#percussion — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #percussion, aggregated by home.social.
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Groove, Beat und neue Klänge: In Hannover wird es laut
AUDIO: Hannover: Fünf Tage voller Groove und ungewöhnlicher Klänge (4 Min) Stand: 19.08.2026 10:54 Uhr Beim „Überschlag“-Festival wird…
#Hannover #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Germany #LimpeFuchs #Musik #Niedersachsen #Percussion #PetrVálek #PhilippKohnke #Schlagwerk #Schlagzeug #SimoneRubino #Überschlag-Festival
https://www.europesays.com/de/1246755/ -
Philipp Kohnke und das Überschlag Festival in Hannover
Sendung: NDR Kultur | NDR Kultur à la carte | 14.08.2026 | 13:00 Uhr 55 Min | Verfügbar…
#Hannover #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #AndreaSchwyzer #Germany #NDRKulturàlacarte #Niedersachsen #Percussion #PhilippKohnke #Schlagzeugfestival #ÜberschlagFestivalHannover
https://www.europesays.com/de/1239415/ -
#percussion : musical instruments played by striking
- French: percussion
- German: die Perkussion
- Italian: percussione
- Portuguese: percussão
- Spanish: percusión
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Fill in missing or incorrect translations @ https://wordofthehour.org/r/translations
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#percussion : musical instruments played by striking
- French: percussion
- German: die Perkussion
- Italian: percussione
- Portuguese: percussão
- Spanish: percusión
------------
Fill in missing or incorrect translations @ https://wordofthehour.org/r/translations
-
#percussion : musical instruments played by striking
- French: percussion
- German: die Perkussion
- Italian: percussione
- Portuguese: percussão
- Spanish: percusión
------------
Fill in missing or incorrect translations @ https://wordofthehour.org/r/translations
-
#percussion : musical instruments played by striking
- French: percussion
- German: die Perkussion
- Italian: percussione
- Portuguese: percussão
- Spanish: percusión
------------
Fill in missing or incorrect translations @ https://wordofthehour.org/r/translations
-
Concevoir un mécanisme d'échappement comme sur un piano pour produire un son propre sur une grosse caisse de batterie :
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Concevoir un mécanisme d'échappement comme sur un piano pour produire un son propre sur une grosse caisse de batterie :
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Concevoir un mécanisme d'échappement comme sur un piano pour produire un son propre sur une grosse caisse de batterie :
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Concevoir un mécanisme d'échappement comme sur un piano pour produire un son propre sur une grosse caisse de batterie :
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Michael Shrieve’s Drum Solo at Woodstock 1969 🌸🥁🪻
Bit of drumming action today with a famous drum solo from the Woodstock 1969 music festival. Drummer and percussionist Michael Shrieve was only 20 back on August 16th 1969 when he performed.
He played a set with American rock band Sanata and his drum solo on Soul Sacrifice has gone down in legend (as some awesome shizz). Get ready to bop.
Shrieve’s Epic Soul Sacrifice Drum Solo
Above is the build up, with the drum solo starting at the 3:30 mark. Have a listen! Hell of a good groove.
There are a bunch of notable things here. Starting with just how young Michael Shrieve was, although he’d joined Santana when he was 19 after spending his teenage years playing on-and-off for all sorts of R&B groups. Even at 20, his playing quality is world class.
Keep in mind, he did this in front of 500,000 people and you get an idea of how nerve-wracking the whole thing should have been for someone so young (we did one gig back in our drumming days in mid-2006, in a room of about 100 people, and that was more than enough).
Here’s the drum solo bit isolated.
It’s also notable he’s using traditional grip (the left hand stick angled horizontally across his hand), which few contemporary rock drummers did by the late ’60s.
This was from the band’s debut album, which hadn’t launched yet. In fact, it launched just six days after the band’s performance at Woodstock. Their performance at the gig helped make the album a big success.
Shrieve’s solo is there in the album recording, but when you see top class drummers playing live that’s when you realise just how good they are. And it really brought in attention to Shrieve, even if he didn’t go on to become a household name (although he was inducted into the Rock & Roll Hall of Fame in 1999).
But his performance has gone down in legend as one of the all time great drum solos. But he actually prefers his live effort from Tanglewood of Massachusetts in 1970.
