home.social

#austere — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #austere, aggregated by home.social.

  1. Splendidula – Absentia Review By Killjoy

    It’s been some time since Splendidula has visited these pages. The fearsome Carcharodon reviewed their sophomore record, Post Mortem, as a wee n00b long ago in 2018, wherein he saw glimmers of potential in the gothic doom metal. He didn’t cover 2021’s Somnus for unknown reasons, though I think he might have been pleased with the heavier post-metal inclinations that permeated the record. The years since then have been rough for this Belgian group, marred by the passing of several loved ones, including their bassist Peter Chromiak. Absentia emerges in the wake of these tragedies as a means to both express and confront this debilitating heartache and loss.

    Chromiak’s absence is felt in the very essence of Absentia. Although drummer Joachim Taminau took up the bassist role, the burly bass presence from the prior two records is all but gone. Splendidula kept much of their gothic doom but, fittingly, chose to fill the void with another of metal’s most expressive subgenres—DSBM. Whereas Kristien Cools previously stuck to clean vocals (for the most part), she now becomes both beauty and beast, dividing her time between sorrowful singing and shrieking. She also leans on a couple of notable guest vocalists. Tim Yatras (Austere) adds blackened snarls and backing cleans to “Absentia,” followed by Aaron Stainthorpe (ex-My Dying Bride, High Parasite), who contributes his rumbling growls and velvety baritone to “Echoes of Quiet Remain.” These guest selections neatly encapsulate the two different aspects of Absentia.

    Absentia by Splendidula

    While much music (and art in general) is born from a place of grief, Absentia is practically synonymous with it. Underneath the stoic exterior lurks a raw torment that flares up whenever and however it wants. For example, “Donkerte” begins with despondent singing, but as the verse progresses, Cools’s voice escalates until finally a primal scream spills out. Later, the double-tracked cleans and screams give the impression of one putting on a brave face as anguish roils inside. When her voice dips into the lower ranges (particularly in “Absentia” and “Let It Come to an End”), it takes on a sort of nasally drawl which augments the mournful atmosphere, though this likely won’t appeal to everyone. Also like grief, sections of certain songs tend to linger for longer than one might like (“Echoes of Quiet Remain,” “Kilte,” “Absentia”).

    Absentia musically conveys the importance of a healthy support system during times of grief. Though much hinges on Cools’s vocal performances, the other two members of Splendidula help to sustain her in subtle but important ways. During “Dalkuldar,” a forlorn respite from the turmoil, the snare rhythms and bass drum beats are akin to a bolstering drumline. The tempestuous percussion also heightens the sense of desperation in “Kilte.” Closing track “Let It Come to an End” flips the script, letting Cools take a backseat and bringing guitarist Guy Van Campenhout’s growls to the forefront, perhaps emblematic of leaning on loved ones during times of crisis.

    In terms of emotional devastation, Absentia is as potent a record as you’re likely to find. Kristien Cools keeps improving with each release, and the compositions complement her increasingly diverse vocal styles well. The deeply personal nature of Splendidula’s work of art is both strength and weakness. The intense and authentic expression of grief is harrowingly beautiful, but in a way that seems impossible for an outsider to fully appreciate. Like attending a funeral for someone you didn’t know, it’s easy to empathize with those in mourning but difficult to feel the same deep personal connection. That said, the next time grief comes for me personally, I may be very grateful that I became acquainted with Absentia.

    Rating: 3.0/5.0
    DR: 6 | Format Reviewed: 320 kbps mp3
    Label: Argonauta Records
    Websites: splendidula.bandcamp.com | facebook.com/Splendidula
    Releases Worldwide: April 3rd, 2026

    #2026 #30 #Apr26 #ArgonautaRecords #Austere #BelgianMetal #BlackMetal #DoomMetal #DSBM #GothicMetal #HighParasite #MyDyingBride #Review #Reviews #Splendidula
  2. Splendidula – Absentia Review By Killjoy

    It’s been some time since Splendidula has visited these pages. The fearsome Carcharodon reviewed their sophomore record, Post Mortem, as a wee n00b long ago in 2018, wherein he saw glimmers of potential in the gothic doom metal. He didn’t cover 2021’s Somnus for unknown reasons, though I think he might have been pleased with the heavier post-metal inclinations that permeated the record. The years since then have been rough for this Belgian group, marred by the passing of several loved ones, including their bassist Peter Chromiak. Absentia emerges in the wake of these tragedies as a means to both express and confront this debilitating heartache and loss.

    Chromiak’s absence is felt in the very essence of Absentia. Although drummer Joachim Taminau took up the bassist role, the burly bass presence from the prior two records is all but gone. Splendidula kept much of their gothic doom but, fittingly, chose to fill the void with another of metal’s most expressive subgenres—DSBM. Whereas Kristien Cools previously stuck to clean vocals (for the most part), she now becomes both beauty and beast, dividing her time between sorrowful singing and shrieking. She also leans on a couple of notable guest vocalists. Tim Yatras (Austere) adds blackened snarls and backing cleans to “Absentia,” followed by Aaron Stainthorpe (ex-My Dying Bride, High Parasite), who contributes his rumbling growls and velvety baritone to “Echoes of Quiet Remain.” These guest selections neatly encapsulate the two different aspects of Absentia.

    Absentia by Splendidula

    While much music (and art in general) is born from a place of grief, Absentia is practically synonymous with it. Underneath the stoic exterior lurks a raw torment that flares up whenever and however it wants. For example, “Donkerte” begins with despondent singing, but as the verse progresses, Cools’s voice escalates until finally a primal scream spills out. Later, the double-tracked cleans and screams give the impression of one putting on a brave face as anguish roils inside. When her voice dips into the lower ranges (particularly in “Absentia” and “Let It Come to an End”), it takes on a sort of nasally drawl which augments the mournful atmosphere, though this likely won’t appeal to everyone. Also like grief, sections of certain songs tend to linger for longer than one might like (“Echoes of Quiet Remain,” “Kilte,” “Absentia”).

    Absentia musically conveys the importance of a healthy support system during times of grief. Though much hinges on Cools’s vocal performances, the other two members of Splendidula help to sustain her in subtle but important ways. During “Dalkuldar,” a forlorn respite from the turmoil, the snare rhythms and bass drum beats are akin to a bolstering drumline. The tempestuous percussion also heightens the sense of desperation in “Kilte.” Closing track “Let It Come to an End” flips the script, letting Cools take a backseat and bringing guitarist Guy Van Campenhout’s growls to the forefront, perhaps emblematic of leaning on loved ones during times of crisis.

    In terms of emotional devastation, Absentia is as potent a record as you’re likely to find. Kristien Cools keeps improving with each release, and the compositions complement her increasingly diverse vocal styles well. The deeply personal nature of Splendidula’s work of art is both strength and weakness. The intense and authentic expression of grief is harrowingly beautiful, but in a way that seems impossible for an outsider to fully appreciate. Like attending a funeral for someone you didn’t know, it’s easy to empathize with those in mourning but difficult to feel the same deep personal connection. That said, the next time grief comes for me personally, I may be very grateful that I became acquainted with Absentia.

    Rating: 3.0/5.0
    DR: 6 | Format Reviewed: 320 kbps mp3
    Label: Argonauta Records
    Websites: splendidula.bandcamp.com | facebook.com/Splendidula
    Releases Worldwide: April 3rd, 2026

    #2026 #30 #Apr26 #ArgonautaRecords #Austere #BelgianMetal #BlackMetal #DoomMetal #DSBM #GothicMetal #HighParasite #MyDyingBride #Review #Reviews #Splendidula
  3. Splendidula – Absentia Review By Killjoy

    It’s been some time since Splendidula has visited these pages. The fearsome Carcharodon reviewed their sophomore record, Post Mortem, as a wee n00b long ago in 2018, wherein he saw glimmers of potential in the gothic doom metal. He didn’t cover 2021’s Somnus for unknown reasons, though I think he might have been pleased with the heavier post-metal inclinations that permeated the record. The years since then have been rough for this Belgian group, marred by the passing of several loved ones, including their bassist Peter Chromiak. Absentia emerges in the wake of these tragedies as a means to both express and confront this debilitating heartache and loss.

