#chalice — Public Fediverse posts

This Beautiful Black Cat Chalice is perfect for your collection. Only 2 left and it is only $25.00. Shop https://www.divineintents.com/products/productblack-cat-goblet309 for delivery, pickup or shipping.

#blackcat #chalice #goblet #witchvibes

Ornate chalice, silver and niello etching, Germany, ~1250 AD

https://piefed.social/c/historyartifacts/p/2043939/ornate-chalice-silver-and-niello-etching-germany-1250-ad

Ornate chalice, silver and niello etching, Germany, ~1250 AD

https://piefed.social/c/historyartifacts/p/2043939/ornate-chalice-silver-and-niello-etching-germany-1250-ad

Ornate chalice, silver and niello etching, Germany, ~1250 AD

Ornate chalice, silver and niello etching, Germany, ~1250 AD

Ornate chalice, silver and niello etching, Germany, ~1250 AD

https://piefed.social/c/historyartifacts/p/2043939/ornate-chalice-silver-and-niello-etching-germany-1250-ad

Sun chalice, France, ~1532 AD

https://piefed.social/c/historyartifacts/p/2034501/sun-chalice-france-1532-ad

Sun chalice, France, ~1532 AD

https://piefed.social/c/historyartifacts/p/2034501/sun-chalice-france-1532-ad

Sun chalice, France, ~1532 AD

Sun chalice, France, ~1532 AD

https://piefed.social/c/historyartifacts/p/2034501/sun-chalice-france-1532-ad

Sun chalice, France, ~1532 AD

https://piefed.social/c/historyartifacts/p/2034501/sun-chalice-france-1532-ad

the king's chalice

#Chalice #LandscapeFeature #Surreal #Water #Reflection #Ornate #Royal #Mystical #Symbolic
#Img2img #AiArt #AiArtists #AiArtCommunity #StableDiffusion

on not-royal stuff: https://aieris.art/featured/the-kings-chalice-eris-and-ai.html

the king's chalice

#Chalice #LandscapeFeature #Surreal #Water #Reflection #Ornate #Royal #Mystical #Symbolic
#Img2img #AiArt #AiArtists #AiArtCommunity #StableDiffusion

on not-royal stuff: https://aieris.art/featured/the-kings-chalice-eris-and-ai.html

the king's chalice

#Chalice #LandscapeFeature #Surreal #Water #Reflection #Ornate #Royal #Mystical #Symbolic
#Img2img #AiArt #AiArtists #AiArtCommunity #StableDiffusion

on not-royal stuff: https://aieris.art/featured/the-kings-chalice-eris-and-ai.html

the king's chalice

#Chalice #LandscapeFeature #Surreal #Water #Reflection #Ornate #Royal #Mystical #Symbolic
#Img2img #AiArt #AiArtists #AiArtCommunity #StableDiffusion

on not-royal stuff: https://aieris.art/featured/the-kings-chalice-eris-and-ai.html

the king's chalice

#Chalice #LandscapeFeature #Surreal #Water #Reflection #Ornate #Royal #Mystical #Symbolic
#Img2img #AiArt #AiArtists #AiArtCommunity #StableDiffusion

on not-royal stuff: https://aieris.art/featured/the-kings-chalice-eris-and-ai.html

https://www.europesays.com/uk/868235/ Chalice – Divine Spear Review #2026 #30 #Chalice #DivineSpear #DyingVictimsProductions #Entertainment #Feb26 #FinnishMetal #HeavyMetal #IronMaiden #JethroTull #music #PinkFloyd #Review #Reviews #Tyr #UK #UnitedKingdom

Rocking the same lineup since 2016, Helsinki foursome Chalice returns to serve up their sophomore offering, Divine Spear. Debut Trembling Crown dropped at the tail-end of 2020, and just over five years later, its follow-up retains Chalice’s essence while evolving the previous album’s rugged character. Where Trembling Crown rumbles with a raucous vigor, Divine Spear more often exudes a silky, polished sheen, enlivening its tracks with slick guitars, a vibrant production, and Jethro Tullian flourishes. The brew may have matured, but the core ingredients remain the same—so let us quaff from the Chalice and see if the draught is divine enough to raise our spears!