We’ve done an extensive history of drum solos previously to document how the drumming world has changed over the years. Shrieve’s style merged the ’60s rock drumming revolution with elements of jazz and soul.
Woodstock ’69 had a massive amount of world class drumming talent at the festival. Including The Who’s resident genius Keith Moon, Levon Helm of The Band, and Jimi Hendrix’s mighty Mitch Mitchell.
To be up against that lot, yet leave the festival as the main talking point, is very impressive indeed.
Shrieve is now 77 and still works in drumming. In July 2026 he also had his book Invisible Rhythms published (A Guide to Staying Curious and Creative for the Long Game). As the synopsis says:
“[This] is a guide for anyone who feels ‘wired different’—the musicians, entrepreneurs, artists, and creators who hear frequencies others miss. It’s about recognizing the signal before you can explain it. Protecting your curiosity when success tries to turn it into a cage.”
We can groove to that. Far out, man.
#drumSolo #Drumming #Drums #groove #Hippy #History #Lifestyle #MichaelShrieve #percussion #rhythm #RockMusic #Santana #sixties #Woodstock -
Michael Shrieve’s Drum Solo at Woodstock 1969 🌸🥁🪻
Bit of drumming action today with a famous drum solo from the Woodstock 1969 music festival. Drummer and percussionist Michael Shrieve was only 20 back on August 16th 1969 when he performed.
He played a set with American rock band Sanata and his drum solo on Soul Sacrifice has gone down in legend (as some awesome shizz). Get ready to bop.
Shrieve’s Epic Soul Sacrifice Drum Solo
Above is the build up, with the drum solo starting at the 2:50 mark. Have a listen! Hell of a good groove.
There are a bunch of notable things here. Starting with just how young Michael Shrieve was, although he’d joined Santana when he was 19 after spending his teenage years playing on-and-off for all sorts of R&B groups. Even at 20, his playing quality is world class.
Keep in mind, he did this in front of 500,000 people and you get an idea of how nerve-wracking the whole thing should have been for someone so young (we did one gig back in our drumming days in mid-2006, in a room of about 100 people, and that was more than enough).
Here’s the drum solo bit isolated.
It’s also notable he’s using traditional grip (the left hand stick angled horizontally across his hand), which few contemporary rock drummers did by the late ’60s.
This was from the band’s debut album, which hadn’t launched yet. In fact, it launched just six days after the band’s performance at Woodstock. Their performance at the gig helped make the album a big success.
Shrieve’s solo is there in the album recording, but when you see top class drummers playing live that’s when you realise just how good they are. And it really brought in attention to Shrieve, even if he didn’t go on to become a household name (although he was inducted into the Rock & Roll Hall of Fame in 1999).
But his performance has gone down in legend as one of the all time great drum solos. But he actually prefers his live effort from Tanglewood of Massachusetts in 1970.
We’ve done an extensive history of drum solos previously to document how the drumming world has changed over the years. Shrieve’s style merged the ’60s rock drumming revolution with elements of jazz and soul.
Woodstock ’69 had a massive amount of world class drumming talent at the festival. Including The Who’s resident genius Keith Moon, Levon Helm of The Band, and Jimi Hendrix’s mighty Mitch Mitchell.
To be up against that lot, yet leave the festival as the main talking point, is very impressive indeed.
Shrieve is now 77 and still works in drumming. In July 2026 he also had his book Invisible Rhythms published (A Guide to Staying Curious and Creative for the Long Game). As the synopsis says:
“[This] is a guide for anyone who feels ‘wired different’—the musicians, entrepreneurs, artists, and creators who hear frequencies others miss. It’s about recognizing the signal before you can explain it. Protecting your curiosity when success tries to turn it into a cage.”
We can groove to that. Far out, man.
#drumSolo #Drumming #Drums #groove #Hippy #History #Lifestyle #MichaelShrieve #percussion #rhythm #RockMusic #Santana #sixties #Woodstock -
Michael Shrieve’s Drum Solo at Woodstock 1969 🌸🥁🪻
Bit of drumming action today with a famous drum solo from the Woodstock 1969 music festival. Drummer and percussionist Michael Shrieve was only 20 back on August 16th 1969 when he performed.
