#dysthymia — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #dysthymia, aggregated by home.social.
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Signs (symptoms) of dysthymia #depression #dysthymia #psychiatry #mentalhealth ... Continue to: https://www.facebook.com/reel/1598015181311456/
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some while ago before I got my #adhd and #dysthymia diagnoses I read some stuff about how “caffiene doesn’t give you energy, it just tricks your brain into thinking you’re not tired; give up coffee and do $THING instead”
and this morning after I have taken my SSRI prescription and Vitamin D dose (it also turns out I’m one of about 40% of US adults who are Vitamin D deficiant) and finished off the pot of coffee after my partner had her cup, and I’m making myself my second cup of black tea for the morning,
that’s the point. Tricking my brain into thinking I’m not tired is *the point*. My *body* isn’t tired, and despite genetic markers for slow caffiene metabolism (my mom, for example, can’t have chocolate after lunch) I metabolise it rapidly – I can have a cup of coffee at 10pm and easily go to sleep an hour later
the point of the caffiene isn’t “energy”, it’s “pulling my brain out of its perpetual fog so I can think clearly”
in thinking about the role of coffee in our culture, I suspect this is a very common pattern
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Signs (symptoms) of dysthymia #depression #dysthymia #psychiatry #mentalhealth ... Continue to: https://www.facebook.com/reel/1530496271396349/
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What is dysthymia? #depression #dysthymia #mentalhealth #psychiatry ... Continue to: https://www.facebook.com/reel/751693513946125/
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One drawback of having #OCPD and #BPD is that I tend to disengage quite abruptly. It takes VERY little for me tae be convinced that I am irrelevant... Because the monsters what own me scream intae my ears that I am. #MajorDepressiveDisorderRecurrant #Dysthymia #suicidalideations
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So fucking this. Art by Shawn Coss. #bpd #Dysthymia
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By Tyme
Despite a waning stigma, mental illness remains an oft-closeted topic, as those suffering from it struggle not only to cope but to discuss their struggles with others. Here to shed some of their death metal light on the matter are Canadian upstarts Harvested, with their independent debut full-length Dysthymia, which, according to Johns Hopkins Medicine, is defined as a long-lasting form of mild depression. Touching on topics ranging from submitting to one’s long-bottled-up ‘shadow self’ (“Repressed Neurosis”) to the gluttonous way humans abuse the earth (“Unanchored”), something Harvested consider a form of mental illness, they’ve dialed back the lyrically gorier aspects of their eponymous 2022 EP to intensify the focus on their chosen theme. As evidenced by the beautifully rendered CJ Bertram cover art, which main guitarist Mitchi Dimitriadis says depicts ‘an individual in great mental turmoil’ and represents ‘the abstract visualization of the chaos that is the human brain,’ it’s clear that Harvested are committed to the subject. The only question left to answer is whether it’s worth reaping what Harvested’s Dysthymia hopes to have sown.
Nostalgically anchored in 1990s and early 2000s death metal, Harvested also incorporate modern elements of slam and tech-death into the mix to achieve Dysthymia’s goal. This is one brutal fucking record, and from the get, you realize Harvested aren’t messing about, as Dysthymia mashes the potatoes and pulls the meaty steaks off the grill, a muscle-bound manifestation of their Cannibal Corpse, Suffocation, and Deicide (“Harvested,” “The Infestation”) influences. Dimitriadis’ and Vitto Oh’s guitar harmonics are pinched harder than Grier‘s butt cheeks at an enema convention, ensorcelled by viscerally blistering riffs, technically proficient leads, and tornadic, swirling solos. Jacob Collins’ drums1 crack skulls and pummel sternums with whirling fills and destructive double-kicks while Eric Forget’s bass lines remember everything necessary to keep things rumbling along. Adam Semler’s vocals, primarily an homage to George Fisher’s chesty aggression and Glenn Benton’s demonic discernibility, also share elements with Cattle Decapitation’s Travis Ryan at his most high-pitched and raspy. For such a young band, Harvested have planted a flag on the death metal scene, and Dysthymia is the wind through which that flag furls, filled with exuberant, energy-filled performances and solid songwriting.
