#newauthors — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #newauthors, aggregated by home.social.
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New Authors Attending LATFOB highlights how first-time writers can showcase their work, connect with readers, and gain exposure at one of the biggest literary events. Read more: https://www.readersmagnet.com/new-authors-attending-latfob/
#NewAuthors #LATFOB #AuthorJourney #WritingCommunity #BookFestival #IndieAuthors
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New Authors Attending LATFOB highlights how first-time writers can maximize exposure, connect with readers, and make the most of the Los Angeles Times Festival of Books experience.
Read more: https://www.readersmagnet.com/new-authors-attending-latfob/
#NewAuthors #LATFOB #AuthorJourney #WritingCommunity #BookFestival #IndieAuthors
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Doing a solid for somebody who is doing me one...
Matt Farley is a new author trying to get what looks like a promising mystery/SF/horror novel off the ground. So, if you have an opportunity, and a few extra dollars/pounds/euros lying around, do give it a look:
https://www.inkshares.com/books/the-last-beacon
#books #fiction #newauthors #horror #sciencefiction #mystery
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Doing a solid for somebody who is doing me one...
Matt Farley is a new author trying to get what looks like a promising mystery/SF/horror novel off the ground. So, if you have an opportunity, and a few extra dollars/pounds/euros lying around, do give it a look:
https://www.inkshares.com/books/the-last-beacon
#books #fiction #newauthors #horror #sciencefiction #mystery
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Doing a solid for somebody who is doing me one...
Matt Farley is a new author trying to get what looks like a promising mystery/SF/horror novel off the ground. So, if you have an opportunity, and a few extra dollars/pounds/euros lying around, do give it a look:
https://www.inkshares.com/books/the-last-beacon
#books #fiction #newauthors #horror #sciencefiction #mystery
-
Doing a solid for somebody who is doing me one...
Matt Farley is a new author trying to get what looks like a promising mystery/SF/horror novel off the ground. So, if you have an opportunity, and a few extra dollars/pounds/euros lying around, do give it a look:
https://www.inkshares.com/books/the-last-beacon
#books #fiction #newauthors #horror #sciencefiction #mystery
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Doing a solid for somebody who is doing me one...
Matt Farley is a new author trying to get what looks like a promising mystery/SF/horror novel off the ground. So, if you have an opportunity, and a few extra dollars/pounds/euros lying around, do give it a look:
https://www.inkshares.com/books/the-last-beacon
#books #fiction #newauthors #horror #sciencefiction #mystery
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My latest video for new or soon-to-be authors debuting later in life covers one of the fundamentals of indie author marketing: the 3 things (working together) you should have in place at least 6 months before your first book comes out. I hope it's useful!
https://youtu.be/TXbAcZsdYlQ
#newauthors -
PW Talks with Frank Adrian Barron https://www.diningandcooking.com/2159552/pw-talks-with-frank-adrian-barron/ #AuthorInterviews #AuthorProfiles #AuthorQuotes #authors #Butter #buttercream #FamousAuthors #Italia #Italian #ItalianButter #ItalianButtercream #italiano #italy #JkRowling #MichaelCrichton #NewAuthors #obituaries #PublishersWeekly #StephanieMeyer #StephenKing
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PW Talks with Frank Adrian Barron https://www.diningandcooking.com/2159552/pw-talks-with-frank-adrian-barron/ #AuthorInterviews #AuthorProfiles #AuthorQuotes #authors #Butter #buttercream #FamousAuthors #Italia #Italian #ItalianButter #ItalianButtercream #italiano #italy #JkRowling #MichaelCrichton #NewAuthors #obituaries #PublishersWeekly #StephanieMeyer #StephenKing
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PW Talks with Frank Adrian Barron https://www.diningandcooking.com/2159552/pw-talks-with-frank-adrian-barron/ #AuthorInterviews #AuthorProfiles #AuthorQuotes #authors #Butter #buttercream #FamousAuthors #Italia #Italian #ItalianButter #ItalianButtercream #italiano #italy #JkRowling #MichaelCrichton #NewAuthors #obituaries #PublishersWeekly #StephanieMeyer #StephenKing
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@reay @lilithsaintcrow @scalzi I started reading Calculating Stars from Mary Robinette Kowal[0]
The beginning is, um, explosive :)
Heather Fawcett[1] says she writes about dragons, but got me with mischievous penguins
also books from Jo Schneider and Becca Lee Gardner[2]
The latter is a multi-author series
Tobi Ogundiran sold out, but I downloaded the story Levar Burton read, "The Lady of the Yellow Painted Library"