He played a set with American rock band Sanata and his drum solo on Soul Sacrifice has gone down in legend (as some awesome shizz). Get ready to bop.
Shrieve’s Epic Soul Sacrifice Drum Solo
Above is the build up, with the drum solo starting at the 2:50 mark. Have a listen! Hell of a good groove.
There are a bunch of notable things here. Starting with just how young Michael Shrieve was, although he’d joined Santana when he was 19 after spending his teenage years playing on-and-off for all sorts of R&B groups. Even at 20, his playing quality is world class.
Keep in mind, he did this in front of 500,000 people and you get an idea of how nerve-wracking the whole thing should have been for someone so young (we did one gig back in our drumming days in mid-2006, in a room of about 100 people, and that was more than enough).
Here’s the drum solo bit isolated.
It’s also notable he’s using traditional grip (the left hand stick angled horizontally across his hand), which few contemporary rock drummers did by the late ’60s.
This was from the band’s debut album, which hadn’t launched yet. In fact, it launched just six days after the band’s performance at Woodstock. Their performance at the gig helped make the album a big success.
Shrieve’s solo is there in the album recording, but when you see top class drummers playing live that’s when you realise just how good they are. And it really brought in attention to Shrieve, even if he didn’t go on to become a household name (although he was inducted into the Rock & Roll Hall of Fame in 1999).
But his performance has gone down in legend as one of the all time great drum solos. But he actually prefers his live effort from Tanglewood of Massachusetts in 1970.
We’ve done an extensive history of drum solos previously to document how the drumming world has changed over the years. Shrieve’s style merged the ’60s rock drumming revolution with elements of jazz and soul.
Woodstock ’69 had a massive amount of world class drumming talent at the festival. Including The Who’s resident genius Keith Moon, Levon Helm of The Band, and Jimi Hendrix’s mighty Mitch Mitchell.
To be up against that lot, yet leave the festival as the main talking point, is very impressive indeed.
Shrieve is now 77 and still works in drumming. In July 2026 he also had his book Invisible Rhythms published (A Guide to Staying Curious and Creative for the Long Game). As the synopsis says:
“[This] is a guide for anyone who feels ‘wired different’—the musicians, entrepreneurs, artists, and creators who hear frequencies others miss. It’s about recognizing the signal before you can explain it. Protecting your curiosity when success tries to turn it into a cage.”
We can groove to that. Far out, man.
#drumSolo #Drumming #Drums #groove #Hippy #History #Lifestyle #MichaelShrieve #percussion #rhythm #RockMusic #Santana #sixties #Woodstock -
Michael Shrieve’s Drum Solo at Woodstock 1969 🌸🥁🪻
Bit of drumming action today with a famous drum solo from the Woodstock 1969 music festival. Drummer and percussionist Michael Shrieve was only 20 back on August 16th 1969 when he performed.
He played a set with American rock band Sanata and his drum solo on Soul Sacrifice has gone down in legend (as some awesome shizz). Get ready to bop.
Shrieve’s Epic Soul Sacrifice Drum Solo
Above is the build up, with the drum solo starting at the 2:50 mark. Have a listen! Hell of a good groove.
There are a bunch of notable things here. Starting with just how young Michael Shrieve was, although he’d joined Santana when he was 19 after spending his teenage years playing on-and-off for all sorts of R&B groups. Even at 20, his playing quality is world class.
Keep in mind, he did this in front of 500,000 people and you get an idea of how nerve-wracking the whole thing should have been for someone so young (we did one gig back in our drumming days in mid-2006, in a room of about 100 people, and that was more than enough).
Here’s the drum solo bit isolated.
It’s also notable he’s using traditional grip (the left hand stick angled horizontally across his hand), which few contemporary rock drummers did by the late ’60s.
This was from the band’s debut album, which hadn’t launched yet. In fact, it launched just six days after the band’s performance at Woodstock. Their performance at the gig helped make the album a big success.
Shrieve’s solo is there in the album recording, but when you see top class drummers playing live that’s when you realise just how good they are. And it really brought in attention to Shrieve, even if he didn’t go on to become a household name (although he was inducted into the Rock & Roll Hall of Fame in 1999).
