#randybrecker — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #randybrecker, aggregated by home.social.
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https://www.wacoca.com/videos/3181473/celebrity/ 山下達郎「CIRCUS TOWN」Music Video #AllanSchwartzberg #Celebrities #Celebrity #CIRCUSTOWN #CityWay #DaveSamuels #DavidTaylor #GeneOrloff #GeorgeMarge #GeorgeYoung #JeffMironov #JohnFaddis #JohnTropea #Minnie #PatRebillot #RANDYBRECKER #RomeoPenque #TOWNMusic #video #Vlog #WayneAndre #WillLee #WindyLady #サーカスタウン #タツローくん #デビュー50周年 #はるな #ヤマシタタツロウ #ラストステップ #三谷泰弘 #伊藤広規 #佐橋佳幸 #国分友里恵 #土岐英史 #大瀧詠一 #大貫妙子 #宮里陽太 #小笠原拓海 #山下達郎 #山下達郎CIRCUS #柴田俊文 #椎名和夫 #永遠に #竹内まりや #迷い込んだ街と #難波弘之 #青山純 #鳥山雄司
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Listening to this gem with my morning coffee. It's so good!
#jazz #jazzfusion #breckerbrothers #michaelbrecker #randybrecker #LPs #records #vinyl
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Listening to this gem with my morning coffee. It's so good!
#jazz #jazzfusion #breckerbrothers #michaelbrecker #randybrecker #LPs #records #vinyl
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Listening to this gem with my morning coffee. It's so good!
#jazz #jazzfusion #breckerbrothers #michaelbrecker #randybrecker #LPs #records #vinyl
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Listening to this gem with my morning coffee. It's so good!
#jazz #jazzfusion #breckerbrothers #michaelbrecker #randybrecker #LPs #records #vinyl
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Listening to this gem with my morning coffee. It's so good!
#jazz #jazzfusion #breckerbrothers #michaelbrecker #randybrecker #LPs #records #vinyl
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Jazztodon artist of the week: Randy Brecker!
“I’ve enjoyed being a so-called ‘sessions' player, or as we were known then as 'studio cat.' All the music was related and as long as it was professionally done and everyone was a professional musician – knew how to play in-tune, knew how to play with good time and the right kind of feeling – then the particular type of style of the music wasn’t as much a concern for me. I’d heard it all as being connected – just different styles of American music.
But, I also wanted to make a living. Some guys didn’t want to play all that stuff. I remember asking the great trombonist Slide Hampton, and I was playing with him a lot, and I asked him, ‘Slide, I’m doing a lot of studio work on the side, and I’m back in town, do you want me to help you to get into that?’ And he just didn’t want to do that.
So, it comes down to a personal choice, but I also enjoyed that kind of work. It wasn’t just making a living at it.”
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Jazztodon artist of the week: Randy Brecker!
“I’ve enjoyed being a so-called ‘sessions' player, or as we were known then as 'studio cat.' All the music was related and as long as it was professionally done and everyone was a professional musician – knew how to play in-tune, knew how to play with good time and the right kind of feeling – then the particular type of style of the music wasn’t as much a concern for me. I’d heard it all as being connected – just different styles of American music.
But, I also wanted to make a living. Some guys didn’t want to play all that stuff. I remember asking the great trombonist Slide Hampton, and I was playing with him a lot, and I asked him, ‘Slide, I’m doing a lot of studio work on the side, and I’m back in town, do you want me to help you to get into that?’ And he just didn’t want to do that.
So, it comes down to a personal choice, but I also enjoyed that kind of work. It wasn’t just making a living at it.”
-
Jazztodon artist of the week: Randy Brecker!
“I’ve enjoyed being a so-called ‘sessions' player, or as we were known then as 'studio cat.' All the music was related and as long as it was professionally done and everyone was a professional musician – knew how to play in-tune, knew how to play with good time and the right kind of feeling – then the particular type of style of the music wasn’t as much a concern for me. I’d heard it all as being connected – just different styles of American music.
