#scorchedearth — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #scorchedearth, aggregated by home.social.
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Fedi Games
A brief post on a brief find. I was wondering if anyone thought of using the Fediverse, that nebulous internet thing that includes Mastodon, Lemmy, Peertube, Loops, Pixelfed, Hubzilla, Miskey, Fundwhale and more, and used it as an interface to game software. The main thing I've found so far is this site, games.rerere.org.A very simple interface, but maybe
https://setsideb.com/fedi-games/
#niche #Bunkers #fediverse #games #niche #RockPaperScissors #ScorchedEarth #TicTacToe -
The Professor lets it totally rip, near the end & then leaves 😆👏
Professor Jiang Predicts: US WILL LOSE Iran War.
https://m.youtube.com/watch?v=4Ql24Z8SIeE#USpol #Iran #Geopolitics #MEGA #Israel #ScorchedEarth #ProfessorJiang
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The Professor lets it totally rip, near the end & then leaves 😆👏
Professor Jiang Predicts: US WILL LOSE Iran War.
https://m.youtube.com/watch?v=4Ql24Z8SIeE#USpol #Iran #Geopolitics #MEGA #Israel #ScorchedEarth #ProfessorJiang
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The Professor lets it totally rip, near the end & then leaves 😆👏
Professor Jiang Predicts: US WILL LOSE Iran War.
https://m.youtube.com/watch?v=4Ql24Z8SIeE#USpol #Iran #Geopolitics #MEGA #Israel #ScorchedEarth #ProfessorJiang
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The Professor lets it totally rip, near the end & then leaves 😆👏
Professor Jiang Predicts: US WILL LOSE Iran War.
https://m.youtube.com/watch?v=4Ql24Z8SIeE#USpol #Iran #Geopolitics #MEGA #Israel #ScorchedEarth #ProfessorJiang
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The Professor lets it totally rip, near the end & then leaves 😆👏
Professor Jiang Predicts: US WILL LOSE Iran War.
https://m.youtube.com/watch?v=4Ql24Z8SIeE#USpol #Iran #Geopolitics #MEGA #Israel #ScorchedEarth #ProfessorJiang
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I really liked Steven | @destiny in WhickTV debate with Counterpoints, notsoErudite & TheSoyPill
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Harakiri for the Sky – Scorched Earth Review
By Dear Hollow
Harakiri for the Sky is one of those bands that is consistently very good but constantly eludes greatness. The Austrian duo’s grasp on melody is second to none, pairing yearning atmospheres with blackened aggression and meditative tempos, resolute in its muscular weight and melodic motifs without devolving into either jadedness nor frailty. While devoted to the style’s trademark slow-burning growth, they constantly avoid the pitfalls of the “post-black” descriptor, refusing to fall into the weak and twinkly shenanigans of their counterparts. However, composition remains mid-tempo and largely too safely confined to the overlapping of predictable melodies and their organic resolutions. This is not a bad thing and Scorched Earth makes that clear.
Harakiri for the Sky has made its trademark unmistakable, and had five full-lengths of practice in doing so. Instrumentals provided by Matthias Sollak are richly layered with heart-wrenching melodies and bound by thick plodding riffs with the edge of blackened rawness, while J.J.’s formidable barks communicate both riveting charisma and rending pain alike in a bit of a post-hardcore spin. Career highlights like 2016’s III: Trauma and 2021’s Mære firmly establish this balance and run with it, while 2018’s Arson fell into forgettable territory by virtue of simply being in an excellent discography. Frankly, that’s a fantastic problem to have, and I had no doubts that Scorched Earth was going to be anything short of enjoyable. Featuring guests like Tim Yatras of Austere and Serena Cherry of Svalbard and Noctule contributing to this instrumental and vocal tapestry,1 Scorched Earth feels like the natural next step for Harakiri for the Sky in renewed vigor and intensity.
