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#phillyjoejones — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #phillyjoejones, aggregated by home.social.

  1. Dexter Gordon - Dexter Calling

    You know, I've decided I'm in agreement with Jerome Sabbagh—hard panning is the way to go for jazz combos.

    This recent Tone Poet rerelease is from a 1961 session with Gordon (tenor), Kenny Drew (piano), Paul Chambers (bass), and Philly Joe Jones (drums)...a definitely "you are there" recording, save for the traditional Van Gelder "piano under a blanket".

    #nowplaying #vinyl #jazz #DexterGordon #KennyDrew #PaulChambers #PhillyJoeJones

  2. Dexter Gordon - Dexter Calling

    You know, I've decided I'm in agreement with Jerome Sabbagh—hard panning is the way to go for jazz combos.

    This recent Tone Poet rerelease is from a 1961 session with Gordon (tenor), Kenny Drew (piano), Paul Chambers (bass), and Philly Joe Jones (drums)...a definitely "you are there" recording, save for the traditional Van Gelder "piano under a blanket".

    #nowplaying #vinyl #jazz #DexterGordon #KennyDrew #PaulChambers #PhillyJoeJones

  3. Dexter Gordon - Dexter Calling

    You know, I've decided I'm in agreement with Jerome Sabbagh—hard panning is the way to go for jazz combos.

    This recent Tone Poet rerelease is from a 1961 session with Gordon (tenor), Kenny Drew (piano), Paul Chambers (bass), and Philly Joe Jones (drums)...a definitely "you are there" recording, save for the traditional Van Gelder "piano under a blanket".

    #nowplaying #vinyl #jazz #DexterGordon #KennyDrew #PaulChambers #PhillyJoeJones

  4. Dexter Gordon - Dexter Calling

    You know, I've decided I'm in agreement with Jerome Sabbagh—hard panning is the way to go for jazz combos.

    This recent Tone Poet rerelease is from a 1961 session with Gordon (tenor), Kenny Drew (piano), Paul Chambers (bass), and Philly Joe Jones (drums)...a definitely "you are there" recording, save for the traditional Van Gelder "piano under a blanket".

  5. Dexter Gordon - Dexter Calling

    You know, I've decided I'm in agreement with Jerome Sabbagh—hard panning is the way to go for jazz combos.

    This recent Tone Poet rerelease is from a 1961 session with Gordon (tenor), Kenny Drew (piano), Paul Chambers (bass), and Philly Joe Jones (drums)...a definitely "you are there" recording, save for the traditional Van Gelder "piano under a blanket".

    #nowplaying #vinyl #jazz #DexterGordon #KennyDrew #PaulChambers #PhillyJoeJones

  6. Bill Evans - Quintessence

    Late period Evans, on Fantasy, from 1976. On this, he's joined by Harold Land (tenor), Kenny Burrell (guitar), Ray Brown (bass), and Philly Joe Jones (drums).

    A relatively short album, with no Evans originals...but the group does a nice job with these tracks.

    I'm going to excuse the bad pun in the title.

    #nowplaying #vinyl #postbop #cooljazz #BillEvans #HaroldLand #KennyBurrell #RayBrown #PhillyJoeJones

  7. Bill Evans - Quintessence

    Late period Evans, on Fantasy, from 1976. On this, he's joined by Harold Land (tenor), Kenny Burrell (guitar), Ray Brown (bass), and Philly Joe Jones (drums).

    A relatively short album, with no Evans originals...but the group does a nice job with these tracks.

    I'm going to excuse the bad pun in the title.

    #nowplaying #vinyl #postbop #cooljazz #BillEvans #HaroldLand #KennyBurrell #RayBrown #PhillyJoeJones

  8. Bill Evans - Quintessence

    Late period Evans, on Fantasy, from 1976. On this, he's joined by Harold Land (tenor), Kenny Burrell (guitar), Ray Brown (bass), and Philly Joe Jones (drums).

    A relatively short album, with no Evans originals...but the group does a nice job with these tracks.

    I'm going to excuse the bad pun in the title.

