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154 results for “jeremydmiller”
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📢 Swydd ar gael!
❓ Curadur Cynorthwyol yng (Comisiwn Jeremy Deller) yng Nghymru
📍 Llandudno
💷 £29,700 y flwyddyn pro rata
⏰ Dyddiad cau 17/9/23
👔 Cyfweliadau 26/9/23
📜 28 awr yr wythnos am 22 misAm fwy o wybodaeth: https://tinyurl.com/2sccsvwe
#FreelanceJobs #JeremyDeller #Llandudno #Wales #jobs #ArtJobs
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Day 3 of the 2022 Le Guess Who festival. Much of this post focuses on the film Everybody in the Place by Jeremy Deller, which looks at the history of acid house in Britain. But there is also discussion of live music performances by Cate Le Bon, Goat, and others.
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27th Birthday of #XMPP (formerly named #Jabber)! It is the date of #JeremieMiller announcement on #Slashdot! #OpenStandard #InstantMessaging #RealTimeText #CommunicationProtocol #IETF #InternetEngineeringTaskForce
https://slashdot.org/story/99/01/04/1621211/open-real-time-messaging-system -
Happy 25th Birthday #Jabber / #XMPP! It is the date of #JeremieMiller announcement on #Slashdot! #OpenStandard #InstantMessaging #RealTimeText #CommunicationProtocol #IETF #InternetEngineeringTaskForce https://slashdot.org/story/99/01/04/1621211/open-real-time-messaging-system
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С 25-летием, Jabber!
Сегодня, 25 лет назад, #JeremieMiller написал:
“#Jabber - это новый проект, который я недавно начал, чтобы создать полную платформу с открытым исходным кодом для #InstantMessaging с прозрачной связью с другими IM-системами (#ICQ, #AIM и т.д.). Большая часть первоначального дизайна и протоколов уже сделана, а также создан рабочий сервер и несколько тестовых клиентов.”
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📢 Job Alert!
❓ Assistant Curator (Jeremy Deller Commission) in Wales
📍 Llandudno
💷 £29,700 per annum pro rata
⏰ Closes 17/9/23
👔 Interviews 26/9/23
📜 28 hours per week for 22 monthsMore info here: https://tinyurl.com/2sccsvwe
#FreelanceJobs #curatorial #JeremyDeller #Llandudno #Wales #jobs #ArtJobs
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Day 3 of the 2022 Le Guess Who festival. Much of this post focuses on the film Everybody in the Place by Jeremy Deller, which looks at the history of acid house in Britain. But there is also discussion of live music performances by Cate Le Bon, Goat, and others.
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Day 3 of the 2022 Le Guess Who festival. Much of this post focuses on the film Everybody in the Place by Jeremy Deller, which looks at the history of acid house in Britain. But there is also discussion of live music performances by Cate Le Bon, Goat, and others.
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Day 3 of the 2022 Le Guess Who festival. Much of this post focuses on the film Everybody in the Place by Jeremy Deller, which looks at the history of acid house in Britain. But there is also discussion of live music performances by Cate Le Bon, Goat, and others.
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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С 25-летием, Jabber!
Сегодня, 25 лет назад, #JeremieMiller написал:
“#Jabber - это новый проект, который я недавно начал, чтобы создать полную платформу с открытым исходным кодом для #InstantMessaging с прозрачной связью с другими IM-системами (#ICQ, #AIM и т.д.). Большая часть первоначального дизайна и протоколов уже сделана, а также создан рабочий сервер и несколько тестовых клиентов.”
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С 25-летием, Jabber!
Сегодня, 25 лет назад, #JeremieMiller написал:
“#Jabber - это новый проект, который я недавно начал, чтобы создать полную платформу с открытым исходным кодом для #InstantMessaging с прозрачной связью с другими IM-системами (#ICQ, #AIM и т.д.). Большая часть первоначального дизайна и протоколов уже сделана, а также создан рабочий сервер и несколько тестовых клиентов.”
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С 25-летием, Jabber!