    Chromiak’s absence is felt in the very essence of Absentia. Although drummer Joachim Taminau took up the bassist role, the burly bass presence from the prior two records is all but gone. Splendidula kept much of their gothic doom but, fittingly, chose to fill the void with another of metal’s most expressive subgenres—DSBM. Whereas Kristien Cools previously stuck to clean vocals (for the most part), she now becomes both beauty and beast, dividing her time between sorrowful singing and shrieking. She also leans on a couple of notable guest vocalists. Tim Yatras (Austere) adds blackened snarls and backing cleans to “Absentia,” followed by Aaron Stainthorpe (ex-My Dying Bride, High Parasite), who contributes his rumbling growls and velvety baritone to “Echoes of Quiet Remain.” These guest selections neatly encapsulate the two different aspects of Absentia.

    Absentia by Splendidula

    While much music (and art in general) is born from a place of grief, Absentia is practically synonymous with it. Underneath the stoic exterior lurks a raw torment that flares up whenever and however it wants. For example, “Donkerte” begins with despondent singing, but as the verse progresses, Cools’s voice escalates until finally a primal scream spills out. Later, the double-tracked cleans and screams give the impression of one putting on a brave face as anguish roils inside. When her voice dips into the lower ranges (particularly in “Absentia” and “Let It Come to an End”), it takes on a sort of nasally drawl which augments the mournful atmosphere, though this likely won’t appeal to everyone. Also like grief, sections of certain songs tend to linger for longer than one might like (“Echoes of Quiet Remain,” “Kilte,” “Absentia”).

    Absentia musically conveys the importance of a healthy support system during times of grief. Though much hinges on Cools’s vocal performances, the other two members of Splendidula help to sustain her in subtle but important ways. During “Dalkuldar,” a forlorn respite from the turmoil, the snare rhythms and bass drum beats are akin to a bolstering drumline. The tempestuous percussion also heightens the sense of desperation in “Kilte.” Closing track “Let It Come to an End” flips the script, letting Cools take a backseat and bringing guitarist Guy Van Campenhout’s growls to the forefront, perhaps emblematic of leaning on loved ones during times of crisis.

    In terms of emotional devastation, Absentia is as potent a record as you’re likely to find. Kristien Cools keeps improving with each release, and the compositions complement her increasingly diverse vocal styles well. The deeply personal nature of Splendidula’s work of art is both strength and weakness. The intense and authentic expression of grief is harrowingly beautiful, but in a way that seems impossible for an outsider to fully appreciate. Like attending a funeral for someone you didn’t know, it’s easy to empathize with those in mourning but difficult to feel the same deep personal connection. That said, the next time grief comes for me personally, I may be very grateful that I became acquainted with Absentia.

    Rating: 3.0/5.0
    DR: 6 | Format Reviewed: 320 kbps mp3
    Label: Argonauta Records
    Websites: splendidula.bandcamp.com | facebook.com/Splendidula
    Releases Worldwide: April 3rd, 2026

    #2026 #30 #Apr26 #ArgonautaRecords #Austere #BelgianMetal #BlackMetal #DoomMetal #DSBM #GothicMetal #HighParasite #MyDyingBride #Review #Reviews #Splendidula
  4. Splendidula – Absentia Review By Killjoy

    It’s been some time since Splendidula has visited these pages. The fearsome Carcharodon reviewed their sophomore record, Post Mortem, as a wee n00b long ago in 2018, wherein he saw glimmers of potential in the gothic doom metal. He didn’t cover 2021’s Somnus for unknown reasons, though I think he might have been pleased with the heavier post-metal inclinations that permeated the record. The years since then have been rough for this Belgian group, marred by the passing of several loved ones, including their bassist Peter Chromiak. Absentia emerges in the wake of these tragedies as a means to both express and confront this debilitating heartache and loss.

    Chromiak’s absence is felt in the very essence of Absentia. Although drummer Joachim Taminau took up the bassist role, the burly bass presence from the prior two records is all but gone. Splendidula kept much of their gothic doom but, fittingly, chose to fill the void with another of metal’s most expressive subgenres—DSBM. Whereas Kristien Cools previously stuck to clean vocals (for the most part), she now becomes both beauty and beast, dividing her time between sorrowful singing and shrieking. She also leans on a couple of notable guest vocalists. Tim Yatras (Austere) adds blackened snarls and backing cleans to “Absentia,” followed by Aaron Stainthorpe (ex-My Dying Bride, High Parasite), who contributes his rumbling growls and velvety baritone to “Echoes of Quiet Remain.” These guest selections neatly encapsulate the two different aspects of Absentia.

