En este viernes en los lanzamientos de nueva música salió uno del ex frontman de La Ley, Beto Cuevas, que se titula «¡Respira!»
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267 results for “albums”
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Still in between. Midnight hearts. Late music. https://vwtbr.bandcamp.com/album/nightluxury #bandcamp #music_for_evenings #noir_fm #vaporwave #vaportapes_brazil
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MUÑEKI77A ▶️ Tres Marías
Directamente desde Argentina y consolidando una potente expansión con la mirada puesta en México, la arrolladora artista MUÑEKI77A acaba de desatar oficialmente su nuevo sencillo y videoclip: «Tres Marías», presentado como el cuarto y último adelanto de su esperado álbum conceptual Folcore. En «Tres Marías», MUÑEKI77A vuelve a hacer gala de su audaz universo sonoro donde la brutal distorsión del nu-metal y la intensidad del metalcore conviven de forma simbiótica con las […]https://musicwayatx.com/2026/10/24/muneki77a-%e2%96%b6%ef%b8%8f-tres-marias/
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Toward the end of lunch hour today I stopped by the excellent local thrift store long enough to fight the urge to add to my collection of clocks and while there, was pleased with the tuneage on the store’s “muzack” system; one of the 70 or 80 something year old volunteers plugged the White Album in. It kinda rocked, singin’ along with “Sexy Sadie” as thumbed through the CDs and DVDs.
#MusicOfMastodon
#60sAlbumRock
#TheBeatles
#WhiteAlbum -
Under The Radar – Versus
Less than 1,000 monthly listeners. More than 1,000 reasons to listen.
How did you come up with the bands name?
It came from being ‘Vs the system’ but we figured short & sweet would work.
Where are you from?
Leeds,UK.
What genre would you class your music as?
Post Hardcore.
For Fans Of?
Dayseeker, System of a Down, Enter Shikari.
Where can people connect with you?
Check out their website! https://theofficialversus.com/
What is your latest release?
https://open.spotify.com/track/3qskAfN39gqYIE0mVpIDze?si=4a2ba2cd3c37482d
This track explores the aftermath of a deeply toxic relationship, where prolonged gaslighting and manipulation suddenly become clear. That moment of clarity forces acceptance of the damage done, reshaping the entire mindset and driving the journey to confront the past, reclaim control, and move toward a more honest, self-defined future.
What are the songs you would recommend to new listeners?
https://open.spotify.com/track/5Svvl3XjtDKrSoP8KJCheP?si=ad3296915d154f96
A straight forward, no messing around, high energy classic with all the beefy riffs your ears could need
https://open.spotify.com/track/1WEdRBWxPaEIxGNHD5OUyg?si=687e460034494cbe
A real juxtaposition of a song that shows the breadth of the band and how eclectic we can be. It seamlessly blends multiple genres and leaves you lingering for more.
What is the song you’re most proud of as a band?
https://open.spotify.com/track/3eYqWTPV0o0Mi7YGaFwfQ5?si=f9fac40eaa884b81
This song came together really quickly, and at a particularly bad time. The band were starting to go through a busy period of gigs, in the throws of recording and production on the first album and still writing the last couple of tracks, so we were stretched thin. And this song just started coming to fruition literally a couple of hours before an important gig… and when creativity strike you’ve got to follow it. So it ended up feeling quite rushed when the bulk of it was being written and actually turned out to be one of our most complete and popular songs!
When can we expect some new music?
We are currently writing our second album for release in early 2027, with two standalone singles coming before the end of the year.
Who would be your dream collaboration?
Rou Reynolds and Enter Shikari would be high on the list. The energy and creativity that lives in the mans brain is nothing short of phenomenal.
Rory Rodriguez and Dayseeker would be another – they’re nailing the dark ‘baddiecore’ vibe that seem to be the rage at the minute, and Rory is at the pinnacle of what a voice can do.
Finally; Bring Me The Horizon – who wouldn’t want to a collab with that band right now. Those guys have single handedly re-written the rule book on what a live show can look like in the metal scene.All rights to the songs used on this post are retained by the band in question. This site claims no rights over them. All images were provided by the band.