But, I also wanted to make a living. Some guys didn’t want to play all that stuff. I remember asking the great trombonist Slide Hampton, and I was playing with him a lot, and I asked him, ‘Slide, I’m doing a lot of studio work on the side, and I’m back in town, do you want me to help you to get into that?’ And he just didn’t want to do that.
So, it comes down to a personal choice, but I also enjoyed that kind of work. It wasn’t just making a living at it.”
-
Jazztodon artist of the week: Randy Brecker!
“I’ve enjoyed being a so-called ‘sessions' player, or as we were known then as 'studio cat.' All the music was related and as long as it was professionally done and everyone was a professional musician – knew how to play in-tune, knew how to play with good time and the right kind of feeling – then the particular type of style of the music wasn’t as much a concern for me. I’d heard it all as being connected – just different styles of American music.
But, I also wanted to make a living. Some guys didn’t want to play all that stuff. I remember asking the great trombonist Slide Hampton, and I was playing with him a lot, and I asked him, ‘Slide, I’m doing a lot of studio work on the side, and I’m back in town, do you want me to help you to get into that?’ And he just didn’t want to do that.
So, it comes down to a personal choice, but I also enjoyed that kind of work. It wasn’t just making a living at it.”
-
Jazztodon artist of the week: Randy Brecker!
“I’ve enjoyed being a so-called ‘sessions' player, or as we were known then as 'studio cat.' All the music was related and as long as it was professionally done and everyone was a professional musician – knew how to play in-tune, knew how to play with good time and the right kind of feeling – then the particular type of style of the music wasn’t as much a concern for me. I’d heard it all as being connected – just different styles of American music.
But, I also wanted to make a living. Some guys didn’t want to play all that stuff. I remember asking the great trombonist Slide Hampton, and I was playing with him a lot, and I asked him, ‘Slide, I’m doing a lot of studio work on the side, and I’m back in town, do you want me to help you to get into that?’ And he just didn’t want to do that.
So, it comes down to a personal choice, but I also enjoyed that kind of work. It wasn’t just making a living at it.”
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#DemandezLeProgramme :
1970 - Art Blakey and the Jazz Messengers - Kaikan Hall - Kyoto#ArtBlakey (dr), #RandyBrecker (tp), Carlos Garnett (ts), #JoanneBrackeen (p), Jan Arnette (b), Etta Jones (voc)
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#DemandezLeProgramme :
1970 - Art Blakey and the Jazz Messengers - Kaikan Hall - Kyoto#ArtBlakey (dr), #RandyBrecker (tp), Carlos Garnett (ts), #JoanneBrackeen (p), Jan Arnette (b), Etta Jones (voc)
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#DemandezLeProgramme :
1970 - Art Blakey and the Jazz Messengers - Kaikan Hall - Kyoto#ArtBlakey (dr), #RandyBrecker (tp), Carlos Garnett (ts), #JoanneBrackeen (p), Jan Arnette (b), Etta Jones (voc)
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#DemandezLeProgramme :
1970 - Art Blakey and the Jazz Messengers - Kaikan Hall - Kyoto#ArtBlakey (dr), #RandyBrecker (tp), Carlos Garnett (ts), #JoanneBrackeen (p), Jan Arnette (b), Etta Jones (voc)