Harakiri for the Sky’s grasp on melody remains largely the same, retaining the “twinkly” description but imbued with a heartbreak reminiscent of more depressive styles. Scorched Earth descends deeper into this dirge, with solemn passages and slower tempos letting the breadth of harmony and desperation echo further across its empty outstretched hands. The approach remains very simple, with Sollak’s chord progressions doing the talking in all their natural crescendos and organic dissolutions. Tracks can take on a nearly folky feel reminiscent of melodeath greats like Insomnium or Amorphis (“Heal Me,” “With Autumn I’ll Surrender”), while the clever layering of riffs, leads, and melodic motifs offer a place of utmost emotional intensity between placid passages of yearning (“Keep Me Longing,” “No Graves But the Sea”), while notable tension in unorthodox chord progressions adds a texture beyond just “pretty black metal” (“Without You I’m Just a Sad Song,” “I Was Just Another Promise You Couldn’t Keep”). While Austere’s Tim Yatras performance is difficult to discern in “Heal Me,” Svalbard/Noctule’s Serena Cherry lends her sirenic croons in closer “Too Late for Goodbyes,” ending Scorched Earth on a solemn and desolate note.
Harakiri for the Sky’s melody, although front and center, is bolstered by tracks featuring a more unpredictable instrumental presence than before. A voiceless venom keeps the sound grounded, as more morose and beautiful movements are contrasted with heavier riffs and moments of darkness that bare a track’s teeth. While the rhythmic chugs kick through the beauty with recklessness (“Without You I’m Just a Sad Song,” “With Autumn I’ll Surrender”) and more upbeat punk rhythms and blastbeats inject a blasting vigor (“No Graves But the Sea,” “Keep Me Longing,” “Too Late for Goodbyes”), dissonance serves as a necessary and ugly thread to keeping the hyper-melodic palette from getting too much (“Heal Me,” “I Was Just Another Promise You Couldn’t Keep). While the vast majority of Scorched Earth is dominated by beauty, it’s nice to have more dimension and more humanity from Harakiri for the Sky in its darker passages.
At its core, Scorched Earth is quintessential Harakiri for the Sky. Setting out with more reckless elements such as heavier riffs, blackened blastbeats, or a touch of dissonance, it feels a tad more dangerous and experimental than in previous iterations.2 However, the epitome of “if it ain’t broke, don’t fix it” formula, Harakiri for the Sky plays it close to the vest with the true star of the show: layers and layers of melody. While shorter than Mære, Scorched Earth is nonetheless daunting in its hour length, and its hyper-melodicism can oft grow tiring while J.J.’s post-hardcore-influenced barks has always felt slightly out of place against the crystalline melody, Harakiri for the Sky remains amazingly melodic and always pleasant to listen to. Scorched Earth, once again, is frustratingly safe – truly the act’s signature.
Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: AOP Records
Websites: harakirifortheskyofficial.bandcamp.com | facebook.com/HarakiriForTheSky
Releases Worldwide: January 24th, 2025#2025 #35 #Amorphis #AOPRecords #Austere #AustrianMetal #BackwardsCharm #BlackMetal #Groza #HarakiriForTheSky #Insomnium #Jan25 #Karg #Megadeth #MelodicBlackMetal #Noctule #PostBlackMetal #PostHardcore #Radiohead #Review #Reviews #ScorchedEarth #Svalbard
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Harakiri for the Sky – Scorched Earth Review
By Dear Hollow
Harakiri for the Sky is one of those bands that is consistently very good but constantly eludes greatness. The Austrian duo’s grasp on melody is second to none, pairing yearning atmospheres with blackened aggression and meditative tempos, resolute in its muscular weight and melodic motifs without devolving into either jadedness nor frailty. While devoted to the style’s trademark slow-burning growth, they constantly avoid the pitfalls of the “post-black” descriptor, refusing to fall into the weak and twinkly shenanigans of their counterparts. However, composition remains mid-tempo and largely too safely confined to the overlapping of predictable melodies and their organic resolutions. This is not a bad thing and Scorched Earth makes that clear.