#Album #Blog #HardRock #Metal #Music #MusicReview #Photography #Review #rock #Writing -
Good morning, Fedi friends!
In the decade+ that I've been listening to The Notwist, the German indie rockers have never let me down with new music. This year's new record, News from Planet Zombie, is no exception to that rule. I love this album ❤️
@[email protected]
#Bandcamp #Music #Indie #Rock #Electro #Pop -
Look what turns 45 today ... https://robinbannks.com/2026/10/26/freeze-frame/ #jgeilsband #freezeframe #80srock #bluesrock #rock #rockmusic #music #musicsky #musiciansky #peterwolf #jgeils #magicdick #sethjustman #dannyklein #randybrecker #cissyhouston #luthervandross #tommybonesmalone
Released on October 26, 1981 and goes on to become the most prolific from the works of the J. Geils Band. It reached number one on the United States Billboard 200 album chart in February 1982, and remained at the top for four ...
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Sarcator – The Ones We Follow Review By Creeping IvyLast year, Sarcator flew under the radar with a pretty rad platter. On the heels of their mixed sophomore outing, 2025’s Swarming Angels & Flies served up delectable blackened thrash with necrotic notes and refreshing traditional/surf-rock side dishes. A year later, I’m surprised to see them already plating The Ones We Follow. Also surprising was word that this Swedish trio has all but abandoned thrash on album four, adopting a flavor profile they don with a curious descriptor: ‘death’s rock.’ Skepticism-inducing as any major sonic shift should be, the rock elements of Swarming Angels & Flies did elevate my excitement over Sarcator’s riffy brand of thrash with the crispy skin. In turning this element into the main course, I’m left wondering if these young Swedes returned to the kitchen prematurely.
Despite the generic shift, Sarcator still retain the unhinged aggression characterizing their blackened thrash menu. Indeed, guitarist/vocalist Mateo Tervonen belts an acerbic ‘owww!’ on opener “The Ones We Follow,” with drummer Jesper Rosén speeding between kit pieces underneath. It’s the guitar work, however, that distinguishes old from new Sarcator. Rather than relying on syncopated palm mutes and serpentine riffs, Tervonen and Leo Buchalle favor twangy licks and careening power chords. The solos also affirm this new, ‘classic’ approach, adding bluesy soul into the mix. Almost rockabilly in nature, it’s as if Hellripper collided with Shadowy Men on a Shadowy Planet. As the record progresses, Sarcator introduce a host of country western elements—slide guitar, harmonica, the occasional snake rattle—with big Wayfarer1 energy (“Volatile Insight,” “Ain’t Fit to Live”). These country western-isms might imply a seismic shift, but it’s not as if Sarcator sound like a completely different band. The sandwich is now (western-tinged) rock, but its wrapper is still youthful, abrasive, and—yes—blackened.
Sarcator build this batch of tunes atop time-tested chord progressions, with Tervonen’s vocals tasked with cutting through the listener’s palette. For the most part, he delivers. The choruses on “In Search of Oblivion” and “Volatile Insight” hit the sweet spot between attitude and stickiness through deliberate spacing and cadence. Tervonen’s tongue trills are tantalizing, becoming a bit of a signature throughout. Not every song, however, strikes a salutary balance. “The Underground Streets” could pay off its guitar earworm with a stronger vocal hook, while “Bleeding Ages” is in need of memorability. Penultimate country rocker “Wasteland Strider” tosses a vocal curveball, containing clean singing before it gets death n’ rolling. It’s a jarring change that, while well executed, feels a little like variety for variety’s sake this late in the album. Production-wise, Tervonen’s voice is a bit more prominent in the mix than I’d like, at the expense of melodic support from the bass.2 But overall, The Ones We Follow sounds open and punchy, with Tervonen’s voice commanding deserved attention.
