#craftrecordings — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #craftrecordings, aggregated by home.social.
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R.E.M., The Best of R.E.M. at the B.B.C., 2018 on Craft Recordings
Craft Recordings put out an 8 CD / 104 file digital download R.E.M. at the B.B.C. in 2018 - this was the condensed "best of" version, narrowing down to 20 tracks across 2 LPs. The first disc is all BBC sessions (Nicky Campbell, John Peel, Mark and Lard, Drivetime, Radio 1 Lounge) and the second live broadcasts (Rock City Nottingham, Milton Keynes, Glastonbury, St. James Church London). I'm an R.E.M. superfan so great to have these versions on vinyl. My copy—via private sale—is a […]https://goatless.org/2026/07/07/r-e-m-the-best-of-r-e-m-at-the-b-b-c-2018-on-craft-recordings
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Art Pepper, Gettin’ Together, 1960 on Contemporary Records
Pepper joined here by Paul Chambers (bass), Jimmy Cobb (drums), Wynton Kelly (piano) and Conte Candoli (trumpet, on three tracks). That makes this another LP with Miles Davis' rhythm section, as the earlier Art Pepper Meets the Rhythm Section was. Rounding out for now my recent Art Pepper pickups (say Art Pepper Pickups five times fast), my copy—direct from Craft Recordings—is the 2024 Acoustic Sounds Series reissue mastered by Bernie Grundman and pressed at QRP.https://goatless.org/2026/05/09/art-pepper-gettin-together-1960-on-contemporary-records
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Art Pepper, Gettin’ Together, 1960 on Contemporary Records
Pepper joined here by Paul Chambers (bass), Jimmy Cobb (drums), Wynton Kelly (piano) and Conte Candoli (trumpet, on three tracks). That makes this another LP with Miles Davis' rhythm section, as the earlier Art Pepper Meets the Rhythm Section was. Rounding out for now my recent Art Pepper pickups (say Art Pepper Pickups five times fast), my copy—direct from Craft Recordings—is the 2024 Acoustic Sounds Series reissue mastered by Bernie Grundman and pressed at QRP.https://goatless.org/2026/05/09/art-pepper-gettin-together-1960-on-contemporary-records
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Art Pepper, Gettin’ Together, 1960 on Contemporary Records
Pepper joined here by Paul Chambers (bass), Jimmy Cobb (drums), Wynton Kelly (piano) and Conte Candoli (trumpet, on three tracks). That makes this another LP with Miles Davis' rhythm section, as the earlier Art Pepper Meets the Rhythm Section was. Rounding out for now my recent Art Pepper pickups (say Art Pepper Pickups five times fast), my copy—direct from Craft Recordings—is the 2024 Acoustic Sounds Series reissue mastered by Bernie Grundman and pressed at QRP.https://goatless.org/2026/05/09/art-pepper-gettin-together-1960-on-contemporary-records
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Art Pepper, Intensity, 1963 on Contemporary Records
Recorded in 1960 but released in 1963, this has Pepper joined by Dolo Coker (piano), Jimmy Bond (bass), and Frank Butler (drums). A critical part of any west coast jazz library. That cover photo makes me think of the moment in Lost in Translation where the translator turns a series of long directions in Japanese from the director to Bill Murray as an actor into just this: "more intensity." Part of a series of recent pickups from Pepper on reissues, my copy—direct from Craft […]https://goatless.org/2026/05/07/art-pepper-intensity-1963-on-contemporary-records
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Art Pepper, Intensity, 1963 on Contemporary Records
Recorded in 1960 but released in 1963, this has Pepper joined by Dolo Coker (piano), Jimmy Bond (bass), and Frank Butler (drums). A critical part of any west coast jazz library. That cover photo makes me think of the moment in Lost in Translation where the translator turns a series of long directions in Japanese from the director to Bill Murray as an actor into just this: "more intensity." Part of a series of recent pickups from Pepper on reissues, my copy—direct from Craft […]https://goatless.org/2026/05/07/art-pepper-intensity-1963-on-contemporary-records
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Art Pepper, Intensity, 1963 on Contemporary Records
