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Hello, Myth Lovers! To celebrate International #MuseumDay, we'd love to see your posts about #museums! Which museums have great mythological art? Which are your favourite artifacts? Do you have a favourite #museum? Where have you seen an amazing work of art related to mythology? Use the hashtag #MythologyMonday for boosts!
🎨 Kos Archaeological Museum, #Greece
📸 Dionysis Kouris#mythology @archaeodons @mythology @folklore @TarkabarkaHolgy @juergen_hubert @curiousordinary @wihtlore @FairytalesFood @bevanthomas @FinnFolklorist @Godyssey @GaymerGeek @starrytimepod
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Hello, Myth Lovers! To celebrate International #MuseumDay, we'd love to see your posts about #museums! Which museums have great mythological art? Which are your favourite artifacts? Do you have a favourite #museum? Where have you seen an amazing work of art related to mythology? Use the hashtag #MythologyMonday for boosts!
🎨 Kos Archaeological Museum, #Greece
📸 Dionysis Kouris#mythology @archaeodons @mythology @folklore @TarkabarkaHolgy @juergen_hubert @curiousordinary @wihtlore @FairytalesFood @bevanthomas @FinnFolklorist @Godyssey @GaymerGeek @starrytimepod
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December 6: Nikos Romanos talks about the December generation, #Exarchia and street justice
(2022) 14 years after the rage of December, Nikos Romanos talks about the 2008 #Uprising, the December generation, Exarchia, subversive memory, street justice and the match that will light the fire.
Nikos Romanos' interview was given in December 2022 to Chryssa Lykou and radcast.gr and is being uploaded here for archival reasons, following his earlier wish.
Editor: Chryssa Lykou Sound Engineer: Dionysis Antipas
The song heard in the video is "F@ck The Police" by Psychodrama, DIA, Dust Rhymes & Flowjob.
The photo that appears as a thumbnail in this video depicts (bottom left) Alexandros Grigoropoulos on September 19, 2008, wearing a T-shirt that reads "as beautiful as a rock on a cop's face", just a few months before his murder, at a concert in solidarity with conscientious objector Lazaros Petromelidis, on Strefi Hill, where a live cover of the 38mm by Deus X Machina is played with a special appearance by Sotiris from Dead End on the microphone. The 38mm of Dead End was written for Michalis Kaltezas, another 15-year-old student murdered by a cop in Exarchia on November 17, 1985. :antifa_100:
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Ich bin kein Wagnerfan, aber im #LiebethalerGrund zu sein, ist immer wieder ein besonderes Erlebnis, gerade auch im Herbst. Hier soll er Teile seines Lohengrin komponiert haben. Im Grund unweit der Lochmühle steht das weltweit größte, sehr dunkle Wagner-Monument von Richard Guhr aus dem Jahr 1933. Monumental erhebt sich „der Meister“ als Gralsritter, umgeben von fünf allegorischen Figuren, die die fünf Elemente seiner Musik verkörpern sollen: das Sphärische,das Lyrische, das Dionysische, das Tragische und das Dämonische. Auf Instagram puzzelte ich ein Reel zusammen auf einen kleinen Schnipsel aus dem Lohengrin-Vorspiel zum ersten Akt (es gelang mir nicht besonders gut, aber einen kleinen Eindruck vom Ort hat man damit vielleicht... hier zu sehen: https://www.instagram.com/reel/CkWHg1vofEk/?igshid=YmMyMTA2M2Y=).
#RichardWagner #Denkmal #Kulturstreunerei #mdRddG #HastDuAuchEinenOhrwurm #Ohrwürmer
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El alejamiento por razones fiscales le puso nombre a #ExileOnMainStreet, el disco doble de los #RollingStones que hoy cumple 50 años y se grabó en la Villa de Nellcôte en la Riviera Francesa a pesar de sonar como si se hubiese hecho en Memphis. Las sombras del sótano donde se creó y el espíritu dionisíaco se presentan en los 67 minutos que componen esta abundantes dosis de blues, country, gospel y R&B, además de permitirnos percibir las leyendas que se han construido alrededor de la elaboración de este trabajo histórico.
#EfemeridesRock -
El alejamiento por razones fiscales le puso nombre a #ExileOnMainStreet, el disco doble de los #RollingStones que hoy cumple 50 años y se grabó en la Villa de Nellcôte en la Riviera Francesa a pesar de sonar como si se hubiese hecho en Memphis. Las sombras del sótano donde se creó y el espíritu dionisíaco se presentan en los 67 minutos que componen esta abundantes dosis de blues, country, gospel y R&B, además de permitirnos percibir las leyendas que se han construido alrededor de la elaboración de este trabajo histórico.
#EfemeridesRock -
De Mildenhall Treasure
De grote schaal (Mildenhall Treasure; British Museum, Londen)Februari 1942. De Tweede Wereldoorlog is in volle gang. Een Britse piloot met ziekteverlof maakt een rijtoer in de omgeving van een luchtmachtbasis aan de Engelse oostkust. De man weet dat hij niet meer zal herstellen en weet niet wat hij zal doen als hem binnenkort eervol ontslag wordt verleend. Misschien terug naar de oliemaatschappij waar hij voor de oorlog werkte? Misschien een diplomatieke functie in een van de Britse koloniën in Afrika? Of misschien de journalistiek?
Journalistiek
Hij denkt aan het laatste nu hij heeft vernomen dat een boer in de voorgaande maand bij het ploegen Romeins zilver heeft gevonden. Daar zit een verhaal in. Hij weet de man, een dagloner, te vinden. Die vertelt dat hij het materiaal heeft overgedragen aan de landeigenaar. De piloot-met-journalistieke-aspiraties spreekt ook de landeigenaar, die hem het zilver laat zien. Hij wil er geen afstand van doen. Bovendien: het is oorlog, dit is Oost-Engeland, sinds de Battle of Britain wagen museummedewerkers zich hier niet langer. En er is in dit gebied ook nog de herinnering aan de vondst van Sutton Hoo, toen de mensen van het British Museum hier geen al te beste indruk hadden gemaakt. De eigenaar wil het materiaal behouden.