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#DemandezLeProgramme :
1970 - Art Blakey and the Jazz Messengers - Kaikan Hall - Kyoto#ArtBlakey (dr), #RandyBrecker (tp), Carlos Garnett (ts), #JoanneBrackeen (p), Jan Arnette (b), Etta Jones (voc)
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Aktuell in der #HörBar der #nmz: Koppel: Story Of Mankind – A Requiem — … Die Brüche in den Gestaltungsmitteln zwischen Song und Klangstudie sowie Jazzpassage tragen zur Irritation und Verschiebung des Gewöhnlichen bei. Aber reicht das aus, wo es doch auch um das Bodenlose – den Krieg und die Geschichte der Menschheit – geht? …
https://hoerbar.nmz.de/2024/06/koppel-story-of-mankind-a-requiem/
#Jazz #BenjaminKoppel #CowbellMusic #FrederikkeVedel #jazz #RandyBrecker
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Aktuell in der #HörBar der #nmz: Koppel: Story Of Mankind – A Requiem — … Die Brüche in den Gestaltungsmitteln zwischen Song und Klangstudie sowie Jazzpassage tragen zur Irritation und Verschiebung des Gewöhnlichen bei. Aber reicht das aus, wo es doch auch um das Bodenlose – den Krieg und die Geschichte der Menschheit – geht? …
https://hoerbar.nmz.de/2024/06/koppel-story-of-mankind-a-requiem/
#Jazz #BenjaminKoppel #CowbellMusic #FrederikkeVedel #jazz #RandyBrecker
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Aktuell in der #HörBar der #nmz: Koppel: Story Of Mankind – A Requiem — … Die Brüche in den Gestaltungsmitteln zwischen Song und Klangstudie sowie Jazzpassage tragen zur Irritation und Verschiebung des Gewöhnlichen bei. Aber reicht das aus, wo es doch auch um das Bodenlose – den Krieg und die Geschichte der Menschheit – geht? …
https://hoerbar.nmz.de/2024/06/koppel-story-of-mankind-a-requiem/
#Jazz #BenjaminKoppel #CowbellMusic #FrederikkeVedel #jazz #RandyBrecker
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Aktuell in der #HörBar der #nmz: Koppel: Story Of Mankind – A Requiem — … Die Brüche in den Gestaltungsmitteln zwischen Song und Klangstudie sowie Jazzpassage tragen zur Irritation und Verschiebung des Gewöhnlichen bei. Aber reicht das aus, wo es doch auch um das Bodenlose – den Krieg und die Geschichte der Menschheit – geht? …
https://hoerbar.nmz.de/2024/06/koppel-story-of-mankind-a-requiem/
#Jazz #BenjaminKoppel #CowbellMusic #FrederikkeVedel #jazz #RandyBrecker
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Aktuell in der #HörBar der #nmz: Koppel: Story Of Mankind – A Requiem — … Die Brüche in den Gestaltungsmitteln zwischen Song und Klangstudie sowie Jazzpassage tragen zur Irritation und Verschiebung des Gewöhnlichen bei. Aber reicht das aus, wo es doch auch um das Bodenlose – den Krieg und die Geschichte der Menschheit – geht? …
https://hoerbar.nmz.de/2024/06/koppel-story-of-mankind-a-requiem/
#Jazz #BenjaminKoppel #CowbellMusic #FrederikkeVedel #jazz #RandyBrecker
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#DemandezLeProgramme :
1993 - David Sanborn, The Brecker Brothers, The Yellowjackets, Mike Mainieri Steps Ahead - NorthSea Jazz Festival
#jazz #DavidSanborn #MichaelBrecker #RandyBrecker #Yellowjackets -
#DemandezLeProgramme :
1993 - David Sanborn, The Brecker Brothers, The Yellowjackets, Mike Mainieri Steps Ahead - NorthSea Jazz Festival
#jazz #DavidSanborn #MichaelBrecker #RandyBrecker #Yellowjackets -