Recorded in 1960 but released in 1963, this has Pepper joined by Dolo Coker (piano), Jimmy Bond (bass), and Frank Butler (drums). A critical part of any west coast jazz library. That cover photo makes me think of the moment in Lost in Translation where the translator turns a series of long directions in Japanese from the director to Bill Murray as an actor into just this: "more intensity." Part of a series of recent pickups from Pepper on reissues, my copy—direct from Craft […]https://goatless.org/2026/05/07/art-pepper-intensity-1963-on-contemporary-records
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Sonny Rollins, Way Out West, 1957 on Contemporary
This was the first Rollins album with Ray Brown and Shelly Manne, and the first time he recorded with only bass and drums. I love this cover photo emphasizing the New York native was out west. My copy—direct from Craft Recordings—is the 2009 Original Jazz Classics reissue which was remastered back in 1988 and repressed in 2009. It reproduces the yellow Contemporary labels but with a catalog number OJC-337.https://goatless.org/2026/05/01/sonny-rollins-way-out-west-1957-on-contemporary
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Sonny Rollins, Way Out West, 1957 on Contemporary
This was the first Rollins album with Ray Brown and Shelly Manne, and the first time he recorded with only bass and drums. I love this cover photo emphasizing the New York native was out west. My copy—direct from Craft Recordings—is the 2009 Original Jazz Classics reissue which was remastered back in 1988 and repressed in 2009. It reproduces the yellow Contemporary labels but with a catalog number OJC-337.https://goatless.org/2026/05/01/sonny-rollins-way-out-west-1957-on-contemporary
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Sonny Rollins, Way Out West, 1957 on Contemporary
This was the first Rollins album with Ray Brown and Shelly Manne, and the first time he recorded with only bass and drums. I love this cover photo emphasizing the New York native was out west. My copy—direct from Craft Recordings—is the 2009 Original Jazz Classics reissue which was remastered back in 1988 and repressed in 2009. It reproduces the yellow Contemporary labels but with a catalog number OJC-337.https://goatless.org/2026/05/01/sonny-rollins-way-out-west-1957-on-contemporary
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Booker Ervin, The Freedom Book, 1964 on Prestige
Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums).
My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige Stereo Series. It was mastered by Kevin Gray and pressed at QRP on 180g vinyl.
#1960s #1964 #AlanDawson #AnalogueProductions #BookerErvin #craftRecordings #JakiByard #jazz #KevinGray #Prestige #QualityRecordPressing #Reissue #RichardDavis #RudyVanGelder #vinyl #vinylcollection #vinylfinds -
Booker Ervin, The Freedom Book, 1964 on Prestige
Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums).
My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige Stereo Series. It was mastered by Kevin Gray and pressed at QRP on 180g vinyl.
#1960s #1964 #AlanDawson #AnalogueProductions #BookerErvin #craftRecordings #JakiByard #jazz #KevinGray #Prestige #QualityRecordPressing #Reissue #RichardDavis #RudyVanGelder #vinyl #vinylcollection #vinylfinds -
Booker Ervin, The Freedom Book, 1964 on Prestige
Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums).
My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige Stereo Series. It was mastered by Kevin Gray and pressed at QRP on 180g vinyl.
#1960s #1964 #AlanDawson #AnalogueProductions #BookerErvin #craftRecordings #JakiByard #jazz #KevinGray #Prestige #QualityRecordPressing #Reissue #RichardDavis #RudyVanGelder #vinyl #vinylcollection #vinylfinds -
Jonathan Richman & The Modern Lovers, Modern Lovers ’88, 1987 on Rounder
Although the Modern Lovers formed in Natick MA, this incarnation formed in California and recorded this album in Grass Valley CA. This became the final album for Richman with the Modern Lovers, as a trio, with Brennan Totten and Johnny Avila.
My copy—via Electric Fetus in Minneapolis MN—is the Craft Recordings’ 2022 Record Store Day 35th Anniversary Edition on blue vinyl. This reissue itself charted (a first for a Modern Lovers release) at 77 on the US album charts.