Twee kommen (Mildenhall Treasure; British Museum, Londen)Zwijgend constateert de piloot het bedrog: de landeigenaar berooft zijn dagloner van zijn vindersloon. Hij maakt notities voor een artikel, maar dat journalistieke stuk komt er niet, aangezien hij even later wordt benoemd tot een van de militair attachés in Washington. Daar heeft hij verantwoordelijk werk: sinds een paar maanden zijn de Verenigde Staten in oorlog met Japan en Duitsland, en de Britse en Amerikaanse legers moeten nog leren samenwerken. De nieuwe diplomaat heeft ander werk aan het hoofd, de aantekeningen over de zilverschat belanden ergens onderaan een stapel urgentere zaken.
De stof laat hem echter niet los. Als hij na de oorlog wordt gedemobiliseerd, publiceert hij alsnog het verhaal over de archeologische vondst. Daar is een aanleiding voor: de archeologische autoriteiten hebben in 1946 het zilver in beslag genomen. Omdat de landeigenaar de vondst niet heeft gemeld, krijgt noch hij noch zijn dagloner een vergoeding. Terwijl de laatste, als hij de vondst niet had afgestaan maar had gemeld, 50% vindersloon zou hebben gehad. Ook het British Museum, dat het zilver heeft verworven, vindt deze gang van zaken onbetamelijk. Men voelt wroeging en zorgt ervoor dat elke man uiteindelijk 1000 pond krijgt, wat omgerekend neerkomt op €55.000.
Pollepels (Mildenhall Treasure; British Museum, Londen)De Mildenhall Treasure
Een fooi. Het ging om niet minder dan vierendertig zilveren voorwerpen, waaronder een schaal van ruim acht kilo met dionysische afbeeldingen. Er zijn twee kleinere schalen, kommen, een soort dienblad, lepels. En ook al weet niemand na vier jaar de precieze vindplaats nog aan te wijzen, deze Mildenhall Treasure is een sensatie. De zilverwaarde is ongeveer 250.000 pond (omgerekend €14.000.000), maar de feitelijke betekenis is een heel andere: het materiaal komt uit de vierde eeuw en bewijst dat laat-Romeins Britannië niet zo arm was als oudheidkundigen tot dan toe hadden aangenomen. De dionysische afbeeldingen suggereren bovendien dat het heidendom nog vitaal was.
Te rijk voor dat tijdvak, te heidens voor een gekerstend keizerrijk: de twee mannen worden verdacht van fraude en het helpt niet dat ze de vindplaats niet exact meer weten. Ze worden gewantrouwd, krijgen ze te horen, en ze moeten maar dankbaar zijn voor hun fooi. Om die reden besluit de gedemobiliseerde piloot-diplomaat het verhaal te publiceren: in 1947 verschijnt het onder de titel “He Plowed Up $1,000,000”. De auteur, die zonder verder werk is en moet leven van zijn pen, staat niettemin de helft van zijn royalties af aan de dagloner die de vondst had gedaan. Hem is immers ongeveer 125.000 pond door de neus geboord.
Kleine schaal (Mildenhall Treasure; British Museum, Londen)Inmiddels weten oudheidkundigen meer. Er zijn sinds de jaren veertig meer schatten gevonden in het achterland van de laat-Romeinse kustverdediging, de Litus Saxonicum, hoewel zelden meer zo spectaculair. Dat het heidendom ook in de vierde eeuw bestond, is iets waar niemand nog van opkijkt. Oudheidkundigen weten dus meer van de laatantieke wereld. Vermoedelijk is deze schat – want voor één keer mogen we een archeologische vondst “schat” noemen – in de jaren zestig van de vierde eeuw, toen diverse groepen “barbaren” Romeins Britannië plunderden, begraven door de eigenaar van een paleisvilla, en heeft deze geen gelegenheid gehad het zilver op te halen.
Flauwe archeologiejournalistiek
Inmiddels weten oudheidkundigen meer – niet alleen over laatantiek Engeland, ook over de manier waarop archeologische autoriteiten het beste handelen als burgers een toevalsvondst doen. Volmaakt is het systeem nog altijd niet, maar inmiddels zien archeologen amateurs niet meer als vandalen maar als medestanders.
Nog een kleine schaal (Mildenhall Treasure; British Museum, Londen)Dat nieuwe beleid heeft ook een nogal gênant gevolg, want het wemelt inmiddels van de flauwe archeologiejournalistiek. Steeds opnieuw lezen we hoe een voorbijganger, een ploegende boer, een spelend kind, een dienstplichtige die een schuttersputje graaft of een andere niet-specialist een vondst doet, die keurig bij de autoriteiten meldt, en dat die vondst dan ook nog belangrijk is. Dat is zelden werkelijk waar, en zulke flauwe stukjes dienen dan ook niet om u te informeren, maar om het publiek aan te sporen tot net gedrag. Nudgen is vanzelfsprekend geen journalistieke taak.
Enfin. De Mildenhall Treasure is nu dus in het British Museum. De dagloner bleef gefrustreerd achter. De piloot-diplomaat publiceerde nog negentien romans, elf verhalenbundels en zevenenvijftig filmscenario’s, waaronder de James Bond-film You Only Live Twice. U heeft vast wel eens iets gelezen van Roald Dahl.
[Dit was het 529e voorwerp in mijn reeks museumstukken.]
Het ziet er niet best uit voor Libanon. Als u meer wil weten over dat geteisterde land, lees dan mijn boek. Deze blog kunt u ook volgen via een Whatsapp-kanaal.
Zelfde tijdvak
Oorlogskind (21) We verhuizen opnieuw
oktober 6, 2016
Palestijnse vluchtelingen
april 22, 2013
Peter Pontiac, Kraut
februari 16, 2014 Deel dit: #BritishMuseum #heidendom #LitusSaxonicum #MildenhallTreasure #RoaldDahl #SuttonHoo #TweedeWereldoorlog -
De Mildenhall Treasure
De grote schaal (Mildenhall Treasure; British Museum, Londen)Februari 1942. De Tweede Wereldoorlog is in volle gang. Een Britse piloot met ziekteverlof maakt een rijtoer in de omgeving van een luchtmachtbasis aan de Engelse oostkust. De man weet dat hij niet meer zal herstellen en weet niet wat hij zal doen als hem binnenkort eervol ontslag wordt verleend. Misschien terug naar de oliemaatschappij waar hij voor de oorlog werkte? Misschien een diplomatieke functie in een van de Britse koloniën in Afrika? Of misschien de journalistiek?
Journalistiek
Hij denkt aan het laatste nu hij heeft vernomen dat een boer in de voorgaande maand bij het ploegen Romeins zilver heeft gevonden. Daar zit een verhaal in. Hij weet de man, een dagloner, te vinden. Die vertelt dat hij het materiaal heeft overgedragen aan de landeigenaar. De piloot-met-journalistieke-aspiraties spreekt ook de landeigenaar, die hem het zilver laat zien. Hij wil er geen afstand van doen. Bovendien: het is oorlog, dit is Oost-Engeland, sinds de Battle of Britain wagen museummedewerkers zich hier niet langer. En er is in dit gebied ook nog de herinnering aan de vondst van Sutton Hoo, toen de mensen van het British Museum hier geen al te beste indruk hadden gemaakt. De eigenaar wil het materiaal behouden.
Twee kommen (Mildenhall Treasure; British Museum, Londen)Zwijgend constateert de piloot het bedrog: de landeigenaar berooft zijn dagloner van zijn vindersloon. Hij maakt notities voor een artikel, maar dat journalistieke stuk komt er niet, aangezien hij even later wordt benoemd tot een van de militair attachés in Washington. Daar heeft hij verantwoordelijk werk: sinds een paar maanden zijn de Verenigde Staten in oorlog met Japan en Duitsland, en de Britse en Amerikaanse legers moeten nog leren samenwerken. De nieuwe diplomaat heeft ander werk aan het hoofd, de aantekeningen over de zilverschat belanden ergens onderaan een stapel urgentere zaken.
De stof laat hem echter niet los. Als hij na de oorlog wordt gedemobiliseerd, publiceert hij alsnog het verhaal over de archeologische vondst. Daar is een aanleiding voor: de archeologische autoriteiten hebben in 1946 het zilver in beslag genomen. Omdat de landeigenaar de vondst niet heeft gemeld, krijgt noch hij noch zijn dagloner een vergoeding. Terwijl de laatste, als hij de vondst niet had afgestaan maar had gemeld, 50% vindersloon zou hebben gehad. Ook het British Museum, dat het zilver heeft verworven, vindt deze gang van zaken onbetamelijk. Men voelt wroeging en zorgt ervoor dat elke man uiteindelijk 1000 pond krijgt, wat omgerekend neerkomt op €55.000.
Pollepels (Mildenhall Treasure; British Museum, Londen)De Mildenhall Treasure
Een fooi. Het ging om niet minder dan vierendertig zilveren voorwerpen, waaronder een schaal van ruim acht kilo met dionysische afbeeldingen. Er zijn twee kleinere schalen, kommen, een soort dienblad, lepels. En ook al weet niemand na vier jaar de precieze vindplaats nog aan te wijzen, deze Mildenhall Treasure is een sensatie. De zilverwaarde is ongeveer 250.000 pond (omgerekend €14.000.000), maar de feitelijke betekenis is een heel andere: het materiaal komt uit de vierde eeuw en bewijst dat laat-Romeins Britannië niet zo arm was als oudheidkundigen tot dan toe hadden aangenomen. De dionysische afbeeldingen suggereren bovendien dat het heidendom nog vitaal was.
Te rijk voor dat tijdvak, te heidens voor een gekerstend keizerrijk: de twee mannen worden verdacht van fraude en het helpt niet dat ze de vindplaats niet exact meer weten. Ze worden gewantrouwd, krijgen ze te horen, en ze moeten maar dankbaar zijn voor hun fooi. Om die reden besluit de gedemobiliseerde piloot-diplomaat het verhaal te publiceren: in 1947 verschijnt het onder de titel “He Plowed Up $1,000,000”. De auteur, die zonder verder werk is en moet leven van zijn pen, staat niettemin de helft van zijn royalties af aan de dagloner die de vondst had gedaan. Hem is immers ongeveer 125.000 pond door de neus geboord.
Kleine schaal (Mildenhall Treasure; British Museum, Londen)Inmiddels weten oudheidkundigen meer. Er zijn sinds de jaren veertig meer schatten gevonden in het achterland van de laat-Romeinse kustverdediging, de Litus Saxonicum, hoewel zelden meer zo spectaculair. Dat het heidendom ook in de vierde eeuw bestond, is iets waar niemand nog van opkijkt. Oudheidkundigen weten dus meer van de laatantieke wereld. Vermoedelijk is deze schat – want voor één keer mogen we een archeologische vondst “schat” noemen – in de jaren zestig van de vierde eeuw, toen diverse groepen “barbaren” Romeins Britannië plunderden, begraven door de eigenaar van een paleisvilla, en heeft deze geen gelegenheid gehad het zilver op te halen.
Flauwe archeologiejournalistiek
Inmiddels weten oudheidkundigen meer – niet alleen over laatantiek Engeland, ook over de manier waarop archeologische autoriteiten het beste handelen als burgers een toevalsvondst doen. Volmaakt is het systeem nog altijd niet, maar inmiddels zien archeologen amateurs niet meer als vandalen maar als medestanders.
Nog een kleine schaal (Mildenhall Treasure; British Museum, Londen)Dat nieuwe beleid heeft ook een nogal gênant gevolg, want het wemelt inmiddels van de flauwe archeologiejournalistiek. Steeds opnieuw lezen we hoe een voorbijganger, een ploegende boer, een spelend kind, een dienstplichtige die een schuttersputje graaft of een andere niet-specialist een vondst doet, die keurig bij de autoriteiten meldt, en dat die vondst dan ook nog belangrijk is. Dat is zelden werkelijk waar, en zulke flauwe stukjes dienen dan ook niet om u te informeren, maar om het publiek aan te sporen tot net gedrag. Nudgen is vanzelfsprekend geen journalistieke taak.
Enfin. De Mildenhall Treasure is nu dus in het British Museum. De dagloner bleef gefrustreerd achter. De piloot-diplomaat publiceerde nog negentien romans, elf verhalenbundels en zevenenvijftig filmscenario’s, waaronder de James Bond-film You Only Live Twice. U heeft vast wel eens iets gelezen van Roald Dahl.
[Dit was het 529e voorwerp in mijn reeks museumstukken.]
Het ziet er niet best uit voor Libanon. Als u meer wil weten over dat geteisterde land, lees dan mijn boek. Deze blog kunt u ook volgen via een Whatsapp-kanaal.