While not their longest meal, The Ones We Follow pits a girthy album length against a mostly immediate vibe. Shorter songs like “The Ones We Follow” and “You Gotta Possess Me” kill it, kicking in the door with controlled chaos. The clash between immediacy and girth, however, reveals itself mostly in the album’s epics. Seven-minute centerpiece “Rotting Chapels” implies scope with its key-changing buildup, but it ends up sounding like a longer version of the abrasive surf rock heard earlier. Meanwhile, closer “Wanderlust” epitomizes its title, wandering from mid-paced cowboy bumps to “Hot for Teacher”-style fretboard gymnastics and harmonica-sweetened blues dirt. It’s highly entertaining stuff, skirting the line between jamming and riff salad-ing. The album’s 50 minutes may look long on paper, but there’s enough head-turning developments to keep things interesting. The Dire Straits-y ending to “Rotting Chapels” comes to mind, as does the brush-fueled gallop in “Bleeding Ages.”
Leaving me a little hungry at first, The Ones We Follow ultimately won me over with its blackening of a more rustic protein. I applaud Sarcator for daring to change, and there’s lots of tasty stuff on here, with nothing off-putting. Still, The Ones We Follow could elevate its addictive attitude and classic songwriting with more vocal hooks and judicious editing. What crystal clear, however, is that the members of Sarcator are having a hell of a lot of fun here, rocking out and experimenting in equal measure. I’ll continue following these Swedes in the future, as they show signs of following The Ones We Follow with something seriously sumptuous.
Rating: 3.0/5.0
#2026 #30 #BlackenedThrashMetal #DeathMetal #DireStraits #Hellripper #Oct26 #ReigningPhoenixMusic #Review #Reviews #Rock #Sarcator #ShadowyMenOnAShadowyPlanet #SwedishMetal #TheOnesWeFollow #ThrashMetal #Wayfarer
DR: 9 | Format Reviewed: 320 kbps mp3
Label: Reigning Phoenix Music
Websites: Bandcamp | Instagram | Facebook
Releases Worldwide: October 30th, 2026 -
William Shatner, l'interprete storico del Capitano Kirk, è la dimostrazione vivente del celebre motto vulcaniano: "Vivi a lungo e prospera".
#WilliamShatner #TonyIommi #BlackSabbath #StarTrek #HeavyMetal
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I need a bit of motivation today so I'm starting up with a banger that makes me want to pump the volume all the way up to 11. The OP for 1989 theatrical movie "City Hunter: .357 Magnum" (シティーハンター 愛と宿命のマグナム), Weekend Soldier (週末のソルジャー) by Mika Kaneko (金子 美香).
This is the full-length track ripped from the City Hunter: A Magnum of Love's Destination - Music from the Original Motion Picture album (シティーハンター劇場版 ～愛と宿命のマグナム～ オリジナル・サウンドトラック). The album cover contains a notorious misspelling that's extremely characteristic of that period's Engrish.
7/
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🧶 4/4 # rockforcoffee
Není to snaha měnit pravidla žánru. Síla desky spočívá v tom, že U.D.O. vědí, co jim jde nejlépe. Pevné riffy, zapamatovatelné refrény, metalová přímočarost a zpěv, který si nespleteš s nikým jiným…
Album 💿 “Holy” se dočkalo příznivého hodnocení v metalových médiích. Časopis Rock Hard mu udělil 8️⃣ z 🔟 bodů a Collector’s Guide to Heavy Metal hodnotil album známkou 9️⃣ z 🔟…
A ještě jedna pecka nakonec 🔥
🎤🎶Cut Me Out🎶🎸
https://music.youtube.com/watch?v=A2zVQ3tlwlE&si=cXieXUuhwtKGq_Cv
//Závěrečná skladba uzavírá album v duchu poctivého, kytarového heavy metalu. Název „Vyřízni mě“ působí vzdorovitě a k Udovu projevu se hodí. Deska končí bez velkého experimentování, přesně v rámci svého tradičního metalového světa//."Holy" je podle mě poctivá deska pro fanoušky klasického heavy metalu, kteří chtějí silné riffy, melodické refrény a nezaměnitelný Udův hlas. Není to revoluce v žánru, ale sebevědomá nahrávka kapely, která přesně ví, jak má znít. A kdo má rád klasické Accept, je to rozhodně album, které stojí za pozornost. 🤘🎸💙
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Family Blues
I’ve said that playing the blues is like having to be black twice. Stevie Ray Vaughan missed on both counts, but I never noticed.
