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  1. Released today 23rd April 1976 Jethro Tull "Too Old To Rock ‘N’ Roll: Too Young To Die!"

    #jethrotull #AlbumOfTheDay #70s

  2. Einfach nur mal so "Aqualung" , von #JethroTull aufgelegt und plötzlich realisiert, dass dieses Album aktueller ist, als es das Alter vermuten lässt. Es war eins der ersten Alben meines persönlich Soundtracks. Ich vermute in der Jugend diverser #CDU #CSU #AfD Vertreter*innen eher nicht.

  3. mir ist irgendwie danach. einen vorteil gibts immerhin ...

    roll us both down a mountain and i'm sure the fat man will win

    #musik #music #musique #JethroTull

    #^ - YouTube: Jethro Tull, Fat Man
  4. Sitting on a park bench
    Eyeing little girls with bad intent
    Snot running down his nose
    Greasy fingers smearing shabby clothes
    Hey, Aqualung
    #jethrotull #arecordeveryday

  5. Heavy Horses

    Heavy Horses, released on April 10, 1977, is the middle album of Jethro Tull's folk-rock trilogy. Its bookends are Songs From The Wood (1977) and Stormwatch (1979). The title track was one of the band's long-standing concert faves. Check out Heavy Horses (2003 Remaster) by Jethro Tull on Amazon Music #jethrotull #heavyhorses #70srock #rock #rockmusic #folkrock #progrock #music #musicsky #musiciansky #iananderson

    robinbannks.com/2026/04/10/hea

  6. Chalice – Divine Spear Review By Grin Reaper

    Rocking the same lineup since 2016, Helsinki foursome Chalice returns to serve up their sophomore offering, Divine Spear. Debut Trembling Crown dropped at the tail-end of 2020, and just over five years later, its follow-up retains Chalice’s essence while evolving the previous album’s rugged character. Where Trembling Crown rumbles with a raucous vigor, Divine Spear more often exudes a silky, polished sheen, enlivening its tracks with slick guitars, a vibrant production, and Jethro Tullian flourishes. The brew may have matured, but the core ingredients remain the same—so let us quaff from the Chalice and see if the draught is divine enough to raise our spears!

    Chalice covers a variegated landscape of inspirations on Divine Spear, drawing from the realms of heavy metal and hard rock. Especially refreshing about Chalice’s ingestion of influences is their ability to seamlessly weave homage into their songs. “Hollow Curtain,” for instance, radiates top-Týr charisma throughout verse and chorus, with vocalist Verneri Benjamin Pouttu sustaining notes that echo Heri Joensen’s longship-ready croon. Later in the song, particularly in the solo, the marrow of Iron Maiden crackles with a guitar tone ripped from Brave New World. This modus operandi holds true throughout the album, whether it’s the Ian Anderson flute toots in “Empyrean Liturgy,” the “Aqualung”-coded solo from “Age Ethereal,” or the Pink Floydian psychedelia of “Alioth,” which is redolent of “Comfortably Numb” and patchouli. Despite the diverse calls to other bands, Chalice’s magic on Divine Spear lies in blending inspirations into a cohesive whole, taking the sounds of influences and knitting them into a unified platter informed by muses rather than mimicking them.1

    Divine Spear by Chalice

    Aiding the lush instrumentation on Divine Spear, Chalice nails the production and mix. The dynamic range boasts an impressive score, and while that doesn’t guarantee a great soundscape,2 it proves true here. Divine Spear sounds incredible throughout its forty-eight minutes, regardless of whether I’m listening in my car, through my headphones, or on my phone speaker.3 The six-string tandem of Mikael Cristian Haavisto and guitarist/vocalist Pouttu is especially arresting, from the twists and chugs of “Dwell of a Stellar Trance” to the acoustic warbles in “Mare Imbrium” and “Empyrean Liturgy.” Chalice’s rhythm section also avails itself niftily, never quite in the spotlight but handily hammering away in service of the songs. Drummer Olli Törrönen rarely reaches fever pitch, but neither is he content to remain planted in the pocket, loosing a quick fill here and a double-kick roll there. No moment ever feels compressed or too busy, and the overarching aural experience goes down as smooth as Joni Adrian Petander’s bass.4

    Offsetting the myriad reasons to love Divine Spear, Chalice’s subtle songwriting occasionally suppresses what could be an even better album. Divine Spear is rife with variety, both in pacing and instrumentation, but while satisfyingly spirited moments dot the experience, too often I feel like Chalice holds back rather than capitalizing on big moments. According to the Bandcamp page, the band delivers ‘poignant shifts into cleaner, quieter territory, truly heightening the drama.’ This rings true, but composing livelier moments, particularly on “Empyrean Liturgy” and “Alioth,” could elevate songs by imbuing atmospheres with a contrast that ratchets up tension rather than maintaining a subdued pace for six minutes. And speaking of runtimes, every now and again, song durations on Divine Spear push past what’s needed. Other than “Age Ethereal,” whose eight minutes could be significantly trimmed, Chalice does well not going far past tracks’ expiration dates. Still, tightening them up would engender greater results.

    In total, Chalice proves their interpretation of trad metal works as well through a gentler lens as it does on their rough-and-tumble debut. The choruses catch, the riffs hook, and the music feels familiar and novel all at once, eliciting an engaging encounter that rewards multiple listens. A few small adjustments could make an immediate and outsized impact, though I have to emphasize that, even as is, Divine Spear merits a listen. There’s no doubt Chalice possesses a winning recipe, and I hope we don’t have to wait quite so long for their next effort. Until then, Divine Spear’s formulation is plenty Good enough.

    Rating: Good!
    DR: 10 | Format Reviewed: 320 kbps mp3
    Label: Dying Victims Productions
    Websites: Bandcamp | Facebook
    Releases Worldwide: February 27th, 2026

    #2026 #30 #Chalice #DivineSpear #DyingVictimsProductions #Feb26 #FinnishMetal #HeavyMetal #IronMaiden #JethroTull #PinkFloyd #Review #Reviews #Tyr
  7. Jethro Tull were the only so called "prog rock" band I was ever into. And I was big into them. Most of my friends were baffled.

    #JethroTull #vinyl

  8. Dwie zacne płyty dziś obchodzą rocznice premiery, więc będzie w Klubie słuchane 😎📻🎧

    #muzyka #depechemode #jethrotull

  9. Aqualung

    Jethro Tull release Aqualung ~ March 19, 1971. It's the band's most successful album and considered a cornerstone of the prog rock genre in the 70's.  Its massive success, selling over seven million copies, turned Jethro Tull into a major international touring act. Martin Barre's solo on the album's title track was included in Guitarist magazine's list of "The 20 Greatest Guitar Solos of All Time" at #20 #jethrotull #aqualung #classicrock #rock #rockmusic

    robinbannks.com/2026/03/19/no-

  10. Really don't mind if you sit this one out.

    (but don't really sit this one out, because that's one of the best albums of all time)

    🎵 Thick As A Brick, Pt. 1 by Jethro Tull
    💿 Thick As A Brick, 1972
    ▶️ song.link/at/i/693269578

    #TomsMusic #NowPlaying #JethroTull

  11. 1/3

    Happy Year of the Horse!

    Wishing/hoping we see, this year, something like this:

    "A horse of a different color".

    Image is from Molokai -
    Collection of photos and videos - including a visit to Kalaupapa (down the mule trail and sea cliffs) - plus a music compilation video (local music) @
    fenichel.com/molokai

    #LunarNewYear #YearOfTheHorse #horse #fenfotos #music #JethroTull #Fenfotos #musica #musique #musik #photography #Molokai #Hawaii