#DemandezLeProgramme :
1993 - David Sanborn, The Brecker Brothers, The Yellowjackets, Mike Mainieri Steps Ahead - NorthSea Jazz Festival
#jazz #DavidSanborn #MichaelBrecker #RandyBrecker #Yellowjackets -
#DemandezLeProgramme :
1993 - David Sanborn, The Brecker Brothers, The Yellowjackets, Mike Mainieri Steps Ahead - NorthSea Jazz Festival
#jazz #DavidSanborn #MichaelBrecker #RandyBrecker #Yellowjackets -
#DemandezLeProgramme :
1993 - David Sanborn, The Brecker Brothers, The Yellowjackets, Mike Mainieri Steps Ahead - NorthSea Jazz Festival
#jazz #DavidSanborn #MichaelBrecker #RandyBrecker #Yellowjackets -
#DemandezLeProgramme #jazz #funk :
1992 - Brecker Brothers - Congresgebouw - The Hague / Den Haag / La Haye - Netherlands / Pays-Bas - NorthSea Jazz Festival#RandyBrecker (tp), #MichaelBrecker (ts, EWI), Mike Stern (g), James Genus (b), George Witty (kbd), Dave Weckl (dr)
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#DemandezLeProgramme #jazz #funk :
1992 - Brecker Brothers - Congresgebouw - The Hague / Den Haag / La Haye - Netherlands / Pays-Bas - NorthSea Jazz Festival#RandyBrecker (tp), #MichaelBrecker (ts, EWI), Mike Stern (g), James Genus (b), George Witty (kbd), Dave Weckl (dr)
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#DemandezLeProgramme #jazz #funk :
1992 - Brecker Brothers - Congresgebouw - The Hague / Den Haag / La Haye - Netherlands / Pays-Bas - NorthSea Jazz Festival#RandyBrecker (tp), #MichaelBrecker (ts, EWI), Mike Stern (g), James Genus (b), George Witty (kbd), Dave Weckl (dr)
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#DemandezLeProgramme #jazz #funk :
1992 - Brecker Brothers - Congresgebouw - The Hague / Den Haag / La Haye - Netherlands / Pays-Bas - NorthSea Jazz Festival#RandyBrecker (tp), #MichaelBrecker (ts, EWI), Mike Stern (g), James Genus (b), George Witty (kbd), Dave Weckl (dr)
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Billy Cobham – drums, percussion
https://en.wikipedia.org/wiki/Billy_CobhamJohn Abercrombie – guitar
https://en.wikipedia.org/wiki/John_Abercrombie_(guitarist)Michael Brecker – woodwinds
https://en.wikipedia.org/wiki/Michael_BreckerRandy Brecker – trumpet
https://en.wikipedia.org/wiki/Randy_BreckerGarnett Brown – trombone
https://en.wikipedia.org/wiki/Garnett_BrownGeorge Duke – keyboards
https://en.wikipedia.org/wiki/George_DukeLee Pastora – latin percussion
John Williams – acoustic & electric bass
"Crosswinds"
(Atlantic 1974)
https://songwhip.com/billy-cobham/crosswinds#nowlistening #jazz #music #JazzMusic #JazzFusion
#BillyCobham
#JohnAbercrombie
#MichaelBrecker
#RandyBrecker
#GarnettBrown
#GeorgeDuke
#LeePastora
#JohnWilliams -
Billy Cobham – drums, percussion
https://en.wikipedia.org/wiki/Billy_CobhamJohn Abercrombie – guitar
https://en.wikipedia.org/wiki/John_Abercrombie_(guitarist)Michael Brecker – woodwinds
https://en.wikipedia.org/wiki/Michael_BreckerRandy Brecker – trumpet
https://en.wikipedia.org/wiki/Randy_BreckerGarnett Brown – trombone
https://en.wikipedia.org/wiki/Garnett_BrownGeorge Duke – keyboards
https://en.wikipedia.org/wiki/George_DukeLee Pastora – latin percussion
John Williams – acoustic & electric bass
"Crosswinds"
(Atlantic 1974)
https://songwhip.com/billy-cobham/crosswinds#nowlistening #jazz #music #JazzMusic #JazzFusion
#BillyCobham
#JohnAbercrombie
