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1000 results for “black_intellect”

  1. This lifts the work to be done from “what is the proper api to show a modal with this framework” to “what does it mean to block user input? What is a hardware jobs that is fine with running while user input is held up? Does it matter? Do users ever need to interact with ongoing work when a warning is shown?”, things where our more formalized language is much less precise/consistent than “modal”.

    But maybe we can transform “modal.confirm(X)” to “userInputBlockingConfirmationRequest”, and that makes it possible to prompt the llm with “when a file can’t be save, block user input and request confirmation”, but we lose the “warning modal” words. Etc…

    This is how I approach llms and it has nothing to do with agents. Having harnesses are nice, because they make it possible for a model to discover that a modal is a blocking confirmation request, or write files, etc…

    But that’s compiler work vs language work, and comparatively, compiler code is fairly straightforward once language work has been worked out and you know a minimal amount of lattice theory to spot the fix points or combinatorial optimization or whatever.

    So, you want to show modals? The work is now thinking about UX/domain or on the nerdier side, studying some theory.

    Then you can just prompt “build modals as a request queue with semantics X” and boom, 10k tokens later everything is built.

    I’ll take that any day over knowing JS/react arcane that just cloud my thinking. It’s way more fun and intellectually rewarding too, since that knowledges transcend technology, I can apply the exact same work to post it notes or physical locking mechanisms.

  2. infosec.exchange/@Constellatio

    Some history?

    That guy came out in the 80's claiming he, as a teen created the ultima series.
    I Remember because Origin Systems was featured in Omni magazine right after Ultima 3 was announced. It was there they said the next three(3) titles in the series were finished.

    Back to garriot.....
    Well Origin, was being pressured in to making PC games which they resisted.
    Garriot then surfaced claiming he was coding for Origin Systems since he was 12 years old! And that his father, who was never positively identified passed the libraries to him the he his father was coding for the last 25 or 30 years.
    He also stated that he believed "in principle" that Origin should agree to develop PC titles and that his opinion "carried great weught"....
    The father was never identified but as coincidence should have it Gary Gagax was also threatening to sue Origin along with TSR.
    He claimed in the media to not actually own the ultima games but just like the entire D and D series he claimed to be the main developer.
    So the Ultima creators according to this were Garriot, the father never identified and Gygax.

    The TSR lawsuit concluded with Gygax never proving his claims but all the rights to certain future projects were transferred to a news company.
    One of the inspirations for the settlement which they judges themselves help draft was the thansfering of all intellectual property including the Origin name to third parties.
    About 8 years after that Garriot was one of the holders of Origin when he tried to force the other holders to transfer their rights to him Garriot.
    Claiming, for fuck sake, to be historically the main developer of the Ultima series because his "secret father" as he called this individual was the real developer of the games and he was working for Origin since he was 12 YEARS OLD.....!!
    The resulting lawsuit was bankrolled by gary gygax,....again.
    the legal solution was to simply sell the rights. the company was sold for about 30 million and that had to be split several ways so Garriot got about 1/20th of the settlement then he himself was sued by several financial backers so he eventually declared bankruptcy.

    By then it was time to release Ultima Online....

  3. infosec.exchange/@Constellatio

    Some history?

    That guy came out in the 80's claiming he, as a teen created the ultima series.
    I Remember because Origin Systems was featured in Omni magazine right after Ultima 3 was announced. It was there they said the next three(3) titles in the series were finished.

    Back to garriot.....
    Well Origin, was being pressured in to making PC games which they resisted.
    Garriot then surfaced claiming he was coding for Origin Systems since he was 12 years old! And that his father, who was never positively identified passed the libraries to him the he his father was coding for the last 25 or 30 years.
    He also stated that he believed "in principle" that Origin should agree to develop PC titles and that his opinion "carried great weught"....
    The father was never identified but as coincidence should have it Gary Gagax was also threatening to sue Origin along with TSR.
    He claimed in the media to not actually own the ultima games but just like the entire D and D series he claimed to be the main developer.
    So the Ultima creators according to this were Garriot, the father never identified and Gygax.