But his performance has gone down in legend as one of the all time great drum solos. But he actually prefers his live effort from Tanglewood of Massachusetts in 1970.
We’ve done an extensive history of drum solos previously to document how the drumming world has changed over the years. Shrieve’s style merged the ’60s rock drumming revolution with elements of jazz and soul.
Woodstock ’69 had a massive amount of world class drumming talent at the festival. Including The Who’s resident genius Keith Moon, Levon Helm of The Band, and Jimi Hendrix’s mighty Mitch Mitchell.
To be up against that lot, yet leave the festival as the main talking point, is very impressive indeed.
Shrieve is now 77 and still works in drumming. In July 2026 he also had his book Invisible Rhythms published (A Guide to Staying Curious and Creative for the Long Game). As the synopsis says:
“[This] is a guide for anyone who feels ‘wired different’—the musicians, entrepreneurs, artists, and creators who hear frequencies others miss. It’s about recognizing the signal before you can explain it. Protecting your curiosity when success tries to turn it into a cage.”
We can groove to that. Far out, man.
#drumSolo #Drumming #Drums #groove #Hippy #History #Lifestyle #MichaelShrieve #percussion #rhythm #RockMusic #Santana #sixties #Woodstock -
Michael Shrieve’s Drum Solo at Woodstock 1969 🌸🥁🪻
Bit of drumming action today with a famous drum solo from the Woodstock 1969 music festival. Drummer and percussionist Michael Shrieve was only 20 back on August 16th 1969 when he performed.
He played a set with American rock band Sanata and his drum solo on Soul Sacrifice has gone down in legend (as some awesome shizz). Get ready to bop.
Shrieve’s Epic Soul Sacrifice Drum Solo
Above is the build up, with the drum solo starting at the 2:50 mark. Have a listen! Hell of a good groove.
There are a bunch of notable things here. Starting with just how young Michael Shrieve was, although he’d joined Santana when he was 19 after spending his teenage years playing on-and-off for all sorts of R&B groups. Even at 20, his playing quality is world class.
Keep in mind, he did this in front of 500,000 people and you get an idea of how nerve-wracking the whole thing should have been for someone so young (we did one gig back in our drumming days in mid-2006, in a room of about 100 people, and that was more than enough).
Here’s the drum solo bit isolated.
It’s also notable he’s using traditional grip (the left hand stick angled horizontally across his hand), which few contemporary rock drummers did by the late ’60s.
This was from the band’s debut album, which hadn’t launched yet. In fact, it launched just six days after the band’s performance at Woodstock. Their performance at the gig helped make the album a big success.
Shrieve’s solo is there in the album recording, but when you see top class drummers playing live that’s when you realise just how good they are. And it really brought in attention to Shrieve, even if he didn’t go on to become a household name (although he was inducted into the Rock & Roll Hall of Fame in 1999).
But his performance has gone down in legend as one of the all time great drum solos. But he actually prefers his live effort from Tanglewood of Massachusetts in 1970.
We’ve done an extensive history of drum solos previously to document how the drumming world has changed over the years. Shrieve’s style merged the ’60s rock drumming revolution with elements of jazz and soul.
Woodstock ’69 had a massive amount of world class drumming talent at the festival. Including The Who’s resident genius Keith Moon, Levon Helm of The Band, and Jimi Hendrix’s mighty Mitch Mitchell.
To be up against that lot, yet leave the festival as the main talking point, is very impressive indeed.
Shrieve is now 77 and still works in drumming. In July 2026 he also had his book Invisible Rhythms published (A Guide to Staying Curious and Creative for the Long Game). As the synopsis says:
“[This] is a guide for anyone who feels ‘wired different’—the musicians, entrepreneurs, artists, and creators who hear frequencies others miss. It’s about recognizing the signal before you can explain it. Protecting your curiosity when success tries to turn it into a cage.”
We can groove to that. Far out, man.