Harakiri for the Sky has made its trademark unmistakable, and had five full-lengths of practice in doing so. Instrumentals provided by Matthias Sollak are richly layered with heart-wrenching melodies and bound by thick plodding riffs with the edge of blackened rawness, while J.J.’s formidable barks communicate both riveting charisma and rending pain alike in a bit of a post-hardcore spin. Career highlights like 2016’s III: Trauma and 2021’s Mære firmly establish this balance and run with it, while 2018’s Arson fell into forgettable territory by virtue of simply being in an excellent discography. Frankly, that’s a fantastic problem to have, and I had no doubts that Scorched Earth was going to be anything short of enjoyable. Featuring guests like Tim Yatras of Austere and Serena Cherry of Svalbard and Noctule contributing to this instrumental and vocal tapestry,1 Scorched Earth feels like the natural next step for Harakiri for the Sky in renewed vigor and intensity.
Harakiri for the Sky’s grasp on melody remains largely the same, retaining the “twinkly” description but imbued with a heartbreak reminiscent of more depressive styles. Scorched Earth descends deeper into this dirge, with solemn passages and slower tempos letting the breadth of harmony and desperation echo further across its empty outstretched hands. The approach remains very simple, with Sollak’s chord progressions doing the talking in all their natural crescendos and organic dissolutions. Tracks can take on a nearly folky feel reminiscent of melodeath greats like Insomnium or Amorphis (“Heal Me,” “With Autumn I’ll Surrender”), while the clever layering of riffs, leads, and melodic motifs offer a place of utmost emotional intensity between placid passages of yearning (“Keep Me Longing,” “No Graves But the Sea”), while notable tension in unorthodox chord progressions adds a texture beyond just “pretty black metal” (“Without You I’m Just a Sad Song,” “I Was Just Another Promise You Couldn’t Keep”). While Austere’s Tim Yatras performance is difficult to discern in “Heal Me,” Svalbard/Noctule’s Serena Cherry lends her sirenic croons in closer “Too Late for Goodbyes,” ending Scorched Earth on a solemn and desolate note.
Harakiri for the Sky’s melody, although front and center, is bolstered by tracks featuring a more unpredictable instrumental presence than before. A voiceless venom keeps the sound grounded, as more morose and beautiful movements are contrasted with heavier riffs and moments of darkness that bare a track’s teeth. While the rhythmic chugs kick through the beauty with recklessness (“Without You I’m Just a Sad Song,” “With Autumn I’ll Surrender”) and more upbeat punk rhythms and blastbeats inject a blasting vigor (“No Graves But the Sea,” “Keep Me Longing,” “Too Late for Goodbyes”), dissonance serves as a necessary and ugly thread to keeping the hyper-melodic palette from getting too much (“Heal Me,” “I Was Just Another Promise You Couldn’t Keep). While the vast majority of Scorched Earth is dominated by beauty, it’s nice to have more dimension and more humanity from Harakiri for the Sky in its darker passages.
At its core, Scorched Earth is quintessential Harakiri for the Sky. Setting out with more reckless elements such as heavier riffs, blackened blastbeats, or a touch of dissonance, it feels a tad more dangerous and experimental than in previous iterations.2 However, the epitome of “if it ain’t broke, don’t fix it” formula, Harakiri for the Sky plays it close to the vest with the true star of the show: layers and layers of melody. While shorter than Mære, Scorched Earth is nonetheless daunting in its hour length, and its hyper-melodicism can oft grow tiring while J.J.’s post-hardcore-influenced barks has always felt slightly out of place against the crystalline melody, Harakiri for the Sky remains amazingly melodic and always pleasant to listen to. Scorched Earth, once again, is frustratingly safe – truly the act’s signature.
Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: AOP Records
Websites: harakirifortheskyofficial.bandcamp.com | facebook.com/HarakiriForTheSky
Releases Worldwide: January 24th, 2025#2025 #35 #Amorphis #AOPRecords #Austere #AustrianMetal #BackwardsCharm #BlackMetal #Groza #HarakiriForTheSky #Insomnium #Jan25 #Karg #Megadeth #MelodicBlackMetal #Noctule #PostBlackMetal #PostHardcore #Radiohead #Review #Reviews #ScorchedEarth #Svalbard
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Harakiri for the Sky – Scorched Earth Review
By Dear Hollow
Harakiri for the Sky is one of those bands that is consistently very good but constantly eludes greatness. The Austrian duo’s grasp on melody is second to none, pairing yearning atmospheres with blackened aggression and meditative tempos, resolute in its muscular weight and melodic motifs without devolving into either jadedness nor frailty. While devoted to the style’s trademark slow-burning growth, they constantly avoid the pitfalls of the “post-black” descriptor, refusing to fall into the weak and twinkly shenanigans of their counterparts. However, composition remains mid-tempo and largely too safely confined to the overlapping of predictable melodies and their organic resolutions. This is not a bad thing and Scorched Earth makes that clear.
Harakiri for the Sky has made its trademark unmistakable, and had five full-lengths of practice in doing so. Instrumentals provided by Matthias Sollak are richly layered with heart-wrenching melodies and bound by thick plodding riffs with the edge of blackened rawness, while J.J.’s formidable barks communicate both riveting charisma and rending pain alike in a bit of a post-hardcore spin. Career highlights like 2016’s III: Trauma and 2021’s Mære firmly establish this balance and run with it, while 2018’s Arson fell into forgettable territory by virtue of simply being in an excellent discography. Frankly, that’s a fantastic problem to have, and I had no doubts that Scorched Earth was going to be anything short of enjoyable. Featuring guests like Tim Yatras of Austere and Serena Cherry of Svalbard and Noctule contributing to this instrumental and vocal tapestry,1 Scorched Earth feels like the natural next step for Harakiri for the Sky in renewed vigor and intensity.
Harakiri for the Sky’s grasp on melody remains largely the same, retaining the “twinkly” description but imbued with a heartbreak reminiscent of more depressive styles. Scorched Earth descends deeper into this dirge, with solemn passages and slower tempos letting the breadth of harmony and desperation echo further across its empty outstretched hands. The approach remains very simple, with Sollak’s chord progressions doing the talking in all their natural crescendos and organic dissolutions. Tracks can take on a nearly folky feel reminiscent of melodeath greats like Insomnium or Amorphis (“Heal Me,” “With Autumn I’ll Surrender”), while the clever layering of riffs, leads, and melodic motifs offer a place of utmost emotional intensity between placid passages of yearning (“Keep Me Longing,” “No Graves But the Sea”), while notable tension in unorthodox chord progressions adds a texture beyond just “pretty black metal” (“Without You I’m Just a Sad Song,” “I Was Just Another Promise You Couldn’t Keep”). While Austere’s Tim Yatras performance is difficult to discern in “Heal Me,” Svalbard/Noctule’s Serena Cherry lends her sirenic croons in closer “Too Late for Goodbyes,” ending Scorched Earth on a solemn and desolate note.
Harakiri for the Sky’s melody, although front and center, is bolstered by tracks featuring a more unpredictable instrumental presence than before. A voiceless venom keeps the sound grounded, as more morose and beautiful movements are contrasted with heavier riffs and moments of darkness that bare a track’s teeth. While the rhythmic chugs kick through the beauty with recklessness (“Without You I’m Just a Sad Song,” “With Autumn I’ll Surrender”) and more upbeat punk rhythms and blastbeats inject a blasting vigor (“No Graves But the Sea,” “Keep Me Longing,” “Too Late for Goodbyes”), dissonance serves as a necessary and ugly thread to keeping the hyper-melodic palette from getting too much (“Heal Me,” “I Was Just Another Promise You Couldn’t Keep). While the vast majority of Scorched Earth is dominated by beauty, it’s nice to have more dimension and more humanity from Harakiri for the Sky in its darker passages.
