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  1. Song of the Day - No 197

    The KLF - Last Train To Trancentral

    WIKI
    "Last Train to Trancentral" is a song released, in different mixes, as a series of singles by British electronic band The KLF, including "Last Train to Trancentral (Live from the Lost Continent)"

    youtube.com/watch?v=pC_zffOenk8

  2. Albion – It Was In The Month of May I Review By Mystikus Hugebeard

    Sorry, but I can’t resist: It was in the month of May that I sat down to review the newest album by the British folk-rockers Albion, titled It Was In The Month of May I.1 This gaggle of self-declared whippersnappers blew this reviewer away with their 2024 album Lakesongs of Elbid. What started as an unassuming filter piece grew on me more and more to the point it made my (and my co-conspirator Killjoy’s) end-of-year list. Albion’s timeless, joyful folk-rock music has enjoyed constant rotations in the Hugebeard tower since then, and so a new album has been a hotly anticipated affair. Now that it’s in our hands, has Albion continued their trend for quality?

    For those unfamiliar with Albion, they play a flute-heavy, wistful sort of progressive folk-rock that draws an obvious comparison to Jethro Tull and reminds me a great deal of Big Big Train. For those a little more familiar, it’s worth mentioning that It Was In The Month of May has somewhat toned down the already limited metal crunch that graced Lakesongs of Elbid. Rest assured, this is no criticism, as this album remains energetic and adventurous in all the right ways. The opening prelude, “Mis Mai,” followed by the first true foray into the album’s essence, “The Green Knight,” demonstrate Albion’s sonic strengths right out of the gates. “Mis Mai” highlights the dulcet pipes of Joe Parrish-James as he lathers the song’s Welsh lyrics in decadent velvet, while “The Green Knight” starts the album in usual Albion fashion with grandiose flute melodies explored atop galloping guitar strumming.

    What I love about Albion’s music, and what they maintain in It Was In The Month of May, is a sense of effortlessness. The music is fun, it’s accessible, it’s breezy, it’s comfortably warm and full of well-crafted little moments so crisp and yet so obvious it almost makes you wonder how no one else thought of it first. The pub-rock verse of “Down With The Hero” and the epic call-and-response between the flutes and guitars in the middle of “Calan Mai” come especially to mind. In the album’s longer songs, Albion are quite eager to just let the music run free through the meadow in spacious explorations of riffs and solos, but it never feels aimless. The melodies of “The Green Knight” and “Eldest” in particular see the guitars and flutes bounce merrily along in an endless up-and-down like the rolling hills stretching before you as you prepare for adventure. The closer, “Calan Mai,” is the longest at ten minutes, but even at its most unrestrained, the song’s melodies wield graceful finality in a way that always feels satisfying.

    It Was In The Month of May is almost 20 minutes shorter than its predecessor, Lakesongs, which makes for an overall cleaner listening experience. However, the album’s pacing does waver a little by over-saturating the latter half with lower-energy tunes. I really quite love “Hymn to Elbereth,” as it has this gently twisting nature to it that happily makes me think of Glass Hammer, but it’s misplaced between the otherwise pleasantly acoustic “She Is The River” and the ballad “Cherry Hill,” making for an overly languid sequence of songs. “Cherry Hill” in particular leans a bit too heavily on chorus repetition for its six-minute runtime. Still, the album ends on the right note with “Calan Mai,” and there are no other noteworthy structural issues or damaging patterns affecting the album. However, I simply must mention the “la-da-da’s” and “doo-do-do’s” in the chorus of “Down With The Hero.” I don’t mind vocalizations at all and they work perfectly well as little interstitial passages like in “Eldest,” but I find it to be a heavily misguided choice for them to carry the chorus of the album’s most upbeat song.