    #nowplaying #vinyl #postbop #cooljazz #BillEvans #HaroldLand #KennyBurrell #RayBrown #PhillyJoeJones

  9. Bill Evans - Quintessence

    Late period Evans, on Fantasy, from 1976. On this, he's joined by Harold Land (tenor), Kenny Burrell (guitar), Ray Brown (bass), and Philly Joe Jones (drums).

    A relatively short album, with no Evans originals...but the group does a nice job with these tracks.

    I'm going to excuse the bad pun in the title.

  10. Bill Evans - Quintessence

    Late period Evans, on Fantasy, from 1976. On this, he's joined by Harold Land (tenor), Kenny Burrell (guitar), Ray Brown (bass), and Philly Joe Jones (drums).

    A relatively short album, with no Evans originals...but the group does a nice job with these tracks.

    I'm going to excuse the bad pun in the title.

    #nowplaying #vinyl #postbop #cooljazz #BillEvans #HaroldLand #KennyBurrell #RayBrown #PhillyJoeJones

  11. Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note

    Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.

    My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.

    #1950s #1958 #2022 #BlueNote #BlueNoteClassicVinylSeries #BudPowell #CohearentAudio #jazz #KevinGray #OptimalGmbH #PhillyJoeJones #Reissue #SamJones #vinyl #vinylcollection #vinylfinds
  12. Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note

    Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.

    My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.

    #1950s #1958 #2022 #BlueNote #BlueNoteClassicVinylSeries #BudPowell #CohearentAudio #jazz #KevinGray #OptimalGmbH #PhillyJoeJones #Reissue #SamJones #vinyl #vinylcollection #vinylfinds
  13. Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note

    Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.

    My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.

    #1950s #1958 #2022 #BlueNote #BlueNoteClassicVinylSeries #BudPowell #CohearentAudio #jazz #KevinGray #OptimalGmbH #PhillyJoeJones #Reissue #SamJones #vinyl #vinylcollection #vinylfinds
  14. Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note

    Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.

    My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.

    #1950s #1958 #2022 #BlueNote #BlueNoteClassicVinylSeries #BudPowell #CohearentAudio #jazz #KevinGray #OptimalGmbH #PhillyJoeJones #Reissue #SamJones #vinyl #vinylcollection #vinylfinds
  15. Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note

    Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.

    My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.

    #1950s #1958 #2022 #BlueNote #BlueNoteClassicVinylSeries #BudPowell #CohearentAudio #jazz #KevinGray #OptimalGmbH #PhillyJoeJones #Reissue #SamJones #vinyl #vinylcollection #vinylfinds
  16. “The thing is they had a similar type of #intelligence. #PhillyJoeJones: Very #smart. Very, very smart. #Miles also. Very smart. Philly had a lot of range of interests too, #reading + a lot of stuff. That type of intelligence comes out in their playing” #MilesDavis open.substack.com/pub/iverson/...

    TT 560 part four: Interview wi...

  17. “The thing is they had a similar type of #intelligence. #PhillyJoeJones: Very #smart. Very, very smart. #Miles also. Very smart. Philly had a lot of range of interests too, #reading + a lot of stuff. That type of intelligence comes out in their playing” #MilesDavis open.substack.com/pub/iverson/...

    TT 560 part four: Interview wi...

  18. “The thing is they had a similar type of #intelligence. #PhillyJoeJones: Very #smart. Very, very smart. #Miles also. Very smart. Philly had a lot of range of interests too, #reading + a lot of stuff. That type of intelligence comes out in their playing” #MilesDavis open.substack.com/pub/iverson/...

    TT 560 part four: Interview wi...

  19. “The thing is they had a similar type of #intelligence. #PhillyJoeJones: Very #smart. Very, very smart. #Miles also. Very smart. Philly had a lot of range of interests too, #reading + a lot of stuff. That type of intelligence comes out in their playing” #MilesDavis open.substack.com/pub/iverson/...

    TT 560 part four: Interview wi...

