#postblackmetal — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #postblackmetal, aggregated by home.social.
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Svmerion (MEX) + How To Disappear (MEX) + Nebelstørm (NL)
The Cave, Friday, September 11 at 09:00 PM GMT+2
Svmerion (MEX)
Fri September 11, 2026 starts at 23:00
Hailing from Gómez Palacio, Durango Mexican extreme metal force Svmerian delivers a savage blend of thrash and black metal fueled by themes of war, hatred, and violence. Formed in 2018, the band combines razor-sharp riffs, relentless aggression, and raw underground intensity into a sound that’s both chaotic and crushing. With a fierce DIY spirit and uncompromising energy, Svmerian continues to carve its name into the modern extreme metal scene.How To Disappear (MEX)
Fri September 11, 2026 starts at 22:00
Emerging from the underground with a bleak and emotionally charged sound, How to Disappear blends atmospheric black metal, post-metal, and haunting melancholy into an immersive sonic experience. Formed in 2022, the project explores themes of isolation, loss, and existential despair through crushing riffs, ethereal textures, and emotionally raw songwriting. Balancing aggression with cinematic atmosphere, How to Disappear crafts music that is as introspective as it is devastating.Nebelstørm (NL)
Fri September 11, 2026 starts at 21:00
Their performances are more rituals than concerts. Shrouded in smoke and minimal lighting, the band often literally disappears into the mist on stage, their silhouettes only vaguely visible as the music induces an almost trance-like state. The audience is immersed in a world where time fades and only the feeling of chill, darkness, and ecstasy remains. Although the band consciously remains independent of labels and commercial influences, they distribute their music through digital platforms and exclusive physical releases (often on limitededition cassette or vinyl). Each work is an incantation, a snapshot of inner turmoil and natural transience. NEBELSTØRM is built on mist, melancholy, and pure artistic conviction. In a world that is constantly getting louder, NEBELSTØRM whispers in stormy silence.https://offbeat.amsterdam/event/svmerion-mex-how-to-disappear-mex-nebelstorm-nl
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DRAUMUR (Rússia) presenta nou àlbum: "From Fading Sun to Dawn" #Draumur #Atmospheric #PostBlackMetal #Setembre2026 #Rússia #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic
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DRAUMUR (Rússia) presenta nou àlbum: "From Fading Sun to Dawn" #Draumur #Atmospheric #PostBlackMetal #Setembre2026 #Rússia #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic
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GREY SHORES (Suècia) presenta nou àlbum: "Dark Waters of Night" #GreyShores #PostBlackMetal #Shoegaze #Setembre2026 #Suècia #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic
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GREY SHORES (Suècia) presenta nou àlbum: "Dark Waters of Night" #GreyShores #PostBlackMetal #Shoegaze #Setembre2026 #Suècia #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic
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🎧 My top artists of December 🎧
1. Kardeshev
2. Lorna Shore
3. Killswitch Engage
4. Gojira
5. Meshuggah
6. Devourment
7. Gaerea
8. The Ocean
9. Harakiri for the Sky
10. Party Cannon
11. Panzerfaust
12. OCEANS
13. Deafheaven
14. vildhjarta
15. Born of Osiris
16. Katla
17. Opeth
18. Cannibal Corpse
19. After the Burial
20. Caliban#metal #metalhead #metalgirl #music #ProgressiveMetal #slammetal #metalcore #deathcore #brutalmetal #blackmetal #postblackmetal #deathmetal
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By Killjoy
Jord began life in pretty much the exact way one would expect of an atmospheric black metal act. Founder Jörgen “Jurg” Ström would take daily walks through the forests of Sweden during fall 2020, during which he decided to start a nature-oriented musical endeavor. He quickly released two albums, Sol and Måne, on his own before recruiting guitarist Sebastian “Hravn” Svedlund and drummer Stefan Jansson, both of whom he had briefly performed with in Rimfrost and its splinter group Omnicidal. They worked together to create Tundra in 2023, and now look to extend their productive streak with Emellan Träden, Jord’s fourth full-length record in five years.
Jord is a sharp change of pace from the rowdy Rimfrost and Omnicidal, but by no means an unwelcome one. The earlier material that Jurg composed while living a nomadic van lifestyle is a faintly blackened post-rock, suggesting that he mainly listened to Alcest’s Kodama while driving. Emellan Träden retains a similar, albeit more refined, sound. Jord splashes in the same honey-sweet mountain lake as Einvigi or Vorna, the melodies steeped generously in the emotive splendor of Eneferens. The new band members appear to have brought more urgency and heft to Jord. Riffs are more plentiful and Hravn takes every opportunity to erupt in a lively guitar solo. Jansson’s drum beats are more forceful, pairing well with a bass tone that’s crunchy like crisp autumn leaves on the ground.
At first, Emellan Träden may seem more homogeneous than it actually is. Closer attention reveals ample variety, but more in the placement of the building blocks rather than the blocks themselves. For instance, the piano is central to Jord’s sound. Its simple yet wistful melodies underpin several songs (“Stay,” “King of the Night,” “Prinsessan Och Hästen”) in a manner like unto Kauan or Weltenbrandt. Jurg’s vocals are mainly a gravelly growl with a good amount of bite, but in “Stay” he adopts a sharper, rhythmic tone somewhat analogous to Vincent Jones (Æther Realm). His voice serves as an effective contrast with the female singing1 in “Hon Kallar,” which, when paired with a violi,n casts a hearty folk glow. Emellan Träden could have benefitted from a few more moments like this.
Emellan Träden strikes a decent balance between tranquility and heaviness. Jord seems most comfortable with a mid-paced tempo, where the emotional songwriting can shine brightest. The slight over-reliance on this trait might fall a bit flat for some listeners, but when Jord gets it right, the results are efficacious. “Vid Muren” starts off slow as an acoustic guitar intermingles with the electric, then gradually ramps up in velocity and intensity, culminating with a brisk guitar solo that could have sounded out of place without prior setup. Hravn’s soloing is one of the highlights of Emellan Träden, and “Den Brandgula Salen” in particular has the fingerprints of Rimfrost’s Expedition: Darkness all over it. The overall flow of Emellan Träden isn’t perfect, and at times a little jerky, but it’s nonetheless a treat to listen to as a whole.
While Jord’s origins may be stereotypical, its output quality is considerably above average. Emellan Träden is perhaps not the most original post-black record, but it’s among the better-executed ones I’ve heard in the style. Refreshingly, the melancholy and somberness are more of a tool than an end goal. The piano is a simple yet pleasant touch that goes a long way toward helping the music feel inviting. Emellan Träden is very good, but it feels like it’s missing that last little oomph of vitality to become great. Even so, it’s my idea of a perfect album to kick off this fall season.
Rating: 3.5/5.0
DR: 8 | Format Reviewed: 192 kbps mp3
Label: Hammerheart Records
Websites: jord-northernsilence.bandcamp.com | facebook.com/jordsounds
Releases Worldwide: September 5th, 2025#2025 #35 #Alcest #AtmosphericBlackMetal #Einvigi #EmellanTräden #Eneferens #HammerheartRecords #Jord #Kauan #Omnicidal #PostRock #PostBlackMetal #PostMetal #Review #Reviews #Rimfrost #Sep25 #SwedishMetal #Vorna #Weltenbrandt
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FUGIT (Itàlia) presenta nou àlbum: "Cieli di porpora" #Fugit #PostBlackMetal #DarkAmbient #Març2025 #Itàlia #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic