#harmsway — Public Fediverse posts

Sometimes an album comes around ye olde promo pit that looks and smells familiar, but plays like something else entirely. Today’s entry into the “what the heck am I actually listening to?” hall of infamy is Phasma’s Purgatory. The third record from the Greek/US duo, and the first carried by a label—our beloved Transcending Obscurity Records—Purgatory continually subverted every expectation I had. In doing so, it became one of my biggest pleasant surprises in recent memory.

While early Phasma works boasted a songwriting style and sound that evoked a grotesque Whitechapel/Vampire Squid lovechild, Purgatory is a charred and venomous affair of only a tenuous relation to that concoction, and all the better for it. Conjuring a vision where Vimur, Harms Way, and Crypts of Despair’s first two albums merged into one mangled mass, Purgatory writhes and slithers through an unholy collection of brutal riffs, immolating tremolo flares, and swaggering grooves. While Phasma’s vocal approach largely carries over from early works, pairing a guttural roar with piercing screeches, but minimizing previously prevalent items like subterranean gurgles and glass-shattering squeals, it takes on an altogether more intimidating character here. Instead of showing off the full range of technical skills and range as this unit had to prove on their self-titled debut, Phasma took Purgatory as an opportunity to be as mean and concise as possible.

Purgatory by PHASMA

Simplifying their song structures, doubling down on memorable hooks, and restricting technical expositions to a minimum helped Phasma achieve their goal, resulting in a work that feels genuinely terrifying. Opening duo “I” and early highlight “II” prove this within thirty seconds of their introduction, but also create a delightful deviation from the usual songwriting tricks I expect from one phrase to another. For example, “I” makes me think a huge breakdown is about to drop right at the start, only to blast into the shadowed iciness of black metal, then dive seamlessly into a gym-ready hardcore groove. Subverting my expectations becomes a regular occurrence in Purgatory. “II,” “III,” and “VI” all venture deeper into doom-laden dungeons than I would’ve ever anticipated from a record as evil and high-energy as this. Harmonized melodies and layered guitar pyrotechnics only enhance this effect when things transition between paces and moods in a snap (“II”). By thusly offsetting their stripped-down writing with constant fiery twists and gnarly turns, Phasma crafted a remarkably exciting and rich experience that is an absolute joy to experience over and over again.

Despite its truncated 27-minute runtime, Purgatory burgeons with invigorating ideas all meticulously arranged, but initial spins suffer at the hands of a production of unforgiving loudness. “IV” in particular challenged my ability to appreciate the fantastic lead-into-chug-triplets and Vampire Squid riffs that bulge out from densely packed bass rumbles and glassy cymbals, in no small part because everything is so in-your-face as to flatten entirely. “V” feels a similar impact, though an eerie, bass-driven atmospheric break and subsequent Atrae Bilis-esque bridge briefly alleviates that effect. Understanding that the intended purpose of Purgatory is to oppress and destroy, a little more headroom in the mix and master would’ve allowed Phasma to hit harder and better highlight the myriad clever details distributed throughout.

Thankfully, the production isn’t so ruinous as to make my experience with Purgatory anything less than a delightful treat. As I spent more time with it, I loved it more, craved it regularly, and found additional moments to take home. Memorable beyond what I anticipated, and more engaging than I dared hope, Purgatory is a resounding success in all areas other than engineering. In some circles, that one weakness won’t matter much. In the end, it didn’t matter much to me either, such is the strength of Phasma’s songwriting.1 This is one trip to limbo you won’t want to miss!



Rating: Great!
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Transcending Obscurity Records
Websites: phasmaproject.bandcamp.com | facebook.com/PhasmaProject
Releases Worldwide: February 20th, 2026

Sometimes an album comes around ye olde promo pit that looks and smells familiar, but plays like something else entirely. Today’s entry into the “what the heck am I actually listening to?” hall of infamy is Phasma’s Purgatory. The third record from the Greek/US duo, and the first carried by a label—our beloved Transcending Obscurity Records—Purgatory continually subverted every expectation I had. In doing so, it became one of my biggest pleasant surprises in recent memory.

While early Phasma works boasted a songwriting style and sound that evoked a grotesque Whitechapel/Vampire Squid lovechild, Purgatory is a charred and venomous affair of only a tenuous relation to that concoction, and all the better for it. Conjuring a vision where Vimur, Harms Way, and Crypts of Despair’s first two albums merged into one mangled mass, Purgatory writhes and slithers through an unholy collection of brutal riffs, immolating tremolo flares, and swaggering grooves. While Phasma’s vocal approach largely carries over from early works, pairing a guttural roar with piercing screeches, but minimizing previously prevalent items like subterranean gurgles and glass-shattering squeals, it takes on an altogether more intimidating character here. Instead of showing off the full range of technical skills and range as this unit had to prove on their self-titled debut, Phasma took Purgatory as an opportunity to be as mean and concise as possible.

Purgatory by PHASMA

Simplifying their song structures, doubling down on memorable hooks, and restricting technical expositions to a minimum helped Phasma achieve their goal, resulting in a work that feels genuinely terrifying. Opening duo “I” and early highlight “II” prove this within thirty seconds of their introduction, but also create a delightful deviation from the usual songwriting tricks I expect from one phrase to another. For example, “I” makes me think a huge breakdown is about to drop right at the start, only to blast into the shadowed iciness of black metal, then dive seamlessly into a gym-ready hardcore groove. Subverting my expectations becomes a regular occurrence in Purgatory. “II,” “III,” and “VI” all venture deeper into doom-laden dungeons than I would’ve ever anticipated from a record as evil and high-energy as this. Harmonized melodies and layered guitar pyrotechnics only enhance this effect when things transition between paces and moods in a snap (“II”). By thusly offsetting their stripped-down writing with constant fiery twists and gnarly turns, Phasma crafted a remarkably exciting and rich experience that is an absolute joy to experience over and over again.

Despite its truncated 27-minute runtime, Purgatory burgeons with invigorating ideas all meticulously arranged, but initial spins suffer at the hands of a production of unforgiving loudness. “IV” in particular challenged my ability to appreciate the fantastic lead-into-chug-triplets and Vampire Squid riffs that bulge out from densely packed bass rumbles and glassy cymbals, in no small part because everything is so in-your-face as to flatten entirely. “V” feels a similar impact, though an eerie, bass-driven atmospheric break and subsequent Atrae Bilis-esque bridge briefly alleviates that effect. Understanding that the intended purpose of Purgatory is to oppress and destroy, a little more headroom in the mix and master would’ve allowed Phasma to hit harder and better highlight the myriad clever details distributed throughout.

Thankfully, the production isn’t so ruinous as to make my experience with Purgatory anything less than a delightful treat. As I spent more time with it, I loved it more, craved it regularly, and found additional moments to take home. Memorable beyond what I anticipated, and more engaging than I dared hope, Purgatory is a resounding success in all areas other than engineering. In some circles, that one weakness won’t matter much. In the end, it didn’t matter much to me either, such is the strength of Phasma’s songwriting.1 This is one trip to limbo you won’t want to miss!