Zelfde tijdvak
Der Widerchrist
juli 22, 2016
Asmahan, prinses en zangeres
juli 14, 2024
De eeuw van Gisèle
augustus 3, 2019 Deel dit: #BritishMuseum #heidendom #LitusSaxonicum #MildenhallTreasure #RoaldDahl #SuttonHoo #TweedeWereldoorlog -
Saverio Cannistrà, OCD: Carmelite Shepherd for Pisa
On February 6, 2025, Pope Francis appointed Saverio of the Sacred Heart Cannistrà, O.C.D., as the new Archbishop of Pisa. A Discalced Carmelite friar, theologian, and former Superior General of the Order, Archbishop-elect Cannistrà has served the Church with wisdom, humility, and a profound sense of the Carmelite charism.
In 2019, during the Extraordinary Definitory of the Discalced Carmelite Friars in Goa, India, he delivered a homily at the site of the first Discalced Carmelite foundation in the country, established in 1619. This gathering marked the fourth centenary of the Teresian Carmelites’ presence in India, a milestone that invited reflection on the Order’s missionary spirit.
The homily that follows was translated by the blogger for that occasion. Archbishop-elect Cannistrà reflected on the courage and spiritual depth that animated the first Discalced Carmelites in India. His words from Goa take on renewed significance today as he prepares for his new pastoral mission in Pisa.
For a deeper look at his Carmelite roots and new pastoral mission, listen to our latest podcast episode below.
https://youtu.be/q6yDfu6rhhc?si=L3sD8gqk8bAUhK3k
His full homily from the 2019 gathering follows.
A Carmelite Reflection on Mission
(Homily of Father Saverio Cannistrà, O.C.D., Goa, February 8, 2019 – Translation by the blogger)
Votive Mass of Blesseds Denis and Redemptus
Readings: Eph 6:10–20; Mt 5:1–12It is with special emotion that I preside at this Eucharistic celebration together with all of you, my dear brothers in Carmel. We are in the place where the first Discalced Carmelite convent stood in Goa and in India. The first three Carmelites arrived in Goa on Christmas Day, 1619: they were Father Leandro of the Annunciation and two professed students, Brother Elías and Brother José Alejo.
The convent was officially inaugurated on March 19, 1621, with the vestition of seven novices, among whom was a young Portuguese soldier who took the name Brother Redemptus of the Cross [Blessed Redemptus].
On July 16 of the following year, the church was solemnly dedicated to Our Lady of Mount Carmel. The community remained here for about 90 years, until 1709, when all non-Portuguese missionaries were forced to leave. The convent was then handed over to the Oratorians of St. Philip Neri.
It was in this convent, on Christmas Day in 1636, that Father Dionysius of the Nativity [Blessed Denis] made his solemn profession in the hands of Father Filippo of the Holy Trinity, a missionary, theologian, writer, and, at the end of his life, Superior General of the Congregation of Italy. While Father Dionysius was studying theology in preparation for his priestly ordination, Brother Redemptus of the Cross, who had returned to Goa from the Tatta mission (in present-day Pakistan), was serving as porter and sacristan in the same monastery.
As we know, in 1638, these two friars—Blesseds Denis and Redemptus—were sent to Sumatra as part of a diplomatic mission to the Sultan of Aceh, where they were ultimately martyred for the faith.
These simple historical notes give us an idea of the richness of the history that we commemorate today: a history of holiness, of Carmelite life, of missionary zeal, and above all, of love for God and neighbor. Many thoughts and feelings arise as we remember this.
The first is a sense of awe at the dynamism shown by the Teresian Carmel in its early years. Who would have imagined that just fifty years after its humble beginnings in Duruelo, the Discalced Carmelites would already be in Goa—the capital of the Portuguese Indies, a metropolis of about 200,000 inhabitants—having passed through Poland, Persia, the island of Ormuz, and the empire of the Great Mogul?
Scholars can analyze the historical reasons behind this extraordinary expansion of a small group of contemplative religious. But for us, this history calls us to reflect on what the true strength of our religious vocation is:
It is not the force of numbers, nor of tradition, nor of structures, which can become a burden and an obstacle. It is the power of the Spirit, the abundance of his gifts, which transforms our weakness and our fears into the courage and joy of the disciples and apostles of Jesus Christ.
As we heard in the first reading, it is the armor of God that allows us to face the trials and challenges of history. Truth, justice, peace, faith, and listening to the Word of God are the weapons that make up this armor.
A second thought concerns the relationship between contemplation and action. Nothing is more misleading than opposing these two dimensions. The more one is truly contemplative, the more one is truly active—or rather, we become instruments of God’s action, servants of His will.
The first generations of Discalced Carmelites—especially Father John of Jesus-Mary—understood perfectly the core message of St. Teresa of Avila:
Contemplation is allowing oneself to be invaded and transformed by God, who is Love. And Love is always the same: love for God and love for humanity. These two cannot be separated.
It was the fire of this love that made our confreres of four centuries ago so dynamic and effective. They loved God and gave themselves to Him without reserve. But precisely for this reason, they loved the Church and made themselves radically available to it, with obedience, without personal agendas.
They loved humanity, appreciated and valued the cultures, languages, and places where they lived. Their contemplation naturally opened them to mission, which was a movement of true encounter. These Carmelites understood that going on a mission meant getting close to others, listening, studying, and discovering the richness of different peoples.
Thus, their study of theology was not separate from their study of languages, religions, geography, and even botany.
Love is like the sun: it warms, it allows all of humanity to grow and bear fruit in those who allow themselves to be illuminated by it.
Dear brothers, let us thank the Lord for these 400 years of Carmelite presence in India. Let us do so with joyful hearts and with humble awareness of our smallness in the face of such greatness.
At the same time, let us do so with the conviction that this history is not over—it continues in us. We are the brothers of Father Leandro, Father Filippo, Father Dionysius, and Brother Redemptus.
From them, we can learn what it means to live our Carmelite vocation today—as children of St. Teresa and St. John of the Cross.
Let us ask for their intercession, so that the flame that the Spirit ignited in their hearts may not be extinguished in us and in our communities.
Four hundred years ago, the first Discalced Carmelites set foot in India, carrying the spirit of St. Teresa of Avila beyond Europe. Today, one of their sons is called to shepherd the Church in Pisa. The same trust in divine providence that sustained those early missionaries now accompanies Archbishop-elect Saverio Cannistrà as he prepares for his new mission.
