#dark-synth — Public Fediverse posts

I’ve always been more drawn to art that induces ‘negative’ emotions over ‘positive’ ones.1 I hate happy endings; I want art to make me cry or feel deeply unsettled; I feel deeply soothed by the pathos of wallowing. As a result, the depressive goth-synth-doom of Hours of Worship more than appeals. Morbid Hearts, Trembling Master, and Wound are back, this time joined by new permanent member Loathe, who lends her voice to the chorus of apathy. Resignation, as its name suggests, turns from the bitterness and despair of The Cold that You Left and the Death & Dying duology towards the acceptance and even welcoming of death. As ever, Hours of Worship give funeral doom and DSBM a run for their money in the bleakness of their concept and the sound of their music. But Resignation shows, perhaps best in their career so far, how something so bleak can still be beautiful.

Resignation is the closest Hours of Worship have come to metal, the blurred boundary between the synthetic and the metallic intensifying the cheerlessness. Distorted screams and growls are often the sole voice or duet alongside sung vocals, wrapped in weeping or eerie refrains in ways that variously remind me of Clouds (“You Hold No Value,” “Violent Thoughts are Not Enough”) and None (“True Loathe,” “Resignation”). Dissonance pulls at the corners of several of the primarily mournful melodies, led by odd key arrangements and layering of guitar and synths. This peaks in mid-album “Solace,” a collaboration with Psywarfare, whose disturbing electro-noise meets Hours of Worship’s ambience for an experience akin to a darker, much more frightening version of Bong-Ra. Stepping not once out of a funereal somnambulation, compositions progress to a soft, minimalist beat and let the lamenting melody lead; suspended animation is replaced with a smarter use of liminal space and a realised sense of build.

In Resignation’s particular blend and evolution of the act’s musical strands, Hours of Worship have found their truest and most wretched expression. The characteristic intoxicating sullenness of minor melodies, gently swaying grooves, and apathetic cleans is deepened to dangerously opioid levels. Refrains are yet more direly lugubrious and gorgeous (“Resignation,” “The Weight Beneath,” “Violent Thoughts…”), and there’s considerably more depth to their trajectories that layer synths and guitars for dreamlike (“Lower than Want,” “Bury Me in Deep Waters”) and emphatic (“You Hold No Value,” “The Weight Beneath”) effect. Hours of Worship use rhythm to accentuate these themes, dropping the beat (“You Hold…,” “Resignation,” “Bury Me…”) or just the percussion (“The Weight Beneath,” “Violent Thoughts…”) out suddenly, syncing vocals with scales and chimes with purring feedback pulses to the tempo of the album’s ebbing heartbeat. Loathe is a perfect addition, her haunting singing striking the balance between apathetic and despairing, channelling the canny rhythms through listless repetitions (“The Weight Beneath”). She acts as a foil to the morose cleans and agonised growls of her masculine counterparts who often go together in a baleful duet (“Resignation,” “Violent Thoughts…”) or snarl in almost defensive cruelty (“You Hold No Value,” “Solace”) while she laments alone in open vulnerability (“Lower than Want,” “The Weight Beneath”).

Relative to its style and subgenre, Resignation is compelling. Kindred spirits of myself and Hours of Worship, who love the gloom, shouldn’t have any problem with getting in an appropriately receptive mood, but this time the more involved and better developed compositions are likely to lure some previous naysayers to the graveyard. Baleful and melancholic in the majority, the album is but slightly weakened by the almost uplifting melody of closer “Abattoir Heart.” The brutal “Solace”—though powerful in how confrontationally dissonant and unsettling it is, also sticks out a little too much for comfort—as though comfort were really Hours of Worship’s concern. Despite these reservations, Resignation flows assuredly and strangely enough feels very consistent, with no lapses in the magnetism of the melodies or the misery.

Hours of Worship may have seemed like an act that wouldn’t evolve beyond the particularly languid lugubriousness of the Death & Dying duology. Yet they step into a new chapter here with a nuance and depth that add meaningful layers to already bottomless woe. Resignation may not be formed quite right to deliver a killing blow, but never have they come so seductively close.