#drumSolo #Drumming #Drums #groove #Hippy #History #Lifestyle #MichaelShrieve #percussion #rhythm #RockMusic #Santana #sixties #Woodstock -
This morning's #workout #music is Sarathy Korwar - There Is Beauty, There Already (Full Album - Film) - a member of one of my favorite collectives, Flock, this film showcases the #percussion masters composition skills.
https://youtu.be/n4dU3mYZBuQ
#beats #drummer #JazzFusion #4thWorldMusic #KettleBells #BalanceTraining #Wellness -
This morning's #workout #music is Sarathy Korwar - There Is Beauty, There Already (Full Album - Film) - a member of one of my favorite collectives, Flock, this film showcases the #percussion masters composition skills.
https://youtu.be/n4dU3mYZBuQ
#beats #drummer #JazzFusion #4thWorldMusic #KettleBells #BalanceTraining #Wellness -
This morning's #workout #music is Sarathy Korwar - There Is Beauty, There Already (Full Album - Film) - a member of one of my favorite collectives, Flock, this film showcases the #percussion masters composition skills.
https://youtu.be/n4dU3mYZBuQ
#beats #drummer #JazzFusion #4thWorldMusic #KettleBells #BalanceTraining #Wellness -
This morning's #workout #music is Sarathy Korwar - There Is Beauty, There Already (Full Album - Film) - a member of one of my favorite collectives, Flock, this film showcases the #percussion masters composition skills.
https://youtu.be/n4dU3mYZBuQ
#beats #drummer #JazzFusion #4thWorldMusic #KettleBells #BalanceTraining #Wellness -
This morning's #workout #music is Sarathy Korwar - There Is Beauty, There Already (Full Album - Film) - a member of one of my favorite collectives, Flock, this film showcases the #percussion masters composition skills.
https://youtu.be/n4dU3mYZBuQ
#beats #drummer #JazzFusion #4thWorldMusic #KettleBells #BalanceTraining #Wellness -
https://www.tkhunt.com/2472024/ Yeah!めっちゃホリディ / 松浦亜弥｜マリンバ夏フェス2026 #6【マリンバソロ】 #marimba #percussion #tiktok #パーカッション #マリンバ #松浦亜弥 #門間大樹
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https://www.tkhunt.com/2472024/ Yeah!めっちゃホリディ / 松浦亜弥｜マリンバ夏フェス2026 #6【マリンバソロ】 #marimba #percussion #tiktok #パーカッション #マリンバ #松浦亜弥 #門間大樹
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https://www.tkhunt.com/2472024/ Yeah!めっちゃホリディ / 松浦亜弥｜マリンバ夏フェス2026 #6【マリンバソロ】 #marimba #percussion #tiktok #パーカッション #マリンバ #松浦亜弥 #門間大樹
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https://www.tkhunt.com/2472024/ Yeah!めっちゃホリディ / 松浦亜弥｜マリンバ夏フェス2026 #6【マリンバソロ】 #marimba #percussion #tiktok #パーカッション #マリンバ #松浦亜弥 #門間大樹
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Blind and low-vision musicians — drummers and percussionists especially! 🥁
PolyNome is an iPhone metronome and practice app, but way deeper than a basic click: build practice routines, work through polyrhythms, map out song structures, save gig setlists, and more.
The developer just redesigned it and is actively building in VoiceOver accessibility — and he's asking what we need *before* building it, which almost never happens. I'm working with him directly and it's going great.
He's opening the TestFlight beta to a small group. It's a real beta, so expect rough edges — that's the point, your feedback shapes the fixes. Go deep screen by screen, or just try it and tell us how it feels to get around. Both help. iPhone needed for this round.
Interested? DM me the Apple ID email tied to your iCloud (that's what the invite needs — sometimes different from your main email, so double-check) and I'll pass a batch to the dev.
Let's help build a genuinely accessible practice tool — something that really doesn't exist right now. 🎹
#Accessibility #a11y #VoiceOver #Blind #BlindMusicians #Drummers #Percussion #Music #iOS #TestFlight #AppleVis
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Blind and low-vision musicians — drummers and percussionists especially! 🥁
PolyNome is an iPhone metronome and practice app, but way deeper than a basic click: build practice routines, work through polyrhythms, map out song structures, save gig setlists, and more.
The developer just redesigned it and is actively building in VoiceOver accessibility — and he's asking what we need *before* building it, which almost never happens. I'm working with him directly and it's going great.
