Very Not Late Novella
Sterveling // Sterveling [September 26th, 2025 – Self Release]
Between the world of atmospheric and post-tinged black metal, there exists a twisted form of progressive music that teeters about brooding moods and crackling tones to explore shrieking sadness and profound sorrow. Michiel van der Werff (Prospectors, Weltschmerz), primary Dutch proprietor of Sterveling, places his expressive guitar runs and lurching rhythm clangs in the company of trusted friends to carry out his tortured, baroque vision of black metal. Against the hissing design of synth maestro and Prospectors bandmate Matthias Ruijgrok, a fullness and warping warmth pervades the spacious amp textures and muscular rhythmic framework of each piece. And through the bloodied cries of Weltschmerz bandmate Hreim, a vocal lightning flashes to illuminate the nooks between pulsing synth lines and deathly bursts of full tremolo assault. In three longform pieces, all still totaling a generous forty-two minutes, Sterveling tints a monochrome narrative with vibrant shades from thoughtful tones and well-timed, emotional escalations. Committed to each careful iteration on a melody, the woven Sterveling web grows ever stickier with every passing moment, none of the ten-minute-plus excursions ever feeling even close to their declared runtimes. And with a sound construction that hits delicate yet forceful, creaking yet incising, it’s easy to wander through several journeys on this debut outing before realizing what time has passed. Fans of equally forlorn acts like Tongues or Andalvald will feel more at home here than others. But with a tonal palette that’s as inviting as it is crushing, Sterveling should attract the ears of fans across the extreme spectrum.
#2025 #agalloch #americanMetal #andavald #arjenAnthonyLucassen #assembleTheChariots #atmosphericBlackMetal #autrest #ayreon #blackMetal #bloodletter #boltThrower #brazillianMetal #burningEmbersForgottenWolves #cannibalCorpse #conan #crowbar #darkTranquillity #deathDoom #deathMetal #deathcore #deathhammer #disembowelment #doomMetal #dutchMetal #etherealDominance #fallsOfRauros #fauna #frenchMetal #galundoTenvulance #grimnis #guiltMachine #heruvim #highOnFire #independentRelease #indieRecordings #insideoutMusic #insomnisSomnia #japaneseMetal #jethroTull #jordsjuk #lupusLounge #melodicBlackMetal #melodicDeathMetal #melodicThrashMetal #mercator #mortalScepter #nagletTilLivet #northernSilenceProductions #norwegianMetal #ochreAndAsh #pestilence #piece #postBlackMetal #progressiveBlackMetal #progressiveMetal #progressiveRock #prophecyProductions #ramblersAxe #review #reviews #saor #selfRelease #selfReleased #sep25 #sinister #skeletonwitch #sludge #sludgeMetal #songsNoOneWillHear #spectralVoice #sterveling #stuckInTheFilter #stuckInTheFilter2025 #symphonicDeathcore #thisCharmingManRecords #thrashMetal #tongues #ukrainianMetal #wolvesInTheThroneRoom
-
Stuck in the Filter: September 2025’s Angry Misses
By Kenstrosity
At last, a burst of cool calms the blood after a brutal summer, and the leaves are turning. Which means I was able to recruit a bunch of grubby little leaf-lookers off the highway to serve as minions to my ever-needy Filter! With a temporarily replenished staff of fools who are unwittingly risking their lives for mere nuggets, I conduct with renewed vigor the search for quality finds.
Today, I bring you those finds, in all of their sparkly glory. WITNESS THEM!
Kenstrosity’s Jaunty Juke
Jordsjuk // Naglet til livet [September 19th, 2025 – Indie Recordings]
The lack of conversation I’ve seen surrounding this Norwegian black metal riff machine is highly disconcerting. Brought to my attention by my wonderfully wise—and devilshly handsome—owlpal1 from… GASP… another blog, Jordsjuk’s debut LP Naglet til livet has my spine whipping to a fro from the onset of ripping opener “Kollaps.” The whiplash doesn’t stop there as thrashy numbers “Grovt skadeverk” and “Skreddersøm” body me against several walls and even a couple of ceilings. For 36 relentless minutes, with only one song pushing the four minute mark, Naglet til livet is an unqualified triumph of editing and tight, effective songwriting. My immediate comparison is 2007-2013 Skeletonwitch, but some of these riffs, like the turbobangers on “Parasitt,” “Rottebitt,” “Klarhet og dybde,” and “Rennestein,” give those hallowed skellybois a serious run for their money. When they aren’t thrashing, Jordsjuk shift into a dour, but still ravenous black metal shadow. Wraiths like “Riv skorpen av såret” and “Svikter din neste” showcase this looming character quite well, and prove Jordsjuk to be dynamic, versatile songwriters. In short, Naglet til livet is a raucous good time for anyone craving black metal with sharp teeth and limitless energy.