Rating: Very Good2
DR: 9 | Format Reviewed: FLAC
Label: Worship the Dead
Websites: Bandcamp | Instagram
Releases Worldwide: July 10th, 2026

I’ve always been more drawn to art that induces ‘negative’ emotions over ‘positive’ ones.1 I hate happy endings; I want art to make me cry or feel deeply unsettled; I feel deeply soothed by the pathos of wallowing. As a result, the depressive goth-synth-doom of Hours of Worship more than appeals. Morbid Hearts, Trembling Master, and Wound are back, this time joined by new permanent member Loathe, who lends her voice to the chorus of apathy. Resignation, as its name suggests, turns from the bitterness and despair of The Cold that You Left and the Death & Dying duology towards the acceptance and even welcoming of death. As ever, Hours of Worship give funeral doom and DSBM a run for their money in the bleakness of their concept and the sound of their music. But Resignation shows, perhaps best in their career so far, how something so bleak can still be beautiful.

Resignation is the closest Hours of Worship have come to metal, the blurred boundary between the synthetic and the metallic intensifying the cheerlessness. Distorted screams and growls are often the sole voice or duet alongside sung vocals, wrapped in weeping or eerie refrains in ways that variously remind me of Clouds (“You Hold No Value,” “Violent Thoughts are Not Enough”) and None (“True Loathe,” “Resignation”). Dissonance pulls at the corners of several of the primarily mournful melodies, led by odd key arrangements and layering of guitar and synths. This peaks in mid-album “Solace,” a collaboration with Psywarfare, whose disturbing electro-noise meets Hours of Worship’s ambience for an experience akin to a darker, much more frightening version of Bong-Ra. Stepping not once out of a funereal somnambulation, compositions progress to a soft, minimalist beat and let the lamenting melody lead; suspended animation is replaced with a smarter use of liminal space and a realised sense of build.

In Resignation’s particular blend and evolution of the act’s musical strands, Hours of Worship have found their truest and most wretched expression. The characteristic intoxicating sullenness of minor melodies, gently swaying grooves, and apathetic cleans is deepened to dangerously opioid levels. Refrains are yet more direly lugubrious and gorgeous (“Resignation,” “The Weight Beneath,” “Violent Thoughts…”), and there’s considerably more depth to their trajectories that layer synths and guitars for dreamlike (“Lower than Want,” “Bury Me in Deep Waters”) and emphatic (“You Hold No Value,” “The Weight Beneath”) effect. Hours of Worship use rhythm to accentuate these themes, dropping the beat (“You Hold…,” “Resignation,” “Bury Me…”) or just the percussion (“The Weight Beneath,” “Violent Thoughts…”) out suddenly, syncing vocals with scales and chimes with purring feedback pulses to the tempo of the album’s ebbing heartbeat. Loathe is a perfect addition, her haunting singing striking the balance between apathetic and despairing, channelling the canny rhythms through listless repetitions (“The Weight Beneath”). She acts as a foil to the morose cleans and agonised growls of her masculine counterparts who often go together in a baleful duet (“Resignation,” “Violent Thoughts…”) or snarl in almost defensive cruelty (“You Hold No Value,” “Solace”) while she laments alone in open vulnerability (“Lower than Want,” “The Weight Beneath”).

Relative to its style and subgenre, Resignation is compelling. Kindred spirits of myself and Hours of Worship, who love the gloom, shouldn’t have any problem with getting in an appropriately receptive mood, but this time the more involved and better developed compositions are likely to lure some previous naysayers to the graveyard. Baleful and melancholic in the majority, the album is but slightly weakened by the almost uplifting melody of closer “Abattoir Heart.” The brutal “Solace”—though powerful in how confrontationally dissonant and unsettling it is, also sticks out a little too much for comfort—as though comfort were really Hours of Worship’s concern. Despite these reservations, Resignation flows assuredly and strangely enough feels very consistent, with no lapses in the magnetism of the melodies or the misery.

Hours of Worship may have seemed like an act that wouldn’t evolve beyond the particularly languid lugubriousness of the Death & Dying duology. Yet they step into a new chapter here with a nuance and depth that add meaningful layers to already bottomless woe. Resignation may not be formed quite right to deliver a killing blow, but never have they come so seductively close.