Don't listen to it alone late at night like I did :)[3]
1/x
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@reay @lilithsaintcrow @scalzi I started reading Calculating Stars from Mary Robinette Kowal[0]
The beginning is, um, explosive :)
Heather Fawcett[1] says she writes about dragons, but got me with mischievous penguins
also books from Jo Schneider and Becca Lee Gardner[2]
The latter is a multi-author series
Tobi Ogundiran sold out, but I downloaded the story Levar Burton read, "The Lady of the Yellow Painted Library"
Don't listen to it alone late at night like I did :)[3]
1/x
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@reay @lilithsaintcrow @scalzi I started reading Calculating Stars from Mary Robinette Kowal[0]
The beginning is, um, explosive :)
Heather Fawcett[1] says she writes about dragons, but got me with mischievous penguins
also books from Jo Schneider and Becca Lee Gardner[2]
The latter is a multi-author series
Tobi Ogundiran sold out, but I downloaded the story Levar Burton read, "The Lady of the Yellow Painted Library"
Don't listen to it alone late at night like I did :)[3]
1/x
-
@reay @lilithsaintcrow @scalzi I started reading Calculating Stars from Mary Robinette Kowal[0]
The beginning is, um, explosive :)
Heather Fawcett[1] says she writes about dragons, but got me with mischievous penguins
also books from Jo Schneider and Becca Lee Gardner[2]
The latter is a multi-author series
Tobi Ogundiran sold out, but I downloaded the story Levar Burton read, "The Lady of the Yellow Painted Library"
Don't listen to it alone late at night like I did :)[3]
1/x
-
@reay @lilithsaintcrow @scalzi I started reading Calculating Stars from Mary Robinette Kowal[0]
The beginning is, um, explosive :)
Heather Fawcett[1] says she writes about dragons, but got me with mischievous penguins
also books from Jo Schneider and Becca Lee Gardner[2]
The latter is a multi-author series
Tobi Ogundiran sold out, but I downloaded the story Levar Burton read, "The Lady of the Yellow Painted Library"
Don't listen to it alone late at night like I did :)[3]
1/x
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Got some autographs from @scalzi at #FanFusion last weekend
Went to a couple of panels he was on in order to discover some new authors and picked up several books at the booths
Scalzi was entertaining but was also good at actively passing the mic rather than just waiting for the other authors to pipe up
Thanks to @lilithsaintcrow 's Fediverse posts about the industry for getting me to go look for some new authors
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Got some autographs from @scalzi at #FanFusion last weekend
Went to a couple of panels he was on in order to discover some new authors and picked up several books at the booths
Scalzi was entertaining but was also good at actively passing the mic rather than just waiting for the other authors to pipe up
Thanks to @lilithsaintcrow 's Fediverse posts about the industry for getting me to go look for some new authors
-
Got some autographs from @scalzi at #FanFusion last weekend
Went to a couple of panels he was on in order to discover some new authors and picked up several books at the booths
Scalzi was entertaining but was also good at actively passing the mic rather than just waiting for the other authors to pipe up
Thanks to @lilithsaintcrow 's Fediverse posts about the industry for getting me to go look for some new authors
-
Got some autographs from @scalzi at #FanFusion last weekend
Went to a couple of panels he was on in order to discover some new authors and picked up several books at the booths
Scalzi was entertaining but was also good at actively passing the mic rather than just waiting for the other authors to pipe up
Thanks to @lilithsaintcrow 's Fediverse posts about the industry for getting me to go look for some new authors
-
Got some autographs from @scalzi at #FanFusion last weekend
Went to a couple of panels he was on in order to discover some new authors and picked up several books at the booths
Scalzi was entertaining but was also good at actively passing the mic rather than just waiting for the other authors to pipe up
Thanks to @lilithsaintcrow 's Fediverse posts about the industry for getting me to go look for some new authors
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https://www.europesays.com/uk/132379/ New Titles from the Collective Book Studio Help Little Readers with Big Emotions #AuthorInterviews #AuthorProfiles #AuthorQuotes #Authors #Books #Entertainment #FamousAuthors #JKRowling #MichaelCrichton #NewAuthors #Obituaries #PublishersWeekly #StephanieMeyer #StephenKing #UK #UnitedKingdom
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Things New Authors Should Know About Traditional Publishing in the UK (Get An Agent)
Earlier this year, I turned to Featured.com for quotes from experts about getting into traditional publishing. I asked what new authors need to know.