With highlights aplenty, Dysthymia demands attention by way of its genuine songcraft and near flawless execution. I found myself stank-faced and sweaty through many a listen, whether basking in the glow of galloping riffs and percussive bass on “Unending Madness” or taking in the detailed technicality of the Soreption and The Zenith Passage influenced “Designed Dilemma,” a song that chugs so hard through its last ninety seconds I nearly gave myself whiplash. My favorite track, “Gathered and Deluded,” is a Cattle Decapitation-tinted slammer with pinched harmonic progressions that have been living rent-free in my head for weeks as Forget’s bass marches in flurrying lockstep with Collins’ robotically precise drums, and Selmer channels his best inner Travis Ryan. Harvested is one tight-knit outfit, belying their relatively brief existence and sounding like a band that’s been together much longer.
I’d argue the efforts of Harvested’s “sixth member” deserve as much credit for the success Dysthymia should garner as the band themselves, and that is the excellent work Joe Lyko performed from the booth at Darkmoon Productions. Lyko’s mix and master slathers Dimitriadis’ and Oh’s guitar work in a tone that, for me, defies obvious comparison, as bright and bouncy as it is deadly and devastating. Like a calculated throat punch, it was the first thing that hit me when album opener, “Harvested,” launched, holding my rapt attention all the way through to “The Infestation,” an excellent close to Dysthymia’s very manageable thirty-two-minute runtime. Each instrument exists within its own space, breathing freely and intertwining with high-definition clarity, thereby topping this auditorily successful sundae with a big, fat, juicy cherry.
Lyrically poignant, brutally heavy, and bursting with engagingly twisted, hook-filled instrumentation, Dysthymia is a helluva debut, and one Harvested should be proud of. As poetically as I have waxed, I still believe there’s room for Harvested to grow. God help those who might lay their ears on a sophomore effort from this line-up, should they remain intact. Rest assured, I’ll definitely be watching and waiting. For now, however, I wholeheartedly recommend you spend some long-lasting, quality time with Dysthymia.
Rating: 3.5 / 5.0
DR: 7 | Format Reviewed: 320kbps mp3
Label: Self-Released
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: August 1st, 2025#2025 #35 #Aug25 #CanadianMetal #CannibalCorpse #CattleDecapitation #DeathMetal #Deicide #Dysthymia #Harvested #Independent #Review #Soreption #Suffocation #TechnicalDeathMetal #TheZenithProcess
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By Tyme
Despite a waning stigma, mental illness remains an oft-closeted topic, as those suffering from it struggle not only to cope but to discuss their struggles with others. Here to shed some of their death metal light on the matter are Canadian upstarts Harvested, with their independent debut full-length Dysthymia, which, according to Johns Hopkins Medicine, is defined as a long-lasting form of mild depression. Touching on topics ranging from submitting to one’s long-bottled-up ‘shadow self’ (“Repressed Neurosis”) to the gluttonous way humans abuse the earth (“Unanchored”), something Harvested consider a form of mental illness, they’ve dialed back the lyrically gorier aspects of their eponymous 2022 EP to intensify the focus on their chosen theme. As evidenced by the beautifully rendered CJ Bertram cover art, which main guitarist Mitchi Dimitriadis says depicts ‘an individual in great mental turmoil’ and represents ‘the abstract visualization of the chaos that is the human brain,’ it’s clear that Harvested are committed to the subject. The only question left to answer is whether it’s worth reaping what Harvested’s Dysthymia hopes to have sown.
Nostalgically anchored in 1990s and early 2000s death metal, Harvested also incorporate modern elements of slam and tech-death into the mix to achieve Dysthymia’s goal. This is one brutal fucking record, and from the get, you realize Harvested aren’t messing about, as Dysthymia mashes the potatoes and pulls the meaty steaks off the grill, a muscle-bound manifestation of their Cannibal Corpse, Suffocation, and Deicide (“Harvested,” “The Infestation”) influences. Dimitriadis’ and Vitto Oh’s guitar harmonics are pinched harder than Grier‘s butt cheeks at an enema convention, ensorcelled by viscerally blistering riffs, technically proficient leads, and tornadic, swirling solos. Jacob Collins’ drums1 crack skulls and pummel sternums with whirling fills and destructive double-kicks while Eric Forget’s bass lines remember everything necessary to keep things rumbling along. Adam Semler’s vocals, primarily an homage to George Fisher’s chesty aggression and Glenn Benton’s demonic discernibility, also share elements with Cattle Decapitation’s Travis Ryan at his most high-pitched and raspy. For such a young band, Harvested have planted a flag on the death metal scene, and Dysthymia is the wind through which that flag furls, filled with exuberant, energy-filled performances and solid songwriting.