    It Was In The Month of May is warm, adventurous, inviting, and once again, and I simply cannot stress this enough, extraordinarily British. While this album never gripped me quite like Lakesongs of Elbid did, the final word on this review is nevertheless one of eager positivity. Albion is a band I tend to think of no matter the musical flavor I’m looking for, and It Was In The Month of May only furthers that trend. This is music that is just so pleasant to listen to, no matter the day, and there are some damn good bangers to be found here for any fan of folk, British rock, or prog.

    Rating: Good!
    DR: 8 | Format Reviewed: FLAC
    Label: Self-Release
    Websites: official | facebook | bandcamp
    Releases Worldwide: May 26th, 2026

    Killjoy

    In the year 2021, I unexpectedly became acquainted with the debut EP of a very special folk rock group from England. The potential that Albion showed on Pryderi was immediately obvious, and I longed for more. My wish was granted in 2024 by the whopping 70-minute full-length debut Lakesongs of Elbid, for which my esteemed colleague (and now review partner), Mystikus Hugebeard, wrote a splendid filter piece. Albion has wasted no time since then, here to regale our ears again with cheery tunes. It Was in the Month of May seeks to honor the magical time of year when spring sunsets and will soon cede to warmer temperatures.

    Albion’s music is wholesome for the soul, whispering to the part of human consciousness that yearns for carefree meadows and being in nature. They primarily achieve this through the exquisite pairing of flute and guitars (both acoustic and electric). This, of course, invites comparisons to Jethro Tull,2 although Albion perhaps hews a bit closer to folk music. Take, for example, the beautiful acoustic guitar fingerpicking and Welsh singing3 in “Mis Mai.” Further, Albion plays a more modernized style of rock than Jethro Tull. “Down with the Hero” is a rousing, ultra-catchy pub rock number and the guitarwork in “The Green Knight” is elaborate, sounding like a slightly slower and proggier Dark Forest. The way that Albion harmoniously blends the old with the new is genuinely refreshing.

    It Was in the Month of May similarly succeeds in striking a balance between humble and epic. In both the quiet and upbeat moments, there is an air of unassuming regality. Therefore, it makes perfect sense that Albion composed a pair of songs about Tolkien’s characters Tom Bombadil and his wife, Goldberry. “Eldest (Tom Bombadil)” contains gorgeous guitar and flute swells evoking endless verdant hillsides, as well as a Celtic folk-influenced jig reminiscent of Tuatha de Danann or Braia. “She Is the River (Goldberry)” is entirely acoustic and percussion-less (save for hand claps), with sunny guitar strumming and pleasantly poetic lyrics. Continuing with Tolkien subject matters, “Hymn to Elbereth” features vocal harmonization by Joe and Rhiannon Parrish-James which is as fair as the elves who Frodo, Sam, and Pippin overheard singing these very words in The Fellowship of the Ring. Rhiannon adds her voice to Joe’s at various other times throughout the record, and I would love to hear her take center stage in the future.

    Overall, It Was in the Month of May is sharper and more focused than its predecessor. As much as I loved Lakesongs of Elbid, opening with a 9-and-a-half minute instrumental track didn’t help it find its footing. “The Green Knight,” the first full song here, isn’t much shorter but its structure is more disciplined, never wavering from its gallant, galloping theme. The other 8+ minute songs, “Eldest (Tom Bombadil)” and “Calan Mai,” also mostly justify their lengths, although the latter feels a bit meandering towards the end. But the larger issue with “Calan Mai” has to do with the track that precedes it. “Cherry Hill (Maya II)” hits like a lullaby, which might have been okay if it were 3 minutes instead of 6, so it ends up stifling the momentum leading into the ornate concluding track. I do appreciate that, with a total runtime of 52 minutes, It Was in the Month of May is easier to listen to in one sitting.

    It Was in the Month of May is great for drifting away and forgetting one’s troubles for a while. The uplifting compositions are easy on the ears while offering bountiful details to uncover during return visits. “Cherry Hill (Maya II)” is the main thing holding it back from unqualified greatness. That said, if Albion continues refining their songcraft at this pace, the next album will surely shatter our score safety counter. So, kick back and enjoy time outside with loved ones. It Was in the Month of May is an excellent way to ring in summer in the Northern Hemisphere.