    The TSR lawsuit concluded with Gygax never proving his claims but all the rights to certain future projects were transferred to a news company.
    One of the inspirations for the settlement which they judges themselves help draft was the thansfering of all intellectual property including the Origin name to third parties.
    About 8 years after that Garriot was one of the holders of Origin when he tried to force the other holders to transfer their rights to him Garriot.
    Claiming, for fuck sake, to be historically the main developer of the Ultima series because his "secret father" as he called this individual was the real developer of the games and he was working for Origin since he was 12 YEARS OLD.....!!
    The resulting lawsuit was bankrolled by gary gygax,....again.
    the legal solution was to simply sell the rights. the company was sold for about 30 million and that had to be split several ways so Garriot got about 1/20th of the settlement then he himself was sued by several financial backers so he eventually declared bankruptcy.

    By then it was time to release Ultima Online....

  4. The Questions Are the Job

    Last month I spent forty minutes on a call with a college student who had just finished a summer internship at Google. He was polite about it, but the question under all his questions was the one I’d ask in his position. The agents write the code. The platforms hide the infrastructure. The CI pipeline is something you copy from a template and never read. So what exactly is he supposed to get good at?

    I gave him an answer on the call. It was mostly right and mostly unorganized, and I’ve been turning it over since.

    Nobody Asks for You

    Around the same time I fixed a bug in a small sync daemon I run on my homelab. It pulls things I’ve saved in various places into Readwise, and on every run it asks Readwise what it has already seen so it doesn’t save duplicates. The agent that wrote it did that the obvious way. It walked my whole Readwise library and built a set of URLs. What neither of us noticed for a while was that the walk included my RSS feed, and on a real account feed items outnumber the things you’ve deliberately saved by orders of magnitude. The daemon paged through 103,819 feed documents and never reached the end.

    I caught it because I was reading the logs and knew what my account looked like. The agent wasn’t going to catch it. It had no idea what a normal Readwise library looks like, and nothing in the code was wrong in a way a test would find. Then I had to ask for the second fix too. The dedup set needed to be a cache on disk that warms incrementally, not something rebuilt from scratch every fifteen minutes. That’s a design decision, and the agent didn’t make it until I asked.

    Both fixes took an afternoon. Neither would have happened without someone in the loop who knew to ask. I’ve been living the same thing at Vycari at a much larger scale.

    What I Actually Do All Day

    Chris and I have merged more than 2,600 pull requests across Vycari’s repositories so far, with two people. Two months of that work came to 1.1 million lines of new code. We have an army of agents doing most of the coding, and I wrote in The Backlog Was a Coping Mechanism about what that does to an issue tracker. What I haven’t written about is what it does to my job.

    I write very little code and I’m busier than I’ve ever been. I’ve started calling what I do meta-programming, because the work has moved up a level. I write the plans, the rules, the guidelines, the checks, and the hooks that push everyone who touches the codebase, human or agent, toward the right decision. Chris makes changes all over the codebase, and he doesn’t need my sign-off to do it. He’ll check with me sometimes, especially on database changes, but nobody knows what they don’t know. The guardrails exist for that. Whoever picks up a change next, human or agent, needs enough context to get it right, and that context is mine to build. It never stops needing maintenance.

    The second thing I do is think about the shape of the codebase over time. We started as one repository. As the product got more complicated I began splitting services out, each into its own repo with its own CI and its own rules. I wrote about why in The Test Suite Is the New Code Review. That makes iterating on any single service fast, and it forces a contract between services that has to be written down. Agents don’t do this on their own, not even the best or newest ones. They’ll add a new top-level directory next to the last one forever, and thirty days in I had a repository full of horizontal directories, repeated code, and no shared components. I refactored it from version zero to version one over a weekend, mostly from my phone while I was at a jazz festival.