Four experts replied. This is what they said.
Getting Traditionally Published: An overview
New authors in the UK must navigate the complexities of publishing, distinguishing between traditional and self-publishing models. Traditional publishing requires securing a literary agent, while self-publishing offers more control at the cost of handling marketing independently. Understanding submission processes and effective marketing strategies is essential for improving an author’s chances of successful publication and promotion.
Michael Kazula, Director of Marketing, Olavivo
Now Michael has succinctly summarised the problem, let us look at the answers.
Getting An Agent
For new authors in the UK, getting their first book traditionally published can be a challenging yet rewarding journey. First, understand that most traditional publishers expect authors to submit their work through an agent. Securing an agent is often the first step, as they help pitch your manuscript to publishers and negotiate the best deal. It’s important to research agents who specialize in your genre and follow their submission guidelines precisely.
Next, focus on writing a strong query letter and a polished manuscript. A query letter should briefly explain your book, its target audience, and why you’re the right author for it. It should also reflect the tone of the book and showcase your writing skills.
Also, be prepared for rejection—it’s a normal part of the process. Persistence and patience are key. Once you get an agent, they’ll help refine your manuscript and guide you through the publishing process, from dealing with editors to marketing.
Finally, networking can be beneficial. Attending writing workshops, conferences, or joining writer’s groups can provide insights and connections that might help you secure an agent or publisher. Keep refining your craft and stay committed to your goal.
Fawad langah, Director General, Best Diplomats
Fawad correctly tells us we need an agent and a good query letter can help with that. What else do new writers need to know about getting an agent?
About That Query Letter
As someone who’s navigated the publishing landscape, I’ve found that the most effective approach for new UK authors is focusing on crafting a compelling query letter before anything else. When I launched my first successful pitch, I discovered that personalization was key – researching each agent’s specific interests and recent sales led to a 40% response rate, compared to the 5-10% industry standard for generic queries.
The query letter needs three sharp elements: a hook that captures attention in under 20 words, a brief synopsis that focuses on conflict and stakes, and relevant biographical details that position you as the right person to tell this story. For instance, my successful query opened with a hook that drew five requests for full manuscripts within a week.
Most importantly, only query once your manuscript is completely polished. In the UK market, you typically get one shot with each agent, and rushing to query with an unfinished manuscript can permanently close doors.
Alexander Weber, Founder, Dein Schriftgenerator
Alexander reminds us to have a finished manuscript before you start sending your letters. Let’s talk about that next.
First, Finish The Book
New authors in the UK should know that getting a traditional publishing deal takes time and persistence. First, focus on writing a strong manuscript, then research agents and publishers that specialize in your genre. It’s important to craft a solid query letter and synopsis because these are often the first things agents and publishers will see. Don’t be discouraged by rejection-it’s part of the process. Many successful authors faced multiple rejections before landing a deal. Building a network with other writers and attending events can also open doors and provide valuable advice. Patience and determination are key.
Adnan Jiwani, Assistant Manager Digital Marketing, Ivacy VPN
What do you have to say?
Did they miss anything? (Silly question, whole books have been written about this). What would you add?
Reply, comment, or WebMention. Let’s hear from you on this.
-
Things New Authors Should Know About Traditional Publishing in the UK (Get An Agent)
Earlier this year, I turned to Featured.com for quotes from experts about getting into traditional publishing. I asked what new authors need to know.
Four experts replied. This is what they said.
Getting Traditionally Published: An overview
New authors in the UK must navigate the complexities of publishing, distinguishing between traditional and self-publishing models. Traditional publishing requires securing a literary agent, while self-publishing offers more control at the cost of handling marketing independently. Understanding submission processes and effective marketing strategies is essential for improving an author’s chances of successful publication and promotion.
Michael Kazula, Director of Marketing, Olavivo
Now Michael has succinctly summarised the problem, let us look at the answers.