Chalice covers a variegated landscape of inspirations on Divine Spear, drawing from the realms of heavy metal and hard rock. Especially refreshing about Chalice’s ingestion of influences is their ability to seamlessly weave homage into their songs. “Hollow Curtain,” for instance, radiates top-Týr charisma throughout verse and chorus, with vocalist Verneri Benjamin Pouttu sustaining notes that echo Heri Joensen’s longship-ready croon. Later in the song, particularly in the solo, the marrow of Iron Maiden crackles with a guitar tone ripped from Brave New World. This modus operandi holds true throughout the album, whether it’s the Ian Anderson flute toots in “Empyrean Liturgy,” the “Aqualung”-coded solo from “Age Ethereal,” or the Pink Floydian psychedelia of “Alioth,” which is redolent of “Comfortably Numb” and patchouli. Despite the diverse calls to other bands, Chalice’s magic on Divine Spear lies in blending inspirations into a cohesive whole, taking the sounds of influences and knitting them into a unified platter informed by muses rather than mimicking them.1

Divine Spear by Chalice

Aiding the lush instrumentation on Divine Spear, Chalice nails the production and mix. The dynamic range boasts an impressive score, and while that doesn’t guarantee a great soundscape,2 it proves true here. Divine Spear sounds incredible throughout its forty-eight minutes, regardless of whether I’m listening in my car, through my headphones, or on my phone speaker.3 The six-string tandem of Mikael Cristian Haavisto and guitarist/vocalist Pouttu is especially arresting, from the twists and chugs of “Dwell of a Stellar Trance” to the acoustic warbles in “Mare Imbrium” and “Empyrean Liturgy.” Chalice’s rhythm section also avails itself niftily, never quite in the spotlight but handily hammering away in service of the songs. Drummer Olli Törrönen rarely reaches fever pitch, but neither is he content to remain planted in the pocket, loosing a quick fill here and a double-kick roll there. No moment ever feels compressed or too busy, and the overarching aural experience goes down as smooth as Joni Adrian Petander’s bass.4

Offsetting the myriad reasons to love Divine Spear, Chalice’s subtle songwriting occasionally suppresses what could be an even better album. Divine Spear is rife with variety, both in pacing and instrumentation, but while satisfyingly spirited moments dot the experience, too often I feel like Chalice holds back rather than capitalizing on big moments. According to the Bandcamp page, the band delivers ‘poignant shifts into cleaner, quieter territory, truly heightening the drama.’ This rings true, but composing livelier moments, particularly on “Empyrean Liturgy” and “Alioth,” could elevate songs by imbuing atmospheres with a contrast that ratchets up tension rather than maintaining a subdued pace for six minutes. And speaking of runtimes, every now and again, song durations on Divine Spear push past what’s needed. Other than “Age Ethereal,” whose eight minutes could be significantly trimmed, Chalice does well not going far past tracks’ expiration dates. Still, tightening them up would engender greater results.

In total, Chalice proves their interpretation of trad metal works as well through a gentler lens as it does on their rough-and-tumble debut. The choruses catch, the riffs hook, and the music feels familiar and novel all at once, eliciting an engaging encounter that rewards multiple listens. A few small adjustments could make an immediate and outsized impact, though I have to emphasize that, even as is, Divine Spear merits a listen. There’s no doubt Chalice possesses a winning recipe, and I hope we don’t have to wait quite so long for their next effort. Until then, Divine Spear’s formulation is plenty Good enough.

Rating: Good!
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp | Facebook
Releases Worldwide: February 27th, 2026

Rocking the same lineup since 2016, Helsinki foursome Chalice returns to serve up their sophomore offering, Divine Spear. Debut Trembling Crown dropped at the tail-end of 2020, and just over five years later, its follow-up retains Chalice’s essence while evolving the previous album’s rugged character. Where Trembling Crown rumbles with a raucous vigor, Divine Spear more often exudes a silky, polished sheen, enlivening its tracks with slick guitars, a vibrant production, and Jethro Tullian flourishes. The brew may have matured, but the core ingredients remain the same—so let us quaff from the Chalice and see if the draught is divine enough to raise our spears!