At its core, Scorched Earth is quintessential Harakiri for the Sky. Setting out with more reckless elements such as heavier riffs, blackened blastbeats, or a touch of dissonance, it feels a tad more dangerous and experimental than in previous iterations.2 However, the epitome of “if it ain’t broke, don’t fix it” formula, Harakiri for the Sky plays it close to the vest with the true star of the show: layers and layers of melody. While shorter than Mære, Scorched Earth is nonetheless daunting in its hour length, and its hyper-melodicism can oft grow tiring while J.J.’s post-hardcore-influenced barks has always felt slightly out of place against the crystalline melody, Harakiri for the Sky remains amazingly melodic and always pleasant to listen to. Scorched Earth, once again, is frustratingly safe – truly the act’s signature.
Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: AOP Records
Websites: harakirifortheskyofficial.bandcamp.com | facebook.com/HarakiriForTheSky
Releases Worldwide: January 24th, 2025#2025 #35 #Amorphis #AOPRecords #Austere #AustrianMetal #BackwardsCharm #BlackMetal #Groza #HarakiriForTheSky #Insomnium #Jan25 #Karg #Megadeth #MelodicBlackMetal #Noctule #PostBlackMetal #PostHardcore #Radiohead #Review #Reviews #ScorchedEarth #Svalbard
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Harakiri for the Sky – Scorched Earth Review
By Dear Hollow
Harakiri for the Sky is one of those bands that is consistently very good but constantly eludes greatness. The Austrian duo’s grasp on melody is second to none, pairing yearning atmospheres with blackened aggression and meditative tempos, resolute in its muscular weight and melodic motifs without devolving into either jadedness nor frailty. While devoted to the style’s trademark slow-burning growth, they constantly avoid the pitfalls of the “post-black” descriptor, refusing to fall into the weak and twinkly shenanigans of their counterparts. However, composition remains mid-tempo and largely too safely confined to the overlapping of predictable melodies and their organic resolutions. This is not a bad thing and Scorched Earth makes that clear.
Harakiri for the Sky has made its trademark unmistakable, and had five full-lengths of practice in doing so. Instrumentals provided by Matthias Sollak are richly layered with heart-wrenching melodies and bound by thick plodding riffs with the edge of blackened rawness, while J.J.’s formidable barks communicate both riveting charisma and rending pain alike in a bit of a post-hardcore spin. Career highlights like 2016’s III: Trauma and 2021’s Mære firmly establish this balance and run with it, while 2018’s Arson fell into forgettable territory by virtue of simply being in an excellent discography. Frankly, that’s a fantastic problem to have, and I had no doubts that Scorched Earth was going to be anything short of enjoyable. Featuring guests like Tim Yatras of Austere and Serena Cherry of Svalbard and Noctule contributing to this instrumental and vocal tapestry,1 Scorched Earth feels like the natural next step for Harakiri for the Sky in renewed vigor and intensity.
Harakiri for the Sky’s grasp on melody remains largely the same, retaining the “twinkly” description but imbued with a heartbreak reminiscent of more depressive styles. Scorched Earth descends deeper into this dirge, with solemn passages and slower tempos letting the breadth of harmony and desperation echo further across its empty outstretched hands. The approach remains very simple, with Sollak’s chord progressions doing the talking in all their natural crescendos and organic dissolutions. Tracks can take on a nearly folky feel reminiscent of melodeath greats like Insomnium or Amorphis (“Heal Me,” “With Autumn I’ll Surrender”), while the clever layering of riffs, leads, and melodic motifs offer a place of utmost emotional intensity between placid passages of yearning (“Keep Me Longing,” “No Graves But the Sea”), while notable tension in unorthodox chord progressions adds a texture beyond just “pretty black metal” (“Without You I’m Just a Sad Song,” “I Was Just Another Promise You Couldn’t Keep”). While Austere’s Tim Yatras performance is difficult to discern in “Heal Me,” Svalbard/Noctule’s Serena Cherry lends her sirenic croons in closer “Too Late for Goodbyes,” ending Scorched Earth on a solemn and desolate note.