With highlights aplenty, Dysthymia demands attention by way of its genuine songcraft and near flawless execution. I found myself stank-faced and sweaty through many a listen, whether basking in the glow of galloping riffs and percussive bass on “Unending Madness” or taking in the detailed technicality of the Soreption and The Zenith Passage influenced “Designed Dilemma,” a song that chugs so hard through its last ninety seconds I nearly gave myself whiplash. My favorite track, “Gathered and Deluded,” is a Cattle Decapitation-tinted slammer with pinched harmonic progressions that have been living rent-free in my head for weeks as Forget’s bass marches in flurrying lockstep with Collins’ robotically precise drums, and Selmer channels his best inner Travis Ryan. Harvested is one tight-knit outfit, belying their relatively brief existence and sounding like a band that’s been together much longer.
I’d argue the efforts of Harvested’s “sixth member” deserve as much credit for the success Dysthymia should garner as the band themselves, and that is the excellent work Joe Lyko performed from the booth at Darkmoon Productions. Lyko’s mix and master slathers Dimitriadis’ and Oh’s guitar work in a tone that, for me, defies obvious comparison, as bright and bouncy as it is deadly and devastating. Like a calculated throat punch, it was the first thing that hit me when album opener, “Harvested,” launched, holding my rapt attention all the way through to “The Infestation,” an excellent close to Dysthymia’s very manageable thirty-two-minute runtime. Each instrument exists within its own space, breathing freely and intertwining with high-definition clarity, thereby topping this auditorily successful sundae with a big, fat, juicy cherry.
Lyrically poignant, brutally heavy, and bursting with engagingly twisted, hook-filled instrumentation, Dysthymia is a helluva debut, and one Harvested should be proud of. As poetically as I have waxed, I still believe there’s room for Harvested to grow. God help those who might lay their ears on a sophomore effort from this line-up, should they remain intact. Rest assured, I’ll definitely be watching and waiting. For now, however, I wholeheartedly recommend you spend some long-lasting, quality time with Dysthymia.
Rating: 3.5 / 5.0
DR: 7 | Format Reviewed: 320kbps mp3
Label: Self-Released
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: August 1st, 2025#2025 #35 #Aug25 #CanadianMetal #CannibalCorpse #CattleDecapitation #DeathMetal #Deicide #Dysthymia #Harvested #Independent #Review #Soreption #Suffocation #TechnicalDeathMetal #TheZenithProcess
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By Tyme
Despite a waning stigma, mental illness remains an oft-closeted topic, as those suffering from it struggle not only to cope but to discuss their struggles with others. Here to shed some of their death metal light on the matter are Canadian upstarts Harvested, with their independent debut full-length Dysthymia, which, according to Johns Hopkins Medicine, is defined as a long-lasting form of mild depression. Touching on topics ranging from submitting to one’s long-bottled-up ‘shadow self’ (“Repressed Neurosis”) to the gluttonous way humans abuse the earth (“Unanchored”), something Harvested consider a form of mental illness, they’ve dialed back the lyrically gorier aspects of their eponymous 2022 EP to intensify the focus on their chosen theme. As evidenced by the beautifully rendered CJ Bertram cover art, which main guitarist Mitchi Dimitriadis says depicts ‘an individual in great mental turmoil’ and represents ‘the abstract visualization of the chaos that is the human brain,’ it’s clear that Harvested are committed to the subject. The only question left to answer is whether it’s worth reaping what Harvested’s Dysthymia hopes to have sown.
Nostalgically anchored in 1990s and early 2000s death metal, Harvested also incorporate modern elements of slam and tech-death into the mix to achieve Dysthymia’s goal. This is one brutal fucking record, and from the get, you realize Harvested aren’t messing about, as Dysthymia mashes the potatoes and pulls the meaty steaks off the grill, a muscle-bound manifestation of their Cannibal Corpse, Suffocation, and Deicide (“Harvested,” “The Infestation”) influences. Dimitriadis’ and Vitto Oh’s guitar harmonics are pinched harder than Grier‘s butt cheeks at an enema convention, ensorcelled by viscerally blistering riffs, technically proficient leads, and tornadic, swirling solos. Jacob Collins’ drums1 crack skulls and pummel sternums with whirling fills and destructive double-kicks while Eric Forget’s bass lines remember everything necessary to keep things rumbling along. Adam Semler’s vocals, primarily an homage to George Fisher’s chesty aggression and Glenn Benton’s demonic discernibility, also share elements with Cattle Decapitation’s Travis Ryan at his most high-pitched and raspy. For such a young band, Harvested have planted a flag on the death metal scene, and Dysthymia is the wind through which that flag furls, filled with exuberant, energy-filled performances and solid songwriting.