Getting An Agent
For new authors in the UK, getting their first book traditionally published can be a challenging yet rewarding journey. First, understand that most traditional publishers expect authors to submit their work through an agent. Securing an agent is often the first step, as they help pitch your manuscript to publishers and negotiate the best deal. It’s important to research agents who specialize in your genre and follow their submission guidelines precisely.
Next, focus on writing a strong query letter and a polished manuscript. A query letter should briefly explain your book, its target audience, and why you’re the right author for it. It should also reflect the tone of the book and showcase your writing skills.
Also, be prepared for rejection—it’s a normal part of the process. Persistence and patience are key. Once you get an agent, they’ll help refine your manuscript and guide you through the publishing process, from dealing with editors to marketing.
Finally, networking can be beneficial. Attending writing workshops, conferences, or joining writer’s groups can provide insights and connections that might help you secure an agent or publisher. Keep refining your craft and stay committed to your goal.
Fawad langah, Director General, Best Diplomats
Fawad correctly tells us we need an agent and a good query letter can help with that. What else do new writers need to know about getting an agent?
About That Query Letter
As someone who’s navigated the publishing landscape, I’ve found that the most effective approach for new UK authors is focusing on crafting a compelling query letter before anything else. When I launched my first successful pitch, I discovered that personalization was key – researching each agent’s specific interests and recent sales led to a 40% response rate, compared to the 5-10% industry standard for generic queries.
The query letter needs three sharp elements: a hook that captures attention in under 20 words, a brief synopsis that focuses on conflict and stakes, and relevant biographical details that position you as the right person to tell this story. For instance, my successful query opened with a hook that drew five requests for full manuscripts within a week.
Most importantly, only query once your manuscript is completely polished. In the UK market, you typically get one shot with each agent, and rushing to query with an unfinished manuscript can permanently close doors.
Alexander Weber, Founder, Dein Schriftgenerator
Alexander reminds us to have a finished manuscript before you start sending your letters. Let’s talk about that next.
First, Finish The Book
New authors in the UK should know that getting a traditional publishing deal takes time and persistence. First, focus on writing a strong manuscript, then research agents and publishers that specialize in your genre. It’s important to craft a solid query letter and synopsis because these are often the first things agents and publishers will see. Don’t be discouraged by rejection-it’s part of the process. Many successful authors faced multiple rejections before landing a deal. Building a network with other writers and attending events can also open doors and provide valuable advice. Patience and determination are key.
Adnan Jiwani, Assistant Manager Digital Marketing, Ivacy VPN
What do you have to say?
Did they miss anything? (Silly question, whole books have been written about this). What would you add?
Reply, comment, or WebMention. Let’s hear from you on this.
-
Things New Authors Should Know About Traditional Publishing in the UK (Get An Agent)
Earlier this year, I turned to Featured.com for quotes from experts about getting into traditional publishing. I asked what new authors need to know.
Four experts replied. This is what they said.
Getting Traditionally Published: An overview
New authors in the UK must navigate the complexities of publishing, distinguishing between traditional and self-publishing models. Traditional publishing requires securing a literary agent, while self-publishing offers more control at the cost of handling marketing independently. Understanding submission processes and effective marketing strategies is essential for improving an author’s chances of successful publication and promotion.
Michael Kazula, Director of Marketing, Olavivo
Now Michael has succinctly summarised the problem, let us look at the answers.
Getting An Agent
For new authors in the UK, getting their first book traditionally published can be a challenging yet rewarding journey. First, understand that most traditional publishers expect authors to submit their work through an agent. Securing an agent is often the first step, as they help pitch your manuscript to publishers and negotiate the best deal. It’s important to research agents who specialize in your genre and follow their submission guidelines precisely.
Next, focus on writing a strong query letter and a polished manuscript. A query letter should briefly explain your book, its target audience, and why you’re the right author for it. It should also reflect the tone of the book and showcase your writing skills.
Also, be prepared for rejection—it’s a normal part of the process. Persistence and patience are key. Once you get an agent, they’ll help refine your manuscript and guide you through the publishing process, from dealing with editors to marketing.
Finally, networking can be beneficial. Attending writing workshops, conferences, or joining writer’s groups can provide insights and connections that might help you secure an agent or publisher. Keep refining your craft and stay committed to your goal.