Baguette’s Bouncy Blessing
Arjen Anthony Lucassen // Songs No One Will Hear [September 12th, 2025 – Inside Out Music]
A year without an Arjen record would be a much lesser one. It’s not often the crazy Dutchman reuses a non-Ayreon project title, but here we have his fourth solo album becoming the second under the full Arjen Anthony Lucassen name! Dropping 13 years after the previous one, Songs No One Will Hear announces the end of the world is a mere five months away, its tracks depicting the resulting stages of chaos, disarray, and human silliness. It doesn’t fall far off the catchy and melodic Arjen tree but casts a wider net than prior prog rock adventures. Much of the record reflects different eras of Ayreon, including the ’70s prog whimsy of Into the Electric Castle (“Dr. Slumber’s Blue Bus”) and the fun ’80s metal edge of The Source (“Goddamn Conspiracy”). Closing epic “Our Final Song” is a microcosm of his musical breadth, shapeshifting from Jethro Tull flute shenanigans to analog synth ambience to dramatic riff bombast at will. But it’s “The Clock Ticks Down” that steals the spotlight, marking a brief return to the dark, somber grit of Guilt Machine and 01011001. It’s an unusually normal-sized album from Mr. Lucassen as well, the regular, unnarrated version being only 46 minutes and change. A condensed, jovial jack-of-all-trades showcase with many of the usual great guest musician and vocalist selections! And it’s always nice to hear him sing more, too.
Thus Spoke’s Lurid Leftovers
Fauna // Ochre and Ash [September 26th, 2025 – Lupus Lounge/Prophecy Productions]
It’s been 13 years since Cascadian black metal duo Fauna released Avifauna, to quiet yet great acclaim. Given their preoccupation with human prehistory, they might just be operating on a larger timescale than you or I. Ochre and Ash—the two main ingredients used in ancient cave paintings—is an attempt to invoke the spirit of forgotten ceremonies during which the stories of the people were immortalised on stone. Building on an atmospheric black metal base familiar in their better-known exemplars Wolves in the Throne Room and Agalloch, Fauna give Ochre and Ash a distinctive edge by roaming further afield into the experimental. For every metal-dominated track (“Nature & Madness,” “Labyrinths,” “Eternal Return”), there is an ambient, decidedly unsettling counterpart (“A Conjuring,” “Femoral Sun,” “Mockery”), and the latter are not interludes, but integral parts of the ritual. Each infuses skin-prickling drone with eerie chimes and rattles, and uncomfortable vocalisations ranging from moans and wails to laughter and the howling, yipping cries of animals—or humans mimicking them. In their repetition of haunting, hollow sounds, they are both frightening and trance-inducing. Ochre and Ash’s metallic segments are no less ominous, treading as they do between confrontationally turbulent atmoblack2 and diSEMBOWELMENT-adjacent death doom that puts me right back in the void of madness last year’s Spectral Voice generated. This is not a casual listen, and Fauna could have helped it a bit with some editing, as the weirdness combined with an excessive 70-minute runtime makes some longer passages feel tired and could be off-putting to some. Still, it’s an experience I’d recommend trying at least once.
Spicie Forrest’s Sautéed Surplus
Piece // Rambler’s Axe [September 5th, 2025 – This Charming Man Records]
Finding gym metal has always proven difficult for me. It’s not about the fastest or loudest, but about striking a balance between weight and pace. Rambler’s Axe fits the bill nicely. Influenced by the likes of Crowbar and High on Fire, these Berlin-based doomsters peddle raucous and sludgy heavy metal. There’s a bit of Conan in Piece’s DNA, too, making sure to worship each riff long enough for you to make it through any given set. Beefy basslines and aggressive, chiseled drums make it easy to drop into a groove and get your pump on. Faster cuts like “Demigod” and “Rambler’s Axe” go great with chest flies and leg press, but they’ve got tracks for bench press and deadlifts too. “Bastard Sword” and “Owl Eyes” rumble forward like the slow but inevitable rise of the barbell at max weight. Whether marching or running, baritone shouts like tank treads hang over riffs just looking for an excuse to blow off steam. Whatever your reason for visiting the glorious house of gains, Piece has your soundtrack covered.