Let us entrust him to the intercession of Our Lady of Mount Carmel and the protection of the Sacred Heart of Jesus. May the Holy Spirit, who guided the first Carmelites to distant lands, guide him now as he takes up his pastoral office in Pisa.
Want to stay updated on Carmelite wisdom and reflections? Listen to the Carmelite Quotes podcast, subscribe to our blog, and share this post with others!
Translation from the Italian text is the blogger’s own work product and may not be reproduced without permission.
Featured image: Discalced Carmelite Superior General Saverio of the Sacred Heart Cannistrà, O.C.D. greets Pope Francis in St. Peter’s Square at the Mass for the canonization of St. Mary of Jesus Crucified Baouardy. Image credit: Discalced Carmelites
#archbishop #BlessedsDenisAndRedemptus #DenisOfTheNativity #DiscalcedCarmelite #friars #homily #India #nomination #Podcast #PopeFrancis #RedemptusOfTheCross
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AFORISMI PER L’INSUCCESSO.
di Lavinia Marchetti
Quando mi ritrovo invischiata in riunioni inutili, in mezzo al cuore pulsante del "capitalismo", in genere, dopo i primi 10 minuti, inizio a pensare come Adorno e a vedere il mondo con il suo filtro e mentre faccio finta di scrivere appunti, scrivo aforismi.
L’INFAMIA DELLA SCALA SOLITARIA
La meritocrazia è l'alibi supremo della plutocrazia, una maschera razionale posta sul volto grottesco di un'oligarchia che non accetta più di essere chiamata col suo nome. Il simbolo del nostro tempo non è più la croce, ma la scala: un dispositivo perverso progettato per essere scalato in solitudine, dove ogni gradino conquistato richiede di calpestare la mano di chi sta sotto. Raymond Williams l'aveva intuito: la scala "addolcisce il veleno della gerarchia" offrendo l'illusione di un'ascesa individuale che però distrugge alla radice ogni possibilità di solidarietà collettiva. Si sale da soli, si perisce insieme, ma con la soddisfazione narcisistica di aver "meritato" la propria asfissia in cima.IL PARADOSSO DEL PERDENTE "GIUSTO"
Nella distopia di Michael Young, il vero orrore non è il successo dei pochi, ma la condanna morale dei molti. Se un tempo l'oppresso poteva maledire la sfortuna o l'ingiustizia divina, oggi il "fallito" è costretto a guardarsi allo specchio e ammettere che la sua miseria è il risultato esatto delle sue mancanze. La meritocrazia toglie al diseredato l'ultimo lusso: l'indignazione. È un sistema che non si limita a sfruttare il corpo, ma mutila l'anima, convincendo chi sta in basso che il gradino di polvere che occupa è l'unico che abbia davvero "meritato".L’ESTETICA DEL "SUCCESSO DISPERATO"
Si guardi alla figura della mumpreneur, questo mostro di efficienza che trasforma il tavolo della cucina in un ufficio mentre il tempo le scivola tra le dita. È l'incarnazione di quello che potremmo chiamare "successo disperato": una strategia di sopravvivenza venduta come liberazione femminista . La meritocrazia neoliberale ci incita a diventare "imprenditori di noi stessi", internalizzando lo sfruttamento fino a quando non c'è più distinzione tra la vita che viviamo e il marchio che dobbiamo vendere per non affogare.IL NICHILISMO DELLA PRESTAZIONE
Viviamo sotto il giogo di un "estremismo meritocratico" che esige che ogni istante della nostra esistenza sia giustificato da un risultato. Nietzsche avrebbe riso di questa morale da schiavi travestita da volontà di potenza. Non è la forza che cerchiamo, ma il riconoscimento da parte di un sistema di valutazione che abbiamo noi stessi eretto a nostro patibolo. Se l'esistenza non ha scopo, la meritocrazia è il tentativo più patetico di dare un ordine gerarchico al vuoto, classificando le ombre in base alla loro capacità di brillare sotto una luce artificiale.LA CORRUZIONE DELLA SPERANZA
C'è un veleno speciale in quella che Jo Littler chiama "la trazione culturale della speranza meritocratica". È la speranza che ci tiene incatenati alla ruota, la convinzione che se solo lavorassimo un po' più duramente, se solo fossimo un po' più brillanti, potremmo evadere dalla nostra condizione. Ma la scala è truccata, i pioli mancano proprio dove la salita si fa più ripida. Questa speranza è l’esatto contrario di un motore, è un sedativo che impedisce di vedere che il problema non è la nostra incapacità di salire, ma la scala stessa.IL "VIBE" DI CLASSE NEL COLLOQUIO
Si parla di "soft skills" e "personalità", ma nel confessionale del colloquio di lavoro ciò che si cerca è l'eco del proprio privilegio. Bourdieu ci ha insegnato che il "merito" è spesso solo il nome che diamo a un habitus compatibile. Il candidato che muove le mani con la giusta noncuranza o che cita l'hobby "giusto" non è più bravo, è solo più simile a chi deve sceglierlo. La meritocrazia è l’arte di premiare chi ha avuto i genitori giusti per insegnargli a sembrare uno che non ha avuto bisogno di genitori. È un gioco di specchi dove l'élite riconosce se stessa e si autoproclama "eccellenza".LA PALESTRA COME CANTIERE DEL CAPITALE
Persino il corpo è diventato un curriculum vitae. Lo sforzo in palestra non è più dionisiaco, ma una forma di contabilità biologica. Un corpo tonico è il segnale visibile di una "volontà di ferro" che può essere venduta sul mercato. Se non riesci a scolpire i tuoi addominali, come potrai gestire un team? La tirannia del merito ha trasformato il grasso in un fallimento ontologico e il muscolo in un investimento azionario. È la riduzione dell'uomo a materiale da costruzione, costantemente monitorato da orologi intelligenti che contano i passi verso il nulla.LA "MUMPRENEUR" E LA COLONIZZAZIONE DELL'AFFETTO
Si osservi la madre che trasforma il gioco del figlio in un contenuto per i social, sperando di monetizzare la propria maternità. È l'estremismo meritocratico che invade il santuario dell'inutile. Anche l'amore materno deve diventare "meritorio", produttivo, visibile. Non sei solo una madre, troppo “semplice”, devi essere un'imprenditrice della tua cura. È l'abolizione del tempo gratuito. Se un momento non produce "valore" o "merito", esso semplicemente non esiste.LA "RESILIENZA" COME VIRTÙ DEL BASTONATO
La parola d'ordine del merito moderno è "resilienza". Non è la forza di chi combatte, ma la capacità di chi incassa senza lamentarsi. Ti chiedono di essere resiliente davanti a ritmi disumani e stipendi da fame perché, se crolli, la colpa è della tua psiche, non del sistema. Il merito ha privatizzato la sofferenza, se sei stressato, devi fare meditazione, non scendere in piazza. È la morale degli schiavi elevata a psicologia positiva. Nietzsche avrebbe visto in questa "resilienza" il trionfo del risentimento mascherato da equilibrio interiore.IL TEMPO LIBERO COME "MANUTENZIONE"
Persino le vacanze sono diventate un compito meritocratico. Bisogna andare nei posti giusti, fare le foto giuste, dimostrare che si sa "vivere bene". Il tempo libero non è più otium, ma manutenzione del capitale umano. Si va in vacanza per "ricaricare le pile" in vista della prossima stagione di produzione. Chi sta sdraiato a guardare il soffitto senza produrre nulla, né ricordi, né post, né relax misurabile, è visto come un criminale. La meritocrazia ha ucciso la noia, che era l'unica porta rimasta aperta verso la verità del nulla. -
Spirituality & Religious Studies @spiritualityreligiousstudies.wordpress.com@spiritualityreligiousstudies.wordpress.com ·Archangel Michael
Also called Michael the Taxiarch. A taxiarch is used in the Greek language to mean “brigadier,” or a commander of a company. In Greek Orthodoxy, it refers to the Archangels Michael or Gabriel as leaders of the heavenly hosts.