Rating: Very Good2
DR: 9 | Format Reviewed: FLAC
Label: Worship the Dead
Websites: Bandcamp | Instagram
Releases Worldwide: July 10th, 2026

💖 Pretty nice dark atmospheric OST

🎧 https://warhammermusic.bandcamp.com/track/overlord
🎧 https://warhammermusic.bandcamp.com/track/noosphere

Almost #DarkSynth, but much more epic — also fitting given the subject matter (which is pretty fun: techpriests that worship machines).

#Soundtrack #Synth #Ambient #Atmospheric #Heavy #Dark #Mechanicus #Warhammer40k #Music #Musique #Musik #Musica #Muziek #Electronic #SciFi #ScienceFiction #Gaming #LinuxGaming #OST

Marching Terror - From the Album "Ghosts In The Dark"

The 2nd track in the Ghosts In The Dark" album from 2023.

https://youtu.be/2iCXQNe4Jo8

#horror #horrorsynth #darksynth #halloween #halloween2023 #halloween2026 #soundtrack #horrormusic #DarkSideOfSynth

Marching Terror - From the Album "Ghosts In The Dark"

The 2nd track in the Ghosts In The Dark" album from 2023.

https://youtu.be/2iCXQNe4Jo8

#horror #horrorsynth #darksynth #halloween #halloween2023 #halloween2026 #soundtrack #horrormusic #DarkSideOfSynth

Featured this week:

#alternative #techno #industrial #metal #edm #darksynth #hyperpop #darkpop #electronicmusic #melodictechno #berlin #vocaloid #minimaltechno #melodictechnoandhouse #berlinminimal #music

https://getmusic.fm/l/hhtpt6

Featured this week:

#alternative #techno #industrial #metal #edm #darksynth #hyperpop #darkpop #electronicmusic #melodictechno #berlin #vocaloid #minimaltechno #melodictechnoandhouse #berlinminimal #music

https://getmusic.fm/l/hhtpt6

Free download codes:

I Ya Toyah - FEELINGS

"Industrial powerhouse I Ya Toyah reveals 'FEELINGS,' a hard‑edged industrial statement that turns the mirror on modern humanity — and doesn’t look away."

https://getmusic.fm/l/iBAwL2

#alternative #industrial #metal #alternativerock #edm #darkelectronic #darksynth #darkpop #industrialpop #music

Free download codes:

I Ya Toyah - FEELINGS

"Industrial powerhouse I Ya Toyah reveals 'FEELINGS,' a hard‑edged industrial statement that turns the mirror on modern humanity — and doesn’t look away."

https://getmusic.fm/l/iBAwL2

#alternative #industrial #metal #alternativerock #edm #darkelectronic #darksynth #darkpop #industrialpop #music

Mortiis has cut a swath through Norway’s music scene since 1992, beginning as the inaugural bassist for black metal pioneers Emperor. When Håvard “Mortiis” Ellefsen realized the blackened arts weren’t for him, he swapped his bass guitar for a keyboard and embarked on a journey that, six years and six full-length albums later, left him a progenitor and “Godfather” of dungeon synth. Over the following vicennial, Mortiis explored other musical outlets, from darkened synth-pop to industrial rock and murky ambient before returning to his dungeon synth roots with 2020’s Spirit of Rebellion. After revisiting the genre he helped found, Mortiis releases his 11th full-length album, Ghosts of Europa—in part shaped by a subsequently abandoned collaboration with Stephan Groth (Apoptygma Berzerk)—to pay homage to old German electronica, especially Tangerine Dream and Klaus Schulze. Mortiis took those early recordings and embarked on a six-year journey to transform them into Ghosts of Europa. Will Ghosts serve as the harbinger of Mortiis’s greatness, or be cursed to haunt the darkened shadows of Norwegian mediocrity?

Ghosts of Europa is sexy, spacy, and cinematic—a synth-forward record that draws from each of Mortiis’s electronic eras—moving from dungeon scenes to movie screens. Those familiar with Tangerine Dream’s ’80s “soundtrack” era,1 will feel that theatrical presence, in addition to early Enigma, Pink Floyd, and Dead Can Dance, in the windswept, dystopian synthscapes and expansive, Gregorian chant-inspired, Middle Eastern-influenced female wails of Ghosts’ more ambient moments (“Return to the Old Fields,” “Transcending Morpheus,” “Tribes of Dystopia”). When Ghosts of Europa shifts to straightforward, beat-driven electronics (“Ghosts of Europa,” 2 “Violent Silence”) it taps a Depeche Mode and Kraftwerk vein. Still, other Mortiis Era II specters haunt Ghosts’ halls on tracks like “Tundra, Heart of Hell,” an electro-rocker that channels She Wants Revenge and The Cult, just as “Farewell Romero” has a distinct Marilyn Manson feel to its slow, painful burn. Mortiis has reached the peak of his musical prowess, wielding a conductor’s control over his collaborators and delivering one of his most emotive albums.

Heaving with atmosphere, Ghosts of Europa punctuates its vast, sweeping sonicscapes with rich vocal textures and introspective lyrics. From the repetitive refrain “When we all fall down” that dominates the opening title track to the chorus on “The Faith That Fades Away” requesting “Leave me with my sins, leave me with my thoughts,” and on through “Farewell Romero”‘s painful admission “I found a way to kill some of the pain, like a warm and cleansing summer rain,” Ghosts’ lyrics serve as an apology to the relationships Mortiis admittedly damaged along the way.3 And to further execute his no-boundaries vision, Mortiis focused on vocal arrangements in a way he hasn’t on previous efforts, partnering with a cast ranging from Sarah Jezebel Deva (Cradle of Filth) and Illiana Tsakirake (Septicflesh) to Christopher Rakkestad (Elvarhøi, Bolverk) and Skinny Puppy’s Matthew Setzer,4 who join him and, along with a vocoder and some autotune modulation, cement completely the otherworldly experience Ghosts of Europa provides.

Effortlessly flowing and expertly paced, Ghosts of Europa is permeated with a laid-back melancholy, allowing Mortiis to undulate easily between extended ambient moments and more traditional synth-pop. This ebb and flow effectively renders Ghosts of Europa’s fifty-plus-minute runtime into something that feels much shorter. As with any great film, Ghosts of Europa begs to be heard in its linear totality, rather than having any of its constituent parts relegated to a cannibalized playlist, despite some of its more traditional moments being ripe for such compartmentalization. Mortiis has provided an experience akin to getting lost in any of his early, Era I dungeon albums, if that sparks you, but with dialogue and an impactfully matured, image-conjuring vivacity. I repeatedly found myself easily lost in the Neverending Story-like feel of Mortiis’s conjuration, enamored with every moment. My one critique is reserved for the album’s editing, which could easily be attributed to the product of the promo, but rests with the abrupt and awkward resolution of some of the tracks (“The Faith That Fades Away,” “Tundra, Heart of Hell,” and “Farewell, Romero”). Not nearly enough to ruin the experience, but worth mentioning.

I have never felt FOMO for missing out on Mortiis’s back catalog. I’m not particularly fond of dungeon synth as a genre, and took minuscule note of Mortiis’s shift into more traditional territory nearly 26 years ago. I was very drawn, however, to the stark cover art of Ghosts of Europa and the soul-syncing feel of the album’s title track. The door I walked through after listening to the whole thing converted me. Ghosts of Europa has earned my highest rating this year to date, and I can only recommend that you all give it a chance as well.

Rating: 4.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Prophecy Productions
Websites: Bandcamp | Facebook | Webstore
Releases Worldwide: June 26th, 2026

Mortiis has cut a swath through Norway’s music scene since 1992, beginning as the inaugural bassist for black metal pioneers Emperor. When Håvard “Mortiis” Ellefsen realized the blackened arts weren’t for him, he swapped his bass guitar for a keyboard and embarked on a journey that, six years and six full-length albums later, left him a progenitor and “Godfather” of dungeon synth. Over the following vicennial, Mortiis explored other musical outlets, from darkened synth-pop to industrial rock and murky ambient before returning to his dungeon synth roots with 2020’s Spirit of Rebellion. After revisiting the genre he helped found, Mortiis releases his 11th full-length album, Ghosts of Europa—in part shaped by a subsequently abandoned collaboration with Stephan Groth (Apoptygma Berzerk)—to pay homage to old German electronica, especially Tangerine Dream and Klaus Schulze. Mortiis took those early recordings and embarked on a six-year journey to transform them into Ghosts of Europa. Will Ghosts serve as the harbinger of Mortiis’s greatness, or be cursed to haunt the darkened shadows of Norwegian mediocrity?