Heruvim // Mercator [September 12th, 2025 – Self-Release]
As each passing year leaves the almighty Bolt Thrower further in the past, the yearning for that sound grows. I was quite surprised to find a small amount of solace in Heruvim, hailing from Odesa, Ukraine. I say small solace, because debut LP Mercator is more than just a clone. Augmented with the unsettling atmosphere of early Pestilence and the vocal malevolence of Sinister, this platter of old school death metal carves its own niche in a storied scene. Off-kilter leads bubble up and spew out of a murky, tarred rhythm section like prehistoric gases in a primordial soup (“Gnosis,” “Lacrimae Rerum”). Lachrymose, doom-laden passages and violent death threats trade back and forth, anchored by volatile blast beats and percussive assaults in the vein of Cannibal Corpse (“Nulla Res,” “Mercator”). Stitched together with eerie, short-and-sweet interludes, Mercator’s lean 30 minutes fly by and always leave me itching for more. Heruvim riffs on a slew of classic sounds, creating a casual brutality and primal barbarism that is both compelling and uniquely their own.
ClarkKent’s Melodic Monstrosities
Galundo Tenvulance // Insomnis Somnia [September 17th, 2025 – Spiritual Beast Records]
Falling somewhere between symphonic deathcore acts Assemble the Chariots and Grimnis enters Japan’s Galundo Tenvulance. On their second full-length LP, Insomnis Somnia, the sextet demonstrates raw power and frenetic energy throughout its 41-minute runtime. Songs are anchored by catchy melodic leads, atmospheric symphonies, and punishing, relentless kitwork (no drummer is credited, so hopefully it’s not programmed). Galundo Tenvulance’s new vocalist, Sao, delivers the goods, bringing a spirited energy to her performance that elevates the already terrific material. While the symphonics don’t quite elevate the music the same way they do for Assemble the Chariots, it’s the melodic riffs that make these guys stand out. “Noble Rot” is the highlight, with a killer lead riff that uses harmonics to add just that extra bit of oomph. Other highlights include the catchy “Regret Never Sleeps,” evoking Character-era Dark Tranquillity, and “In The Realms of the Unreal,” which demonstrates their ability to transform solos into surprising melodies. This might be too good to have landed in the filter, but with my TYMHM slots filled up, it’s better than nothing.
Mortal Scepter // Ethereal Dominance [September 9th, 2025 – Xtreem Music]
As if we didn’t have enough thrash floating in the filter, French outfit Mortal Scepter finds itself as yet another piece of thrash dredged from the muck. This quartet has been around since 2012, yet Ethereal Dominance is only their second full-length release. Their sound lands somewhere between the melodic thrash of Bloodletter and the mania of Deathhammer—though a touch less zany. The persistent level of energy these bands can maintain never ceases to amaze me. While the constant beat of drum blasts threatens to make thrash songs sound too similar, the variety of melodies Mortal Scepter delivers ensures that things never grow repetitive. They have a raw, blackened sound that feels immediate and in your face. Drummer Guillaume keeps an impressive pace with fresh-sounding, nonstop blast beats, while vocalist Lucas Scellier snarls with enthusiasm, with a voice comparable to Deathhammer’s Sergeant Salsten. However, it’s the guitars by Maxime and Scellier that really bring the band to life, from the noodly melodies to the dynamic, lengthy, and impressive solos on each song. These guys prove they are more than just simple thrash metallers on the epic thrash, ten-minute finale, “Into the Wolves Den,” which uses a mix of tempo shifts and hooky melodies to make the song just fly by. With this second LP under their belts, these guys have proven themselves an exciting newish band on the thrash scene.