Michael is an archangel & warrior of God in Christianity, Islam, & Judaism. The earliest surviving mentions of his name are in the 2nd or 3rd centuries BC Jewish works, often but not always apocalyptic. In these works, he’s the chief of the angels & archangels. He’s the guardian prince of Israel & is responsible for the care of the people of Israel.
Christianity conserved nearly all of Jewish traditions concerning him. He’s mentioned explicitly in Revelation 12:7-12, where he does battle with Satan, & in the Epistle of Jude, where the archangel & the devil have an argument over the body of Moses.
The Book of Enoch lists Michael as 1 of 7 archangels. The remaining names are: Uriel, Raguel, Raphael, Sariel, Gabriel, & Remiel. He’s mentioned again in the last chapters of the Book of Daniel, a Jewish apocalypse composed in the 2nd century BC, in which a man clothed in linen tells Daniel that he & “Michael, your prince” are engaged in a battle with the “prince of Persia,” after which, at the end-time, “Michael, the great prince who protects your people, will arise.”
Enoch was instrumental in establishing the pre-eminent place of Michael among the angels & archangels. In later Jewish works, he’s said to be their chief, mediating the Torah, & standing at the right hand of the throne of God.
In the traditions of the Qumran community, he defends, or leads, the people of God in the end-time battle. In other writings, he’s responsible for the care of Israel & acts as commander of the heavenly armies. He’s Israel’s advocate, contesting Satan’s claim to the body of Moses.
He intercedes between God & humanity & serves as High Priest in the heavenly sanctuary. (So would this make him Aaron’s equal? We’re sincerely asking. Let us know your take in the comments.) He accompanies the souls of the righteous dead to Paradise.
The 7 archangels (or 4, as traditions differ, but always include Michael) were associated with the branches of the menorah, the sacred 7-branched lamp stand in the Temple, as the 7 spirits before the throne of God. This is reflected in the Book of Revelation 4:5. Michael is mentioned explicitly in Revelation 12:7-12, where he does battle with Satan & casts him out of heaven so that he no longer has that exclusive access to God as accuser (his former role in the Old Testament).
Satan’s fall at the coming of Jesus marks the separation of the New Testament from Judaism. In Luke 22:31, Jesus tells Peter that Satan has asked God for permission to “sift” the disciples, the goal being to accuse them. But the accusation by Jesus, who thus takes on the role played by angels, & especially by Michael, in Judaism.
Michael is mentioned by anem for the 2nd time in the Epistle of Jude, which is an impassioned plea for the believers to engage in battle against the incursion of the error. In verses 9-10, the author denounces the heretics by contrasting them with the archangel Michael, who, in disputing with Satan over the body of Moses.
According to rabbinic tradition, Michael acted as the advocate of Israel. Sometimes he had to fight with the princes of other nations (Daniel 10:13), & particularly with the angel Samael, Israel’s accuser. Their hostility dates from the time Samael was thrown from heaven & tried to drag Michael down with him, requiring God’s intervention.
The rabbis declare that Michael came into his role as defender at the time of the biblical patriarchs. Rabbi Eliezer ben Jacob said Michael rescued Abraham from the furnace into which he’d been thrown by Nimrod. Some say he was the “one that had escaped” (Genesis 14:13), who told Abraham that Lot had been taken captive & who protected Sarah from defilement by Abimelech.
Michael prevented Isaac’s being sacrificed by his dad by substituting a ram in his place. He saved Jacob, while still in his mom’s womb, from death at the hands of Samuel. Michael later prevented Laban from hurting Jacob. The midrash Exodus Rabbah holds that Michael exercised his function as an advocate of Israel at the time of the Exodus & destroyed Sennacherib’s army.
Epiphanius of Salamis (circa 310-circa 320-403), in his Coptic-Arabic Hexaemeron, referred to Michael as a replacement of Satan. Accordingly, after Satan fell, Michael was appointed to the function Satan served when he was still 1 of the noble angels.
A painting of Michael slaying a serpent became a major art piece at the Michaelion after Constantine defeated Licinius near there in 324. This contributed to the standard iconography that developed of Michael as a warrior saint slaying a dragon. The Michaelion was a magnificent church & in time became a model for hundreds of other churches in Eastern Christianity.
In the 4th century, St. Basil the Great’s homily, De Angelis, St. Michael over all the angels. He was called “Archangel” because he heralds other angels, the title archangelos applied to him in Jude 1:9. The angelology of Pseudo-Dionysius, which was widely read as of the 6th century, gave Michael a rank in the hierarchy of angels.