B. B. KingJust Damn
What sweet jam
From an awesome famhttps://youtu.be/LfH3DARr_Z4?si=m7iiGPF-V6QvAf6h
https://youtu.be/BuKutCP6N2o?si=FfueYloTJy7DvIkF
https://youtu.be/NA4uR-cJCYw?si=N9FSEEjPhxAzkirE
Not doing any challenges in here but rather going out to do it. I had a cousin pass on Friday, safe journey Cathy. I’m headed to say goodbye and visit the little family I have left. I find myself a little on the blues side and the Vaughan Brothers album is soothing my soul tonight. Easing into the morrow with love for family, yours & mine, peace.
https://youtu.be/Qv38If3WxJ8?si=3U1DbNEenFX-s7YY
O2626 ©https://www.peaceful-threads.com
#dailyprompt #dailyprompt2926 #family #life #love #music -
"Back Here" is a song by English #popRock band #BBMak. It was written by the three members of the group ( #ChristianBurns, Mark Barry, and #StephenMcNally) along with songwriter #PhilThornalley. It was originally released in August 1999 as the lead single from their debut studio album, #SoonerOrLater (2000), but did not experience commercial success until its American release the following year, when it became a top-20 hit in the United States.
https://www.youtube.com/watch?v=bTpsm_2ziuo -
Phil Cohran and the Artistic Heritage Ensemble - "Armageddon" (2010/ recorded 1968 in Chicago, IL)
I usually keep my Phil Cohran cds in the truck for access on the road, but making an exception today. When will these recordings see #vinyl reissues?
https://tidal.com/album/9128774/u
#NowPlaying #PhilCohran #ArtisticHeritageEnsemble #CDRevival
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New #review today: "Released on October 21, 2026, what would have been the 50th birthday of longtime keyboardist and vocalist Stig Arve Kvam-Jørgensen, Sorgens Kapittel is both a tribute and a farewell. The title translates roughly as “The Chapter of Grief,” but despite its somber origins, this is not a gloomy album. Instead, it celebrates the sound that made #ArabsInAspic such a distinctive force in Norwegian #ProgressiveRock." #ExposeOnline #KarismaRecords http://expose.org/index.php/articles/display/arabs-in-aspic-sorgens-kapittel-6.html
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Hermanos Hernández en El Mojo
elmojo.uy, sábado, 14 de noviembre, 21:00 GMT-3
Reservas 091644360
xmpp: [email protected]
mensaje privado: @[email protected]Cerca de Avda Italia y Luis A de Herrera
+info: elmojo.uy
Dúo de guitarra y bandoneón, integrado por los Mauro y Ramiro Hernández. Tocan juntos desde niños, incursionando en distintos géneros hasta afianzarse en el tango hacia 2011. Desde entonces comenzaron a recorrer el circuito milonguero montevideano interpretando tangos clásicos con su impronta, e incorporando poco a poco composiciones propias.
Para escuchar:
Humo (2017)
https://hermanoshernandez.bandcamp.com/album/humo
La quema (2022)
https://hermanoshernandez.bandcamp.com/album/la-quema
https://plan.undernet.uy/event/hermanos-hernandez-en-el-mojo
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No Clean Singing 🤘 SHADES OF BLACK: GLORIOR BELLI: (written by Islander) Life events external to NCS have forced me to again truncate my plans for this usual Sunday column devoted to variants of black metal. All is well, but I need to leave home and computer fairly soon, too soon for me to do more than write about one album that came out [...]
The post SHADES OF BLACK: GLORIOR BELLI appeared first on NO CLEAN… http://dlvr.it/TW3Qj6 👀 Bio Link 4 More 🤘 #Metal #HeavyMetal #NoCleanSinging
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Le petit tour de Proto (iels cherchent encore deux plans) :
07.11.26 Le 102, Grenoble (en soutien au local autogéré)
08.11.26 HELP Cévennes/vallée du Rhône
09.11.26 L’Usine au séquoia, Sentenac-de-Sérou
10.11.26 Patate 2000, Saint-Girons
11.11.26 L'Alchimie, Prades
12.11.26 HELP Drômehttps://hiddenbayrecords.bandcamp.com/album/veille
#Proto #tournée #Grenoble #Cévennes #Ariège #Prades #Drôme #concert
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Und noch ein alter Titel aus DDR-Tagen. Ich konnte den Track nie ab.