  20. “The thing is they had a similar type of #intelligence. #PhillyJoeJones: Very #smart. Very, very smart. #Miles also. Very smart. Philly had a lot of range of interests too, #reading + a lot of stuff. That type of intelligence comes out in their playing” #MilesDavis open.substack.com/pub/iverson/...

    TT 560 part four: Interview wi...

  21. Chet Baker in New York

    Chet flies from California to NYC to take a bite out of the 1958 Big Apple. Meeting him here are Miles' rhythm section (Philly Joe Jones & Paul Chambers), along with Al Haig (piano), and Johnny Griffin (tenor).

    Lots of melodic songs with good playing all around, and the rhythm section pushes everyone into a less West Coast style.

    #nowplaying #vinyl #jazz #ChetBaker #PaulChambers #PhillyJoeJones #AlHaig #JohnnyGriffin

  22. Chet Baker in New York

    Chet flies from California to NYC to take a bite out of the 1958 Big Apple. Meeting him here are Miles' rhythm section (Philly Joe Jones & Paul Chambers), along with Al Haig (piano), and Johnny Griffin (tenor).

    Lots of melodic songs with good playing all around, and the rhythm section pushes everyone into a less West Coast style.

    #nowplaying #vinyl #jazz #ChetBaker #PaulChambers #PhillyJoeJones #AlHaig #JohnnyGriffin

  23. Chet Baker in New York

    Chet flies from California to NYC to take a bite out of the 1958 Big Apple. Meeting him here are Miles' rhythm section (Philly Joe Jones & Paul Chambers), along with Al Haig (piano), and Johnny Griffin (tenor).

    Lots of melodic songs with good playing all around, and the rhythm section pushes everyone into a less West Coast style.

    #nowplaying #vinyl #jazz #ChetBaker #PaulChambers #PhillyJoeJones #AlHaig #JohnnyGriffin

  24. Chet Baker in New York

    Chet flies from California to NYC to take a bite out of the 1958 Big Apple. Meeting him here are Miles' rhythm section (Philly Joe Jones & Paul Chambers), along with Al Haig (piano), and Johnny Griffin (tenor).

    Lots of melodic songs with good playing all around, and the rhythm section pushes everyone into a less West Coast style.

  25. Chet Baker in New York

    Chet flies from California to NYC to take a bite out of the 1958 Big Apple. Meeting him here are Miles' rhythm section (Philly Joe Jones & Paul Chambers), along with Al Haig (piano), and Johnny Griffin (tenor).

    Lots of melodic songs with good playing all around, and the rhythm section pushes everyone into a less West Coast style.

    #nowplaying #vinyl #jazz #ChetBaker #PaulChambers #PhillyJoeJones #AlHaig #JohnnyGriffin

  26. De-Dah – Elmo Hope Trio

    I’m in the middle of marking examinations so I will only do a brief post, while I take a short break, to follow up on the one about Hampton Hawes I did a couple of days ago. When I wrote that one it struck me that there are rather a lot of great musicians, especially pianists like Hampton Hawes, who were never appreciated as much as they should have been. Another that springs to mind is Elmo Hope, for whom Thelonious Monk seems to have been a great influence and who therefore provides an interesting contrast with Hampton Hawes who was perhaps more influenced by Bud Powell. Elmo Hope died young, largely because of a bad heroin habit, which also affected his career through his erratic behaviour and the criminal record he acquired for narcotics offences. He was a really fine musician and composer, though, with a very original voice and idiosyncratic sense of time. This track was recorded in 1953 with Paul Chambers on bass and Philly Joe Jones on drums, both of whom were to find fame with Miles Davis a few years later.