    Absentia by Splendidula

    While much music (and art in general) is born from a place of grief, Absentia is practically synonymous with it. Underneath the stoic exterior lurks a raw torment that flares up whenever and however it wants. For example, “Donkerte” begins with despondent singing, but as the verse progresses, Cools’s voice escalates until finally a primal scream spills out. Later, the double-tracked cleans and screams give the impression of one putting on a brave face as anguish roils inside. When her voice dips into the lower ranges (particularly in “Absentia” and “Let It Come to an End”), it takes on a sort of nasally drawl which augments the mournful atmosphere, though this likely won’t appeal to everyone. Also like grief, sections of certain songs tend to linger for longer than one might like (“Echoes of Quiet Remain,” “Kilte,” “Absentia”).

    Absentia musically conveys the importance of a healthy support system during times of grief. Though much hinges on Cools’s vocal performances, the other two members of Splendidula help to sustain her in subtle but important ways. During “Dalkuldar,” a forlorn respite from the turmoil, the snare rhythms and bass drum beats are akin to a bolstering drumline. The tempestuous percussion also heightens the sense of desperation in “Kilte.” Closing track “Let It Come to an End” flips the script, letting Cools take a backseat and bringing guitarist Guy Van Campenhout’s growls to the forefront, perhaps emblematic of leaning on loved ones during times of crisis.

    In terms of emotional devastation, Absentia is as potent a record as you’re likely to find. Kristien Cools keeps improving with each release, and the compositions complement her increasingly diverse vocal styles well. The deeply personal nature of Splendidula’s work of art is both strength and weakness. The intense and authentic expression of grief is harrowingly beautiful, but in a way that seems impossible for an outsider to fully appreciate. Like attending a funeral for someone you didn’t know, it’s easy to empathize with those in mourning but difficult to feel the same deep personal connection. That said, the next time grief comes for me personally, I may be very grateful that I became acquainted with Absentia.

    Rating: 3.0/5.0
    DR: 6 | Format Reviewed: 320 kbps mp3
    Label: Argonauta Records
    Websites: splendidula.bandcamp.com | facebook.com/Splendidula
    Releases Worldwide: April 3rd, 2026

    #2026 #30 #Apr26 #ArgonautaRecords #Austere #BelgianMetal #BlackMetal #DoomMetal #DSBM #GothicMetal #HighParasite #MyDyingBride #Review #Reviews #Splendidula
  5. Splendidula – Absentia Review By Killjoy

    It’s been some time since Splendidula has visited these pages. The fearsome Carcharodon reviewed their sophomore record, Post Mortem, as a wee n00b long ago in 2018, wherein he saw glimmers of potential in the gothic doom metal. He didn’t cover 2021’s Somnus for unknown reasons, though I think he might have been pleased with the heavier post-metal inclinations that permeated the record. The years since then have been rough for this Belgian group, marred by the passing of several loved ones, including their bassist Peter Chromiak. Absentia emerges in the wake of these tragedies as a means to both express and confront this debilitating heartache and loss.

    Chromiak’s absence is felt in the very essence of Absentia. Although drummer Joachim Taminau took up the bassist role, the burly bass presence from the prior two records is all but gone. Splendidula kept much of their gothic doom but, fittingly, chose to fill the void with another of metal’s most expressive subgenres—DSBM. Whereas Kristien Cools previously stuck to clean vocals (for the most part), she now becomes both beauty and beast, dividing her time between sorrowful singing and shrieking. She also leans on a couple of notable guest vocalists. Tim Yatras (Austere) adds blackened snarls and backing cleans to “Absentia,” followed by Aaron Stainthorpe (ex-My Dying Bride, High Parasite), who contributes his rumbling growls and velvety baritone to “Echoes of Quiet Remain.” These guest selections neatly encapsulate the two different aspects of Absentia.

    Absentia by Splendidula

    While much music (and art in general) is born from a place of grief, Absentia is practically synonymous with it. Underneath the stoic exterior lurks a raw torment that flares up whenever and however it wants. For example, “Donkerte” begins with despondent singing, but as the verse progresses, Cools’s voice escalates until finally a primal scream spills out. Later, the double-tracked cleans and screams give the impression of one putting on a brave face as anguish roils inside. When her voice dips into the lower ranges (particularly in “Absentia” and “Let It Come to an End”), it takes on a sort of nasally drawl which augments the mournful atmosphere, though this likely won’t appeal to everyone. Also like grief, sections of certain songs tend to linger for longer than one might like (“Echoes of Quiet Remain,” “Kilte,” “Absentia”).