Chalice covers a variegated landscape of inspirations on Divine Spear, drawing from the realms of heavy metal and hard rock. Especially refreshing about Chalice’s ingestion of influences is their ability to seamlessly weave homage into their songs. “Hollow Curtain,” for instance, radiates top-Týr charisma throughout verse and chorus, with vocalist Verneri Benjamin Pouttu sustaining notes that echo Heri Joensen’s longship-ready croon. Later in the song, particularly in the solo, the marrow of Iron Maiden crackles with a guitar tone ripped from Brave New World. This modus operandi holds true throughout the album, whether it’s the Ian Anderson flute toots in “Empyrean Liturgy,” the “Aqualung”-coded solo from “Age Ethereal,” or the Pink Floydian psychedelia of “Alioth,” which is redolent of “Comfortably Numb” and patchouli. Despite the diverse calls to other bands, Chalice’s magic on Divine Spear lies in blending inspirations into a cohesive whole, taking the sounds of influences and knitting them into a unified platter informed by muses rather than mimicking them.1

Divine Spear by Chalice

Aiding the lush instrumentation on Divine Spear, Chalice nails the production and mix. The dynamic range boasts an impressive score, and while that doesn’t guarantee a great soundscape,2 it proves true here. Divine Spear sounds incredible throughout its forty-eight minutes, regardless of whether I’m listening in my car, through my headphones, or on my phone speaker.3 The six-string tandem of Mikael Cristian Haavisto and guitarist/vocalist Pouttu is especially arresting, from the twists and chugs of “Dwell of a Stellar Trance” to the acoustic warbles in “Mare Imbrium” and “Empyrean Liturgy.” Chalice’s rhythm section also avails itself niftily, never quite in the spotlight but handily hammering away in service of the songs. Drummer Olli Törrönen rarely reaches fever pitch, but neither is he content to remain planted in the pocket, loosing a quick fill here and a double-kick roll there. No moment ever feels compressed or too busy, and the overarching aural experience goes down as smooth as Joni Adrian Petander’s bass.4

Offsetting the myriad reasons to love Divine Spear, Chalice’s subtle songwriting occasionally suppresses what could be an even better album. Divine Spear is rife with variety, both in pacing and instrumentation, but while satisfyingly spirited moments dot the experience, too often I feel like Chalice holds back rather than capitalizing on big moments. According to the Bandcamp page, the band delivers ‘poignant shifts into cleaner, quieter territory, truly heightening the drama.’ This rings true, but composing livelier moments, particularly on “Empyrean Liturgy” and “Alioth,” could elevate songs by imbuing atmospheres with a contrast that ratchets up tension rather than maintaining a subdued pace for six minutes. And speaking of runtimes, every now and again, song durations on Divine Spear push past what’s needed. Other than “Age Ethereal,” whose eight minutes could be significantly trimmed, Chalice does well not going far past tracks’ expiration dates. Still, tightening them up would engender greater results.

In total, Chalice proves their interpretation of trad metal works as well through a gentler lens as it does on their rough-and-tumble debut. The choruses catch, the riffs hook, and the music feels familiar and novel all at once, eliciting an engaging encounter that rewards multiple listens. A few small adjustments could make an immediate and outsized impact, though I have to emphasize that, even as is, Divine Spear merits a listen. There’s no doubt Chalice possesses a winning recipe, and I hope we don’t have to wait quite so long for their next effort. Until then, Divine Spear’s formulation is plenty Good enough.

Rating: Good!
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp | Facebook
Releases Worldwide: February 27th, 2026

Rocking the same lineup since 2016, Helsinki foursome Chalice returns to serve up their sophomore offering, Divine Spear. Debut Trembling Crown dropped at the tail-end of 2020, and just over five years later, its follow-up retains Chalice’s essence while evolving the previous album’s rugged character. Where Trembling Crown rumbles with a raucous vigor, Divine Spear more often exudes a silky, polished sheen, enlivening its tracks with slick guitars, a vibrant production, and Jethro Tullian flourishes. The brew may have matured, but the core ingredients remain the same—so let us quaff from the Chalice and see if the draught is divine enough to raise our spears!