With highlights aplenty, Dysthymia demands attention by way of its genuine songcraft and near flawless execution. I found myself stank-faced and sweaty through many a listen, whether basking in the glow of galloping riffs and percussive bass on “Unending Madness” or taking in the detailed technicality of the Soreption and The Zenith Passage influenced “Designed Dilemma,” a song that chugs so hard through its last ninety seconds I nearly gave myself whiplash. My favorite track, “Gathered and Deluded,” is a Cattle Decapitation-tinted slammer with pinched harmonic progressions that have been living rent-free in my head for weeks as Forget’s bass marches in flurrying lockstep with Collins’ robotically precise drums, and Selmer channels his best inner Travis Ryan. Harvested is one tight-knit outfit, belying their relatively brief existence and sounding like a band that’s been together much longer.
I’d argue the efforts of Harvested’s “sixth member” deserve as much credit for the success Dysthymia should garner as the band themselves, and that is the excellent work Joe Lyko performed from the booth at Darkmoon Productions. Lyko’s mix and master slathers Dimitriadis’ and Oh’s guitar work in a tone that, for me, defies obvious comparison, as bright and bouncy as it is deadly and devastating. Like a calculated throat punch, it was the first thing that hit me when album opener, “Harvested,” launched, holding my rapt attention all the way through to “The Infestation,” an excellent close to Dysthymia’s very manageable thirty-two-minute runtime. Each instrument exists within its own space, breathing freely and intertwining with high-definition clarity, thereby topping this auditorily successful sundae with a big, fat, juicy cherry.
Lyrically poignant, brutally heavy, and bursting with engagingly twisted, hook-filled instrumentation, Dysthymia is a helluva debut, and one Harvested should be proud of. As poetically as I have waxed, I still believe there’s room for Harvested to grow. God help those who might lay their ears on a sophomore effort from this line-up, should they remain intact. Rest assured, I’ll definitely be watching and waiting. For now, however, I wholeheartedly recommend you spend some long-lasting, quality time with Dysthymia.
Rating: 3.5 / 5.0
DR: 7 | Format Reviewed: 320kbps mp3
Label: Self-Released
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: August 1st, 2025#2025 #35 #Aug25 #CanadianMetal #CannibalCorpse #CattleDecapitation #DeathMetal #Deicide #Dysthymia #Harvested #Independent #Review #Soreption #Suffocation #TechnicalDeathMetal #TheZenithProcess
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By Tyme
Despite a waning stigma, mental illness remains an oft-closeted topic, as those suffering from it struggle not only to cope but to discuss their struggles with others. Here to shed some of their death metal light on the matter are Canadian upstarts Harvested, with their independent debut full-length Dysthymia, which, according to Johns Hopkins Medicine, is defined as a long-lasting form of mild depression. Touching on topics ranging from submitting to one’s long-bottled-up ‘shadow self’ (“Repressed Neurosis”) to the gluttonous way humans abuse the earth (“Unanchored”), something Harvested consider a form of mental illness, they’ve dialed back the lyrically gorier aspects of their eponymous 2022 EP to intensify the focus on their chosen theme. As evidenced by the beautifully rendered CJ Bertram cover art, which main guitarist Mitchi Dimitriadis says depicts ‘an individual in great mental turmoil’ and represents ‘the abstract visualization of the chaos that is the human brain,’ it’s clear that Harvested are committed to the subject. The only question left to answer is whether it’s worth reaping what Harvested’s Dysthymia hopes to have sown.
Nostalgically anchored in 1990s and early 2000s death metal, Harvested also incorporate modern elements of slam and tech-death into the mix to achieve Dysthymia’s goal. This is one brutal fucking record, and from the get, you realize Harvested aren’t messing about, as Dysthymia mashes the potatoes and pulls the meaty steaks off the grill, a muscle-bound manifestation of their Cannibal Corpse, Suffocation, and Deicide (“Harvested,” “The Infestation”) influences. Dimitriadis’ and Vitto Oh’s guitar harmonics are pinched harder than Grier‘s butt cheeks at an enema convention, ensorcelled by viscerally blistering riffs, technically proficient leads, and tornadic, swirling solos. Jacob Collins’ drums1 crack skulls and pummel sternums with whirling fills and destructive double-kicks while Eric Forget’s bass lines remember everything necessary to keep things rumbling along. Adam Semler’s vocals, primarily an homage to George Fisher’s chesty aggression and Glenn Benton’s demonic discernibility, also share elements with Cattle Decapitation’s Travis Ryan at his most high-pitched and raspy. For such a young band, Harvested have planted a flag on the death metal scene, and Dysthymia is the wind through which that flag furls, filled with exuberant, energy-filled performances and solid songwriting.