Rating: Great!
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Transcending Obscurity Records
Websites: phasmaproject.bandcamp.com | facebook.com/PhasmaProject
Releases Worldwide: February 20th, 2026

Sometimes an album comes around ye olde promo pit that looks and smells familiar, but plays like something else entirely. Today’s entry into the “what the heck am I actually listening to?” hall of infamy is Phasma’s Purgatory. The third record from the Greek/US duo, and the first carried by a label—our beloved Transcending Obscurity Records—Purgatory continually subverted every expectation I had. In doing so, it became one of my biggest pleasant surprises in recent memory.

While early Phasma works boasted a songwriting style and sound that evoked a grotesque Whitechapel/Vampire Squid lovechild, Purgatory is a charred and venomous affair of only a tenuous relation to that concoction, and all the better for it. Conjuring a vision where Vimur, Harms Way, and Crypts of Despair’s first two albums merged into one mangled mass, Purgatory writhes and slithers through an unholy collection of brutal riffs, immolating tremolo flares, and swaggering grooves. While Phasma’s vocal approach largely carries over from early works, pairing a guttural roar with piercing screeches, but minimizing previously prevalent items like subterranean gurgles and glass-shattering squeals, it takes on an altogether more intimidating character here. Instead of showing off the full range of technical skills and range as this unit had to prove on their self-titled debut, Phasma took Purgatory as an opportunity to be as mean and concise as possible.

Purgatory by PHASMA

Simplifying their song structures, doubling down on memorable hooks, and restricting technical expositions to a minimum helped Phasma achieve their goal, resulting in a work that feels genuinely terrifying. Opening duo “I” and early highlight “II” prove this within thirty seconds of their introduction, but also create a delightful deviation from the usual songwriting tricks I expect from one phrase to another. For example, “I” makes me think a huge breakdown is about to drop right at the start, only to blast into the shadowed iciness of black metal, then dive seamlessly into a gym-ready hardcore groove. Subverting my expectations becomes a regular occurrence in Purgatory. “II,” “III,” and “VI” all venture deeper into doom-laden dungeons than I would’ve ever anticipated from a record as evil and high-energy as this. Harmonized melodies and layered guitar pyrotechnics only enhance this effect when things transition between paces and moods in a snap (“II”). By thusly offsetting their stripped-down writing with constant fiery twists and gnarly turns, Phasma crafted a remarkably exciting and rich experience that is an absolute joy to experience over and over again.

Despite its truncated 27-minute runtime, Purgatory burgeons with invigorating ideas all meticulously arranged, but initial spins suffer at the hands of a production of unforgiving loudness. “IV” in particular challenged my ability to appreciate the fantastic lead-into-chug-triplets and Vampire Squid riffs that bulge out from densely packed bass rumbles and glassy cymbals, in no small part because everything is so in-your-face as to flatten entirely. “V” feels a similar impact, though an eerie, bass-driven atmospheric break and subsequent Atrae Bilis-esque bridge briefly alleviates that effect. Understanding that the intended purpose of Purgatory is to oppress and destroy, a little more headroom in the mix and master would’ve allowed Phasma to hit harder and better highlight the myriad clever details distributed throughout.

Thankfully, the production isn’t so ruinous as to make my experience with Purgatory anything less than a delightful treat. As I spent more time with it, I loved it more, craved it regularly, and found additional moments to take home. Memorable beyond what I anticipated, and more engaging than I dared hope, Purgatory is a resounding success in all areas other than engineering. In some circles, that one weakness won’t matter much. In the end, it didn’t matter much to me either, such is the strength of Phasma’s songwriting.1 This is one trip to limbo you won’t want to miss!



Rating: Great!
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Transcending Obscurity Records
Websites: phasmaproject.bandcamp.com | facebook.com/PhasmaProject
Releases Worldwide: February 20th, 2026

Sometimes an album comes around ye olde promo pit that looks and smells familiar, but plays like something else entirely. Today’s entry into the “what the heck am I actually listening to?” hall of infamy is Phasma’s Purgatory. The third record from the Greek/US duo, and the first carried by a label—our beloved Transcending Obscurity Records—Purgatory continually subverted every expectation I had. In doing so, it became one of my biggest pleasant surprises in recent memory.

While early Phasma works boasted a songwriting style and sound that evoked a grotesque Whitechapel/Vampire Squid lovechild, Purgatory is a charred and venomous affair of only a tenuous relation to that concoction, and all the better for it. Conjuring a vision where Vimur, Harms Way, and Crypts of Despair’s first two albums merged into one mangled mass, Purgatory writhes and slithers through an unholy collection of brutal riffs, immolating tremolo flares, and swaggering grooves. While Phasma’s vocal approach largely carries over from early works, pairing a guttural roar with piercing screeches, but minimizing previously prevalent items like subterranean gurgles and glass-shattering squeals, it takes on an altogether more intimidating character here. Instead of showing off the full range of technical skills and range as this unit had to prove on their self-titled debut, Phasma took Purgatory as an opportunity to be as mean and concise as possible.

Purgatory by PHASMA

Simplifying their song structures, doubling down on memorable hooks, and restricting technical expositions to a minimum helped Phasma achieve their goal, resulting in a work that feels genuinely terrifying. Opening duo “I” and early highlight “II” prove this within thirty seconds of their introduction, but also create a delightful deviation from the usual songwriting tricks I expect from one phrase to another. For example, “I” makes me think a huge breakdown is about to drop right at the start, only to blast into the shadowed iciness of black metal, then dive seamlessly into a gym-ready hardcore groove. Subverting my expectations becomes a regular occurrence in Purgatory. “II,” “III,” and “VI” all venture deeper into doom-laden dungeons than I would’ve ever anticipated from a record as evil and high-energy as this. Harmonized melodies and layered guitar pyrotechnics only enhance this effect when things transition between paces and moods in a snap (“II”). By thusly offsetting their stripped-down writing with constant fiery twists and gnarly turns, Phasma crafted a remarkably exciting and rich experience that is an absolute joy to experience over and over again.

Despite its truncated 27-minute runtime, Purgatory burgeons with invigorating ideas all meticulously arranged, but initial spins suffer at the hands of a production of unforgiving loudness. “IV” in particular challenged my ability to appreciate the fantastic lead-into-chug-triplets and Vampire Squid riffs that bulge out from densely packed bass rumbles and glassy cymbals, in no small part because everything is so in-your-face as to flatten entirely. “V” feels a similar impact, though an eerie, bass-driven atmospheric break and subsequent Atrae Bilis-esque bridge briefly alleviates that effect. Understanding that the intended purpose of Purgatory is to oppress and destroy, a little more headroom in the mix and master would’ve allowed Phasma to hit harder and better highlight the myriad clever details distributed throughout.