Ghosts of Europa is sexy, spacy, and cinematic—a synth-forward record that draws from each of Mortiis’s electronic eras—moving from dungeon scenes to movie screens. Those familiar with Tangerine Dream’s ’80s “soundtrack” era,1 will feel that theatrical presence, in addition to early Enigma, Pink Floyd, and Dead Can Dance, in the windswept, dystopian synthscapes and expansive, Gregorian chant-inspired, Middle Eastern-influenced female wails of Ghosts’ more ambient moments (“Return to the Old Fields,” “Transcending Morpheus,” “Tribes of Dystopia”). When Ghosts of Europa shifts to straightforward, beat-driven electronics (“Ghosts of Europa,” 2 “Violent Silence”) it taps a Depeche Mode and Kraftwerk vein. Still, other Mortiis Era II specters haunt Ghosts’ halls on tracks like “Tundra, Heart of Hell,” an electro-rocker that channels She Wants Revenge and The Cult, just as “Farewell Romero” has a distinct Marilyn Manson feel to its slow, painful burn. Mortiis has reached the peak of his musical prowess, wielding a conductor’s control over his collaborators and delivering one of his most emotive albums.

Heaving with atmosphere, Ghosts of Europa punctuates its vast, sweeping sonicscapes with rich vocal textures and introspective lyrics. From the repetitive refrain “When we all fall down” that dominates the opening title track to the chorus on “The Faith That Fades Away” requesting “Leave me with my sins, leave me with my thoughts,” and on through “Farewell Romero”‘s painful admission “I found a way to kill some of the pain, like a warm and cleansing summer rain,” Ghosts’ lyrics serve as an apology to the relationships Mortiis admittedly damaged along the way.3 And to further execute his no-boundaries vision, Mortiis focused on vocal arrangements in a way he hasn’t on previous efforts, partnering with a cast ranging from Sarah Jezebel Deva (Cradle of Filth) and Illiana Tsakirake (Septicflesh) to Christopher Rakkestad (Elvarhøi, Bolverk) and Skinny Puppy’s Matthew Setzer,4 who join him and, along with a vocoder and some autotune modulation, cement completely the otherworldly experience Ghosts of Europa provides.

Effortlessly flowing and expertly paced, Ghosts of Europa is permeated with a laid-back melancholy, allowing Mortiis to undulate easily between extended ambient moments and more traditional synth-pop. This ebb and flow effectively renders Ghosts of Europa’s fifty-plus-minute runtime into something that feels much shorter. As with any great film, Ghosts of Europa begs to be heard in its linear totality, rather than having any of its constituent parts relegated to a cannibalized playlist, despite some of its more traditional moments being ripe for such compartmentalization. Mortiis has provided an experience akin to getting lost in any of his early, Era I dungeon albums, if that sparks you, but with dialogue and an impactfully matured, image-conjuring vivacity. I repeatedly found myself easily lost in the Neverending Story-like feel of Mortiis’s conjuration, enamored with every moment. My one critique is reserved for the album’s editing, which could easily be attributed to the product of the promo, but rests with the abrupt and awkward resolution of some of the tracks (“The Faith That Fades Away,” “Tundra, Heart of Hell,” and “Farewell, Romero”). Not nearly enough to ruin the experience, but worth mentioning.

I have never felt FOMO for missing out on Mortiis’s back catalog. I’m not particularly fond of dungeon synth as a genre, and took minuscule note of Mortiis’s shift into more traditional territory nearly 26 years ago. I was very drawn, however, to the stark cover art of Ghosts of Europa and the soul-syncing feel of the album’s title track. The door I walked through after listening to the whole thing converted me. Ghosts of Europa has earned my highest rating this year to date, and I can only recommend that you all give it a chance as well.