Сегодня, 25 лет назад, #JeremieMiller написал:
“#Jabber - это новый проект, который я недавно начал, чтобы создать полную платформу с открытым исходным кодом для #InstantMessaging с прозрачной связью с другими IM-системами (#ICQ, #AIM и т.д.). Большая часть первоначального дизайна и протоколов уже сделана, а также создан рабочий сервер и несколько тестовых клиентов.”
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С 25-летием, Jabber!
Сегодня, 25 лет назад, #JeremieMiller написал:
“#Jabber - это новый проект, который я недавно начал, чтобы создать полную платформу с открытым исходным кодом для #InstantMessaging с прозрачной связью с другими IM-системами (#ICQ, #AIM и т.д.). Большая часть первоначального дизайна и протоколов уже сделана, а также создан рабочий сервер и несколько тестовых клиентов.”
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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hal foster: “fail better. reckoning with artists and critics”
Sandro Ricaldone
HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram
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Arcomusical/Jeremy Muller – “Singularity”
A fascinating and hypnotic piece of music performed by a berimbau ensemble. The Brazilian instrument combines plucked string and percussion sounds, and the 6 of them that comprise this ensemble make impressive use of its possibilities. Sounds like a couple of different instruments along the lines of a banjo/mandolin, plus small handheld percussion -- nope, all berimbau!
https://arcomusical.bandcamp.com/track/jeremy-muller-singularity
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Die Münchner Kammerspiele suchen die Reibung: mit postkolonialen, feministischen und deutschlandkritischen Themen.
Kammerspiele nach Corona: Ächzen unter der Stofffülle -
https://youtube.com/shorts/BB7PO-I_9O4?feature=shared
There are two sound layers here: one is the #berimbau being processed by the computer in real-time; the second is Mastodon posts being sonified in real-time. All happening through #vcvrack.
#computermusic #electroacoustic #eurorack #music #electronicmusic #brazilianmusic #newmusic #experimentalmusic
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☄️☄️Using the streaming API in #mastodon to sonify events using #vcvrack. ☄️☄️
#surgext #surgevst #datasonification #electronicmusic #eurorack
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#MusicMonday More from my Spectrabau. Just a natural technological evolution from an ancient musical bow to an electroacoustic blend.
I’m exploring spectral freezes, tonality diamond, and physical modeling with this improvisation. Off screen is my #PureData patch that does all the fun real-time audio processing.
#berimbau #gringo #electroacoustic #afrobrazilianinstrument #brazil🇧🇷 #music #musiclover #percussion
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I like to call this my Spectrabau, or sometimes my Electrobau. I’m exploring spectral freezes, tonality diamond, and physical modeling with this improvisation. Off screen is my #PureData patch that does all the fun real-time audio processing.
#berimbau #gringo #electroacoustic #afrobrazilianinstrument #brazil🇧🇷 #music
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Apparently there’s an #unusualtimes hashtag about music in unusual time signatures. Well I’d argue that those “unusual” meters aren’t actually unusual (if you just look around the world there’s an abundance of examples) but that’s a discussion for another day. I’ll play along and put forth my piece Singularity. If you can guess this time signature you win: https://youtu.be/8RQ4oYIB0Zs
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This Saturday I’m performing on the #ATLBeltLine at the McDonough tunnel at 3pm! Some guest musicians will be performing with me including a percussion quartet and ASO clarinetist Ted Gurch. Join us and bring your cell phones…some pieces are audience participation!
#percussion #graphicscores #mobilephones #atlantabeltlineart #artontheatlantabeltline #atlanta -
Since #Twitter is circling the drain and soon requiring monthly payments to use their API, I did one more live Twitter feed sonification. This time with #moog Mavis through #makenoise Strega. Additional sounds come from the 0coast. #semimodular #twitterapi #eurorack #electronicmusic
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Here's a snippet from my piece "Music for Botany" for caxixí and maracas. Enjoy! #MastoMusic #maracas #percussion #processmusic
Watch the full video: https://youtu.be/k1ysNzIPJdY
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Here's a little bit from my #berimbau piece "Quocíente : Laços" for berimbau and computer. #MastoMusic
Watch the full video here: https://youtu.be/10Dt7WLrt98