Chalice covers a variegated landscape of inspirations on Divine Spear, drawing from the realms of heavy metal and hard rock. Especially refreshing about Chalice’s ingestion of influences is their ability to seamlessly weave homage into their songs. “Hollow Curtain,” for instance, radiates top-Týr charisma throughout verse and chorus, with vocalist Verneri Benjamin Pouttu sustaining notes that echo Heri Joensen’s longship-ready croon. Later in the song, particularly in the solo, the marrow of Iron Maiden crackles with a guitar tone ripped from Brave New World. This modus operandi holds true throughout the album, whether it’s the Ian Anderson flute toots in “Empyrean Liturgy,” the “Aqualung”-coded solo from “Age Ethereal,” or the Pink Floydian psychedelia of “Alioth,” which is redolent of “Comfortably Numb” and patchouli. Despite the diverse calls to other bands, Chalice’s magic on Divine Spear lies in blending inspirations into a cohesive whole, taking the sounds of influences and knitting them into a unified platter informed by muses rather than mimicking them.1

Divine Spear by Chalice

Aiding the lush instrumentation on Divine Spear, Chalice nails the production and mix. The dynamic range boasts an impressive score, and while that doesn’t guarantee a great soundscape,2 it proves true here. Divine Spear sounds incredible throughout its forty-eight minutes, regardless of whether I’m listening in my car, through my headphones, or on my phone speaker.3 The six-string tandem of Mikael Cristian Haavisto and guitarist/vocalist Pouttu is especially arresting, from the twists and chugs of “Dwell of a Stellar Trance” to the acoustic warbles in “Mare Imbrium” and “Empyrean Liturgy.” Chalice’s rhythm section also avails itself niftily, never quite in the spotlight but handily hammering away in service of the songs. Drummer Olli Törrönen rarely reaches fever pitch, but neither is he content to remain planted in the pocket, loosing a quick fill here and a double-kick roll there. No moment ever feels compressed or too busy, and the overarching aural experience goes down as smooth as Joni Adrian Petander’s bass.4

Offsetting the myriad reasons to love Divine Spear, Chalice’s subtle songwriting occasionally suppresses what could be an even better album. Divine Spear is rife with variety, both in pacing and instrumentation, but while satisfyingly spirited moments dot the experience, too often I feel like Chalice holds back rather than capitalizing on big moments. According to the Bandcamp page, the band delivers ‘poignant shifts into cleaner, quieter territory, truly heightening the drama.’ This rings true, but composing livelier moments, particularly on “Empyrean Liturgy” and “Alioth,” could elevate songs by imbuing atmospheres with a contrast that ratchets up tension rather than maintaining a subdued pace for six minutes. And speaking of runtimes, every now and again, song durations on Divine Spear push past what’s needed. Other than “Age Ethereal,” whose eight minutes could be significantly trimmed, Chalice does well not going far past tracks’ expiration dates. Still, tightening them up would engender greater results.

In total, Chalice proves their interpretation of trad metal works as well through a gentler lens as it does on their rough-and-tumble debut. The choruses catch, the riffs hook, and the music feels familiar and novel all at once, eliciting an engaging encounter that rewards multiple listens. A few small adjustments could make an immediate and outsized impact, though I have to emphasize that, even as is, Divine Spear merits a listen. There’s no doubt Chalice possesses a winning recipe, and I hope we don’t have to wait quite so long for their next effort. Until then, Divine Spear’s formulation is plenty Good enough.

Rating: Good!
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp | Facebook
Releases Worldwide: February 27th, 2026

Rocking the same lineup since 2016, Helsinki foursome Chalice returns to serve up their sophomore offering, Divine Spear. Debut Trembling Crown dropped at the tail-end of 2020, and just over five years later, its follow-up retains Chalice’s essence while evolving the previous album’s rugged character. Where Trembling Crown rumbles with a raucous vigor, Divine Spear more often exudes a silky, polished sheen, enlivening its tracks with slick guitars, a vibrant production, and Jethro Tullian flourishes. The brew may have matured, but the core ingredients remain the same—so let us quaff from the Chalice and see if the draught is divine enough to raise our spears!