    https://www.youtube.com/watch?v=CPkK8c-BN0Y

    #DeDah #ElmoHope #ElmoHopeTrio #Jazz #PaulChambers #PhillyJoeJones

  27. De-Dah – Elmo Hope Trio

    I’m in the middle of marking examinations so I will only do a brief post, while I take a short break, to follow up on the one about Hampton Hawes I did a couple of days ago. When I wrote that one it struck me that there are rather a lot of great musicians, especially pianists like Hampton Hawes, who were never appreciated as much as they should have been. Another that springs to mind is Elmo Hope, for whom Thelonious Monk seems to have been a great influence and who therefore provides an interesting contrast with Hampton Hawes who was perhaps more influenced by Bud Powell. Elmo Hope died young, largely because of a bad drug habit, which also affected his career through his erratic behaviour and the criminal record he acquired for drugs offences. He was a really fine musician and composer, though, with a very original voice and idiosyncratic sense of time. This track was recorded in 1953 with Paul Chambers on bass and Philly Joe Jones on drums, both of whom were to find fame with Miles Davis a few years later.

    https://www.youtube.com/watch?v=CPkK8c-BN0Y

    #DeDah #ElmoHope #ElmoHopeTrio #Jazz #PaulChambers #PhillyJoeJones

  28. De-Dah – Elmo Hope Trio

    I’m in the middle of marking examinations so I will only do a brief post, while I take a short break, to follow up on the one about Hampton Hawes I did a couple of days ago. When I wrote that one it struck me that there are rather a lot of great musicians, especially pianists like Hampton Hawes, who were never appreciated as much as they should have been. Another that springs to mind is Elmo Hope, for whom Thelonious Monk seems to have been a great influence and who therefore provides an interesting contrast with Hampton Hawes who was perhaps more influenced by Bud Powell. Elmo Hope died young, largely because of a bad drug habit, which also affected his career through his erratic behaviour and the criminal record he acquired for drugs offences. He was a really fine musician and composer, though, with a very original voice and idiosyncratic sense of time. This track was recorded in 1953 with Paul Chambers on bass and Philly Joe Jones on drums, both of whom were to find fame with Miles Davis a few years later.

    https://www.youtube.com/watch?v=CPkK8c-BN0Y

    #DeDah #ElmoHope #ElmoHopeTrio #Jazz #PaulChambers #PhillyJoeJones

  29. De-Dah – Elmo Hope Trio

    I’m in the middle of marking examinations so I will only do a brief post, while I take a short break, to follow up on the one about Hampton Hawes I did a couple of days ago. When I wrote that one it struck me that there are rather a lot of great musicians, especially pianists like Hampton Hawes, who were never appreciated as much as they should have been. Another that springs to mind is Elmo Hope, for whom Thelonious Monk seems to have been a great influence and who therefore provides an interesting contrast with Hampton Hawes who was perhaps more influenced by Bud Powell. Elmo Hope died young, largely because of a bad heroin habit, which also affected his career through his erratic behaviour and the criminal record he acquired for narcotics offences. He was a really fine musician and composer, though, with a very original voice and idiosyncratic sense of time. This track was recorded in 1953 with Paul Chambers on bass and Philly Joe Jones on drums, both of whom were to find fame with Miles Davis a few years later.

    https://www.youtube.com/watch?v=CPkK8c-BN0Y

    #DeDah #ElmoHope #ElmoHopeTrio #Jazz #PaulChambers #PhillyJoeJones

  30. De-Dah – Elmo Hope Trio

    I’m in the middle of marking examinations so I will only do a brief post, while I take a short break, to follow up on the one about Hampton Hawes I did a couple of days ago. When I wrote that one it struck me that there are rather a lot of great musicians, especially pianists like Hampton Hawes, who were never appreciated as much as they should have been. Another that springs to mind is Elmo Hope, for whom Thelonious Monk seems to have been a great influence and who therefore provides an interesting contrast with Hampton Hawes who was perhaps more influenced by Bud Powell. Elmo Hope died young, largely because of a bad drug habit, which also affected his career through his erratic behaviour and the criminal record he acquired for drugs offences. He was a really fine musician and composer, though, with a very original voice and idiosyncratic sense of time. This track was recorded in 1953 with Paul Chambers on bass and Philly Joe Jones on drums, both of whom were to find fame with Miles Davis a few years later.

    https://www.youtube.com/watch?v=CPkK8c-BN0Y

    #DeDah #ElmoHope #ElmoHopeTrio #Jazz #PaulChambers #PhillyJoeJones

  31. Hank Mobley Sextet - Hank

    A few years after his 1955 Blue Note debut, and after his "Messages", Mobley (tenor) is joined by Donald Byrd (trumpet), John Jenkins (Alto), Bobby Timmons (piano), Wilbur Ware (bass), and Philly Joe Jones (drums).