Fawad langah, Director General, Best Diplomats
Fawad correctly tells us we need an agent and a good query letter can help with that. What else do new writers need to know about getting an agent?
About That Query Letter
As someone who’s navigated the publishing landscape, I’ve found that the most effective approach for new UK authors is focusing on crafting a compelling query letter before anything else. When I launched my first successful pitch, I discovered that personalization was key – researching each agent’s specific interests and recent sales led to a 40% response rate, compared to the 5-10% industry standard for generic queries.
The query letter needs three sharp elements: a hook that captures attention in under 20 words, a brief synopsis that focuses on conflict and stakes, and relevant biographical details that position you as the right person to tell this story. For instance, my successful query opened with a hook that drew five requests for full manuscripts within a week.
Most importantly, only query once your manuscript is completely polished. In the UK market, you typically get one shot with each agent, and rushing to query with an unfinished manuscript can permanently close doors.
Alexander Weber, Founder, Dein Schriftgenerator
Alexander reminds us to have a finished manuscript before you start sending your letters. Let’s talk about that next.
First, Finish The Book
New authors in the UK should know that getting a traditional publishing deal takes time and persistence. First, focus on writing a strong manuscript, then research agents and publishers that specialize in your genre. It’s important to craft a solid query letter and synopsis because these are often the first things agents and publishers will see. Don’t be discouraged by rejection-it’s part of the process. Many successful authors faced multiple rejections before landing a deal. Building a network with other writers and attending events can also open doors and provide valuable advice. Patience and determination are key.
Adnan Jiwani, Assistant Manager Digital Marketing, Ivacy VPN
What do you have to say?
Did they miss anything? (Silly question, whole books have been written about this). What would you add?
Reply, comment, or WebMention. Let’s hear from you on this.
-
Things New Authors Should Know About Traditional Publishing in the UK (Get An Agent)
Earlier this year, I turned to Featured.com for quotes from experts about getting into traditional publishing. I asked what new authors need to know.
Four experts replied. This is what they said.
Getting Traditionally Published: An overview
New authors in the UK must navigate the complexities of publishing, distinguishing between traditional and self-publishing models. Traditional publishing requires securing a literary agent, while self-publishing offers more control at the cost of handling marketing independently. Understanding submission processes and effective marketing strategies is essential for improving an author’s chances of successful publication and promotion.
Michael Kazula, Director of Marketing, Olavivo
Now Michael has succinctly summarised the problem, let us look at the answers.
Getting An Agent
For new authors in the UK, getting their first book traditionally published can be a challenging yet rewarding journey. First, understand that most traditional publishers expect authors to submit their work through an agent. Securing an agent is often the first step, as they help pitch your manuscript to publishers and negotiate the best deal. It’s important to research agents who specialize in your genre and follow their submission guidelines precisely.
Next, focus on writing a strong query letter and a polished manuscript. A query letter should briefly explain your book, its target audience, and why you’re the right author for it. It should also reflect the tone of the book and showcase your writing skills.
Also, be prepared for rejection—it’s a normal part of the process. Persistence and patience are key. Once you get an agent, they’ll help refine your manuscript and guide you through the publishing process, from dealing with editors to marketing.
Finally, networking can be beneficial. Attending writing workshops, conferences, or joining writer’s groups can provide insights and connections that might help you secure an agent or publisher. Keep refining your craft and stay committed to your goal.
Fawad langah, Director General, Best Diplomats
Fawad correctly tells us we need an agent and a good query letter can help with that. What else do new writers need to know about getting an agent?
About That Query Letter
As someone who’s navigated the publishing landscape, I’ve found that the most effective approach for new UK authors is focusing on crafting a compelling query letter before anything else. When I launched my first successful pitch, I discovered that personalization was key – researching each agent’s specific interests and recent sales led to a 40% response rate, compared to the 5-10% industry standard for generic queries.
The query letter needs three sharp elements: a hook that captures attention in under 20 words, a brief synopsis that focuses on conflict and stakes, and relevant biographical details that position you as the right person to tell this story. For instance, my successful query opened with a hook that drew five requests for full manuscripts within a week.
Most importantly, only query once your manuscript is completely polished. In the UK market, you typically get one shot with each agent, and rushing to query with an unfinished manuscript can permanently close doors.