Chalice covers a variegated landscape of inspirations on Divine Spear, drawing from the realms of heavy metal and hard rock. Especially refreshing about Chalice’s ingestion of influences is their ability to seamlessly weave homage into their songs. “Hollow Curtain,” for instance, radiates top-Týr charisma throughout verse and chorus, with vocalist Verneri Benjamin Pouttu sustaining notes that echo Heri Joensen’s longship-ready croon. Later in the song, particularly in the solo, the marrow of Iron Maiden crackles with a guitar tone ripped from Brave New World. This modus operandi holds true throughout the album, whether it’s the Ian Anderson flute toots in “Empyrean Liturgy,” the “Aqualung”-coded solo from “Age Ethereal,” or the Pink Floydian psychedelia of “Alioth,” which is redolent of “Comfortably Numb” and patchouli. Despite the diverse calls to other bands, Chalice’s magic on Divine Spear lies in blending inspirations into a cohesive whole, taking the sounds of influences and knitting them into a unified platter informed by muses rather than mimicking them.1

Divine Spear by Chalice

Aiding the lush instrumentation on Divine Spear, Chalice nails the production and mix. The dynamic range boasts an impressive score, and while that doesn’t guarantee a great soundscape,2 it proves true here. Divine Spear sounds incredible throughout its forty-eight minutes, regardless of whether I’m listening in my car, through my headphones, or on my phone speaker.3 The six-string tandem of Mikael Cristian Haavisto and guitarist/vocalist Pouttu is especially arresting, from the twists and chugs of “Dwell of a Stellar Trance” to the acoustic warbles in “Mare Imbrium” and “Empyrean Liturgy.” Chalice’s rhythm section also avails itself niftily, never quite in the spotlight but handily hammering away in service of the songs. Drummer Olli Törrönen rarely reaches fever pitch, but neither is he content to remain planted in the pocket, loosing a quick fill here and a double-kick roll there. No moment ever feels compressed or too busy, and the overarching aural experience goes down as smooth as Joni Adrian Petander’s bass.4

Offsetting the myriad reasons to love Divine Spear, Chalice’s subtle songwriting occasionally suppresses what could be an even better album. Divine Spear is rife with variety, both in pacing and instrumentation, but while satisfyingly spirited moments dot the experience, too often I feel like Chalice holds back rather than capitalizing on big moments. According to the Bandcamp page, the band delivers ‘poignant shifts into cleaner, quieter territory, truly heightening the drama.’ This rings true, but composing livelier moments, particularly on “Empyrean Liturgy” and “Alioth,” could elevate songs by imbuing atmospheres with a contrast that ratchets up tension rather than maintaining a subdued pace for six minutes. And speaking of runtimes, every now and again, song durations on Divine Spear push past what’s needed. Other than “Age Ethereal,” whose eight minutes could be significantly trimmed, Chalice does well not going far past tracks’ expiration dates. Still, tightening them up would engender greater results.

In total, Chalice proves their interpretation of trad metal works as well through a gentler lens as it does on their rough-and-tumble debut. The choruses catch, the riffs hook, and the music feels familiar and novel all at once, eliciting an engaging encounter that rewards multiple listens. A few small adjustments could make an immediate and outsized impact, though I have to emphasize that, even as is, Divine Spear merits a listen. There’s no doubt Chalice possesses a winning recipe, and I hope we don’t have to wait quite so long for their next effort. Until then, Divine Spear’s formulation is plenty Good enough.

Rating: Good!
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp | Facebook
Releases Worldwide: February 27th, 2026

Rocking the same lineup since 2016, Helsinki foursome Chalice returns to serve up their sophomore offering, Divine Spear. Debut Trembling Crown dropped at the tail-end of 2020, and just over five years later, its follow-up retains Chalice’s essence while evolving the previous album’s rugged character. Where Trembling Crown rumbles with a raucous vigor, Divine Spear more often exudes a silky, polished sheen, enlivening its tracks with slick guitars, a vibrant production, and Jethro Tullian flourishes. The brew may have matured, but the core ingredients remain the same—so let us quaff from the Chalice and see if the draught is divine enough to raise our spears!

Chalice covers a variegated landscape of inspirations on Divine Spear, drawing from the realms of heavy metal and hard rock. Especially refreshing about Chalice’s ingestion of influences is their ability to seamlessly weave homage into their songs. “Hollow Curtain,” for instance, radiates top-Týr charisma throughout verse and chorus, with vocalist Verneri Benjamin Pouttu sustaining notes that echo Heri Joensen’s longship-ready croon. Later in the song, particularly in the solo, the marrow of Iron Maiden crackles with a guitar tone ripped from Brave New World. This modus operandi holds true throughout the album, whether it’s the Ian Anderson flute toots in “Empyrean Liturgy,” the “Aqualung”-coded solo from “Age Ethereal,” or the Pink Floydian psychedelia of “Alioth,” which is redolent of “Comfortably Numb” and patchouli. Despite the diverse calls to other bands, Chalice’s magic on Divine Spear lies in blending inspirations into a cohesive whole, taking the sounds of influences and knitting them into a unified platter informed by muses rather than mimicking them.1

Divine Spear by Chalice

Aiding the lush instrumentation on Divine Spear, Chalice nails the production and mix. The dynamic range boasts an impressive score, and while that doesn’t guarantee a great soundscape,2 it proves true here. Divine Spear sounds incredible throughout its forty-eight minutes, regardless of whether I’m listening in my car, through my headphones, or on my phone speaker.3 The six-string tandem of Mikael Cristian Haavisto and guitarist/vocalist Pouttu is especially arresting, from the twists and chugs of “Dwell of a Stellar Trance” to the acoustic warbles in “Mare Imbrium” and “Empyrean Liturgy.” Chalice’s rhythm section also avails itself niftily, never quite in the spotlight but handily hammering away in service of the songs. Drummer Olli Törrönen rarely reaches fever pitch, but neither is he content to remain planted in the pocket, loosing a quick fill here and a double-kick roll there. No moment ever feels compressed or too busy, and the overarching aural experience goes down as smooth as Joni Adrian Petander’s bass.4

Offsetting the myriad reasons to love Divine Spear, Chalice’s subtle songwriting occasionally suppresses what could be an even better album. Divine Spear is rife with variety, both in pacing and instrumentation, but while satisfyingly spirited moments dot the experience, too often I feel like Chalice holds back rather than capitalizing on big moments. According to the Bandcamp page, the band delivers ‘poignant shifts into cleaner, quieter territory, truly heightening the drama.’ This rings true, but composing livelier moments, particularly on “Empyrean Liturgy” and “Alioth,” could elevate songs by imbuing atmospheres with a contrast that ratchets up tension rather than maintaining a subdued pace for six minutes. And speaking of runtimes, every now and again, song durations on Divine Spear push past what’s needed. Other than “Age Ethereal,” whose eight minutes could be significantly trimmed, Chalice does well not going far past tracks’ expiration dates. Still, tightening them up would engender greater results.

In total, Chalice proves their interpretation of trad metal works as well through a gentler lens as it does on their rough-and-tumble debut. The choruses catch, the riffs hook, and the music feels familiar and novel all at once, eliciting an engaging encounter that rewards multiple listens. A few small adjustments could make an immediate and outsized impact, though I have to emphasize that, even as is, Divine Spear merits a listen. There’s no doubt Chalice possesses a winning recipe, and I hope we don’t have to wait quite so long for their next effort. Until then, Divine Spear’s formulation is plenty Good enough.

Rating: Good!
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp | Facebook
Releases Worldwide: February 27th, 2026

Etruscan chalice, ceramic, Italy, 625-550 BCE

https://piefed.social/c/historyartifacts/p/1875045/etruscan-chalice-ceramic-italy-625-550-bce

Etruscan chalice, ceramic, Italy, 625-550 BCE

https://piefed.social/c/historyartifacts/p/1875045/etruscan-chalice-ceramic-italy-625-550-bce

Etruscan chalice, ceramic, Italy, 625-550 BCE

Etruscan chalice, ceramic, Italy, 625-550 BCE

Etruscan chalice, ceramic, Italy, 625-550 BCE

https://piefed.social/c/historyartifacts/p/1875045/etruscan-chalice-ceramic-italy-625-550-bce