    Some pretty classic hard-boppin' going on, led by ex-Jazz Messenger Mobley (& joined by Byrd). Nice new mono remaster.

    #nowplaying #vinyl #HankMobleySextet #HankMobley #DonaldByrd #JohnJenkins #BobbyTimmons #WilburWare #PhillyJoeJones #HardBop

  32. Hank Mobley Sextet - Hank

    A few years after his 1955 Blue Note debut, and after his "Messages", Mobley (tenor) is joined by Donald Byrd (trumpet), John Jenkins (Alto), Bobby Timmons (piano), Wilbur Ware (bass), and Philly Joe Jones (drums).

    Some pretty classic hard-boppin' going on, led by ex-Jazz Messenger Mobley (& joined by Byrd). Nice new mono remaster.

    #nowplaying #vinyl #HankMobleySextet #HankMobley #DonaldByrd #JohnJenkins #BobbyTimmons #WilburWare #PhillyJoeJones #HardBop

  33. Hank Mobley Sextet - Hank

    A few years after his 1955 Blue Note debut, and after his "Messages", Mobley (tenor) is joined by Donald Byrd (trumpet), John Jenkins (Alto), Bobby Timmons (piano), Wilbur Ware (bass), and Philly Joe Jones (drums).

    Some pretty classic hard-boppin' going on, led by ex-Jazz Messenger Mobley (& joined by Byrd). Nice new mono remaster.

    #nowplaying #vinyl #HankMobleySextet #HankMobley #DonaldByrd #JohnJenkins #BobbyTimmons #WilburWare #PhillyJoeJones #HardBop

  34. Hank Mobley Sextet - Hank

    A few years after his 1955 Blue Note debut, and after his "Messages", Mobley (tenor) is joined by Donald Byrd (trumpet), John Jenkins (Alto), Bobby Timmons (piano), Wilbur Ware (bass), and Philly Joe Jones (drums).

    Some pretty classic hard-boppin' going on, led by ex-Jazz Messenger Mobley (& joined by Byrd). Nice new mono remaster.

  35. Hank Mobley Sextet - Hank

    A few years after his 1955 Blue Note debut, and after his "Messages", Mobley (tenor) is joined by Donald Byrd (trumpet), John Jenkins (Alto), Bobby Timmons (piano), Wilbur Ware (bass), and Philly Joe Jones (drums).

    Some pretty classic hard-boppin' going on, led by ex-Jazz Messenger Mobley (& joined by Byrd). Nice new mono remaster.

    #nowplaying #vinyl #HankMobleySextet #HankMobley #DonaldByrd #JohnJenkins #BobbyTimmons #WilburWare #PhillyJoeJones #HardBop

  36. Hank Mobley - Poppin'

    Add another one to the "old session (in this case, 1957) on the shelf until years later (1980)" pile. And even then, it was only released in Japan until recently.

    Craziness.

    Well, at least it's out now—a great hard bop session with Art Farmer (trumpet), Pepper Adams (baritone), Sonny Clark (piano), Paul Chambers (bass), and Philly Joe Jones (drums).

    #nowplaying #vinyl #jazz #hardbop #HankMobley #ArtFarmer #PepperAdams #SonnyClark #PaulChambers #PhillyJoeJones

  37. Hank Mobley - Poppin'

    Add another one to the "old session (in this case, 1957) on the shelf until years later (1980)" pile. And even then, it was only released in Japan until recently.

    Craziness.

    Well, at least it's out now—a great hard bop session with Art Farmer (trumpet), Pepper Adams (baritone), Sonny Clark (piano), Paul Chambers (bass), and Philly Joe Jones (drums).