Later, in the 13th century, others such as Bonventure believed him to be Prince of the Seraphim, the 1st of the 9 angelic orders. According to Thomas Aquinas, Michael is the Prince of the last & lowest choir, the Angels.
Catholics often refer to Michael as “Holy Michael, the Archangel” or “St. Michael.” He’s generally referred to in Christian liturgies as “St. Michael,” as in the Litany of the Saints. In a shortened archangel, is mentioned by name, omitting Saints Gabriel & Raphael.
In Roman Catholic teachings, St. Michael has 4 main roles or offices. His 1st role is the leader of the Army of God & the leader of celestial forces in triumphing over the powers of Hell. He’s viewed as the angelic model for the virtues of the “spiritual warrior,” his conflict with evil taken as “the battle within.”
The 2nd & 3rd roles of Michael in Catholic teachings deal with death. In his 2nd role, he’s the angel of death, carrying the souls of Christians to Heaven. In his 3rd role, he weighs souls on his perfectly balanced scales. The scales are a common object he holds in art.
In his 4th role, St. Michael, the special patron of the Chosen People in the Old Testament, is also Guardian of the Church. St. Michael was revered by the military orders of knights during the Middle Ages. The names of villages around the Bay of Biscay reflect this history.
The Eastern Orthodox give Michael the title Archistrategos, or “Supreme Commander of the Heavenly Hosts.” The Eastern Orthodox pray to their guardian angels & above all, to Michael & Gabriel. The Eastern Orthodox have always had a strong devotion to angels. In modern times, they’re referred to by the term “Bodiless Powers.” Several feasts dedicated to Archangel Michael are celebrated by the Eastern Orthodox throughout the year.
In Russia, many monasteries, cathedrals, courts, & merchant churches are dedicated to the Chief Commander Michael. Most Russian cities have a church or chapel dedicated to the archangel Michael. In Ukraine, the archangel Michael is the patron saint of Kyiv. He became popular from the time of Prince Vsevolod of Kyivan Rus’.
While in the Serbian Orthodox Church, St. Sava has a special role as the establisher of its autocephaly & largest Belgrade church devoted to him, the capital Belgrade’s Orthodox cathedral, the see church of the patriarch, is devoted to Michael.
The place of Michael in the Coptic Church of Alexandra is as a saintly intercessor. He’s the 1 who presents to God the prayers of the just, who accompanies the souls of the dead to Heaven, who defeats the devil. He’s celebrated liturgically on the 12th of each Coptic month.
In Alexandria, a church was dedicated to him in the early 4th century on the 12th of the month of Paoni. The 12th month of Hathor is the celebration of Michael’s appointment in Heaven, where Michael became the chief of the angels.
Seventh-Day Adventists believe that “Michael” is but 1 of many titles applied to the pre-existent Christ, or Son of God. According to Adventist theology, Michael was/is considered the “Eternal Word,” & the 1 by whom all things were created. The Word was then born, incarnated as Jesus.
They believe that the name “Michael” signifies “One Who Is Like God” & that, as the “Archangel” or “chief or head of the angels,” he led the angels; thus, the statement in Revelation 12:7-9 refers to Jesus as Michael.
Jehovah’s Witnesses believe that Michael is another name for Jesus in Heaven, in His pre-human & post-resurrection existence. They say the definite article in Jude 9 identifies Michael as the only archangel. They consider Michael to be synonymous with Christ, described in 1 Thessalonians 4:16: “with a cry of command, with the voice of an archangel, & with the sound of the trumpet.”
They believe the prominent roles assigned to Michael in Daniel 12:1, Revelation 12:7, Revelation 16, & Revelation 19:14 are identical to Jesus’ roles, being the 1 chosen to lead God’s people & as the only 1 who “stands up,” identifying the 2 as the same spirit being.
Because they identify Michael with Jesus, he’s considered the 1st & greatest of all God’s heavenly “sons,” God’s chief messenger, who takes the lead in vindicating God’s sovereignty, sanctifying his name, fighting the wicked forces of Satan & protecting God’s covenant people on earth. Jehovah’s Witnesses also identify Michael with the “Angel of the Lord” who led & protected the Israelites in the wilderness.
Members of the Mormon Church believe that Michael is Adam (of Adam & Eve fame), the Ancient of Days (Daniel 7), a prince, & the patriarch of the human family. They also hold that Michael assisted Jehovah (the pre-mortal form of Jesus) in the creation of the world under the direction of God the Father (Elohim). Under the direction of the Father, Michael also cast Satan out of Heaven.
In Islam, Mika’il (Michael) is 1 of 4 archangels along with Jibril (Gabriel, whom he’s often paired with), Israfil (trumpeter angel) & ‘Azra’il (angel of death). In other Islamic literature, Michael is associated with mercy. He asks God for forgiveness for humans & is 1 of the 1st angels who obeyed God’s orders to bow before Adam.
From the tears of Michael, angels of mercy are created as his helpers. Like Gabriel, with whom he’s often mentioned together, Michael is also a messenger. While Gabriel delivers messages from Heaven to humans, Michael delivers messages to the angelic world.
As the angel to execute God’s providence, he’s also associated with natural phenomena & causes rain upon the lands. Unlike Christian traditions, Michael is rarely shown as a warrior-angel, with a few references to the Battle of Badr by Suyuti as an exception.
The Miraj literature on occasion mentions both Gabriel & Michael as 2 angels who showed Muhammad Paradise & Hell. He’s mentioned in Shia supplication (Dua), reportedly handed down by the 6th Imam Ja’far al-Sadiq, in the prayers for blessings for the Bearers of the Throne.
The figures of Michael & Gabriel/Jibril serve as dual pillars of angelology. While they show up in the same texts, their “personalities” & mythological roles are distinct. Michael is the celestial soldier & protector. While Gabriel is the bridge between the divine mind & the human ear.
The name Michael (Mikha’el) translates from Hebrew as a rhetorical question: “Who is like God?” This name is actually a battle cry used during the primordial war in Heaven.
In the Book of Daniel, Michael is described as the “Great Prince” who stands guard over the people of Israel. Jewish Midrash expands on this. It suggests that Michael is the high priest of the Heavenly Temple. When other nations’ guardian angels argue against Israel, Michael acts as the defense in the celestial courtroom. Because after all, God is the judge of all.