Harakiri for the Sky’s melody, although front and center, is bolstered by tracks featuring a more unpredictable instrumental presence than before. A voiceless venom keeps the sound grounded, as more morose and beautiful movements are contrasted with heavier riffs and moments of darkness that bare a track’s teeth. While the rhythmic chugs kick through the beauty with recklessness (“Without You I’m Just a Sad Song,” “With Autumn I’ll Surrender”) and more upbeat punk rhythms and blastbeats inject a blasting vigor (“No Graves But the Sea,” “Keep Me Longing,” “Too Late for Goodbyes”), dissonance serves as a necessary and ugly thread to keeping the hyper-melodic palette from getting too much (“Heal Me,” “I Was Just Another Promise You Couldn’t Keep). While the vast majority of Scorched Earth is dominated by beauty, it’s nice to have more dimension and more humanity from Harakiri for the Sky in its darker passages.
At its core, Scorched Earth is quintessential Harakiri for the Sky. Setting out with more reckless elements such as heavier riffs, blackened blastbeats, or a touch of dissonance, it feels a tad more dangerous and experimental than in previous iterations.2 However, the epitome of “if it ain’t broke, don’t fix it” formula, Harakiri for the Sky plays it close to the vest with the true star of the show: layers and layers of melody. While shorter than Mære, Scorched Earth is nonetheless daunting in its hour length, and its hyper-melodicism can oft grow tiring while J.J.’s post-hardcore-influenced barks has always felt slightly out of place against the crystalline melody, Harakiri for the Sky remains amazingly melodic and always pleasant to listen to. Scorched Earth, once again, is frustratingly safe – truly the act’s signature.
Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: AOP Records
Websites: harakirifortheskyofficial.bandcamp.com | facebook.com/HarakiriForTheSky
Releases Worldwide: January 24th, 2025Show 2 footnotes
- As well as P.G. from Groza in bonus Radiohead cover “Street Spirit” and Daniel Lang from Karg and dream-pop collective Backwards Charm in bonus Megadeth cover “Elysian Fields.” ↩
- Although, ironically, its entirely cleanly sung cover bonus tracks are the most experimental. ↩
#2025 #35 #Amorphis #AOPRecords #Austere #AustrianMetal #BackwardsCharm #BlackMetal #Groza #HarakiriForTheSky #Insomnium #Jan25 #Karg #Megadeth #MelodicBlackMetal #Noctule #PostBlackMetal #PostHardcore #Radiohead #Review #Reviews #ScorchedEarth #Svalbard
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Check out my new ride in Ark. #firewyvern #rhaena #dracarys #videogame #screenshot #arksurvivalascended #scorchedearth
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Russia has destroyed and damaged over 116,000 #residential buildings, including over 7,000 high-rise #apartment blocks, in Donetsk Oblast since #RussiaInvadedUkraine in Feb 2022
#Marinka is completely destroyed, #Vuhledar barely exists
#Bakhmut, #Avdiivka are almost gone
#Lyman, #Toretsk, Niu-Iork, & #Ocheretyne community are 80% destroyed, #Krasnohorivka is 70-80% destroyed
#WarCrimes #Civilians #CiviliansTargeted #ScorchedEarth #StandWithUkraine
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Russia attacks residential areas in Donetsk Oblast, killing 3
Russian attacks against #residential areas in Pokrovsk and Volnovakha communities killing 3 people.