Thankfully, the production isn’t so ruinous as to make my experience with Purgatory anything less than a delightful treat. As I spent more time with it, I loved it more, craved it regularly, and found additional moments to take home. Memorable beyond what I anticipated, and more engaging than I dared hope, Purgatory is a resounding success in all areas other than engineering. In some circles, that one weakness won’t matter much. In the end, it didn’t matter much to me either, such is the strength of Phasma’s songwriting.1 This is one trip to limbo you won’t want to miss!



Rating: Great!
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Transcending Obscurity Records
Websites: phasmaproject.bandcamp.com | facebook.com/PhasmaProject
Releases Worldwide: February 20th, 2026

Sometimes an album comes around ye olde promo pit that looks and smells familiar, but plays like something else entirely. Today’s entry into the “what the heck am I actually listening to?” hall of infamy is Phasma’s Purgatory. The third record from the Greek/US duo, and the first carried by a label—our beloved Transcending Obscurity Records—Purgatory continually subverted every expectation I had. In doing so, it became one of my biggest pleasant surprises in recent memory.

While early Phasma works boasted a songwriting style and sound that evoked a grotesque Whitechapel/Vampire Squid lovechild, Purgatory is a charred and venomous affair of only a tenuous relation to that concoction, and all the better for it. Conjuring a vision where Vimur, Harms Way, and Crypts of Despair’s first two albums merged into one mangled mass, Purgatory writhes and slithers through an unholy collection of brutal riffs, immolating tremolo flares, and swaggering grooves. While Phasma’s vocal approach largely carries over from early works, pairing a guttural roar with piercing screeches, but minimizing previously prevalent items like subterranean gurgles and glass-shattering squeals, it takes on an altogether more intimidating character here. Instead of showing off the full range of technical skills and range as this unit had to prove on their self-titled debut, Phasma took Purgatory as an opportunity to be as mean and concise as possible.

Purgatory by PHASMA

Simplifying their song structures, doubling down on memorable hooks, and restricting technical expositions to a minimum helped Phasma achieve their goal, resulting in a work that feels genuinely terrifying. Opening duo “I” and early highlight “II” prove this within thirty seconds of their introduction, but also create a delightful deviation from the usual songwriting tricks I expect from one phrase to another. For example, “I” makes me think a huge breakdown is about to drop right at the start, only to blast into the shadowed iciness of black metal, then dive seamlessly into a gym-ready hardcore groove. Subverting my expectations becomes a regular occurrence in Purgatory. “II,” “III,” and “VI” all venture deeper into doom-laden dungeons than I would’ve ever anticipated from a record as evil and high-energy as this. Harmonized melodies and layered guitar pyrotechnics only enhance this effect when things transition between paces and moods in a snap (“II”). By thusly offsetting their stripped-down writing with constant fiery twists and gnarly turns, Phasma crafted a remarkably exciting and rich experience that is an absolute joy to experience over and over again.

Despite its truncated 27-minute runtime, Purgatory burgeons with invigorating ideas all meticulously arranged, but initial spins suffer at the hands of a production of unforgiving loudness. “IV” in particular challenged my ability to appreciate the fantastic lead-into-chug-triplets and Vampire Squid riffs that bulge out from densely packed bass rumbles and glassy cymbals, in no small part because everything is so in-your-face as to flatten entirely. “V” feels a similar impact, though an eerie, bass-driven atmospheric break and subsequent Atrae Bilis-esque bridge briefly alleviates that effect. Understanding that the intended purpose of Purgatory is to oppress and destroy, a little more headroom in the mix and master would’ve allowed Phasma to hit harder and better highlight the myriad clever details distributed throughout.

Thankfully, the production isn’t so ruinous as to make my experience with Purgatory anything less than a delightful treat. As I spent more time with it, I loved it more, craved it regularly, and found additional moments to take home. Memorable beyond what I anticipated, and more engaging than I dared hope, Purgatory is a resounding success in all areas other than engineering. In some circles, that one weakness won’t matter much. In the end, it didn’t matter much to me either, such is the strength of Phasma’s songwriting.1 This is one trip to limbo you won’t want to miss!



Rating: Great!
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Transcending Obscurity Records
Websites: phasmaproject.bandcamp.com | facebook.com/PhasmaProject
Releases Worldwide: February 20th, 2026

‘An illegal war’: Democratic 2028ers scold Trump on Venezuela – POLITICO

• Europe
• Pro
• E&E News

‘An illegal war’: Democratic 2028ers scold Trump on Venezuela

Most would-be Democratic White House hopefuls piled on the president — while his possible Republican successors quickly voiced their support.

Democrats’ criticism is a sign of an emerging trendline that could mark both the upcoming midterms and the 2028 elections.

By Gregory Svirnovskiy and Samuel Benson, 01/03/2026 03:51 PM EST, Updated: 01/03/2026 04:50 PM EST

The top Democratic contenders to succeed Donald Trump in the Oval Office excoriated the president for his overnight strike on Venezuela on Saturday, sharply criticizing the president’s foreign policy and trying to drive a wedge between the president and voters wary of foreign entanglements.

Trump, they argued, launched the operation to distract from a souring political situation on the home front.

“It’s an old and obvious pattern,” former Transportation Secretary Pete Buttigieg wrote on X Saturday. “An unpopular president — failing on the economy and losing his grip on power at home — decides to launch a war for regime change abroad. The American people don’t want to ‘run’ a foreign country while our leaders fail to improve life in this one.”

It’s a sign of an emerging trendline that could mark both the upcoming midterms and the 2028 elections, as Democrats look to paint Trump as betraying his campaign promises by focusing too much on global affairs rather than domestic issues.

Trump rode to electoral victory in 2024 under the banner of “America First,” vowing to remove the U.S. from expansive overseas involvement and instead focus on the welfare of U.S. citizens.

During a press conference Saturday morning at his Mar-a-Lago resort, Trump defended the Maduro capture as “America First” because “we want to surround ourselves with good neighbors. We want to surround ourselves with stability. We want to surround ourselves with energy.”

Illinois Gov. JB Pritzker argued that Trump should prioritize affordability, a key buzzword that spurred Democratic victories in last November’s off-year elections.

“Donald Trump’s unconstitutional military action in Venezuela is putting our troops in harm’s way with no long-term strategy,” he wrote on X. “The American people deserve a President focused on making their lives more affordable.”

The operation, which Trump announced via Truth Social early Saturday morning, saw U.S. troops capture Venezuelan President Nicolas Maduro and his wife in their downtown Caracas compound, flying them out of the country. The couple, along with their son, will soon stand trial on drug trafficking charges.

The Trump administration, in the meantime, will “run” Venezuela, Trump announced in the Saturday press conference

“We’ll run it properly,” he said.” “We’ll run it professionally. We’ll have the greatest oil companies in the world go in and invest billions and billions of dollars and take out money, use that money in Venezuela.”

Democrats quickly pounced on the president’s actions. Within hours of Maduro’s announced capture, the Democratic National Committee sent out a fundraising email deeming it “another unconstitutional war from Trump, who thinks the Constitution is a suggestion.”