Bis ich älter wurde und das Verstehen kam."Am Abend mancher Tage" - Lift (1979)
"Am Abend mancher Tage ist ein Lied des Komponisten Wolfgang Scheffler und des Textdichters Joachim Krause aus dem Jahr 1979. Es wurde von der Gruppe Lift interpretiert und entstand als Reaktion auf den Unfalltod zweier Bandmitglieder im Jahr 1978."
https://www.deezer.com/de/album/96343 -
Wisst ihr, das ist ja schon gut und recht, dass man zum #Silentsunday ein entsprechendes Foto postet. Ich finde allerdings, es gibt - während draußen der Wind die Blätter von meiner Magnolie pustet - auch passende #Musik dazu und für mich ist das heute das neue Akustik-Album von In Extremo: Tranquilo II.
Todo tranquilo por aquí, amigos!
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Last night's concert was Fantastic! It's always a little weird seeing bands perform in their home country with all of the between-song banter not in a language I understand. Last night was three Swedish bands in Stockholm.
Soilwork was fine - I've never listened to them before and I'll probably never listen to them again, but the show was competent.
Orbit Culture are always fun - their music isn't super well aligned with my tastes but they never disappoint on stage... and since I discovered them in 2023 they've remained one of my top 10 listens, so...
Amon Amarth was simply fantastic. This was the biggest stage I've seen them on to date, and their setlist was epic. They played four new songs from the just-released new album as part of a massive set.
Life is good.
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I want to hear about your favourite song, the new band you discovered, the new documentary that taught you something, and possibly even see your new highly advanced memes. I find out new stuff and meet cool new people on Fedi everyday. 😻
If you post a bare link to, say, a YouTube video with no thumbnail, no title, and no alt text I will not learn about your new favourite thing 😿 and my life will not be enriched and I can't go buy the album 🙇🏻♀️ ... because I do not activate bare links ( and do not think anyone should). So please, if you are plugging or sharing something you like, write a few words, copy the title as text into your message and yes: Alt Text and Content Warnings where appropriate ... TIA, HTH, usw.
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AMN Reviews: Murder Corporation – Macabre Visions (2026; Eighth Tower Records)
Moreno Daldosso debuted Murder Corporation in 1992 and released early tapes in 1993 featuring noise, field recordings, and shortwave radio signals combined with distorted vocals. Macabre Visions is a slower and more intentionally haunting release, better thought of as death ambient rather than the post-industrial noise of Daldosso’s 1990s works.
In a sense, the title says it all. The album begins, continues, and ends with a variety of synth textures, drones, manipulated sounds, and (possibly) field recordings. Each track can be taken as a standalone statement, whether focused on suffocating drones accompanied by heartbeats or shimmering soundscapes with metallic scraping. But put together, these pieces tell a story, and it is a harrowing one.
As an example, Macabre serves as a de facto title track, and begins with murky pulsing sounds. Wordless and disturbing vocalizations add to these strangely cosmic tones. Then a sound wall arises unexpectedly, with synths combined with torture noises, static, and effects. Moans Underground is straight up horror, with twisted screams and chromatic sweeps.
Macabre Visions is a disquieting, yet cinematic and strangely beautiful offering. It is one of a pair of new releases from Murder Corporation, the other being a reissue of 1995’s Disturbance. Both will be available on October 28, 2026 from Eighth Tower Records.
#USG -
45 years ago today, October 24, 1981, Juice Newton debuted at #69 on Billboard’s Hot Country Singles chart with “The Sweetest Thing (I've Ever Known)”. It went on to peak at #1 and spent a total of 19 weeks on the chart.
My mom bought the "Juice" album for the song "Angel of the Morning", its first single hot on the radio at that time. More info please check ALT.