    Absentia musically conveys the importance of a healthy support system during times of grief. Though much hinges on Cools’s vocal performances, the other two members of Splendidula help to sustain her in subtle but important ways. During “Dalkuldar,” a forlorn respite from the turmoil, the snare rhythms and bass drum beats are akin to a bolstering drumline. The tempestuous percussion also heightens the sense of desperation in “Kilte.” Closing track “Let It Come to an End” flips the script, letting Cools take a backseat and bringing guitarist Guy Van Campenhout’s growls to the forefront, perhaps emblematic of leaning on loved ones during times of crisis.

    In terms of emotional devastation, Absentia is as potent a record as you’re likely to find. Kristien Cools keeps improving with each release, and the compositions complement her increasingly diverse vocal styles well. The deeply personal nature of Splendidula’s work of art is both strength and weakness. The intense and authentic expression of grief is harrowingly beautiful, but in a way that seems impossible for an outsider to fully appreciate. Like attending a funeral for someone you didn’t know, it’s easy to empathize with those in mourning but difficult to feel the same deep personal connection. That said, the next time grief comes for me personally, I may be very grateful that I became acquainted with Absentia.

    Rating: 3.0/5.0
    DR: 6 | Format Reviewed: 320 kbps mp3
    Label: Argonauta Records
    Websites: splendidula.bandcamp.com | facebook.com/Splendidula
    Releases Worldwide: April 3rd, 2026

    #2026 #30 #Apr26 #ArgonautaRecords #Austere #BelgianMetal #BlackMetal #DoomMetal #DSBM #GothicMetal #HighParasite #MyDyingBride #Review #Reviews #Splendidula
  6. Ready for your next challenge?

    Consider our PgC in Austere Critical Care
    (can be continued up to a full MSc!)

    Module 1 -
    Critical Care Basics: Concepts, Interventions

    Module 2 -
    Intensive Care for Resource-limited Environments

    Module 3 -
    Intensive Care in Tropical Environments

    The PgC is 100% online!
    Enroll now!
    Tuition €3,000

    corom.edu.mt/post-graduate-cer

    #medicine #medical #healthcare #remote #austere #trauma #pre-hospital

  7. Ready for your next challenge?

    Consider our PgC in Austere Critical Care
    (can be continued up to a full MSc!)

    Module 1 -
    Critical Care Basics: Concepts, Interventions

    Module 2 -
    Intensive Care for Resource-limited Environments

    Module 3 -
    Intensive Care in Tropical Environments

    The PgC is 100% online!
    Enroll now!
    Tuition €3,000

    corom.edu.mt/post-graduate-cer

    #medicine #medical #healthcare #remote #austere #trauma #pre-hospital

  8. Ready for your next challenge?

    Consider our PgC in Austere Critical Care
    (can be continued up to a full MSc!)

    Module 1 -
    Critical Care Basics: Concepts, Interventions

    Module 2 -
    Intensive Care for Resource-limited Environments

    Module 3 -
    Intensive Care in Tropical Environments

    The PgC is 100% online!
    Enroll now!
    Tuition €3,000

    corom.edu.mt/post-graduate-cer

    #medicine #medical #healthcare #remote #austere #trauma #pre-hospital

  9. Ready for your next challenge?

    Consider our PgC in Austere Critical Care
    (can be continued up to a full MSc!)

    Module 1 -
    Critical Care Basics: Concepts, Interventions

    Module 2 -
    Intensive Care for Resource-limited Environments

    Module 3 -
    Intensive Care in Tropical Environments

    The PgC is 100% online!
    Enroll now!
    Tuition €3,000

    corom.edu.mt/post-graduate-cer

    #medicine #medical #healthcare #remote #austere #trauma #pre-hospital

  10. Ready for your next challenge?

    Consider our PgC in Austere Critical Care
    (can be continued up to a full MSc!)