    The agents were excellent at the refactor once I’d decided what it should be. Mechanical moves, package relocations, extracting an interface and applying it across a dozen subpackages: I could hand those off and not watch. The biggest one moved more than a hundred thousand lines of code, not all of it mechanically, and I was reviewing it on a phone. I only slept because we require ninety-five percent test coverage, and because adversarial review agents were reading the diff alongside me. But the decision that the codebase needed reorganizing, and the decision about what the organization should be, came from me reading the code and recognizing a shape I’d seen go wrong before.

    Proportional Scrutiny

    The student asked how you get good at systems when the abstractions keep you from touching them. Part of my answer was that you have to read the code the agent writes, which is different from reviewing it.

    The distinction matters to me because most code review I saw at Google was style review. Someone would tell you a line was too long, or a name didn’t match the convention, and both of you would feel like work had happened. I don’t do any of that anymore. We use Ruff for linting and formatting, it runs on every PR, and whatever it says is fine with me. I also don’t fight the agentisms. There are twenty-five line comment blocks in our codebase, and I leave them, because the next reader of that file is another agent and the comment might be useful context for it. A comment explaining how a for loop works is wasted tokens, but I’m not going to spend my afternoon hunting those down.

    What I do instead is apply scrutiny in proportion to what the code is. If an agent rewrites a pile of CSS, I open the page in a browser, it looks fine, and I move on. I’m not a CSS expert and I have no plans to become one. When an agent touches our core agentic loop, I read every line and I make sure I understand why every line is there. That loop is one of the pieces of the product I’d call real intellectual property, and most of it was guided by me, decision by decision. The agent is the same in both cases. What changes is how much attention I give its work, and knowing where that attention belongs is most of the skill.

    That’s proportional scrutiny, an idea I learned from Luiz Barroso. You watch the things that took a big investment, that have a large blast radius, that are consequential to the rest of the system, and you give everything else a lighter look. It applies to engineering management too. Luiz used it to let a few of us chase a long-shot project for a year while he ran an organization of fifteen hundred people.

    What Breaks First

    My favorite question to ask an agent, and the one I gave the student to take home, is what breaks first if usage goes up by three orders of magnitude.

    A hundred queries a second to a hundred thousand. A thousand users to a million. The agent will give you a real answer, and the answer will teach you about the system you’re building faster than any textbook I know of. If you can get a project to the point where you’re confident it would survive that, you’ve done the distributed systems course. Very few systems actually run at that scale. Asking the question is still how you learn to think about scale.

    I learned it the expensive way. I’ve taken large portions of Google down more than once in my career, and the lesson from those days was simple: you learn from the outage or you get fired. I once led a team that built a geographic photo search system, and it had to sit in the main search path, so every query to Google.com went through our code. The day we turned it on our baseline was over a million queries a second with a five millisecond budget at the ninety-ninth percentile. The naive implementation took a week. The version that could actually carry that traffic took two years. That gap, between the thing that works and the thing that survives, is what senior engineers carry around in their heads. It’s what the student was really asking how to acquire.

    The Bargain We Used to Make

    His question is harder now than it was for me. The industry used to run on a trade. A new grad could write syntactically correct code and not much else. We’d hire them, they’d write a lot of code, and a tech lead would sit alongside them and teach them how systems actually fit together. They gave us labor, we gave them judgment. It wasn’t efficient, but it worked, and it’s how every senior engineer I know got here.

    Agents took the labor half of that bargain. A new grad’s first year of work, the part where you write a lot of code and learn by getting it wrong, is exactly the work agents do well and cheaply. What’s left is the judgment half, and that was always the part that was hard to teach and impossible to shortcut. I wrote in The Last Programmers that each rung on the abstraction ladder frees us to work on harder problems. I still believe that. But the ladder used to have a bottom rung you could stand on while you learned, and I’m not sure it does anymore.

    I don’t think that’s hopeless. I think it means the apprenticeship has to be rebuilt on a different foundation, and so does the university curriculum. Whatever anyone thinks of AI, it isn’t going back in the bottle for coding. The new foundation is the same one the senior people are standing on: the questions.