“Trump promised peace, but has delivered chaos,” the fundraising email, signed by DNC Chair Ken Martin, read. “The most important thing we can do right now is work to elect more Democrats who will check this administration’s power and prevent more disaster.”

Rep. Ro Khanna (D-Calif.) echoed the message. “We keep voting against dumb wars in Iraq, Afghanistan, & Libya,” he wrote on X. “But our Presidents bow to a foreign policy blob committed to militarism.”

Continue/Read Original Article Here: ‘An illegal war’: Democratic 2028ers scold Trump on Venezuela – POLITICO

‘An illegal war’: Democratic 2028ers scold Trump on Venezuela – POLITICO

• Europe
• Pro
• E&E News

‘An illegal war’: Democratic 2028ers scold Trump on Venezuela

Most would-be Democratic White House hopefuls piled on the president — while his possible Republican successors quickly voiced their support.

Democrats’ criticism is a sign of an emerging trendline that could mark both the upcoming midterms and the 2028 elections.

By Gregory Svirnovskiy and Samuel Benson, 01/03/2026 03:51 PM EST, Updated: 01/03/2026 04:50 PM EST

The top Democratic contenders to succeed Donald Trump in the Oval Office excoriated the president for his overnight strike on Venezuela on Saturday, sharply criticizing the president’s foreign policy and trying to drive a wedge between the president and voters wary of foreign entanglements.

Trump, they argued, launched the operation to distract from a souring political situation on the home front.

“It’s an old and obvious pattern,” former Transportation Secretary Pete Buttigieg wrote on X Saturday. “An unpopular president — failing on the economy and losing his grip on power at home — decides to launch a war for regime change abroad. The American people don’t want to ‘run’ a foreign country while our leaders fail to improve life in this one.”

It’s a sign of an emerging trendline that could mark both the upcoming midterms and the 2028 elections, as Democrats look to paint Trump as betraying his campaign promises by focusing too much on global affairs rather than domestic issues.

Trump rode to electoral victory in 2024 under the banner of “America First,” vowing to remove the U.S. from expansive overseas involvement and instead focus on the welfare of U.S. citizens.

During a press conference Saturday morning at his Mar-a-Lago resort, Trump defended the Maduro capture as “America First” because “we want to surround ourselves with good neighbors. We want to surround ourselves with stability. We want to surround ourselves with energy.”

Illinois Gov. JB Pritzker argued that Trump should prioritize affordability, a key buzzword that spurred Democratic victories in last November’s off-year elections.

“Donald Trump’s unconstitutional military action in Venezuela is putting our troops in harm’s way with no long-term strategy,” he wrote on X. “The American people deserve a President focused on making their lives more affordable.”

The operation, which Trump announced via Truth Social early Saturday morning, saw U.S. troops capture Venezuelan President Nicolas Maduro and his wife in their downtown Caracas compound, flying them out of the country. The couple, along with their son, will soon stand trial on drug trafficking charges.

The Trump administration, in the meantime, will “run” Venezuela, Trump announced in the Saturday press conference

“We’ll run it properly,” he said.” “We’ll run it professionally. We’ll have the greatest oil companies in the world go in and invest billions and billions of dollars and take out money, use that money in Venezuela.”

Democrats quickly pounced on the president’s actions. Within hours of Maduro’s announced capture, the Democratic National Committee sent out a fundraising email deeming it “another unconstitutional war from Trump, who thinks the Constitution is a suggestion.”

“Trump promised peace, but has delivered chaos,” the fundraising email, signed by DNC Chair Ken Martin, read. “The most important thing we can do right now is work to elect more Democrats who will check this administration’s power and prevent more disaster.”

Rep. Ro Khanna (D-Calif.) echoed the message. “We keep voting against dumb wars in Iraq, Afghanistan, & Libya,” he wrote on X. “But our Presidents bow to a foreign policy blob committed to militarism.”

Continue/Read Original Article Here: ‘An illegal war’: Democratic 2028ers scold Trump on Venezuela – POLITICO

‘An illegal war’: Democratic 2028ers scold Trump on Venezuela – POLITICO

• Europe
• Pro
• E&E News

‘An illegal war’: Democratic 2028ers scold Trump on Venezuela

Most would-be Democratic White House hopefuls piled on the president — while his possible Republican successors quickly voiced their support.

Democrats’ criticism is a sign of an emerging trendline that could mark both the upcoming midterms and the 2028 elections.

By Gregory Svirnovskiy and Samuel Benson, 01/03/2026 03:51 PM EST, Updated: 01/03/2026 04:50 PM EST

The top Democratic contenders to succeed Donald Trump in the Oval Office excoriated the president for his overnight strike on Venezuela on Saturday, sharply criticizing the president’s foreign policy and trying to drive a wedge between the president and voters wary of foreign entanglements.

Trump, they argued, launched the operation to distract from a souring political situation on the home front.

“It’s an old and obvious pattern,” former Transportation Secretary Pete Buttigieg wrote on X Saturday. “An unpopular president — failing on the economy and losing his grip on power at home — decides to launch a war for regime change abroad. The American people don’t want to ‘run’ a foreign country while our leaders fail to improve life in this one.”

It’s a sign of an emerging trendline that could mark both the upcoming midterms and the 2028 elections, as Democrats look to paint Trump as betraying his campaign promises by focusing too much on global affairs rather than domestic issues.

Trump rode to electoral victory in 2024 under the banner of “America First,” vowing to remove the U.S. from expansive overseas involvement and instead focus on the welfare of U.S. citizens.

During a press conference Saturday morning at his Mar-a-Lago resort, Trump defended the Maduro capture as “America First” because “we want to surround ourselves with good neighbors. We want to surround ourselves with stability. We want to surround ourselves with energy.”

Illinois Gov. JB Pritzker argued that Trump should prioritize affordability, a key buzzword that spurred Democratic victories in last November’s off-year elections.

“Donald Trump’s unconstitutional military action in Venezuela is putting our troops in harm’s way with no long-term strategy,” he wrote on X. “The American people deserve a President focused on making their lives more affordable.”

The operation, which Trump announced via Truth Social early Saturday morning, saw U.S. troops capture Venezuelan President Nicolas Maduro and his wife in their downtown Caracas compound, flying them out of the country. The couple, along with their son, will soon stand trial on drug trafficking charges.

The Trump administration, in the meantime, will “run” Venezuela, Trump announced in the Saturday press conference

“We’ll run it properly,” he said.” “We’ll run it professionally. We’ll have the greatest oil companies in the world go in and invest billions and billions of dollars and take out money, use that money in Venezuela.”

Democrats quickly pounced on the president’s actions. Within hours of Maduro’s announced capture, the Democratic National Committee sent out a fundraising email deeming it “another unconstitutional war from Trump, who thinks the Constitution is a suggestion.”