Alexander Weber, Founder, Dein Schriftgenerator
Alexander reminds us to have a finished manuscript before you start sending your letters. Let’s talk about that next.
First, Finish The Book
New authors in the UK should know that getting a traditional publishing deal takes time and persistence. First, focus on writing a strong manuscript, then research agents and publishers that specialize in your genre. It’s important to craft a solid query letter and synopsis because these are often the first things agents and publishers will see. Don’t be discouraged by rejection-it’s part of the process. Many successful authors faced multiple rejections before landing a deal. Building a network with other writers and attending events can also open doors and provide valuable advice. Patience and determination are key.
Adnan Jiwani, Assistant Manager Digital Marketing, Ivacy VPN
What do you have to say?
Did they miss anything? (Silly question, whole books have been written about this). What would you add?
Reply, comment, or WebMention. Let’s hear from you on this.
-
Things New Authors Should Know About Traditional Publishing in the UK (Get An Agent)
Earlier this year, I turned to Featured.com for quotes from experts about getting into traditional publishing. I asked what new authors need to know.
Four experts replied. This is what they said.
Getting Traditionally Published: An overview
New authors in the UK must navigate the complexities of publishing, distinguishing between traditional and self-publishing models. Traditional publishing requires securing a literary agent, while self-publishing offers more control at the cost of handling marketing independently. Understanding submission processes and effective marketing strategies is essential for improving an author’s chances of successful publication and promotion.
Michael Kazula, Director of Marketing, Olavivo
Now Michael has succinctly summarised the problem, let us look at the answers.
Getting An Agent
For new authors in the UK, getting their first book traditionally published can be a challenging yet rewarding journey. First, understand that most traditional publishers expect authors to submit their work through an agent. Securing an agent is often the first step, as they help pitch your manuscript to publishers and negotiate the best deal. It’s important to research agents who specialize in your genre and follow their submission guidelines precisely.
Next, focus on writing a strong query letter and a polished manuscript. A query letter should briefly explain your book, its target audience, and why you’re the right author for it. It should also reflect the tone of the book and showcase your writing skills.
Also, be prepared for rejection—it’s a normal part of the process. Persistence and patience are key. Once you get an agent, they’ll help refine your manuscript and guide you through the publishing process, from dealing with editors to marketing.
Finally, networking can be beneficial. Attending writing workshops, conferences, or joining writer’s groups can provide insights and connections that might help you secure an agent or publisher. Keep refining your craft and stay committed to your goal.
Fawad langah, Director General, Best Diplomats
Fawad correctly tells us we need an agent and a good query letter can help with that. What else do new writers need to know about getting an agent?
About That Query Letter
As someone who’s navigated the publishing landscape, I’ve found that the most effective approach for new UK authors is focusing on crafting a compelling query letter before anything else. When I launched my first successful pitch, I discovered that personalization was key – researching each agent’s specific interests and recent sales led to a 40% response rate, compared to the 5-10% industry standard for generic queries.
The query letter needs three sharp elements: a hook that captures attention in under 20 words, a brief synopsis that focuses on conflict and stakes, and relevant biographical details that position you as the right person to tell this story. For instance, my successful query opened with a hook that drew five requests for full manuscripts within a week.
Most importantly, only query once your manuscript is completely polished. In the UK market, you typically get one shot with each agent, and rushing to query with an unfinished manuscript can permanently close doors.
Alexander Weber, Founder, Dein Schriftgenerator
Alexander reminds us to have a finished manuscript before you start sending your letters. Let’s talk about that next.
First, Finish The Book
New authors in the UK should know that getting a traditional publishing deal takes time and persistence. First, focus on writing a strong manuscript, then research agents and publishers that specialize in your genre. It’s important to craft a solid query letter and synopsis because these are often the first things agents and publishers will see. Don’t be discouraged by rejection-it’s part of the process. Many successful authors faced multiple rejections before landing a deal. Building a network with other writers and attending events can also open doors and provide valuable advice. Patience and determination are key.
Adnan Jiwani, Assistant Manager Digital Marketing, Ivacy VPN
What do you have to say?
Did they miss anything? (Silly question, whole books have been written about this). What would you add?
Reply, comment, or WebMention. Let’s hear from you on this.