    The Most Patient Teacher You’ll Ever Have

    The part of my answer I most want to be true is that agents are the best teachers most of us will ever get access to, if you treat them that way.

    Don’t take the PR blindly. Ask why it did that. Ask what the trade-offs of that data structure are. Ask what the runtime implications of that table layout will be at ten times the rows. Ask it to explain the same thing three different ways until one of them lands. It will never get tired, never get impatient, and never make you feel stupid for asking the same question again. Some of the tools lean into this directly. Claude Code ships a Learning output style that explains its choices as it goes and leaves small pieces of the code for you to write yourself. That’s closer to what a good tech lead did for me than anything I got from a book.

    I do a version of this constantly. I’ll point an agent at a subsystem and say I want to understand this deeply, walk me through the important files and the control flow. I’ll ask for a diagram of how a subsystem looks in main today and then interrogate the diagram. When I was a senior director that was exactly how engineering reviews worked: someone came in with block diagrams and sequence diagrams and we talked about the project at that level of abstraction. I wrote about coming back to the individual contributor side in Full Circle. One of the surprises has been how much of the director job I still do, just with an agent across the table instead of a team.

    I’ve even considered running a full design review this way, asking an agent to build a presentation and walk me through its decisions the way a team would have. I haven’t taken it that far yet, but I may at some point.

    That’s the rebuilt apprenticeship. You still have to write some code by hand, and you still need a couple of languages you’re truly fluent in. But the judgment you used to absorb from a tech lead over three years is now something you can pull out of an agent on purpose. You do it one question at a time, starting on your first day.

    I don’t want to oversell this. Glyph Lefkowitz makes the strongest version of the opposing case in Programming Isn’t Special. Take away the mundane work and you take away the practice, because “the majority of true skill development happens on the job and always has.” He’s right about that part. Most of my own judgment came from getting things wrong in production, and asking an agent good questions doesn’t replace the experience of an outage you caused. What it can do is get you to your first real failures sooner, with a much better map of what you’re looking at when they happen.

    There’s also something the agent can’t teach you, which is anything that happened after its training data ends. When a new language feature ships, the agent won’t reach for it unless you tell it to, because it has never seen it. Knowing when a change like that matters, and when to bring it up, takes judgment and experience of your own.

    How We’ll Know

    The student asked about hiring, and I gave him a split answer. Google and the other big companies will move slowly on this. The interview you get there in five years will look a lot like the one you’d get today: computer science fundamentals, system design, distributed systems. Those things aren’t going away, and the big companies are right to keep testing for them.

    Startups will change faster, and I’m one of the people who gets to decide how. We’re not hiring at Vycari yet, but when we do I’m not going to put anyone in front of a whiteboard. I think that’s archaic now. What I might do is hand a candidate a coding challenge and an agent, and ask for the transcript instead of the code. How they worked with the agent will tell me more about how they’ll work with us than the code will. Did they read what came back? Did they ask why? Did they notice the thing that was going to break at scale, or did they ship the first thing that passed the tests?

    I recently built a whole project in Swift, and I had never written a line of Swift before. I mention it because it shows how little the language matters now, and how much everything else does. The student was worried the abstractions were taking the important skills away from him. I think they’re taking the unimportant ones and leaving the important ones exposed, with nothing to hide behind. That makes the job harder. But the questions were always the job. We just used to let people spend a few years writing code before we told them.

    #Agents #AI #Career #Developer #Startups
  5. Massives Containment

    Einst galt Istanbul als Kunstmetropole. Doch durch staatliche Repressionen unter Erdoğan kann gerade queere Kunst kaum mehr stattfinden – und Solidarität mit Kunstschaffenden bleibt aus

    „Taner Taner“. Unter diesem harmlosen Titel stellte der türkische Künstler Taner Ceylan auf der Istanbul-Biennale 2003 eine Serie reichlich gewagter Ölgemälde aus. Auf ihnen war der Künstler im sexuellen Analverkehr mit sich selbst zu sehen.