Rating: 4.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Prophecy Productions
Websites: Bandcamp | Facebook | Webstore
Releases Worldwide: June 26th, 2026

Free download codes:

I Ya Toyah - Apology

"Industrial-pop powerhouse I Ya Toyah releases new single 'Apology' before heading out on summer EU tour with KMFDM."

https://getmusic.fm/l/hXLhpC

#alternative #industrial #metal #alternativerock #edm #darkelectronic #darksynth #darkpop #industrialpop #music

Free download codes:

I Ya Toyah - Apology

"Industrial-pop powerhouse I Ya Toyah releases new single 'Apology' before heading out on summer EU tour with KMFDM."

https://getmusic.fm/l/hXLhpC

#alternative #industrial #metal #alternativerock #edm #darkelectronic #darksynth #darkpop #industrialpop #music

Free download codes:

Mortakhal - Oporra

"Action thriller soundtrack, distortion synthwave"

https://getmusic.fm/l/BPFFq0

#industrial #darksynth #music

Free download codes:

Mortakhal - Oporra

"Action thriller soundtrack, distortion synthwave"

https://getmusic.fm/l/BPFFq0

#industrial #darksynth #music

#DanPhillips

Donc, ces chansons issues de nos deux projets sont là : un ensemble que j’ai écrit pour Latent Print, et un autre que Jackie a composé sur un enregistreur quatre pistes. Un jour, on a décidé de tout réunir et de voir si cela fonctionnait.

#BadStuff #Dallas #USA #PostPunk #Indie #USA #Alt #SlowHeavy #Music
#Rockabilly #DarkSynth #BeachGoth #PostPunk #Music #Socialmedia #tv #Interview

https://realbadstuff.bandcamp.com/track/summer-girls

https://www.youtube.com/watch?v=Aemwnj0zOK4

#DanPhillips

Donc, ces chansons issues de nos deux projets sont là : un ensemble que j’ai écrit pour Latent Print, et un autre que Jackie a composé sur un enregistreur quatre pistes. Un jour, on a décidé de tout réunir et de voir si cela fonctionnait.

#BadStuff #Dallas #USA #PostPunk #Indie #USA #Alt #SlowHeavy #Music
#Rockabilly #DarkSynth #BeachGoth #PostPunk #Music #Socialmedia #tv #Interview

https://realbadstuff.bandcamp.com/track/summer-girls

https://www.youtube.com/watch?v=Aemwnj0zOK4

Free download codes:

Hex Formes - Burn Your Soul Down

"Perfect for night drives, vampire hunting, or self destruction."

https://getmusic.fm/l/ylvjFA

#electronic #industrial #goth #synth #darkwave #darksynth #music

Free download codes:

Hex Formes - Burn Your Soul Down

"Perfect for night drives, vampire hunting, or self destruction."

https://getmusic.fm/l/ylvjFA

#electronic #industrial #goth #synth #darkwave #darksynth #music

🔴 LIVE NOW ON VORTEX
📻 Vortex Shadow 🌑 (New wave, synthwave, cold wave, goth)
──────────────
🎵 Carpenter Brut - Turbo Killer

▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net

💬 Join us on Discord:
https://discord.gg/d82hJZBeDE

#VortexWave #CarpenterBrut #Synthwave #DarkSynth #2010s

A mixed day, so time to try something new heading into the evening:
GosT - Prophesy (2024)

Electronic music with some gratifying industrial metal overtones. It would probably sound better on a dance floor where you can feel the beat in your chest, but I can't have everything this early on a Tuesday night.

Album artwork features metal influences and surely a nod to tarot.

RIP James Lollar

#Gost #IndustrialMetal #DarkWave #DarkSynth #NowListening

A mixed day, so time to try something new heading into the evening:
GosT - Prophesy (2024)

Electronic music with some gratifying industrial metal overtones. It would probably sound better on a dance floor where you can feel the beat in your chest, but I can't have everything this early on a Tuesday night.

Album artwork features metal influences and surely a nod to tarot.