    Rating: 3.5/5.0

    #2026 #30 #35 #Albion #BigBigTrain #Braia #BritishMetal #DarkForest #FolkMetal #FolkRock #GlassHammer #ItWasInTheMonthOfMayI #JethroTull #LakesongsOfElbid #May26 #ProgressiveRock #Pryderi #Review #Reviews #TuathaDeDanann
  3. 🕯 Something I keep thinking about — the most enduring horror often isn't invented. It's remembered. Folklore passed down with the volume deliberately lowered. A place, a ritual, a moment that doesn't resolve cleanly 🖤

    Dark Descent Monthly Magazine is open to writers and artists working in that territory. If you've been holding something that doesn't fit neatly into fiction, it belongs in the ShadowSphere.

    👉 darkholmepublishing.uk/darkfor

    #horrorlit #horrorcommunity #indiehorror

  4. 🖤 If the poem only works after midnight, it probably belongs here.

    Nightmare Poetry is the Dark Forum group for original horror verse — work that unsettles, disturbs, and lingers. Share it. Talk atmosphere. Read what other people posted and stay a while.

    A small number of poems may be selected as Editor’s Choice for the next issue of Dark Descent. Selective. Never guaranteed.

    Horror comes first.
    🔗 darkholmepublishing.uk/darkfor

    #Bookstodon #horrorcommunity #readingcommunity #horrorlit

  5. 👁 Small stories can still leave scars.

    Flash Fiction Frenzy is open inside the Dark Forum. Submit a two-sentence horror piece there and it will be published in the next volume of Dark Descent: Whispers From Beyond. 🖤

    📖 darkholmepublishing.uk/darkfor

    #writingcommunity #readingcommunity #horrorcommunity #flashfiction #twosentencehorror

  6. “A Foggy Morning” Prints, Products, and Gifts from Douglas E. Welch Design and Photography

    DouglasEWelch.com/shop/831

    welchwrite.com/blog/2025/11/20

    Immerse yourself in the quiet mystery of a heavy morning fog. This black and white photograph captures a wet street vanishing into the mist, creating a striking natural gradient from the dark, textured pavement to the endless white void ahead.

    #street #road #neighborhood #california #tree #blackandwhite #bw #outdoors #nature #plant #bnw #oak tree #blackandwhite #monochrome #forest #treecanopy #oaktree #naturephotography #OakTree #ForestCanopy #BlackAndWhitePhoto #NatureMonochrome #GnarlyBranches #WoodlandVibes #TreeTexture #HighContrast #ForestImmersion #DarkForest

  7. “Oak Trees, Santa Monica Mountains, California” Prints, Products, and Gifts from Douglas E. Welch Design and Photography

    DouglasEWelch.com/shop/37

    welchwrite.com/blog/2025/11/18

    I took this photo looking straight up into the dense, wild canopy of an old oak woodland. What grabbed me was how the sheer chaos of the branches and leaves turned into this beautiful, almost abstract pattern in black and white.

    #california #tree #black and white #bw #outdoors #nature #plant #bnw #oak tree #blackandwhite #monochrome #forest #treecanopy #oaktree #naturephotography #OakTree #ForestCanopy #BlackAndWhitePhoto #NatureMonochrome #GnarlyBranches #WoodlandVibes #TreeTexture #HighContrast #ForestImmersion #DarkForest

  8. CW: Tamsin's pinned post on anarres.family, my new home instance.

    Hello, anarres.family, all other servers, and all ships at sea!

    Welcome to Tamsin's Pinned Post, which includes a few things you might want to know about me.

    Yes, this is a new instance, which I intend to be my new home on the fediverse... but it's the same old nonsense.