CHALICE (Finlàndia) presenta nou àlbum: "Divine Spear" #Chalice #MelodicHeavyMetal #Febrer2026 #Finlàndia #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

CHALICE (Finlàndia) presenta nou àlbum: "Divine Spear" #Chalice #MelodicHeavyMetal #Febrer2026 #Finlàndia #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

Crypt / The End Result / Bann X / The Creed / Funeral Nation / Merciless Mutants / Sarcasm / Chalice / Zeppulon / Malicious Hate / The Chud Monsters / Cryonax / Forced Anger / Scruffy Tearaways

https://grpunkflyers.notopia.dev/flyers/1719/

Drop / Hammer / Chalice

https://grpunkflyers.notopia.dev/flyers/1712/

Chalice (aka. Chalice of Kalmar) for the TI-99/4A

https://youtu.be/guU0hBI06B4?si=xk4cWq6g7DaSN2nr

#Chalice #ChaliceofKalmar #TI994A #Action #ApexSoftware #ApexTradingLtd #ApexTrading #Apex

Chalice (aka. Chalice of Kalmar) for the TI-99/4A

https://youtu.be/guU0hBI06B4?si=xk4cWq6g7DaSN2nr

#Chalice #ChaliceofKalmar #TI994A #Action #ApexSoftware #ApexTradingLtd #ApexTrading #Apex

Crypt / Chalice

https://grpunkflyers.notopia.dev/flyers/1711/

Sick – N – Tired / Sinister Black / Chalice / STD

https://grpunkflyers.notopia.dev/flyers/1663/

Demnächst: #Chalice veröffentlicht am 27.02. „Divine Spear“.

🔗 https://gloomr.de/#1622

#DyingVictimsProduction #HeavyMetal #EuroMetal #NeuesAlbum

Demnächst: #Chalice veröffentlicht am 27.02. „Divine Spear“.

🔗 https://gloomr.de/#1622

#DyingVictimsProduction #HeavyMetal #EuroMetal #NeuesAlbum

Demnächst: #Chalice veröffentlicht am 27.02. „Divine Spear“.

🔗 https://gloomr.de/#1622

#DyingVictimsProduction #HeavyMetal #EuroMetal #NeuesAlbum

Demnächst: #Chalice veröffentlicht am 27.02. „Divine Spear“.

🔗 https://gloomr.de/#1622

#DyingVictimsProduction #HeavyMetal #EuroMetal #NeuesAlbum

Demnächst: #Chalice veröffentlicht am 27.02. „Divine Spear“.

🔗 https://gloomr.de/#1622

#DyingVictimsProduction #HeavyMetal #EuroMetal #NeuesAlbum

Rhino horn chalice, Germany, ~1700 AD

Rhino horn chalice, Germany, ~1700 AD

Rhino horn chalice, Germany, ~1700 AD

I’ve heard many teachers say this. #UUs say it at the end of every service as we extinguish the #chalice. The #lightisinyou #love is the cure. Cure for the #trumpcontagion

https://youtu.be/o45HIzJTBgU

I’ve heard many teachers say this. #UUs say it at the end of every service as we extinguish the #chalice. The #lightisinyou #love is the cure. Cure for the #trumpcontagion

https://youtu.be/o45HIzJTBgU

I’ve heard many teachers say this. #UUs say it at the end of every service as we extinguish the #chalice. The #lightisinyou #love is the cure. Cure for the #trumpcontagion

https://youtu.be/o45HIzJTBgU

I’ve heard many teachers say this. #UUs say it at the end of every service as we extinguish the #chalice. The #lightisinyou #love is the cure. Cure for the #trumpcontagion

https://youtu.be/o45HIzJTBgU

I’ve heard many teachers say this. #UUs say it at the end of every service as we extinguish the #chalice. The #lightisinyou #love is the cure. Cure for the #trumpcontagion

https://youtu.be/o45HIzJTBgU

I will either have to meet more people who need ritual goblets or stop making them!

#handmade #pottery #ceramics #goblet #chalice

I will either have to meet more people who need ritual goblets or stop making them!

#handmade #pottery #ceramics #goblet #chalice