    Man konnte Ceylans Arbeiten als eine Metapher für die autopoietische Obsession von Künst­le­r:i­nen mit sich selbst lesen. Man konnte sie aber auch als ein Bekenntnis zu dem lesen, was in der Türkei rechtlich nicht strafbar ist: der Liebe zwischen Männern. Wichtiger noch: Die öffentliche Präsentation der Werke erregte damals kaum Protest.

    Der in Deutschland geborene Ceylan sitzt nicht im Gefängnis. Seine Website mit seinem vor queerer Erotik mehr als knisterndem Œuvre ist derzeit noch frei zugänglich. Doch eine ähnliche Präsentation queerer Motive würde sich der viel gefragte Künstler, dessen Arbeiten in vielen Privatsammlungen der Türkei hängen, heute vermutlich gut überlegen.

    Mit Blick auf die Pride-Märsche in der Türkei hatte Ceylan 2014 noch konstatiert: „Jedes Mal kommen mehr Menschen dazu, um öffentlich für mehr Rechte zu demonstrieren. Da wird sich noch viel verändern. Und vermutlich bald.“ Vor knapp drei Wochen ist das genaue Gegenteil eingetreten.

    Queerfeindlichkeit im Namen der Familie

    Mit den landesweiten Razzien gegen türkische LGTBQI+-Vereine, Bars und Organisationen unter dem Motto „Wir sichern die Familie“, hat die islamische Regierung von Präsident Recep Tayyip Erdoğan unmissverständlich demonstriert, dass sie der Szene nicht einmal mehr mit repressiver Toleranz begegnen will, wie bisher, sondern auf massives Containment setzt.

    Ganz unerwartet kam der Schlag nicht. Mit dem Anti-LGTBTQI+-Donnerwort „Perverse Ideologie“ hatte der Staatschef schon Anfang 2025 in Ankara das „Jahr der Familie“ ausgerufen. Heftig attackiert der martialische Muslim die queere Community seitdem beständig als Teil einer ausländischen Verschwörung, die das Ziel habe, die türkische Gesellschaft zu untergraben.

    Jüngstes Opfer: Das unabhängige Onlinemedium T24. Wegen der angeblichen Verbreitung von „Obszönität“ verlor es vor wenigen Tagen die Lizenz. Ein Vorwurf, der schon kurz zuvor dem offen schwulen Sänger Mabel Matiz eine Anklage samt Strafandrohung von drei Jahren eintrug. In seinem Musikvideo zu seinem Lied „Ha Leylim“ tanzen zwei Männer aufreizend zusammen am Strand.

    Das jetzige Vorgehen ist das bislang härteste seit der gewaltsamen Niederschlagung der Istanbuler Pride 2015 im Gefolge einer überraschenden AKP-Wahlniederlage. Der Schlag ist ein weiterer Schritt in dem seit Erdoğans Amtsantritt 2002 sukzessive durchgesetzten Kulturwandel. Er soll die Gesellschaft weiter in das rigide Moralkorsett des sunnitischen Mehrheitsislams und seiner Körperpolitik zwängen.

    Regenbogen als feindliche Symbolik

    Ein neues Justizpaket verfolgt das Verbot von Geschlechtsumwandlungen und die Darstellung von LGTBQI+-Symbolen in Kunst und Kultur. Von Motiven in Kinderbüchern bis zur Einkaufstasche: Der Regenbogen ist im türkischen Alltag zum gefährlichen Symbol geworden.

    Die Aktion macht die LGTBQI+Community aber auch zum Sündenbock, mit dessen Hilfe die Regierung von der schlechten Wirtschaftsentwicklung, diversen Korruptionsskandalen und Erdoğans Versuch ablenken kann, die Präsidentenfamilie als Dynastie zu etablieren.

    Der Journalist und Menschenrechtsaktivist Yıldız Tar wurde im Sommer für vier Monate inhaftiert, da er Chefredakteur des verbotenen Onlineportals von KaosGL ist. Er verweist auf Erdoğans Kalkül, im Vorfeld der nächsten Präsidentschaftswahlen die LGTBQI+-Identität und -Bewegung als „Testfeld“ zu erproben.