He's opening the TestFlight beta to a small group. It's a real beta, so expect rough edges — that's the point, your feedback shapes the fixes. Go deep screen by screen, or just try it and tell us how it feels to get around. Both help. iPhone needed for this round.
Interested? DM me the Apple ID email tied to your iCloud (that's what the invite needs — sometimes different from your main email, so double-check) and I'll pass a batch to the dev.
Let's help build a genuinely accessible practice tool — something that really doesn't exist right now. 🎹
#Accessibility #a11y #VoiceOver #Blind #BlindMusicians #Drummers #Percussion #Music #iOS #TestFlight #AppleVis
-
Blind and low-vision musicians — drummers and percussionists especially! 🥁
PolyNome is an iPhone metronome and practice app, but way deeper than a basic click: build practice routines, work through polyrhythms, map out song structures, save gig setlists, and more.
The developer just redesigned it and is actively building in VoiceOver accessibility — and he's asking what we need *before* building it, which almost never happens. I'm working with him directly and it's going great.
He's opening the TestFlight beta to a small group. It's a real beta, so expect rough edges — that's the point, your feedback shapes the fixes. Go deep screen by screen, or just try it and tell us how it feels to get around. Both help. iPhone needed for this round.
Interested? DM me the Apple ID email tied to your iCloud (that's what the invite needs — sometimes different from your main email, so double-check) and I'll pass a batch to the dev.
Let's help build a genuinely accessible practice tool — something that really doesn't exist right now. 🎹
#Accessibility #a11y #VoiceOver #Blind #BlindMusicians #Drummers #Percussion #Music #iOS #TestFlight #AppleVis
-
Blind and low-vision musicians — drummers and percussionists especially! 🥁
PolyNome is an iPhone metronome and practice app, but way deeper than a basic click: build practice routines, work through polyrhythms, map out song structures, save gig setlists, and more.
The developer just redesigned it and is actively building in VoiceOver accessibility — and he's asking what we need *before* building it, which almost never happens. I'm working with him directly and it's going great.
He's opening the TestFlight beta to a small group. It's a real beta, so expect rough edges — that's the point, your feedback shapes the fixes. Go deep screen by screen, or just try it and tell us how it feels to get around. Both help. iPhone needed for this round.
Interested? DM me the Apple ID email tied to your iCloud (that's what the invite needs — sometimes different from your main email, so double-check) and I'll pass a batch to the dev.
Let's help build a genuinely accessible practice tool — something that really doesn't exist right now. 🎹
#Accessibility #a11y #VoiceOver #Blind #BlindMusicians #Drummers #Percussion #Music #iOS #TestFlight #AppleVis
-
Blind and low-vision musicians — drummers and percussionists especially! 🥁
PolyNome is an iPhone metronome and practice app, but way deeper than a basic click: build practice routines, work through polyrhythms, map out song structures, save gig setlists, and more.
The developer just redesigned it and is actively building in VoiceOver accessibility — and he's asking what we need *before* building it, which almost never happens. I'm working with him directly and it's going great.
He's opening the TestFlight beta to a small group. It's a real beta, so expect rough edges — that's the point, your feedback shapes the fixes. Go deep screen by screen, or just try it and tell us how it feels to get around. Both help. iPhone needed for this round.
Interested? DM me the Apple ID email tied to your iCloud (that's what the invite needs — sometimes different from your main email, so double-check) and I'll pass a batch to the dev.
Let's help build a genuinely accessible practice tool — something that really doesn't exist right now. 🎹
#Accessibility #a11y #VoiceOver #Blind #BlindMusicians #Drummers #Percussion #Music #iOS #TestFlight #AppleVis
-
Free download codes:
SIDI - Unreached
"A dark ambient EP exploring the tension of perpetual effort and suspended resolution. Built from modular synthesis and concrete sound materials."
#ambient #electronic #experimental #improvisation #modularsynth #musiqueconcrete #percussion #electroacoustic #homemadeinstruments #immersivesound #music
-
Free download codes:
SIDI - Unreached
"A dark ambient EP exploring the tension of perpetual effort and suspended resolution. Built from modular synthesis and concrete sound materials."