    Module 1 -
    Critical Care Basics: Concepts, Interventions

    Module 2 -
    Intensive Care for Resource-limited Environments

    Module 3 -
    Intensive Care in Tropical Environments

    The PgC is 100% online!
    Enroll now!
    Tuition €3,000

    corom.edu.mt/post-graduate-cer

    #medicine #medical #healthcare #remote #austere #trauma #pre-hospital

  11. Here is a photo from yesterday of our students in Tanzania. Are you interested in getting hands-on experience under the tutelage of board-certified physicians?

    Are you an EMT or higher? Come to Kilimanjaro Christian Medical University College and put your training and experience to the test.

    corom.edu.mt/clinical-placemen

    #medical #medicine #healthcare #remote #austere

  12. Here is a photo from yesterday of our students in Tanzania. Are you interested in getting hands-on experience under the tutelage of board-certified physicians?

    Are you an EMT or higher? Come to Kilimanjaro Christian Medical University College and put your training and experience to the test.

    corom.edu.mt/clinical-placemen

    #medical #medicine #healthcare #remote #austere

  13. Here is a photo from yesterday of our students in Tanzania. Are you interested in getting hands-on experience under the tutelage of board-certified physicians?

    Are you an EMT or higher? Come to Kilimanjaro Christian Medical University College and put your training and experience to the test.

    corom.edu.mt/clinical-placemen

    #medical #medicine #healthcare #remote #austere

  14. Here is a photo from yesterday of our students in Tanzania. Are you interested in getting hands-on experience under the tutelage of board-certified physicians?

    Are you an EMT or higher? Come to Kilimanjaro Christian Medical University College and put your training and experience to the test.

    corom.edu.mt/clinical-placemen

    #medical #medicine #healthcare #remote #austere

  15. Here is a photo from yesterday of our students in Tanzania. Are you interested in getting hands-on experience under the tutelage of board-certified physicians?

    Are you an EMT or higher? Come to Kilimanjaro Christian Medical University College and put your training and experience to the test.

    corom.edu.mt/clinical-placemen

    #medical #medicine #healthcare #remote #austere

  16. Here is our Field Guide in the wilds of Belize. Where have you used your CoROM Field Guide?

    corom.edu.mt/field-guide/

    Physical and digital copies available.

    #medical #medicine #healthcare #remote #austere #pre-hospital

  17. Here is our Field Guide in the wilds of Belize. Where have you used your CoROM Field Guide?

    corom.edu.mt/field-guide/

    Physical and digital copies available.

    #medical #medicine #healthcare #remote #austere #pre-hospital

  18. Here is our Field Guide in the wilds of Belize. Where have you used your CoROM Field Guide?

    corom.edu.mt/field-guide/

    Physical and digital copies available.

    #medical #medicine #healthcare #remote #austere #pre-hospital

  19. Here is our Field Guide in the wilds of Belize. Where have you used your CoROM Field Guide?

    corom.edu.mt/field-guide/

    Physical and digital copies available.

    #medical #medicine #healthcare #remote #austere #pre-hospital

  20. Here is our Field Guide in the wilds of Belize. Where have you used your CoROM Field Guide?

    corom.edu.mt/field-guide/

    Physical and digital copies available.

    #medical #medicine #healthcare #remote #austere #pre-hospital

  21. Austère et résistant, cet if lie la caserne Mellinet et les récents habitants du quartier à

    Jardiniers, botanistes, élagueurs… Ils et elles travaillent au service des espaces verts de la ville de Nantes (Loire-Atlantique).…
    #Nantes #FR #France #Actu #News #Europe #EU #actu #Actualités #austère #caserne #europe #habitants #if #lié #mellinet #paysdelaloire #quartier #récents #Républiquefrançaise #résistant
    europesays.com/fr/280753/

  22. We're always striving for the best possible student experience. That's why we're now using EmergeLMS developed by @flightbridgeed

    This fantastic learning management system has a great user experience and is incredibly intuitive.

    We're still migrating many of our courses across to the new platform over the coming months, but have a look at what's already available.

    emergelms.corom.edu.mt/

    #medicine #medical #austere #remote #LMS #aeromedical #wilderness #pharmacology

  23. We're always striving for the best possible student experience. That's why we're now using EmergeLMS developed by @flightbridgeed

    This fantastic learning management system has a great user experience and is incredibly intuitive.