#vinylcommunity #music #legendary #vocalist #countrymusic #entertainer #recording #songs #memories #vinylcollection #musicislife
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TŌ YŌ (JP, psych)
Kult 41, Freitag, 6. November um 19:00 MEZ
TÕ YÕ (JP, psych)
#psych #world #acid #rock
“The way Tō Yō blends their Asian sounds with their American psychedelic influences helps to
create an engaging and delightful musical journey”. – The Third Eye
Born out of the Far Eastern underground, Tō Yō is a next-generation psychedelic rock trio from Tokyo, Japan.
Their organic sound and hypnotic rhythms are rooted in the chaotic, genre-defying Tokyo underground,
driven by a constant desire for experimentation on stage.
Tō Yō, das in Tokio beheimatete Psychedelic-Quartett, ist im Kontext des japanischen Psychedelic-Rock angesiedelt,
der eine lange und interessante Geschichte hat, aber auch die Sensibilität der jungen Leute, die heute in Tokio leben,
in seine Musik einbezieht.
Der Sound von Tō Yō ist gleichzeitig einzigartig und doch vertraut – aber er ist auch bewegend.
„Unser Psychedelic-Sound ist manchmal gewalttätig und manchmal naiv“, sagt Sänger und Gitarrist Masami Makino,
„aber wir glauben auch, dass unser Sound die primitivsten Sinne wecken soll, um das Aufsteigen der Seele
und ihre unkontrollierbaren Impulse zu sublimieren.“
Tō Yō ist eine ehrgeizige Band mit einer ehrgeizigen Vision, daher ist es keine Überraschung,
dass einige ihrer größten Einflüsse für komplexe, bahnbrechende Visionen bekannt sind;
Far East Family Band, J. A. Seazer und Jimi Hendrix tauchen alle in der Liste der wichtigsten Einflüsse der Band auf.
Youtobe: https://www.youtube.com/@toyo9972
Bandcamp: https://toyotoyo.bandcamp.com/album/stray-birds-from-the-far-east
Spotify: https://open.spotify.com/artist/1HsbWI9eeccgUpzffKCYQT
Live (WDR) Tō Yō – Freak Valley Festival 2024:
https://www1.wdr.de/mediathek/video/sendungen/rockpalast/TOYO-Freak-Valley-Festival-2024-clip-t-y-freak-valley-festival-2024-100.html
Einlass: ab 19:00 Uhr
Beginn: ~20 Uhr
Konzert endet 22:00 Uhr
Eintritt:10,- €
Beachtet bitte:
Das KULT41 ist ein Ort, an dem sich alle wohlfühlen sollen. Wir dulden keine Abwertungen oder Beleidigungen aufgrund von Geschlechtsidentität, Herkunft, Religion, Aussehen, Behinderung oder anderen Merkmalen. Ebenso wenig tolerieren wir ungewollte Aufdringlichkeiten oder Belästigungen gegenüber Besucher*innen oder Mitarbeitenden.
Liebe KULT41-Gästinnen und -Gäste,
wie die meisten wissen, dürft Ihr Euch nach 22 Uhr leider nicht mehr im Hof aufhalten, egal wie wenige oder wie leise Ihr seid. Wir bekommen sonst Ärger mit Nachbarn, Ordnungsamt und der Stadt Bonn. Daher: Bitte geht rein oder in den Bus, wenn unsere Helfer:innen Euch darum bitten. Sie setzen dabei nur eine wichtige Regel um, die dafür sorgt, dass wir weiter viele schöne Veranstaltungen im KULT41 machen können.
Danke für Euer Verständnis!
Eintritt: 10,- € -
Note d’Acciaio e Melodia: La Rara Magia di “Envision” dei Parish
Immagina di impugnare la tua fidata chitarra, accordare le corde con precisione millimetrica e premere il tasto rec su un registratore a cassette a metà degli anni novanta. Se hai ben presente quel momento magico in cui l'heavy metal classico iniziava a sposarsi con la maestria tecnica, allora hai già il frame mentale perfetto per capire cosa sia *Envision*. Questo disco, unico vero capitolo in studio firmato dai Parish nel 1995, è una perla rara che merita di essere studiata nota per […]https://metal-lore.com/2026/10/26/note-dacciaio-e-melodia-la-rara-magia-di-envision-dei-parish/