    Please enjoy your stay, unless you're a fascist, a racist, a transphobe, a homophobe, or any other flavor of garbage person, in which case please fix your heart or die. Your choice.

    So, who the heck am I?

    Hi! I'm Tamsin: a white #GenX #queer #sapphic #nonbinary #trans #woman who likes doorstopper novels, director's cuts of movies, extended remixes of songs and albums, tabletop roleplaying games, 5-string basses, double-cutaway Les Paul Jr. guitars, beaches, forests, mountains, witchy things, late nights, lazy afternoons, writing down half of everything she thinks, and living places that haven't outlawed her.

    I'm happily monogamously married to a polymath superhero, and we share our lives with my marvelous teenaged offspring, two adorable cats, and a host of delightful friends and co-conspirators.

    Things I post about, in no particular order: #gender, #sexuality, #queerness, #QueerTheory, #transgender stuff, #transfeminine stuff, #magic, #witchcraft, #music, #books, #movies, #TTRPGs, #ADHD, #politics, #philosophy, #spirituality, making things, and whatever else is going though my brain at any given moment.

    When I talk about gender and sexuality, it's probably helpful to know that I hold a bachelor's degree in Gender, Women, and Sexuality Studies (with a focus on #feminist history, queer theory, and trans studies) from the University of Washington. This doesn't make me "right" or "authoritative," but it does mean I've done some reading on the topics. Sometimes I joke that I had to get a degree to realize I'm a gay trans girl... which isn't quite true, but still makes me laugh.

    I'm exactly the kind of person who likes #ProgRock, #PunkRock, #PostPunk, #TripHop, #GirlyPop, #DarkFolk, #BlackMetal, '70s #funk, old-school #RnB, #BritishInvasion, #ArtRock, #AcidRock, #AcidFolk, anti-fascist #NeoFolk, #SingerSongwriter, #blues, #EarlyMusic, #minimalist composers, anime soundtracks, and everything #Prince ever recorded. Among other things.

    Sometimes I make things. I craft, I cook, I play (and occasionally run) tabletop role-playing games, I play (and occasionally write) music and songs. Most of all, though, I write: essays, poetry, stories, and—this one time at band camp, when I was feeling particularly sassy—a whole-ass book about gender, sexuality, queerness, and magic for witches, Pagans, occultists, and devotional polytheists. (If you want to check it out, there's a link in my bio to the publisher's page.)

    Politically, I started out as a liberal in the 1980s, but—flying in the face of conventional wisdom—became increasingly leftist as time went by. I believe all life is sacred, hegemony and hierarchy are intrinsically inclined towards abuse, and bodily autonomy is fundamental to human rights. I believe people can own and control things, but that people are not things. As such, I believe fascism, racism, sexism, homophobia, transphobia, queerphobia, and ableism are all evils of the human heart. I support #UniversalHealthcare, #UBI, BLM, #antifa, indigenous rights, #TransRights, queer resistance, sex workers, undocumented and migrant rights, disability rights, autistic people, plural folks, defunding the police, and radical inclusivity. Whatever name fits those beliefs, that's what I am. I'm not a wholly uncritical leftist, though, and I'm probably not ideologically pure enough for most movements. (Then again, I'm a futch-y trans #lesbian, so many leftist movements don't want me around anyway.)

    About following: I'm trying to be intentional and judicious in how I use social media, so here's the deal: folks are welcome to follow my account here, but I don't automatically follow people back. That's not a judgement on you, please understand. It's an acknowledgement that I have a limited amount of mental and social bandwidth, and it's easy for me to get overwhelmed by my social media feed if I don't tend it aggressively.

    The odds of me following you back are significantly higher if...
    • you have a bio I find interesting,
    • you're somewhere under the rainbow (LGBTQIA2S+),
    • we share interests in common,
    AND/OR
    • you interact with my posts in a positive way often enough that I think, "hey, I like so-and-so, I think I'll send them a follow request."