    We're still migrating many of our courses across to the new platform over the coming months, but have a look at what's already available.

    emergelms.corom.edu.mt/

    #medicine #medical #austere #remote #LMS #aeromedical #wilderness #pharmacology

  24. We're always striving for the best possible student experience. That's why we're now using EmergeLMS developed by @flightbridgeed

    This fantastic learning management system has a great user experience and is incredibly intuitive.

    We're still migrating many of our courses across to the new platform over the coming months, but have a look at what's already available.

    emergelms.corom.edu.mt/

    #medicine #medical #austere #remote #LMS #aeromedical #wilderness #pharmacology

  25. Are you planning an extreme expedition in a remote location? Whether that's in an international or domestic context, you need to plan and be prepared for all risks.

    The next classroom days for our Award in Remote Emergency Medical Technician course are scheduled for September, 8th - 13th. Applications close on July 20th. There's still time to enroll!

    corom.edu.mt/award-in-remote-e

    Learn the skills, act with confidence.

    #remote #austere #medicine

  26. Are you planning an extreme expedition in a remote location? Whether that's in an international or domestic context, you need to plan and be prepared for all risks.

    The next classroom days for our Award in Remote Emergency Medical Technician course are scheduled for September, 8th - 13th. Applications close on July 20th. There's still time to enroll!

    corom.edu.mt/award-in-remote-e

    Learn the skills, act with confidence.

    #remote #austere #medicine

  27. Are you planning an extreme expedition in a remote location? Whether that's in an international or domestic context, you need to plan and be prepared for all risks.

    The next classroom days for our Award in Remote Emergency Medical Technician course are scheduled for September, 8th - 13th. Applications close on July 20th. There's still time to enroll!

    corom.edu.mt/award-in-remote-e

    Learn the skills, act with confidence.

    #remote #austere #medicine

  28. Katatonische Vollbedienung: wer's modern mag, gönnt sich das heute erschienene „Nightmares As Extensions Of The Waking State“ des Originals, Anhänger:innen des Alt-Sounds sollten mal bei #Austere reinhören.

    youtube.com/watch?v=xkKQ9Ts_MT

    #Katatonia

  29. We’re here at SOMA 2025 with our senior lecturer Dr Ella Corrick who runs our doctoral programme.

    Do you want to study for a doctorate in Austere Medicine? Or Special Operations Medicine?

    Get in touch:

    corom.edu.mt/doctorate-in-heal

    #medmastodon #medicine #medical #austere #SOMA #PhD

  30. We’re here at SOMA 2025 with our senior lecturer Dr Ella Corrick who runs our doctoral programme.

    Do you want to study for a doctorate in Austere Medicine? Or Special Operations Medicine?

    Get in touch:

    corom.edu.mt/doctorate-in-heal

    #medmastodon #medicine #medical #austere #SOMA #PhD

  31. We’re here at SOMA 2025 with our senior lecturer Dr Ella Corrick who runs our doctoral programme.

    Do you want to study for a doctorate in Austere Medicine? Or Special Operations Medicine?

    Get in touch:

    corom.edu.mt/doctorate-in-heal

    #medmastodon #medicine #medical #austere #SOMA #PhD

  32. Next week, May 5th to 9th, we're at the Special Operations Medical Association (SOMA) 2025 conference in Raleigh, North Carolina. Come by our stand to learn more about our courses.

    specialoperationsmedicine.org/

    #medmastodon #medical #medicine #remote #austere #wilderness

  33. Next week, May 5th to 9th, we're at the Special Operations Medical Association (SOMA) 2025 conference in Raleigh, North Carolina. Come by our stand to learn more about our courses.

    specialoperationsmedicine.org/

    #medmastodon #medical #medicine #remote #austere #wilderness

  34. Next week, May 5th to 9th, we're at the Special Operations Medical Association (SOMA) 2025 conference in Raleigh, North Carolina. Come by our stand to learn more about our courses.

    specialoperationsmedicine.org/

    #medmastodon #medical #medicine #remote #austere #wilderness

  35. Next week, May 5th to 9th, we're at the Special Operations Medical Association (SOMA) 2025 conference in Raleigh, North Carolina. Come by our stand to learn more about our courses.

    specialoperationsmedicine.org/

    #medmastodon #medical #medicine #remote #austere #wilderness