RIP James Lollar

#Gost #IndustrialMetal #DarkWave #DarkSynth #NowListening

Featured this week:

#ambient #drone #industrial #soundscape #dark #breaks #darksynth #synthmetal #analogue #dirtbeat #darkambient #music

https://getmusic.fm/l/mxRw16

Featured this week:

#ambient #drone #industrial #soundscape #dark #breaks #darksynth #synthmetal #analogue #dirtbeat #darkambient #music

https://getmusic.fm/l/mxRw16

Free download codes:

Terrorbit - Redacted

"Dystopia is here to stay! Embrace it !"

https://getmusic.fm/l/iqfWmg

#industrial #synthwave #darkwave #darksynth #music

Free download codes:

Terrorbit - Redacted

"Dystopia is here to stay! Embrace it !"

https://getmusic.fm/l/iqfWmg

#industrial #synthwave #darkwave #darksynth #music

Free download codes:

Demonwarp - Spreading the Flames

"Second single off Viral Empire. Fight tyranny through flames."

https://getmusic.fm/l/qNZSNF

#industrial #darksynth #darkelectronic #synthmetal #music

Free download codes:

Demonwarp - Spreading the Flames

"Second single off Viral Empire. Fight tyranny through flames."

https://getmusic.fm/l/qNZSNF

#industrial #darksynth #darkelectronic #synthmetal #music

🔴 LIVE NOW ON VORTEX
📻 Vortex Night ⚡ (Electro beat & tribal)
──────────────
🎵 Carpenter Brut - Leather Temple

▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net

💬 Join us on Discord:
https://discord.gg/d82hJZBeDE

#VortexWave #CarpenterBrut #Synthwave #DarkSynth #2010s

Darksynth: The Darkest Corner of Electronic Music

https://archonode.com/blog/darksynth-complete-guide

#synth #darksynth #electronicmusic

[ OXYGEN DEBT // SYSTEM ALERT ]

BREACHER DETECTED

Scan initiated…

Non-system entity confirmed inside sterilized zone.

Armor signature detected. Human signal unstable.

Classification in progress…

BREACHER-class entity identified.

Visual confirmation:
https://youtube.com/shorts/cP_ZSmbZeyY?feature=share

Confirmation pending.

Awaiting signal stabilization.

PROJECTED RELEASE: 05.06.26

STATUS: UNDER OBSERVATION

#OxygenDebt #Breacher #Cyberpunk #Industrial #Darksynth

[ OXYGEN DEBT // PINNED TRANSMISSION ]

This channel stores residual signals and anomalies after collapse.

[ ANCESTRAL CORE ]

An anomalous human frequency detected beneath the wastelands.

Residual ritual patterns remain active within the noise.

The system failed to erase the ancestral signal.

Traces of human memory still persist.

▰ SIGNAL STATUS: ACTIVE

https://youtu.be/B6_NCTDkvK8?si=3tK-pl0exSa7oue9

#OxygenDebt #Industrial #Darksynth #Cyberpunk

Psychotronic #Cyberpunk for Biological Neural Networks in #freedownload https://archive.org/details/refugees-from-beyond-perceptronic #synthpunk #electronics #industrialmusic #darksynth #dark #electro #electropunk #experimental #newwave #postpunk #underground #AIFree #freemusic #creativecommons #ccmusic #music #noise #nonprofit #netlabel

Psychotronic #Cyberpunk for Biological Neural Networks in #freedownload https://archive.org/details/refugees-from-beyond-perceptronic #synthpunk #electronics #industrialmusic #darksynth #dark #electro #electropunk #experimental #newwave #postpunk #underground #AIFree #freemusic #creativecommons #ccmusic #music #noise #nonprofit #netlabel

Hey #DJ's! Where do you get music from? Do you just buy singles or go for the full album?

What hardware do you use?

I plan on going full out with an older #rackmount compressor and EQ. Totally overboard with a moderately expensive broadcast mic. The other usecase is livestreaming the events, plus broadcasting #InternetRadio. Ideally with a XMPP chatroom and DJs beside myself talking between songs like on good FM.

I need to build up a solid offline collection so I can start spinning in #GothClubs.

#darkwave #aggrotech #industrialMusic #industrialMetal #gothicRock #Goth #ethereal #chiptunes #darksynth #synthwave #deathRock #dubstep #shoegaze #blackgaze

Hey #DJ's! Where do you get music from? Do you just buy singles or go for the full album?

What hardware do you use?

I plan on going full out with an older #rackmount compressor and EQ. Totally overboard with a moderately expensive broadcast mic. The other usecase is livestreaming the events, plus broadcasting #InternetRadio. Ideally with a XMPP chatroom and DJs beside myself talking between songs like on good FM.

I need to build up a solid offline collection so I can start spinning in #GothClubs.