Grin Reaper’s Woodland Windfall
Autrest // Burning Embers, Forgotten Wolves [September 5th, 2025 – Northern Silence Productions]
Burning Embers, Forgotten Wolves merges atmospheric black metal with nature, resuming Autrest’s vision from debut Follow the Cold Path. Like Saor or Falls of Rauros, stunning melodies play across untamed backdrops that stir heartstrings in unexpected ways. Ethereal keys, mournful strings, and rapid-fire tremolos impeccably capture Burning Embers, Forgotten Wolves’ autumnal artwork, bringing Autrest’s imagery to life. Harsh vocals sit back in the mix, evoking windswept trees as cool harvest gusts leach branches of color, while sporadic baritone cleans add variation. “Lobos (Offering)” sets the stage with melancholic guitar plucks bolstered by forlorn strings, giving way to a controlled spark as “Ashes from the Burning Embers” ratchets up roiling vigor. Through forty-two minutes, Autrest expertly guides listeners across shifting landscapes that are delightful in their earnestness. Mastermind Matheus Vidor establishes himself as a preeminent architect of mood, channeling transitions from gentle, wonder-filled serenity to unyielding wrath. The dynamic between aggression and introspection is marvelous, permeating the album with emotion. While I could understand a complaint that some songs blur together, the spirit of Burning Embers, Forgotten Wolves is never stale or disposable. Rather, Autrest has taken what began two years ago and enriched it, composing an ode to self-discovery and transformation.3 My own experience with the music conjures wilderness’s last hurrah before succumbing to winter’s embrace. As days grow shorter and temperatures drop,4 I encourage you to seek refuge and draw warmth from these Burning Embers.
Dolphin Whisperer’s Very Not Late Novella
Sterveling // Sterveling [September 26th, 2025 – Self Release]
Between the world of atmospheric and post-tinged black metal, there exists a twisted form of progressive music that teeters about brooding moods and crackling tones to explore shrieking sadness and profound sorrow. Michiel van der Werff (Prospectors, Weltschmerz), primary Dutch proprietor of Sterveling, places his expressive guitar runs and lurching rhythm clangs in the company of trusted friends to carry out his tortured, baroque vision of black metal. Against the hissing design of synth maestro and Prospectors bandmate Matthias Ruijgrok, a fullness and warping warmth pervades the spacious amp textures and muscular rhythmic framework of each piece. And through the bloodied cries of Weltschmerz bandmate Hreim, a vocal lightning flashes to illuminate the nooks between pulsing synth lines and deathly bursts of full tremolo assault. In three longform pieces, all still totaling a generous forty-two minutes, Sterveling tints a monochrome narrative with vibrant shades from thoughtful tones and well-timed, emotional escalations. Committed to each careful iteration on a melody, the woven Sterveling web grows ever stickier with every passing moment, none of the ten-minute-plus excursions ever feeling even close to their declared runtimes. And with a sound construction that hits delicate yet forceful, creaking yet incising, it’s easy to wander through several journeys on this debut outing before realizing what time has passed. Fans of equally forlorn acts like Tongues or Andalvald will feel more at home here than others. But with a tonal palette that’s as inviting as it is crushing, Sterveling should attract the ears of fans across the extreme spectrum.
#2025 #agalloch #americanMetal #andavald #arjenAnthonyLucassen #assembleTheChariots #atmosphericBlackMetal #autrest #ayreon #blackMetal #bloodletter #boltThrower #brazillianMetal #burningEmbersForgottenWolves #cannibalCorpse #conan #crowbar #darkTranquillity #deathDoom #deathMetal #deathcore #deathhammer #disembowelment #doomMetal #dutchMetal #etherealDominance #fallsOfRauros #fauna #frenchMetal #galundoTenvulance #grimnis #guiltMachine #heruvim #highOnFire #independentRelease #indieRecordings #insideoutMusic #insomnisSomnia #japaneseMetal #jethroTull #jordsjuk #lupusLounge #melodicBlackMetal #melodicDeathMetal #melodicThrashMetal #mercator #mortalScepter #nagletTilLivet #northernSilenceProductions #norwegianMetal #ochreAndAsh #pestilence #piece #postBlackMetal #progressiveBlackMetal #progressiveMetal #progressiveRock #prophecyProductions #ramblersAxe #review #reviews #saor #selfRelease #selfReleased #sep25 #sinister #skeletonwitch #sludge #sludgeMetal #songsNoOneWillHear #spectralVoice #sterveling #stuckInTheFilter #stuckInTheFilter2025 #symphonicDeathcore #thisCharmingManRecords #thrashMetal #tongues #ukrainianMetal #wolvesInTheThroneRoom