#1980s #1987 #BrennanTotten #craftRecordings #ElectricFetus #JohnnyAvila #JonathanRichman #JonathanRichmanAndTheModernLovers #MinneapolisMN #ModernLovers #NatickMA #rounder #vinyl #vinylcollection #vinylfinds
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Jonathan Richman & The Modern Lovers, Modern Lovers ’88, 1987 on Rounder
Although the Modern Lovers formed in Natick MA, this incarnation formed in California and recorded this album in Grass Valley CA. This became the final album for Richman with the Modern Lovers, as a trio, with Brennan Totten and Johnny Avila.
My copy—via Electric Fetus in Minneapolis MN—is the Craft Recordings’ 2022 Record Store Day 35th Anniversary Edition on blue vinyl. This reissue itself charted (a first for a Modern Lovers release) at 77 on the US album charts.
#1980s #1987 #BrennanTotten #craftRecordings #ElectricFetus #JohnnyAvila #JonathanRichman #JonathanRichmanAndTheModernLovers #MinneapolisMN #ModernLovers #NatickMA #rounder #vinyl #vinylcollection #vinylfinds
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David Porter, . . . Into A Real Thing, 1971 on Enterprise
Porter was the staff songwriter for Stax - this was his second full length LP issued under his name, following up Gritty, Groovy, & Gettin' It. Enterprise was a sub-label of Stax, which also released the early Isaac Hayes solo albums. (Apparently label president Al Bell was a Star Trek fan). Wonderful early 70s Stax/Volt style funk/soul. Love that the green hat from the gatefold is also on the bed post in the rear cover. Isaac Hayes gets arranger and producer credit on "I Don't Want To […]https://goatless.org/2025/01/15/david-porter-into-a-real-thing-1971-on-enterprise
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Teo Macero with the Prestige Jazz Quartet, Teo, 1957 on Prestige
Macero is likely best known as the producer of both Bitches Brew and Time Out but he was also a great saxophone player and composer. He made multiple albums with Mingus and cofounded the Jazz Composers Workshop. Here he is joined by Addison Farmer (bass), Jerry Segal (drums), Mal Waldron (piano), and Teddy Charles (vibes). Recorded by Rudy Van Gelder.
My copy is a Vinyl Me, Please reissue from 2024 produced by Craft Recordings, with lacquers cut by Ryan Smith at Sterling Sound, and a listening notes book by Jason Diamond supplementing the original sleeve notes by Bob Altshuler. (Craft reproduces the Prestige labels but adds a catalog number CR00770; VMP adds the VMP Classics gold logo on the rear jacket).
#1950s #1957 #AddisonFarmer #BobAltshuler #craftRecordings #JasonDiamond #jazz #JerrySegal #MalWaldron #Prestige #PrestigeJazzQuartet #RudyVanGelder #TeddyCharles #TeoMacero #vinyl #vinylMePlease #VinylMePleaseClassics #vinylcollection
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McCoy Tyner, Trident, 1975 on Milestone
Tyner (who plays harpsichord and celeste as well as piano) is joined here by Ron Carter (bass) and Elvin Jones (drums), and the album was produced by Orrin Keepnews. It was his eighth LP for Milestone after recording on Blue Note and Impulse! throughought the 60s. (Elvin Jones worked with Tyner in the John Coltrane quartet).
My copy is the Vinyl Me, Please edition from 2023, in the VMP Classics series, with lacquer cut by Ryan Smith at Sterling, and a listening notes booklet by Andy Beta, which is a Craft Recordings reissue.
#1970s #1975 #AndyBeta #craftRecordings #ElvinJones #jazz #McCoyTyner #Milestone #RonCarter #RyanSmith #Sterling #vinyl #vinylMePlease #VinylMePleaseClassics #vinylcollection
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Chet Baker, Chet Baker in New York, 1958 on Riverside
In something of the same vein as the West Coast / East Coast rap rivalry of 90s hip hop, the jazz scene in the 50s had a bit of a California vs New York thing happening. As the sleeve notes by Orrin Keepnews puts it:
. . . during much of the 1950s considerable conversation and many magazine pages have been devoted to discussion of the relative merits of, differences between, and what-have-you of the so called “East Coast” and “West Coast” schools of modern jazz. . . . on this LP, CHET BAKER, the most notable of “cool” West Coast trumpet stars, joins forces with some highly talented representatives of the “hard” Eastern style.