“Trump promised peace, but has delivered chaos,” the fundraising email, signed by DNC Chair Ken Martin, read. “The most important thing we can do right now is work to elect more Democrats who will check this administration’s power and prevent more disaster.”

Rep. Ro Khanna (D-Calif.) echoed the message. “We keep voting against dumb wars in Iraq, Afghanistan, & Libya,” he wrote on X. “But our Presidents bow to a foreign policy blob committed to militarism.”

Continue/Read Original Article Here: ‘An illegal war’: Democratic 2028ers scold Trump on Venezuela – POLITICO

‘An illegal war’: Democratic 2028ers scold Trump on Venezuela – POLITICO

• Europe
• Pro
• E&E News

‘An illegal war’: Democratic 2028ers scold Trump on Venezuela

Most would-be Democratic White House hopefuls piled on the president — while his possible Republican successors quickly voiced their support.

Democrats’ criticism is a sign of an emerging trendline that could mark both the upcoming midterms and the 2028 elections.

By Gregory Svirnovskiy and Samuel Benson, 01/03/2026 03:51 PM EST, Updated: 01/03/2026 04:50 PM EST

The top Democratic contenders to succeed Donald Trump in the Oval Office excoriated the president for his overnight strike on Venezuela on Saturday, sharply criticizing the president’s foreign policy and trying to drive a wedge between the president and voters wary of foreign entanglements.

Trump, they argued, launched the operation to distract from a souring political situation on the home front.

“It’s an old and obvious pattern,” former Transportation Secretary Pete Buttigieg wrote on X Saturday. “An unpopular president — failing on the economy and losing his grip on power at home — decides to launch a war for regime change abroad. The American people don’t want to ‘run’ a foreign country while our leaders fail to improve life in this one.”

It’s a sign of an emerging trendline that could mark both the upcoming midterms and the 2028 elections, as Democrats look to paint Trump as betraying his campaign promises by focusing too much on global affairs rather than domestic issues.

Trump rode to electoral victory in 2024 under the banner of “America First,” vowing to remove the U.S. from expansive overseas involvement and instead focus on the welfare of U.S. citizens.

During a press conference Saturday morning at his Mar-a-Lago resort, Trump defended the Maduro capture as “America First” because “we want to surround ourselves with good neighbors. We want to surround ourselves with stability. We want to surround ourselves with energy.”

Illinois Gov. JB Pritzker argued that Trump should prioritize affordability, a key buzzword that spurred Democratic victories in last November’s off-year elections.

“Donald Trump’s unconstitutional military action in Venezuela is putting our troops in harm’s way with no long-term strategy,” he wrote on X. “The American people deserve a President focused on making their lives more affordable.”

The operation, which Trump announced via Truth Social early Saturday morning, saw U.S. troops capture Venezuelan President Nicolas Maduro and his wife in their downtown Caracas compound, flying them out of the country. The couple, along with their son, will soon stand trial on drug trafficking charges.

The Trump administration, in the meantime, will “run” Venezuela, Trump announced in the Saturday press conference

“We’ll run it properly,” he said.” “We’ll run it professionally. We’ll have the greatest oil companies in the world go in and invest billions and billions of dollars and take out money, use that money in Venezuela.”

Democrats quickly pounced on the president’s actions. Within hours of Maduro’s announced capture, the Democratic National Committee sent out a fundraising email deeming it “another unconstitutional war from Trump, who thinks the Constitution is a suggestion.”

“Trump promised peace, but has delivered chaos,” the fundraising email, signed by DNC Chair Ken Martin, read. “The most important thing we can do right now is work to elect more Democrats who will check this administration’s power and prevent more disaster.”

Rep. Ro Khanna (D-Calif.) echoed the message. “We keep voting against dumb wars in Iraq, Afghanistan, & Libya,” he wrote on X. “But our Presidents bow to a foreign policy blob committed to militarism.”

Continue/Read Original Article Here: ‘An illegal war’: Democratic 2028ers scold Trump on Venezuela – POLITICO

‘An illegal war’: Democratic 2028ers scold Trump on Venezuela – POLITICO

• Europe
• Pro
• E&E News

‘An illegal war’: Democratic 2028ers scold Trump on Venezuela

Most would-be Democratic White House hopefuls piled on the president — while his possible Republican successors quickly voiced their support.

Democrats’ criticism is a sign of an emerging trendline that could mark both the upcoming midterms and the 2028 elections.

By Gregory Svirnovskiy and Samuel Benson, 01/03/2026 03:51 PM EST, Updated: 01/03/2026 04:50 PM EST

The top Democratic contenders to succeed Donald Trump in the Oval Office excoriated the president for his overnight strike on Venezuela on Saturday, sharply criticizing the president’s foreign policy and trying to drive a wedge between the president and voters wary of foreign entanglements.

Trump, they argued, launched the operation to distract from a souring political situation on the home front.

“It’s an old and obvious pattern,” former Transportation Secretary Pete Buttigieg wrote on X Saturday. “An unpopular president — failing on the economy and losing his grip on power at home — decides to launch a war for regime change abroad. The American people don’t want to ‘run’ a foreign country while our leaders fail to improve life in this one.”

It’s a sign of an emerging trendline that could mark both the upcoming midterms and the 2028 elections, as Democrats look to paint Trump as betraying his campaign promises by focusing too much on global affairs rather than domestic issues.

Trump rode to electoral victory in 2024 under the banner of “America First,” vowing to remove the U.S. from expansive overseas involvement and instead focus on the welfare of U.S. citizens.

During a press conference Saturday morning at his Mar-a-Lago resort, Trump defended the Maduro capture as “America First” because “we want to surround ourselves with good neighbors. We want to surround ourselves with stability. We want to surround ourselves with energy.”

Illinois Gov. JB Pritzker argued that Trump should prioritize affordability, a key buzzword that spurred Democratic victories in last November’s off-year elections.

“Donald Trump’s unconstitutional military action in Venezuela is putting our troops in harm’s way with no long-term strategy,” he wrote on X. “The American people deserve a President focused on making their lives more affordable.”

The operation, which Trump announced via Truth Social early Saturday morning, saw U.S. troops capture Venezuelan President Nicolas Maduro and his wife in their downtown Caracas compound, flying them out of the country. The couple, along with their son, will soon stand trial on drug trafficking charges.

The Trump administration, in the meantime, will “run” Venezuela, Trump announced in the Saturday press conference

“We’ll run it properly,” he said.” “We’ll run it professionally. We’ll have the greatest oil companies in the world go in and invest billions and billions of dollars and take out money, use that money in Venezuela.”

Democrats quickly pounced on the president’s actions. Within hours of Maduro’s announced capture, the Democratic National Committee sent out a fundraising email deeming it “another unconstitutional war from Trump, who thinks the Constitution is a suggestion.”

“Trump promised peace, but has delivered chaos,” the fundraising email, signed by DNC Chair Ken Martin, read. “The most important thing we can do right now is work to elect more Democrats who will check this administration’s power and prevent more disaster.”