    „Wir sind das Labor der Regierung. Wenn eine gegen uns gerichtete Maßnahme Wirkung zeigt, wird sie auf andere gesellschaftliche Gruppen ausgeweitet. Für die Regierung ist eine Rhetorik gegen LGTBQI+-Personen ein wichtiges Instrument im Wahlkampf. Sie nutzt dies zudem, um gezielt gegen Oppositionelle vorzugehen, die sich solidarisch mit uns zeigen.“

    Bloß nicht auffallen

    Wer sich dieser Tage in der Szene mit der Frage umhört, wie es nach den Razzien nun weitergeht, erntet lautes Schweigen. Öffentlich Stellung beziehen zu der Repressionswelle will niemand. „Wir sind zutiefst beunruhigt und haben Angst“, heißt es immer wieder stereotyp. Ein sichtbares Zeichen der Solidarität, wie es beispielsweise die Kunstmesse Contemporary Istanbul 2022 setzte, würde heute niemand mehr so unterstützen. Der Kunstbetrieb agiert wie unter Schalldämpfer: Bloß nicht auffallen, ist die unausgesprochene Devise.

    Auch in der kritischen Zivilgesellschaft der Türkei ist Erdoğans Strategie der Verbreitung von Furcht aufgegangen. Schon lange vollzieht sich ein intellektueller Exodus: Immer mehr Kulturschaffende ziehen sich aus der einst als „Cool Istanbul“ gefeierten Metropole zurück. Längst lebt und arbeitet ein Großteil der queeren Community in der deutschen Hauptstadt.

    Wir sind zutiefst beunruhigt und haben Angst, heißt es immer wieder

    Der verbliebene Rest versucht, mit heiterem Trotz auf die aussichtslose Lage zu reagieren: „Save The Night from Darkness“ nannte etwa die Fotografin Üzüm Derim Solak Anfang des vergangenen Jahres am Goldenen Horn ein Bild in der kleinen LGTBQI+-Solidaritäts-Ausstellung „Anlatı Gücü İttifakı / Narrative Power Alliance“. Darauf zu sehen sind eine trans Frau und ein nichtbinärer Mann, die sich gegenüberstehen und in die Augen schauen; beide haben sanft einen transparenten Schal um die Schultern gelegt, hinter ihnen die ikonische Kulisse der erleuchteten Bosporusbrücke, die zwei Kontinente verbindet.

    Die Falle der Angst

    Solaks gleichsam träumerisch getriggerte Gegenerzählung, die Hoffnung auf eine andere Begegnung diversester Geschlechter, ist nach den jüngsten Geschehnissen an ein vorläufiges Ende gekommen. Es herrscht einmal mehr Finsternis am Bosporus. Umso respektheischender klingt, was Yıldız Tar der grassierenden Hoffnungslosigkeit entgegensetzt: „Die größte Falle, vor der die Opposition in der Türkei steht, ist die Angst. Wir dürfen nicht in die Falle der Angst tappen.“

    „Sie können uns unsere Freude nicht stehlen“, fügt die im Hochsicherheitsgefängnis Sincan bei Ankara inhaftierte KaosGL-Vorständin Selin Berghan in einer von der 1996 gegründeten International Lesbian, Gay, Bisexual, Trans and Intersex Association (Ilga) organisierten Solidaritätsaktion „Letters From Activists imprisoned in Turkey“ hinzu.

    Ein Motto, das dem international gefeierten Meister des „erotischen Realismus“, Taner Ceylan, gefallen dürfte: „Wenn es um Emotionen geht, gibt es keinen Unterschied zwischen Gegenwart und Vergangenheit“, erklärte er im Frühjahr einem Bewunderer die Antriebskraft seiner Arbeit. „Unsere Freude, Traurigkeit, Wut und Trauer – alles bleibt gleich.“

    Links wurden nachträglich eingefügt.