Michael’s most iconic role comes from the Book of Revelation. Here, he leads an army of God against the Dragon (a.k.a. Satan). He’s almost always dressed in Roman/Medieval armor, standing over a defeated demon/dragon, holding a spear/sword.
In Catholic traditions, Michael has a secondary role as the Psychopomp. A Psychopomp is a conductor or a guide of souls. The 1 who “weighs” souls at the moment of death. This is why he’s sometimes shown with scales.
In Islamic tradition, Mikail (Michael) is 1 of 4 archangels. While Jibril feeds the soul (through revelation), Mikail is the Angel of Sustenance. He’s responsible for the forces of nature, specifically rain & lightning. Legends say he’s so moved by the majesty of God that he hasn’t smiled since the creation of Hell.
In the United States, Michael is the patron saint of paratroopers, police officers, & the military.
In the General Roman Calendar, the Anglican Calendar of Saints, & the Lutheran Calendar of Saints, Michael’s feast day is Michaelmas Day (September 29). The day is also the feast day of St. Gabriel & Raphael, in the General Roman Calendar & the Feast of St. Michael & All Angels in the Church of England.
In the Eastern Orthodox Church, St. Michael’s principal feast day is November 8. November 21, if they’re using the Gregorian calendar. Honoring him along with the rest of the “Bodiless Powers of Heaven” (angels) as their Supreme Commander, & the Miracle at Chonae is celebrated on September 6.
In the Coptic Orthodox Church, the main feast day is on 12 Hathor (between November 9 & December 9) & 12 Paoni (between June 8 & July 7). He is celebrated liturgically on the 12th of each Coptic month.
On April 7, the Oriental Orthodox Church commemorates the deliverance of the prophet Jeremiah from prison by Michael.
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Outrage, like all emotions, has its time and place. One should, for example, be outraged at a genocide.
Outrage is a powerful emotion and engaging people’s emotions can provide wealth, fame, clicks and even power. Which brings us to the “last supper” Olympics outrage bullshit.
This is not the Last Supper, and only a cultural […]https://www.ianwelsh.net/culture-rage-outrage-bs-at-the-olympics/
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A recent piece in Science News explores hypercuriosity as a possible strength in ADHD, not just a by-product of impulsivity, but potentially linked to a deeper neurological drive to explore and connect ideas. The article highlights research suggesting that curiosity and impulsivity may involve the same reward pathways, and raises the concern that suppressing impulsivity in classrooms and workplaces could also dampen curiosity. https://www.sciencenews.org/article/adhd-advantage-hypercuriosity
#ADHD #hyperfocus #curiosity #hypercuriosity -
After a wonderful day at our annual conference in Birmingham last week, I’m delighted to share that today marked my first day as Co-Chair of the UK’s Professional Association of Specific Learning Difference Specialists in Higher Education (@passhe). Honoured to step up to this role and excited to lead a pioneering organisation that has been supporting #university #students with #SpLD in #HigherEducation for over 20 years. #ADHD #dyslexia #dyspraxia #dyscalculia #ASC #UK #HE #education #inclusion
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Are you an #ADHDer who often find yourself spiralling, convinced that friends or colleagues are disappointed in you? Chances are it’s Rejection Sensitive Dysphoria, a common aspect of #ADHD. It’s not easy, but stopping where you are, taking a deep breath and trying to reflect on past worries that proved false can break the spiral and help you take back control of your emotions. Acknowledge the power #RSD has to ruin your day and nip it in the bud!
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For example, some people with #ADHD have a hard time sitting still or staying in one place for a long period of time. But this can actually be a strength in the #creative process! If you're a creative with ADHD, try using your energy and #restlessness to your advantage by working on multiple projects at once or exploring new mediums and techniques
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„Die Stimme des Papstes ist prophetisch!“ sagt Kardinal Pietro Parolin in einem Interview. Er ruft außerdem alle Christen auf, den Papst in seinem Einsatz für den Frieden zu unterstützen. Dazu wird die Gebetsvigil mit Papst Leo am Samstag, den 11. April um 18 Uhr aus dem Petersdom übertragen. Beten wir gemeinsam mit Papst Leo für den Frieden! 🙏🏻 👉https://youtube.com/live/LtWUfcHVlgI?feature=share
#papst #papstleoxiv #prophetie #frieden #iran #krieg #ukraine #weltfrieden #gebet #beten #katholisch #kirche #katholischekirche
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„Die Stimme des Papstes ist prophetisch!“ sagt Kardinal Pietro Parolin in einem Interview. Er ruft außerdem alle Christen auf, den Papst in seinem Einsatz für den Frieden zu unterstützen. Dazu wird die Gebetsvigil mit Papst Leo am Samstag, den 11. April um 18 Uhr aus dem Petersdom übertragen. Beten wir gemeinsam mit Papst Leo für den Frieden! 🙏🏻 👉https://youtube.com/live/LtWUfcHVlgI?feature=share
#papst #papstleoxiv #prophetie #frieden #iran #krieg #ukraine #weltfrieden #gebet #beten #katholisch #kirche #katholischekirche
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„Die Stimme des Papstes ist prophetisch!“ sagt Kardinal Pietro Parolin in einem Interview. Er ruft außerdem alle Christen auf, den Papst in seinem Einsatz für den Frieden zu unterstützen. Dazu wird die Gebetsvigil mit Papst Leo am Samstag, den 11. April um 18 Uhr aus dem Petersdom übertragen. Beten wir gemeinsam mit Papst Leo für den Frieden! 🙏🏻 👉https://youtube.com/live/LtWUfcHVlgI?feature=share
#papst #papstleoxiv #prophetie #frieden #iran #krieg #ukraine #weltfrieden #gebet #beten #katholisch #kirche #katholischekirche
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„Die Stimme des Papstes ist prophetisch!“ sagt Kardinal Pietro Parolin in einem Interview. Er ruft außerdem alle Christen auf, den Papst in seinem Einsatz für den Frieden zu unterstützen. Dazu wird die Gebetsvigil mit Papst Leo am Samstag, den 11. April um 18 Uhr aus dem Petersdom übertragen. Beten wir gemeinsam mit Papst Leo für den Frieden! 🙏🏻 👉https://youtube.com/live/LtWUfcHVlgI?feature=share
#papst #papstleoxiv #prophetie #frieden #iran #krieg #ukraine #weltfrieden #gebet #beten #katholisch #kirche #katholischekirche