With highlights aplenty, Dysthymia demands attention by way of its genuine songcraft and near flawless execution. I found myself stank-faced and sweaty through many a listen, whether basking in the glow of galloping riffs and percussive bass on “Unending Madness” or taking in the detailed technicality of the Soreption and The Zenith Passage influenced “Designed Dilemma,” a song that chugs so hard through its last ninety seconds I nearly gave myself whiplash. My favorite track, “Gathered and Deluded,” is a Cattle Decapitation-tinted slammer with pinched harmonic progressions that have been living rent-free in my head for weeks as Forget’s bass marches in flurrying lockstep with Collins’ robotically precise drums, and Selmer channels his best inner Travis Ryan. Harvested is one tight-knit outfit, belying their relatively brief existence and sounding like a band that’s been together much longer.
I’d argue the efforts of Harvested’s “sixth member” deserve as much credit for the success Dysthymia should garner as the band themselves, and that is the excellent work Joe Lyko performed from the booth at Darkmoon Productions. Lyko’s mix and master slathers Dimitriadis’ and Oh’s guitar work in a tone that, for me, defies obvious comparison, as bright and bouncy as it is deadly and devastating. Like a calculated throat punch, it was the first thing that hit me when album opener, “Harvested,” launched, holding my rapt attention all the way through to “The Infestation,” an excellent close to Dysthymia’s very manageable thirty-two-minute runtime. Each instrument exists within its own space, breathing freely and intertwining with high-definition clarity, thereby topping this auditorily successful sundae with a big, fat, juicy cherry.
Lyrically poignant, brutally heavy, and bursting with engagingly twisted, hook-filled instrumentation, Dysthymia is a helluva debut, and one Harvested should be proud of. As poetically as I have waxed, I still believe there’s room for Harvested to grow. God help those who might lay their ears on a sophomore effort from this line-up, should they remain intact. Rest assured, I’ll definitely be watching and waiting. For now, however, I wholeheartedly recommend you spend some long-lasting, quality time with Dysthymia.
Rating: 3.5 / 5.0
DR: 7 | Format Reviewed: 320kbps mp3
Label: Self-Released
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: August 1st, 2025#2025 #35 #Aug25 #CanadianMetal #CannibalCorpse #CattleDecapitation #DeathMetal #Deicide #Dysthymia #Harvested #Independent #Review #Soreption #Suffocation #TechnicalDeathMetal #TheZenithProcess
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A small add-on to my introduction about #MentalHealth
I suffer from #anxiety #dysthymia (#PersistentDepressiveDisorder #PDD #depression) and a light form of #ADHD (the inattentive type).
I take medications that were (and still are) live saving to me, and make me function like I want myself to be. It makes me more me, who I'm supposed to be; I don't feel like it takes away part of who I am.
I think about this all within the framework of #neurodiversity
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A small add-on to my introduction about #MentalHealth
I suffer from #anxiety #dysthymia (#PersistentDepressiveDisorder #PDD #depression) and a light form of #ADHD (the inattentive type).
I take medications that were (and still are) live saving to me, and make me function like I want myself to be. It makes me more me, who I'm supposed to be; I don't feel like it takes away part of who I am.
I think about this all within the framework of #neurodiversity
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A small add-on to my introduction about #MentalHealth
I suffer from #anxiety #dysthymia (#PersistentDepressiveDisorder #PDD #depression) and a light form of #ADHD (the inattentive type).
I take medications that were (and still are) live saving to me, and make me function like I want myself to be. It makes me more me, who I'm supposed to be; I don't feel like it takes away part of who I am.
I think about this all within the framework of #neurodiversity
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CW: Depression
I am depressed.
By which I mean that I suffer from #dysthymia, which sometimes manifests with #anhedonia, and #today I'm in the grip of both of them, and it sucks.
The world is fucked up, I have no interest in doing or eating anything, I'm feeling overwhelmed with both work and personal responsibilities, and doing anything other than playing games on my phone seems entirely pointless.
It will pass—it always does—but right now, it sucks.