    The last condition might override any of the previous three, but the previous three do sway things, just saying. Regardless, anyone's welcome to follow my posts here.

    Okay, I think that's about enough for now. Further updates as events warrant, or as I think of them.

    Cheers! 💕

  9. CW: Hello, transfem.social, all other servers, and all ships at sea! Welcome to Tamsin's Pinned Toot(s). 😉 What follows are a few things you might want to know about me if you plan to hang around.

    Once again, it's a new instance, but it's the same old nonsense. Please enjoy your stay, unless you're a fascist, a racist, a transphobe, a homophobe, or any other flavor of garbage person, in which case please step on a LEGO forever.

    So, who the heck am I?

    Hi! I'm Tamsin: a white, middle-aged, Gen X
    #queer, #sapphic, #nonbinary #trans woman who likes doorstopper novels, director's cuts of movies, extended remixes of songs and albums, all kinds of table-top roleplaying games, 5-string basses, double-cutaway Les Paul Jr. guitars, beaches, forests, mountains, witchy things, living places that haven't outlawed her yet, late nights, lazy afternoons, and writing down half of everything she thinks.

    I'm happily monogamously married to a polymath superhero, and we share our lives with my marvelous teenaged offspring, two adorable cats, and a host of delightful friends and co-conspirators.

    Things I post about, in no particular order:
    #queer stuff, being a #trans girl, #magic, #music, #books, #movies, #TTRPGs, #ADHD, #politics, #philosophy, #spirituality, making stuff, and whatever else is going though my brain at any given moment.

    When I talk about
    #gender and #sexuality, it's probably helpful to know that I have a bachelor's degree in Gender, Women, and Sexuality Studies (with a focus on #feminist history, queer theory, and trans studies) from the University of Washington. Sometimes I joke that I had to get a degree to realize I'm a gay trans girl, which isn't quite true, but still makes me laugh.

    I'm exactly the kind of person who likes
    #ProgRock, #PunkRock, #PostPunk, #TripHop, house, #DarkFolk, #BlackMetal, '70s #funk, old-school R&B, early rock'n'roll, #AcidRock, #AcidFolk, #blues, #EarlyMusic, #minimalist composers, anime soundtracks, and everything #Prince ever recorded.

    I have a profound fear of spiders, heights, and isolation.

    Sometimes I make things. I craft, I cook, I play (and occasionally run) role-playing games, I play (and occasionally write) music and songs. Most of all, though, I write: essays, poetry, stories, and—this one time, when I was feeling particularly sassy—a whole-ass book about gender, sexuality, queerness, and magic for witches, Pagans, and occultists. (If you want to check it out, here's the publisher's page:
    https://llewellyn.com/product.php?ean=9780738761329)

    My politics are a simple story: I started out as a liberal in the 1980s and, flying in the face of conventional wisdom, became increasingly leftist as time went by. I support universal healthcare, universal basic income, BLM, antifa, indigenous rights, trans rights, queer resistance, sex workers, undocumented and migrant rights, disability rights, autistic people, plural folks, defunding the police, and radical inclusivity. I'm not an uncritical leftist, though, and I'm probably not ideologically pure enough for most movements. (Then again, I'm a gay trans girl, so most leftist movements don't want me around anyway.)

    [continued...]

  10. Parfois, les #manifs, c'est trop pour moi. Mais #dessiner des événements, posé.e avec un picnic, c'est tout à fait à ma hauteur.
    #accomodation
    Je recommande chaleureusement!

    Merci #Riseforclimate et les nombreuxses collectifs et artistes venus prendre la parole

    Collectif 8 mars
    Mars attack
    Rage for climate
    Les gardes-forestiers belges
    ...et pleins d'autres

  11. J'ai retrouvé mon vieux #baladeur #offline
    Dedans, il y a une ère musicale éclectique
    Plus besoin de mon téléphone
    #liberté #lowtech