#darkwave #aggrotech #industrialMusic #industrialMetal #gothicRock #Goth #ethereal #chiptunes #darksynth #synthwave #deathRock #dubstep #shoegaze #blackgaze

🔴 LIVE NOW ON VORTEX
📻 Vortex Night ⚡ (Electro beat & tribal)
──────────────
🎵 Carpenter Brut - Leather Temple

▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net

💬 Join us on Discord:
https://discord.gg/d82hJZBeDE

#VortexWave #CarpenterBrut #Synthwave #DarkSynth #2010s

Popular this week:

#ambient #electronic #experimental #rock #drone #techno #noise #industrial #idm #punk #metal #electro #edm #synthpop #neoclassical #glitch #jungle #darksynth #prog #blackgaze

https://getmusic.fm/l/8aqri3

Popular this week:

#ambient #electronic #experimental #rock #drone #techno #noise #industrial #idm #punk #metal #electro #edm #synthpop #neoclassical #glitch #jungle #darksynth #prog #blackgaze

https://getmusic.fm/l/8aqri3

Free download codes:

Nedogled - Spiritwood

"a haunting blend of shadowy synthscapes and sludgy riffs"

https://getmusic.fm/l/VRgcKL

#bandcampcodes #instrumental #darksynth #doomwave #spacemetal #music

Free download codes:

Nedogled - Spiritwood

"a haunting blend of shadowy synthscapes and sludgy riffs"

https://getmusic.fm/l/VRgcKL

#bandcampcodes #instrumental #darksynth #doomwave #spacemetal #music

Free download codes:

Entropy Eternal - You Fought Well

"Blackened Death Metal inspired by Hans Zimmer’s Dune suite “You Fought Well”"

https://getmusic.fm/l/SzjQss

#darksynth #blackeneddeathmetal #symphonicdeathmetal #music

Free download codes:

Entropy Eternal - You Fought Well

"Blackened Death Metal inspired by Hans Zimmer’s Dune suite “You Fought Well”"

https://getmusic.fm/l/SzjQss

#darksynth #blackeneddeathmetal #symphonicdeathmetal #music

Nomadic War Machine – I have a gun. Give me all the money in the register.
#Anarchist #Electronic #Gothic #Industrial #darksynth #indiepop #witchhouse #Leicester
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://nomadicwarmachine.bandcamp.com/album/i-have-a-gun-give-me-all-the-money-in-the-register

Nomadic War Machine – I have a gun. Give me all the money in the register.
#Anarchist #Electronic #Gothic #Industrial #darksynth #indiepop #witchhouse #Leicester
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://nomadicwarmachine.bandcamp.com/album/i-have-a-gun-give-me-all-the-money-in-the-register

Goth song of the day: Harsh Symmetry - Dressed in White

still feeling like shit, but also still surviving

here's a song that made me cry recently

https://www.youtube.com/watch?v=JOuu3GCf90I

#gothic #postpunk #darkwave #darksynth #synthpop #krismusicposting

Featured this week:

#electronic #industrial #downtempo #goth #synth #darkwave #darksynth #hiphop #boombap #melancholy #triphop #obscure #goodbye #music

https://getmusic.fm/l/yW31jR

Free download codes:

Hex Formes - Burn Your Soul Down

"Perfect for night drives, vampire hunting, or self destruction."

https://getmusic.fm/l/cdFzhS

#electronic #industrial #goth #synth #darkwave #darksynth #music

500 Pigments Presets by Patchmaker 🎛️
500 pro presets, 5 exp packs, leads/pads/basses + more, mix-ready, dyn mods

🎁 FREE (reg. $45) for a limited time only!
🔗 Link in bio!

#freeplugin #patchmaker #pigments #presets #sounddesign #electronic #cinematic #darksynth

Karl Casey – White Bat 57
#DarkSynthwave #Electronic #cyberpunk #darksynth #retrowave #synthwave #Paris
CC BY (#CreativeCommons Attribution) #ccmusic
https://karlcasey.bandcamp.com/album/white-bat-57

Karl Casey – White Bat 55
#DarkSynthwave #Electronic #cyberpunk #darksynth #retrowave #synthwave #Paris
CC BY (#CreativeCommons Attribution) #ccmusic
https://karlcasey.bandcamp.com/album/white-bat-55