#depression #MentalHealth -
So, two more mental health diagnosis...oi. #OCPD and #BPD. Add tae those #MDD (recurrent), #Dysthymia, and #PTSD. Then add Rejection Sensitive Dysphoria, and Suicidal Ideation! #IAmVeryBroken #MentalHealth #Depression. #Suicide
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Ach, I think mah #Psychiatrist is a wee daftie. #OCPD #MajorDepressiveDisorder #Dysthymia
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Why must people lie? Socially ahv been turnt doon more than the bedding at the Luxor in Vegas. WHY must people ghost me instead of just saying "get tae fuck!" or something tae that effect? My #RejectionSensitiveDysphoria and #OCPD responds better tae truth. #dating #polyamory #relationships #old #ExpiredWarranty #fat #boring #MyBrainIsSeriouslyBroken #MajorDepressiveDisorder #Dysthymia
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Taedae was a "bridge day". Some o' ye ken what that means.. #SuicidalIdeations #SelfLoathing #Dysthymia #RejectionSensitiveDysphoria
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So often I will talk tae someone fully forgetting that nobody gies a wee shite wut I havtae sae. #RejectionSensitivityDysphoria is just fucking lovely. #MajorDepressiveDisorderRecurrent #Dysthymia #SelfLoathing
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Gotta have an intro that’s a hashtag salad:
#GenX, #Jewish, #Midwesterner living in #Nashville, TN.
PhD in #philosophy; considering returning to school to learn something useful
#Utopian #Socialist #Antifascist
#TRaHR; Moreover, TERF-ism must be destroyed
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CW: my struggles in the intersection of kink, gay, and neurodivergence
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CW: my struggles in the intersection of kink, gay, and neurodivergence
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CW: my struggles in the intersection of kink, gay, and neurodivergence
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CW: my struggles in the intersection of kink, gay, and neurodivergence
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CW: my struggles in the intersection of kink, gay, and neurodivergence
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Well I've discontinued my mental health care. Sacked both my therapist (#7) and my psychiatrist (#2). Let the fun begin! #MajorDepressiveDisorderRecurrent #Dysthymia #PTSD #OCPD #SuicidalIdeations #SelfLoathing
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Ah will suffer alongside ye but ye must NEVER count on meh. Ah nae really know how much longer mah monsters will let meh live. Art by Shawn Coss #MentalHealthAwareness #MajorDepressiveDisorderRecurrent #Suicidalideations #Dysthymia #OCPD #SelfLoathing
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I just go awa quietly. Trust meh when I say that ye'll get o'er it quicker than ye think...minutes later. #ImVeryBroken #Dysthymia #SuicidalIdeations
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I've never known #joy or lasting #happiness. What passes for that in my brain is distraction, amusement, and at best a lack of impact...neutral. Before you call me #emo or dramatic, I hae a very broke brain and suffer several mental illnesses. Anyone else oot there like me? I fucking hope nae. #MentalHealth #MajorDepressiveDisorderRecurrent #Dysthymia, #PTSD, #OCPD #SuicidalIdeations, #SevereSelfLoathig. #IAmVeryBroken #YouCanNotHelp
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I think I finally got it thru mah #Psychiatrist heid that my #SuicidalIDeations and extreme #SelfHatred innae gaen anywhere, hence untreatable. I want tae attempt tae enjoy life whatever that means, but I will always want suicide as an option. I think she finally gets it. #MajorDepressiveDisorderRecurrent, #Dysthymia #OCPD #PTSD #Neurodivergent #IAmVeryBroken #YouShouldReallyRun
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Ach, 988 might be a thing taenite. #IAmVeryBroken #SuicidalIdeations #MajorDepressiveDisorder #Dysthymia
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Artwork by Shawn Coss. Diagnosis are mine all mine. #MajorDepressiveDisorderRecurrent #SuicidalIdeations #Dysthymia #PTSD #OCD #SelfHatred #IAmVeryBroken
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This is me, keep yer distance. Art by Shawn Coss #MentalHealthAwareness #MajorDepressiveDisorderRecurrent #Dysthymia #OCD #SuicidalThoughts #IAmVeryBroken
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OK people. My brains is broken as fuck and everything I say I hae, hae been diagnosed. I don't like it, I didnae ask fur it, and yer well meaning platitudes wilnae change a whit. If that is wut ye got fur meh, then please get tae fuck wi all haste. #MajorDepressiveDisorderRecurrent #dysthymia #SuicidalThoughts #OCD #PTSD #CrabbitWeeScottishCunt
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I suffer frae Catastrophisation and this is what it looks and feels like. #MajorDepressiveDisorderRecurrent #SuicidalIdeations #Dysthymia Art by Shawn Coss