    Über Ingo Arend:

    Der Autor ist Politologe und Historiker, er schreibt über Kunst und Politik. Stationen machte er beim Freitag, bei der taz und beim Deutschlandfunk Kultur. Er ist Mitglied im Präsidium der neuen Gesellschaft für bildende Kunst (nGbK).

  6. Black Mesa (aka Tunyo) while driving home from a dinner in Española.

  7. Black Men Talk

    Felix Meritis, Thursday, November 12 at 07:30 PM GMT+1

    Over kwetsbaarheid en opgroeien

    Illustratie door Black Childish
    Stichting Black Men Talk en Felix Meritis presenteren: Black Men Talk. Op donderdag 12 november komen we samen voor een talk en performances over mannelijkheid, kwetsbaarheid en opgroeien als zwarte man. We breken met stereotypes, delen verhalen en stellen vragen die ertoe doen. Over identiteit, kwetsbaarheid, kracht en de ruimte om jezelf te zijn.

    Sterk, succesvol, dominant, met weinig ruimte voor anders-zijn of kwetsbaarheid. Er zijn nogal wat ideeën over wat het betekent om een (zwarte) man te zijn. Conservatieve beelden over mannelijkheid zijn in opkomst en in de online manosfeer worden jonge jongens gevoed met giftige mannelijkheidsidealen en een gebrek aan respect voor vrouwen. Waar vind je positieve rolmodellen? Hoe geef je invulling aan je mannelijkheid én blackness? En hoe voed je een jongen op tot een man die zichzelf durft te zijn?

    Tijdens deze avond gaat moderator Earl Panka in gesprek met makers, vaders, opvoeders en anderen. Ze bespreken de uitdagingen die ze zelf hebben ervaren in het vormgeven van hun mannelijkheid en laten zien waar ze de ruimte vonden voor kwetsbaarheid in hun kunst, hun werk en hun persoonlijk leven. Dichter Dean Bowen gaat in zijn poëzie op zoek naar wat mannelijkheid ook kan zijn. Filmmaker Sammy Shefa Idris vertelt over zijn film ‘Vaders zijn ook zonen’, een emotionele verkenning van vaderrelaties. Schrijver en spreker Chanel Matil Lodik deelt hoe ze haar zoon helpt de online manosfeer te navigeren.

    Line-up

    SAMMY SHEFA IDRIS

    Sammy Shefa Idris is filmmaker en afgestudeerd aan de Nederlandse Filmacademie. In zijn werk verweeft hij film, poëzie, muziek en dans. Met zijn afstudeerfilm Vaders Zijn Ook Zonen onderzoekt hij verlies, vaderschap en familierelaties. Zijn films maken persoonlijke verhalen zichtbaar en maatschappelijke thema’s bespreekbaar.

    DEAN BOWEN

    Dean Bowen is dichter, schrijver, performer en voormalig stadsdichter van Rotterdam. In zijn werk onderzoekt hij identiteit, afkomst, mannelijkheid en het koloniale verleden. Zijn debuutbundel Bokman werd genomineerd voor de C. Buddingh’-prijs. Met zijn krachtige, maatschappijkritische poëzie daagt hij bestaande denkbeelden uit en maakt hij ruimte voor nieuwe perspectieven.

    CHANEL MATIL LODIK
    Chanel Matil Lodik is schrijver, spreker en expert op het gebied van diversiteit en inclusie. Als auteur van Het Antiracismehandboek en bekend van Instagram als @marketingvrouw bespreekt zij openhartig onderwerpen als racisme, identiteit en modern ouderschap. Met haar scherpe blik doorbreekt zij taboes en daagt zij maatschappelijke normen.

    EARLY PANKA | MODERATOR

    Earl Panka is een MC met een groot hart en aanstekelijke energie die iedere ruimte moeiteloos op zijn kop zet! Bekend van Vunzige Deuntjes, Mysteryland, Parels van de Stad en nog veel meer. Met zijn liefde voor muziek én zijn inzet voor Zuidoost verbindt hij mensen. Bovenal is hij een trotse, liefdevolle vader.