Also a five-story #ResidentialBuilding in #Ocheretyne collapsed when a Russian KAB-500 guided bomb struck it, Donetsk Oblast Governor Vadym Filashkin reported.
https://kyivindependent.com/russia-attacks-residential-areas-in-donetsk-oblast-killing-3/
#WarCrimes #murder #RussiaInvadedUkraine #Imperialism #ScorchedEarth #StandWithUkraine
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#IRONY
RWNJs spreading fear about carbon tax, while the Earth scorches.If you think carbon tax is expensive, wait till you buy a new house after the last one burns up
(Editorial cartoon: Bruce MacKinnon, Cartoonist) #ClimateChange #ClimateCrisis #Wildfires #ScorchedEarth #Editorial #BruceMacKinnon #Cartoon #CognitiveDissonance #ClimateDenial -
@heidilifeldman Thanks to #Alabama Senator and #BiggestLoser #TommyTraitorville , the #SpaceCommand HQ will REMAIN in #Colorado instead of moving to Alabama.
#DarkBrandon should go #ScorchedEarth on American fascists, and close BOTH the #Army ’s Redstone Arsenal AND #NASA ‘s Huntsville Space & Rocket 🚀 Center!
#SaveAmerica , #DoNotCollaborateWithFascists because #WWG1WGA is true!
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(1/4)
Guten morgen:Das scheint passiert zu sein:
https://mastodon.social/@HistoPol/110602056060375029
(Details im #axios-Artikel)
#Putin führt mE zwischenzeitlich einen Vernichtungsfeldzug gegen die #Ukraine (#ScorchedEarth).
Da er die Ukraine nicht erobern kann, trat Plan B in Kraft: Vernichtung der Lebensgrundlagen der #Ukrainer, die ein Leben in mehr Wohlstand als ihr #russisches Brudervolk unmöglich machen.
So, wie er mit seinen tausenden Dronen die Infrastruktur zerstört, war dies mE auch mit dem... -
Meanwhile, at the other other hellhole: Reddit mod scorched-earth protocol:
There's only one thing they can do, and it's not a checkmate, more of a fire on the way out the door.
- Turn off all spam filtering
- Disable minimum karma requirements
- Allow all posts, disable all rules
- Unban all banned users
- Purge all allowed submitters
- Turn off AutoModerator, Scrub all configs
- Delete all CSS and uploaded images/maps
- Blank all sidebars, Delete all flairs
- Allow NSFW content, Enable sub's content on /all
- Set the sub's color scheme on mobile to something vomit-inducing
- Blank all of the text options such as the sub's topic listing
- Grab a copy of anything in the wikis worth saving
- Disable and permanently remove all third party mod tools and bots
- Invite all users to the moderation team with full comment/submission privs
- GDPR request for their own account data and then
- Use it to delete their accounts and all of their content
-- Amarok @ Tildes: https://tildes.net/~tech/16e3/reddit_ceo_pledges_to_not_force_subreddits_to_reopen_admin_team_then_immediately_threatens#comment-8gbi
#Reddit #RedditStrike #ModWar #ScorchedEarth #ScorchedEarthProtocol
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@TCatInReality @flexghost @[email protected] @Hey_Beth
...#ScorchedEarth.
Yes, maybe attacking him simultaneously would be a good idea, causing him to have a multi-front war.
But as the collapse of O.G. #Rogues sedition case shows (see my earlier response today), a) this time it will not only be 25 Congressmen involved, b) the case will not be as watertight (working at the behest of the leading foreign spy, all proven), and the #US is much more devided than during WWII.
#TFG... -
Exactly.
However, I fear that #Elmo is already firmly set on plan B (#ScorchedEarth, #DeathOfTwitter), because he very quickly realized that he would not have the resources (i.e. like-minded #fascist users) to bring plan A (#TwitterDominination) to fruition.
In fact, plan B was always the more likely outcome.
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Remembering the best shareware-era DOS games that time forgot - Enlarge / A DOS prompt. Welcome to Ars Gaming Week 2019! As a staff full of gamers and game-lover... more: https://arstechnica.com/?p=1548507 #arsgamingweek2019 #capture-the-flag #gaming&culture #classicgaming #scorchedearth #landingparty #dosgames #egatrek #ms-dos #sleuth #games #dos