Those players included Johnny Griffin (Tenor Sax), Al Haig (Piano), Paul Chambers (Bass), and Philly Joe Jones (Drums). Recorded in New York in September of 1958. (I had a Jazzland reissue retitled as Polka Dots and Moonbeams but this pressing is much improved).
My copy is a Craft Recordings reissue from 2021 which replicates the Riverside labels but adds Craft/Concord rim text and catalog number. Via Beatnick Records in Montreal QC
#1950s #1958 #2021 #AlHaig #BeatnickRecords #ChetBaker #craftRecordings #JohnnyGriffin #MontrealQC #OrrinKeepnews #PaulChambers #PhillyJoeJones #Reissue #Riverside #vinyl #vinylcollection #vinylfinds
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Chet Baker, Chet, 1959 on Riverside
The labels carry a subtitle of “Ballads by Chet Baker,” and the rear cover suggests “The lyrical trumpet of Chet Baker” but most people just call it Chet. Riverside RLP 12-299 (mono) and RLP 1135 (stereo).
He’s joined here by Pepper Adams, Paul Chambers, Herbie Mann, Bill Evans, and Philly Joe Jones / Connie Kay splitting drums duty, plus Kenny Burrell on two tracks. The liner notes (by Orrin Keepnews) say “Pianist Bill Evans . . . is just beginning to attract real public attention, but has for some time been the object of extreme praise from fellow musicians.”
My copy is a 2021 reissue by Craft Recordings (CR 00359) pressed at RTI with lacquers cut by Kevin Grey – via Beatnick Records in Montreal QC – which sounds fantastic.
#1950s #1959 #BeatnickRecords #BillEvans #ChetBaker #ConnieKay #craftRecordings #HerbieMann #jazz #KennyBurrell #MontrealQC #PaulChambers #PepperAdams #PhillyJoeJones #Riverside #vinyl #vinylcollection #vinylfinds
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Chet Baker, Chet, 1959 on Riverside
The labels carry a subtitle of “Ballads by Chet Baker,” and the rear cover suggests “The lyrical trumpet of Chet Baker” but most people just call it Chet. Riverside RLP 12-299 (mono) and RLP 1135 (stereo).
He’s joined here by Pepper Adams, Paul Chambers, Herbie Mann, Bill Evans, and Philly Joe Jones / Connie Kay splitting drums duty, plus Kenny Burrell on two tracks. The liner notes (by Orrin Keepnews) say “Pianist Bill Evans . . . is just beginning to attract real public attention, but has for some time been the object of extreme praise from fellow musicians.”
My copy is a 2021 reissue by Craft Recordings (CR 00359) pressed at RTI with lacquers cut by Kevin Grey – via Beatnick Records in Montreal QC – which sounds fantastic.
#1950s #1959 #BeatnickRecords #BillEvans #ChetBaker #ConnieKay #craftRecordings #HerbieMann #jazz #KennyBurrell #MontrealQC #PaulChambers #PepperAdams #PhillyJoeJones #Riverside #vinyl #vinylcollection #vinylfinds
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Violent Femmes, Violent Femmes (box set), 2024 on Craft Recordings
This was one of my favorite albums of the 1980s (it came out on Slash Records in 1983), and I’ve been looking forever for a decent copy on vinyl. This box set, as you’d expect from Craft, is amazing. It includes a newly remastered version of the self-titled album itself, plus additional LPs of demos and live recordings, and a 7″ single: Ugly / Gimme the Car.
When it was first released, the […]
#1980s #1983 #2024 #BeneathItAllCafé #boxSet #craftRecordings #FolkCity #KevinGray #Milwaukee #Reissue #RoughTrade #SlashRecords #TheJazzGallery #vinyl #vinylcollection #ViolentFemmes
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Violent Femmes, Violent Femmes (box set), 2024 on Craft Recordings
This was one of my favorite albums of the 1980s (it came out on Slash Records in 1983), and I’ve been looking forever for a decent copy on vinyl. This box set, as you’d expect from Craft, is amazing. It includes a newly remastered version of the self-titled album itself, plus additional LPs of demos and live recordings, and a 7″ single: Ugly / Gimme the Car.