    ABOUT STICHTING BLACK MEN TALK

    Stichting Black Men Talk organiseert praatgroepen voor mannen en jongeren uit de Afrikaanse diaspora over mentale gezondheid, identiteit en persoonlijke groei. Zij creëren een veilige ruimte voor open dialoog en het versterken van veerkracht en gemeenschapszin.

    Wil je dit programma bijwonen, maar heb je niet de middelen om een ​​ticket te betalen? Stuur een e-mail naar [email protected]; we kunnen vast iets regelen.

    Let op: Door dit ticket te boeken, ga je ermee akkoord dat er mogelijk foto’s van je worden gemaakt tijdens het programma. Wil je liever niet op de foto? Geef dit gerust aan bij een van onze medewerkers, dan houden we hier rekening mee.

    offbeat.amsterdam/event/black-

  8. Black lace, last glance: Vanna White in Playboy, May 1987.

    Visit reddit.com/r/DollsFallen

    linktr.ee/arthurnewhook

    🪐💔 𓅨 🕈

  9. Black Sea becomes new front in Russia-Ukraine wars on grain exports, with no alternative EU route to get shipments out – EUobserver

    The Black Sea has become a new frontline between Russia and Ukraine, as the two agricultural powers join…
    #EuropeSays #Russia #{@type:DefinedTerm #identifier:4385} #identifier:4606} #identifier:4869} #name:Bulgaria #name:Nato #name:UkraineRussia #termCode:bulgaria #termCode:nato #termCode:ukraine-russia
    europesays.com/russia/76124/

  10. Black Sea becomes new front in Russia-Ukraine wars on grain exports, with no alternative EU route to get shipments out – EUobserver

    The Black Sea has become a new frontline between Russia and Ukraine, as the two agricultural powers join…
    #Ukraine #UA #Europe #Europa #EU #News #{@type:DefinedTerm #identifier:4385} #identifier:4606} #identifier:4869} #name:Bulgaria #name:Nato #name:UkraineRussia #termCode:bulgaria #termCode:nato #termCode:ukraine-russia
    europesays.com/ukraine/56172/

  11. ‘Black Cat’ #15 is a solid, if slight, breather

    A solid standalone story that juggles a mountain of plot points while keeping the series’ humorous tone.
    aiptcomics.com/2026/10/14/blac

    #BlackCat #Marvel

  12. Black Lives in Music REMEL report finds systemic racial bias in London music licensing | Talent

    A two-year investigation has found evidence of systemic racial bias in London’s music licensing system, with Black music…
    #London #Britain #UnitedKingdom #UK #GB #England #Headlines #News #Europe #EU #ThingstoDo #livemusic #Londonlivemusic #Londonlivemusicnews
    europesays.com/gbr/london/3914

  13. Black Bananas • Bad Bunch

    Next up some twisted #funk and #soul from the remains of Royal Trux. This one is pretty special. #beats #HipHop #Noiseros #vinyl @vinylrecords #NowPlaying.

    blackbananasband.bandcamp.com/

  14. Black lace, cool eyes: remembering a lady of many gifts, Laraine Day, 13 October 1920 to 10 November 2007. {photo: RKO promotional photo, c. 1944}

    Visit instagram.com/brokendollsfallenangels

    linktr.ee/arthurnewhook

    🪐💔 𓅨 🕈

  15. Message from Ilhan Omar (D) Minn.

    Home raided within 60 days of an election in which she is running
    What I went through yesterday pales in comparison to this lawlessness, and all of it is part of the Trump administration's steady descent into authoritarianism and autocracy. We have to take back the levers of power before it’s too late to stop this madness.

    #Black #woman #Muslim #Immigrant #Citizen #congress #law #crime #politics #ilhan_Omar #ICE #HSI #racism #trump

  16. The Black Panther Party was founded 60 years ago today!

  17. Hey black & white hats! Never heard about Technicolor?

    ( :dragn_woozy: )

    #Cybersecurity #Computing

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