Rep. Ro Khanna (D-Calif.) echoed the message. “We keep voting against dumb wars in Iraq, Afghanistan, & Libya,” he wrote on X. “But our Presidents bow to a foreign policy blob committed to militarism.”

Continue/Read Original Article Here: ‘An illegal war’: Democratic 2028ers scold Trump on Venezuela – POLITICO

#TheMetalDogArticleList
#MetalInjection
Here's Everything You Missed Over The Weekend 3/25
New Pantera material, Ozzy's absence from the stage, Nightwish problems, and more!

https://metalinjection.net/the-monday-morning-refresher/heres-everything-you-missed-over-the-weekend-3-25

#OzzyOsbourne #Pantera #Nightwish #StaticX #Metallica #Korn #Hanson #HarmsWay #FourStrokeBaron #Cryptopsy #Uada #Bewitcher #ProtestTheHero #JayWeinberg #SuicidalTendencies #Strychnos #MichaelPoulsen #TheOrchardMetal

#TheMetalDogArticleList
#MetalInjection
Here's Everything You Missed Over The Weekend 3/25
New Pantera material, Ozzy's absence from the stage, Nightwish problems, and more!

https://metalinjection.net/the-monday-morning-refresher/heres-everything-you-missed-over-the-weekend-3-25

#OzzyOsbourne #Pantera #Nightwish #StaticX #Metallica #Korn #Hanson #HarmsWay #FourStrokeBaron #Cryptopsy #Uada #Bewitcher #ProtestTheHero #JayWeinberg #SuicidalTendencies #Strychnos #MichaelPoulsen #TheOrchardMetal

TIME FOR CULTURE CLUB! Our panelists share what they’re loving in pop culture this week. Take a look at the checklists. Have you seen/heard/read any of them?

#sia #kylieminogue #dancealone #improbablemutecute #amazonoriginals #romcom #romancebooks #lisafrankenstein #dccomics #howtoloseaguygardnerin10days #griselda #ducksltd #harmsway #tokyovice #hbo #dragraceukvsworld #dragraceuk #thefloor #oneday #onedaynetflix #mrandmrssmith #primevideo #abbottelementary #popculture

GardensTale’s Top Ten(ish) Album Art of 2023

By GardensTale

As we drag our bloated stomachs from the dinner table of Listurnalia to the couch of January, it’s easy to forget that dessert has yet been served. Like a Monty Python waiter with a thin mint, the artwork article is here to ensure everyone’s entrails are catapulted across the living room in a shower of vomitus and viscera. Our yearly celebration of metal visuals is a wonderfully diverse one, if I say so myself, with a wide range of color palettes, moods and styles for you to feast your eyes on. This is the latest I’ve ever written this article, but spending a week among the clutches of Transsylvanian vampires held me up in completing it sooner.

The rules, the rules, the rules. Order must be established lest the resultant list means nothing at all.

• If we haven’t reviewed it, included it in a filter piece, or wrote a TYMHM article about it, it won’t be included. I’ve made one exception this year, because I can, but mostly because the review has just been sitting in the queue for ages as of this writing. So it’s been reviewed, just not published. Loophole!
• One entry per artist. This turned out to be easier than any other year. My stricter and quicker selection process had no doubles at all! Perhaps Kantor didn’t have much time this year.
• Original art only. While this does include photography (in vain, I’m afraid), it does not include a painting from 1739 with a logo slapped on. Be better than that, bands!
• And a new rule that is guaranteed to bite me in the ass at some point: no AI art! While there are ethical use cases for AI art, album covers aren’t one of them, and if I can at all help it I will not add fuel to that fire.

THE WORST

#3. Eternity // Mundicide — I didn’t want to just do artwork where the band clearly doesn’t give a fuck. That’s too easy. The joy is when a band has put in the effort to make something uniquely idiotic, and that is where Eternity’s cover comes in. How did no one at any point in the creation of this artwork say “Hey guys? This looks incredibly stupid.” The little arms, man. It’s like the world’s worst rendition of “It’s a small world after all.”

#2. Secret Rule // Uninverse — This is the unpublished exception and I’m sure you can see why I felt the need to make it. The amount of unskilled photoshop here is downright grotesque. Band photo album covers are rarely advisable, but with these outfits and poses, peak awkward is achieved several times over. Add the weird band name with overengineered logo and illogical pun of an album title and the cringe is complete.

#1. Savage Grace // Sign of the Cross — This is How Not To Composition 101. Everything on this cover is in the wrong place at the wrong scale. Not to mention, the typefacing is a disaster. Unexplained additional text, fonts that don’t match, vertical text, you name it, Savage Grace has got it. The lady knight in the foreground looks like she’s taking a very satisfying dump, and do try not to spray your drink across your screen when you zoom in on the meme-worthy face on the floor. An unmitigated disaster.

THE BEST

#(ish). Varathron // The Crimson Temple (artist: Paolo Girardi) — Girardi has been doing this for well over a decade and along with Burke, Kantor and Chioreanu is one of the most recognizable artists in the scene. This one is one of his more horrifying scenes, a grisly and visceral mass sacrifice. The many details and surreal horror recalls Hieronymous Bosch, but the clever composition draws the eye back to the crimson pool and the screaming evil god-face.

#10. Hexvessel // Polar Veil (artist: Benjamin König) — I’ve made it no secret that I love surreal art, and this deeply intriguing illustration by Benjamin König fits that bill completely. Both the misty blue sky and the black of night fit perfectly well over the idyllic snowy town, but the way the split forms a curious celestial figure is inspired. The largely monochrome coloration gives the art a sense of cold stillness, hovering between serenity and grim portent.

#9. Sanguine Glacialis // Maladaptive Daydreaming (artist: Alex O’Dowd) — This is probably the most meta we’re going to get today. I love the contrast of the dark, bleak room and forlorn painter with the glowing, overspilling painting full of warmth and life. The logo and title placement are uncommonly nice as well here. It’s such a lovely work of art I can even overlook the fact that the woman is clearly not dressed for the job at hand.

#8. Raider // Trial by Chaos (artist: Mitchell Nolte) — It’s difficult making art that’s purposefully crowded but still easy to read. Mitchell Nolte, who was featured here with last year’s excellent Dawnwalker art, manages with ingenious color use, creating contrast with the warrior’s fiery aura to spotlight him in the center of a writhing mass of monsters. Wielding a broadsword in one hand and strangling a multi-eyed monster snake with the other solidifies the subject’s status as one of the most badass bastards in metal art this year.

#7. Fire Down Below // Low Desert Surf Club (artist: Christi du Toit) — Comic style illustrations are a rare treat in metal, and those done well are rarer still. Christi du Toit clearly has a knack for wondrous, intriguing layouts. I love the sharp shading and color palette, and the atypical, adventurous feel the illustration exudes. I read a lot of webcomics, and if I saw this on a cover page I’d already be hooked.