    #nowplaying #vinyl #jazz #hardbop #HankMobley #ArtFarmer #PepperAdams #SonnyClark #PaulChambers #PhillyJoeJones

  38. Hank Mobley - Poppin'

    Add another one to the "old session (in this case, 1957) on the shelf until years later (1980)" pile. And even then, it was only released in Japan until recently.

    Craziness.

    Well, at least it's out now—a great hard bop session with Art Farmer (trumpet), Pepper Adams (baritone), Sonny Clark (piano), Paul Chambers (bass), and Philly Joe Jones (drums).

    #nowplaying #vinyl #jazz #hardbop #HankMobley #ArtFarmer #PepperAdams #SonnyClark #PaulChambers #PhillyJoeJones

  39. Hank Mobley - Poppin'

    Add another one to the "old session (in this case, 1957) on the shelf until years later (1980)" pile. And even then, it was only released in Japan until recently.

    Craziness.

    Well, at least it's out now—a great hard bop session with Art Farmer (trumpet), Pepper Adams (baritone), Sonny Clark (piano), Paul Chambers (bass), and Philly Joe Jones (drums).

  40. Hank Mobley - Poppin'

    Add another one to the "old session (in this case, 1957) on the shelf until years later (1980)" pile. And even then, it was only released in Japan until recently.

    Craziness.

    Well, at least it's out now—a great hard bop session with Art Farmer (trumpet), Pepper Adams (baritone), Sonny Clark (piano), Paul Chambers (bass), and Philly Joe Jones (drums).

    #nowplaying #vinyl #jazz #hardbop #HankMobley #ArtFarmer #PepperAdams #SonnyClark #PaulChambers #PhillyJoeJones

  41. I should add this one to Discogs, since this Japanese promo version hasn't been listed yet.

    The Miles Davis Quintet - Steamin' With The Miles Davis Quintet

    (1974 – Japan, Promo, Reissue, Mono, Prestige – LPJ-70007)

    #nowplaying #nowspinning #vinyl #vinylrecords #vinylcommunity #jazz #milesdavis #johncoltrane #RedGarland #PaulChambers #PhillyJoeJones

  42. I should add this one to Discogs, since this Japanese promo version hasn't been listed yet.

    The Miles Davis Quintet - Steamin' With The Miles Davis Quintet

    (1974 – Japan, Promo, Reissue, Mono, Prestige – LPJ-70007)

    #nowplaying #nowspinning #vinyl #vinylrecords #vinylcommunity #jazz #milesdavis #johncoltrane #RedGarland #PaulChambers #PhillyJoeJones

  43. I should add this one to Discogs, since this Japanese promo version hasn't been listed yet.

    The Miles Davis Quintet - Steamin' With The Miles Davis Quintet

    (1974 – Japan, Promo, Reissue, Mono, Prestige – LPJ-70007)

    #nowplaying #nowspinning #vinyl #vinylrecords #vinylcommunity #jazz #milesdavis #johncoltrane #RedGarland #PaulChambers #PhillyJoeJones

  44. I should add this one to Discogs, since this Japanese promo version hasn't been listed yet.

    The Miles Davis Quintet - Steamin' With The Miles Davis Quintet

    (1974 – Japan, Promo, Reissue, Mono, Prestige – LPJ-70007)

    #nowplaying #nowspinning #vinyl #vinylrecords #vinylcommunity #jazz #milesdavis #johncoltrane #RedGarland #PaulChambers #PhillyJoeJones

  45. (I always wanted to play like Freddie Hubbard when I played trumpet as a kid. It's nice to have unrealistic goals.)

  46. Bill Evans - Interplay

    Jim Hall is featured so much on this great album that I'm surprised he's not considered the leader.

    Anyway, great new mastering on OJC/Craft of this 1962 classic with Evans (piano), Hall (guitar), Freddie Hubbard (trumpet), Percy Heath (bass), and Philly Joe Jones (drums).

    Essential music, mastering, pressing, and if you've only got an old copy, worth the upgrade.

    #nowplaying #vinyl #jazz #hardbop #BillEvans #JimHall #FreddieHubbard #PercyHeath #PhillyJoeJones