#MichaelBrecker
#RandyBrecker
#GarnettBrown
#GeorgeDuke
#LeePastora
#JohnWilliams -
Billy Cobham – drums, percussion
https://en.wikipedia.org/wiki/Billy_CobhamJohn Abercrombie – guitar
https://en.wikipedia.org/wiki/John_Abercrombie_(guitarist)Michael Brecker – woodwinds
https://en.wikipedia.org/wiki/Michael_BreckerRandy Brecker – trumpet
https://en.wikipedia.org/wiki/Randy_BreckerGarnett Brown – trombone
https://en.wikipedia.org/wiki/Garnett_BrownGeorge Duke – keyboards
https://en.wikipedia.org/wiki/George_DukeLee Pastora – latin percussion
John Williams – acoustic & electric bass
"Crosswinds"
(Atlantic 1974)
https://songwhip.com/billy-cobham/crosswinds#nowlistening #jazz #music #JazzMusic #JazzFusion
#BillyCobham
#JohnAbercrombie
#MichaelBrecker
#RandyBrecker
#GarnettBrown
#GeorgeDuke
#LeePastora
#JohnWilliams -
Billy Cobham – drums, percussion
https://en.wikipedia.org/wiki/Billy_CobhamJohn Abercrombie – guitar
https://en.wikipedia.org/wiki/John_Abercrombie_(guitarist)Michael Brecker – woodwinds
https://en.wikipedia.org/wiki/Michael_BreckerRandy Brecker – trumpet
https://en.wikipedia.org/wiki/Randy_BreckerGarnett Brown – trombone
https://en.wikipedia.org/wiki/Garnett_BrownGeorge Duke – keyboards
https://en.wikipedia.org/wiki/George_DukeLee Pastora – latin percussion
John Williams – acoustic & electric bass
"Crosswinds"
(Atlantic 1974)
https://songwhip.com/billy-cobham/crosswinds#nowlistening #jazz #music #JazzMusic #JazzFusion
#BillyCobham
#JohnAbercrombie
#MichaelBrecker
#RandyBrecker
#GarnettBrown
#GeorgeDuke
#LeePastora
#JohnWilliams -
Billy Cobham – drums, percussion
https://en.wikipedia.org/wiki/Billy_CobhamJohn Abercrombie – guitar
https://en.wikipedia.org/wiki/John_Abercrombie_(guitarist)Michael Brecker – woodwinds
https://en.wikipedia.org/wiki/Michael_BreckerRandy Brecker – trumpet
https://en.wikipedia.org/wiki/Randy_BreckerGarnett Brown – trombone
https://en.wikipedia.org/wiki/Garnett_BrownGeorge Duke – keyboards
https://en.wikipedia.org/wiki/George_DukeLee Pastora – latin percussion
John Williams – acoustic & electric bass
"Crosswinds"
(Atlantic 1974)
https://songwhip.com/billy-cobham/crosswinds#nowlistening #jazz #music #JazzMusic #JazzFusion
#BillyCobham
#JohnAbercrombie
#MichaelBrecker
#RandyBrecker
#GarnettBrown
#GeorgeDuke
#LeePastora
#JohnWilliams -
#RandyBrecker shows up in all the best places.
"The remaining track, “Meeting Across The River,” is among the shortest things Springsteen has written (at 3:16), but it is also among the most striking. It's a quiet, slow number pitting Springsteen’s best vocals ever
against the bop wanderings of trumpeter Randy Brecker. Between this and a great melody, the track should become a Springsteen classic."Also, can I go back to September 1975 and see Grover Washington Jr and Bobbi Humphrey live!
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#RandyBrecker shows up in all the best places.
"The remaining track, “Meeting Across The River,” is among the shortest things Springsteen has written (at 3:16), but it is also among the most striking. It's a quiet, slow number pitting Springsteen’s best vocals ever
against the bop wanderings of trumpeter Randy Brecker. Between this and a great melody, the track should become a Springsteen classic."Also, can I go back to September 1975 and see Grover Washington Jr and Bobbi Humphrey live!