#6. Grant the Sun // Voyage (artist: William Hay) — So many metal covers are grim, dark, foreboding or violent. The art for Voyage, on the other hand, is a quirky and colorful affair. The diving panda and the anglerfish make for an interesting dichotomy, a collision of worlds that are never supposed to meet. But the wink and smile belies the beautiful details, such as the streams of air escaping the panda’s mouth or the various level of refraction in the turbulent waters.

#5. Wormhole // Almost Human (artist: Adam Burke) — Adam Burke is usually the go-to guy for sci-fi cosmoscapes, but his strongest artwork this year graces the cover of Wormhole, or as I’m told the correct pronunciation is, WWWWOOOOOOORRRRRMMHHHOOOOOOOOLLLEEEEEE. What I especially like about this art is how much story it suggests. Either something that wasn’t human is in the midst of becoming gradually more so, or someone is shedding their humanity (as well as skin). Either way, it has something to do with the rhino beetle, and I can’t wait to find out what.

#4. Evile // The Unknown (artist: Eliran Kantor) — Few artists could make me include a cover that is like 75% black. Kantor can, though. The slim beam of light cast by a cracked cellar door is the only light for the father and son, surrounded by inky blackness. Kantor is an expert at expressive faces, and this pair ooze fear and despair. It’s an effective and haunting image that uses black as a tool to tell a story. If only the album were as great as the artwork.

#3. Slomatics // Strontium Fields (artist: Ryan Lesser) — I knew this had to be on the list the moment I saw it. I’ll even forgive the lack of album and band titles. The breathless figure reminiscent of the Statue of Liberty, her eyes beaming and her hair waving as if underwater, stands in stark contrast with the glistening embodiment of cosmic horror behind her. A clever trick that enhances that contrast, besides the clash in color, is the difference in shading. The flesh monster has been rendered in angry blotches, the statuesque woman in more marble-like tones. Don’t forget to check out the full-size art in the review!

#2. Harm’s Way // Common Suffering (artist: Corran Brownlee) — This stark, haunting piece makes it abundantly clear that “It’s Raining Men” is a horror scenario. The dreamlike surrealism and the apocalyptic climax clash into a nightmare depiction that took my breath the first time I saw it, and still fills me with an appropriate excess of dread when I look at it now. Rendering it entirely in black & white and cleverly constraining the cloud of people with a frame makes the scene feel both immense and claustrophobic.

#1. Deadly Carnage // Endless Blue (artist: Alexios Ciancio) — Though this list is ever a contentious one, I don’t think much protest will be levied at the winner this year. Graphic designer Alexios Ciancio is the vocalist and guitarist for Deadly Carnage, making this the rare treat of a band member designing their own album’s cover. Inspired by traditional Japanese art, Ciancio has created an absolute feast for the eyes. Though the portrait-oriented illustration leaves a lot of blank space on the sides, the dynamic composition that spills out the frame grants sumptuous life and vitality. The spectral nature of the cresting whale elevates the scene above the earthly and into the ethereal, which the music inside encapsulates. And whereas many artworks suffer from zooming in too much, the crisp lines and myriad beautiful details keep me scrolling endlessly across the canvas, from the swans flying out of the frame to the upended rowboats. A visual masterpiece.

#2023 #DeadlyCarnage #Eternity #Evile #FireDownBelow #GrantTheSun #HarmSWay #Hexvessel #Raider #SanguineGlacialis #SavageGrace #SecretRule #Slomatics #Varathron #Wormhole

GardensTale’s Top Ten(ish) Album Art of 2023

By GardensTale

As we drag our bloated stomachs from the dinner table of Listurnalia to the couch of January, it’s easy to forget that dessert has yet been served. Like a Monty Python waiter with a thin mint, the artwork article is here to ensure everyone’s entrails are catapulted across the living room in a shower of vomitus and viscera. Our yearly celebration of metal visuals is a wonderfully diverse one, if I say so myself, with a wide range of color palettes, moods and styles for you to feast your eyes on. This is the latest I’ve ever written this article, but spending a week among the clutches of Transsylvanian vampires held me up in completing it sooner.

The rules, the rules, the rules. Order must be established lest the resultant list means nothing at all.

• If we haven’t reviewed it, included it in a filter piece, or wrote a TYMHM article about it, it won’t be included. I’ve made one exception this year, because I can, but mostly because the review has just been sitting in the queue for ages as of this writing. So it’s been reviewed, just not published. Loophole!
• One entry per artist. This turned out to be easier than any other year. My stricter and quicker selection process had no doubles at all! Perhaps Kantor didn’t have much time this year.
• Original art only. While this does include photography (in vain, I’m afraid), it does not include a painting from 1739 with a logo slapped on. Be better than that, bands!
• And a new rule that is guaranteed to bite me in the ass at some point: no AI art! While there are ethical use cases for AI art, album covers aren’t one of them, and if I can at all help it I will not add fuel to that fire.

THE WORST

#3. Eternity // Mundicide — I didn’t want to just do artwork where the band clearly doesn’t give a fuck. That’s too easy. The joy is when a band has put in the effort to make something uniquely idiotic, and that is where Eternity’s cover comes in. How did no one at any point in the creation of this artwork say “Hey guys? This looks incredibly stupid.” The little arms, man. It’s like the world’s worst rendition of “It’s a small world after all.”

#2. Secret Rule // Uninverse — This is the unpublished exception and I’m sure you can see why I felt the need to make it. The amount of unskilled photoshop here is downright grotesque. Band photo album covers are rarely advisable, but with these outfits and poses, peak awkward is achieved several times over. Add the weird band name with overengineered logo and illogical pun of an album title and the cringe is complete.

#1. Savage Grace // Sign of the Cross — This is How Not To Composition 101. Everything on this cover is in the wrong place at the wrong scale. Not to mention, the typefacing is a disaster. Unexplained additional text, fonts that don’t match, vertical text, you name it, Savage Grace has got it. The lady knight in the foreground looks like she’s taking a very satisfying dump, and do try not to spray your drink across your screen when you zoom in on the meme-worthy face on the floor. An unmitigated disaster.

THE BEST

#(ish). Varathron // The Crimson Temple (artist: Paolo Girardi) — Girardi has been doing this for well over a decade and along with Burke, Kantor and Chioreanu is one of the most recognizable artists in the scene. This one is one of his more horrifying scenes, a grisly and visceral mass sacrifice. The many details and surreal horror recalls Hieronymous Bosch, but the clever composition draws the eye back to the crimson pool and the screaming evil god-face.

#10. Hexvessel // Polar Veil (artist: Benjamin König) — I’ve made it no secret that I love surreal art, and this deeply intriguing illustration by Benjamin König fits that bill completely. Both the misty blue sky and the black of night fit perfectly well over the idyllic snowy town, but the way the split forms a curious celestial figure is inspired. The largely monochrome coloration gives the art a sense of cold stillness, hovering between serenity and grim portent.

#9. Sanguine Glacialis // Maladaptive Daydreaming (artist: Alex O’Dowd) — This is probably the most meta we’re going to get today. I love the contrast of the dark, bleak room and forlorn painter with the glowing, overspilling painting full of warmth and life. The logo and title placement are uncommonly nice as well here. It’s such a lovely work of art I can even overlook the fact that the woman is clearly not dressed for the job at hand.

#8. Raider // Trial by Chaos (artist: Mitchell Nolte) — It’s difficult making art that’s purposefully crowded but still easy to read. Mitchell Nolte, who was featured here with last year’s excellent Dawnwalker art, manages with ingenious color use, creating contrast with the warrior’s fiery aura to spotlight him in the center of a writhing mass of monsters. Wielding a broadsword in one hand and strangling a multi-eyed monster snake with the other solidifies the subject’s status as one of the most badass bastards in metal art this year.

#7. Fire Down Below // Low Desert Surf Club (artist: Christi du Toit) — Comic style illustrations are a rare treat in metal, and those done well are rarer still. Christi du Toit clearly has a knack for wondrous, intriguing layouts. I love the sharp shading and color palette, and the atypical, adventurous feel the illustration exudes. I read a lot of webcomics, and if I saw this on a cover page I’d already be hooked.

#6. Grant the Sun // Voyage (artist: William Hay) — So many metal covers are grim, dark, foreboding or violent. The art for Voyage, on the other hand, is a quirky and colorful affair. The diving panda and the anglerfish make for an interesting dichotomy, a collision of worlds that are never supposed to meet. But the wink and smile belies the beautiful details, such as the streams of air escaping the panda’s mouth or the various level of refraction in the turbulent waters.

#5. Wormhole // Almost Human (artist: Adam Burke) — Adam Burke is usually the go-to guy for sci-fi cosmoscapes, but his strongest artwork this year graces the cover of Wormhole, or as I’m told the correct pronunciation is, WWWWOOOOOOORRRRRMMHHHOOOOOOOOLLLEEEEEE. What I especially like about this art is how much story it suggests. Either something that wasn’t human is in the midst of becoming gradually more so, or someone is shedding their humanity (as well as skin). Either way, it has something to do with the rhino beetle, and I can’t wait to find out what.

#4. Evile // The Unknown (artist: Eliran Kantor) — Few artists could make me include a cover that is like 75% black. Kantor can, though. The slim beam of light cast by a cracked cellar door is the only light for the father and son, surrounded by inky blackness. Kantor is an expert at expressive faces, and this pair ooze fear and despair. It’s an effective and haunting image that uses black as a tool to tell a story. If only the album were as great as the artwork.

#3. Slomatics // Strontium Fields (artist: Ryan Lesser) — I knew this had to be on the list the moment I saw it. I’ll even forgive the lack of album and band titles. The breathless figure reminiscent of the Statue of Liberty, her eyes beaming and her hair waving as if underwater, stands in stark contrast with the glistening embodiment of cosmic horror behind her. A clever trick that enhances that contrast, besides the clash in color, is the difference in shading. The flesh monster has been rendered in angry blotches, the statuesque woman in more marble-like tones. Don’t forget to check out the full-size art in the review!

#2. Harm’s Way // Common Suffering (artist: Corran Brownlee) — This stark, haunting piece makes it abundantly clear that “It’s Raining Men” is a horror scenario. The dreamlike surrealism and the apocalyptic climax clash into a nightmare depiction that took my breath the first time I saw it, and still fills me with an appropriate excess of dread when I look at it now. Rendering it entirely in black & white and cleverly constraining the cloud of people with a frame makes the scene feel both immense and claustrophobic.

#1. Deadly Carnage // Endless Blue (artist: Alexios Ciancio) — Though this list is ever a contentious one, I don’t think much protest will be levied at the winner this year. Graphic designer Alexios Ciancio is the vocalist and guitarist for Deadly Carnage, making this the rare treat of a band member designing their own album’s cover. Inspired by traditional Japanese art, Ciancio has created an absolute feast for the eyes. Though the portrait-oriented illustration leaves a lot of blank space on the sides, the dynamic composition that spills out the frame grants sumptuous life and vitality. The spectral nature of the cresting whale elevates the scene above the earthly and into the ethereal, which the music inside encapsulates. And whereas many artworks suffer from zooming in too much, the crisp lines and myriad beautiful details keep me scrolling endlessly across the canvas, from the swans flying out of the frame to the upended rowboats. A visual masterpiece.

#2023 #DeadlyCarnage #Eternity #Evile #FireDownBelow #GrantTheSun #HarmSWay #Hexvessel #Raider #SanguineGlacialis #SavageGrace #SecretRule #Slomatics #Varathron #Wormhole

‘A Beautiful Place That Has A Dragon’ - Where Hurricane Risk Meets Booming Growth
--
https://www.nytimes.com/interactive/2023/11/19/upshot/carolina-hurricanes.html <-- shared media article
--
“Hurricanes have always struck the shores of the United States.
But in recent decades, the combination of climate change and a growing coastal population has made them far more damaging — particularly in one corner of the Atlantic coast…"
#GIS #spatial #mapping #model #modeling #risk #hazard #Carolinas #northcarolina #usa #southcarolina #hurricanes #damage #climatechange #extremeweather #frequency #strength #stormsurge #coastal #population #demographics #atlanticcoast #sealevel #sealevelrise #SLR #flooding #flood #coastalflooding #hydrology #water #populationgrowth #harmsway #growth #economicimpact #cost

#Defending Our #Common #Humanity.

#Farright #attacks are putting #transgender #youth and their #families directly in #HarmsWay and putting all of us #atrisk. We are #fightingback.

#Women #Transgender #LGBTQ #LGBTQIA #GayRights #TransRights #Activism #Representation #Culture #Conservatives #Extremism #Fascism #RepublicanParty #Hate #Bigotry #Violence #Genocide #Discrimination #Transphobia #ThePartyOfHate

https://www.glad.org/defending-our-common-humanity/

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#MetalSucks
Harm’s Way Join Forces with King Woman for New Single “Undertow”

https://www.metalsucks.net/2023/09/08/harms-way-join-forces-with-king-woman-for-new-single-undertow/

#HarmsWay #KingWoman #Undertow #MetalSucks #NewMusic #Collaboration

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#MetalInjection
HARM'S WAY Recruits KING WOMAN For New Single "Undertow"
Beautiful and brutal!

https://metalinjection.net/video/harms-way-recruits-king-woman-for-new-single-undertow

#HarmsWay #KingWoman #Undertow #MetalInjection #HeavyMusic #Teamwork #Collaboration #ExperimentalRock

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#MetalInjection
HARM'S WAY Returns New Album & With Crushing New Single "Silent Wolf"
Mosh city up in here.

https://metalinjection.net/video/harms-way-returns-new-album-with-crushing-new-single-silent-wolf

#HarmsWay #HeavyMetal #MetalInjection #NewAlbum #NewSingle #SilentWolf #Crushing #ImportantInfo