#ambient #electronic #experimental #improvisation #modularsynth #musiqueconcrete #percussion #electroacoustic #homemadeinstruments #immersivesound #music
-
Free download codes:
SIDI - Unreached
"A dark ambient EP exploring the tension of perpetual effort and suspended resolution. Built from modular synthesis and concrete sound materials."
#ambient #electronic #experimental #improvisation #modularsynth #musiqueconcrete #percussion #electroacoustic #homemadeinstruments #immersivesound #music
-
Free download codes:
SIDI - Unreached
"A dark ambient EP exploring the tension of perpetual effort and suspended resolution. Built from modular synthesis and concrete sound materials."
#ambient #electronic #experimental #improvisation #modularsynth #musiqueconcrete #percussion #electroacoustic #homemadeinstruments #immersivesound #music
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Tom Manzarek – ONE SHOT
#BrokenBeat #Bruk #Electronic #beats #brokenbeat #brukstep #dub #dubstep #house #instrumental #montpellier #percussion #percussive #Montpellier
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://tommanzarek.bandcamp.com/album/one-shot -
Tom Manzarek – ONE SHOT
#BrokenBeat #Bruk #Electronic #beats #brokenbeat #brukstep #dub #dubstep #house #instrumental #montpellier #percussion #percussive #Montpellier
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://tommanzarek.bandcamp.com/album/one-shot -
Tom Manzarek – ONE SHOT
#BrokenBeat #Bruk #Electronic #beats #brokenbeat #brukstep #dub #dubstep #house #instrumental #montpellier #percussion #percussive #Montpellier
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://tommanzarek.bandcamp.com/album/one-shot -
Tom Manzarek – ONE SHOT
#BrokenBeat #Bruk #Electronic #beats #brokenbeat #brukstep #dub #dubstep #house #instrumental #montpellier #percussion #percussive #Montpellier
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://tommanzarek.bandcamp.com/album/one-shot -
Tom Manzarek – ONE SHOT
#BrokenBeat #Bruk #Electronic #beats #brokenbeat #brukstep #dub #dubstep #house #instrumental #montpellier #percussion #percussive #Montpellier
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://tommanzarek.bandcamp.com/album/one-shot -
A work-in-progress, I heard this in the early 1970s and always wanted to put my cultural spin on it.
Canon in D via Bermuda
Composer Johann Pachelbel (1653-1706)
#BlackFedi #Music #Classical #IslandVibes #Caribbean #Bermuda #Guitar #MIDIGuitar #Synthesizer #Percussion
https://www.mixcloud.com/nyktimeni/canon-in-d-via-bermuda/ -
A work-in-progress, I heard this in the early 1970s and always wanted to put my cultural spin on it.
Canon in D via Bermuda
Composer Johann Pachelbel (1653-1706)
#BlackFedi #Music #Classical #IslandVibes #Caribbean #Bermuda #Guitar #MIDIGuitar #Synthesizer #Percussion
https://www.mixcloud.com/nyktimeni/canon-in-d-via-bermuda/ -
A work-in-progress, I heard this in the early 1970s and always wanted to put my cultural spin on it.
Canon in D via Bermuda
Composer Johann Pachelbel (1653-1706)
#BlackFedi #Music #Classical #IslandVibes #Caribbean #Bermuda #Guitar #MIDIGuitar #Synthesizer #Percussion
https://www.mixcloud.com/nyktimeni/canon-in-d-via-bermuda/ -
A work-in-progress, I heard this in the early 1970s and always wanted to put my cultural spin on it.
Canon in D via Bermuda
Composer Johann Pachelbel (1653-1706)
#BlackFedi #Music #Classical #IslandVibes #Caribbean #Bermuda #Guitar #MIDIGuitar #Synthesizer #Percussion
https://www.mixcloud.com/nyktimeni/canon-in-d-via-bermuda/ -
Diorama of enslaved people dancing and playing music (1820) by Gerrit Schouten.
Source: Rijksmuseum
Available to buy as a print.
https://pdimagearchive.org/images/ab7f5426-9808-4ec5-a39a-bedbc6c12703
#models #thatched-rooves #performances #string-instruments #indigenous #percussion #dancing #drums #dutch #dioramas #slavery #wind-instruments #art #publicdomain