When it was first released, the […]
#1980s #1983 #2024 #BeneathItAllCafé #boxSet #craftRecordings #FolkCity #KevinGray #Milwaukee #Reissue #RoughTrade #SlashRecords #TheJazzGallery #vinyl #vinylcollection #ViolentFemmes
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Art Farmer, Portrait of Art Farmer, 1958 on Stereo Records
“Stereo Records” was a jazz label made by Contemporary Records in 1958 to push records made with the new-fangled stereo technology:
Stereophonic two-channel disc recording utilizing Westrex 45-45 “StereoDisc” cutting system. To be reproduced only with stereophonic cartridge. Warning: use of conventional monaural cartridge without sufficient vertical compliance may well result in damage to […]
#1950s #1958 #2023 #AddisonFarmer #ArtFarmer #BernieGrundman #ContemporaryRecords #craftRecordings #HankJones #jazz #NatHentoff #QualityRecordPressing #Reissue #RoyHaynes #Stereo #StereoRecords #vinyl #vinylcollection #vinylfinds #WorcesterMA #WorcesterRecordRiot
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Art Farmer, Portrait of Art Farmer, 1958 on Stereo Records
“Stereo Records” was a jazz label made by Contemporary Records in 1958 to push records made with the new-fangled stereo technology:
Stereophonic two-channel disc recording utilizing Westrex 45-45 “StereoDisc” cutting system. To be reproduced only with stereophonic cartridge. Warning: use of conventional monaural cartridge without sufficient vertical compliance may well result in damage to […]
#1950s #1958 #2023 #AddisonFarmer #ArtFarmer #BernieGrundman #ContemporaryRecords #craftRecordings #HankJones #jazz #NatHentoff #QualityRecordPressing #Reissue #RoyHaynes #Stereo #StereoRecords #vinyl #vinylcollection #vinylfinds #WorcesterMA #WorcesterRecordRiot
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Filter – The Amalgamut – 20th Anniversary Double LP Review https://allabouttherock.co.uk/filter-the-amalgamut-20th-anniversary-double-lp-review/ #CraftRecordings #TheAmalgamut #AliceCooper #anniversary #CDReviews #RobZombie #Ministry #filter #vinyl
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Filter – The Amalgamut – 20th Anniversary Double LP Review https://allabouttherock.co.uk/filter-the-amalgamut-20th-anniversary-double-lp-review/ #CraftRecordings #TheAmalgamut #AliceCooper #anniversary #CDReviews #RobZombie #Ministry #filter #vinyl
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We’re in such a good period right now for reasonably priced HQ #jazz reissues. The #craftrecordings #ojc reissues are really well done. I used to be pretty snobbish about reissues but I can’t deny how good these sound. #jazzrecords #nowplaying #billevans @vinylrecords
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We’re in such a good period right now for reasonably priced HQ #jazz reissues. The #craftrecordings #ojc reissues are really well done. I used to be pretty snobbish about reissues but I can’t deny how good these sound. #jazzrecords #nowplaying #billevans @vinylrecords
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From @jasonpwoodbury:
Peanuts, but make it FUNKY. Nate Chinen goes in on 50 years of #VinceGuaraldi's “A Charlie Brown Thanksgiving” for #WRTI, recently reissued in definitive form by #CraftRecordings. https://www.wrti.org/arts-desk/2023-11-20/after-50-years-the-hip-soundtrack-for-a-charlie-brown-thanksgiving-is-available-as-a-full-musical-feast
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From @jasonpwoodbury:
Peanuts, but make it FUNKY. Nate Chinen goes in on 50 years of #VinceGuaraldi's “A Charlie Brown Thanksgiving” for #WRTI, recently reissued in definitive form by #CraftRecordings. https://www.wrti.org/arts-desk/2023-11-20/after-50-years-the-hip-soundtrack-for-a-charlie-brown-thanksgiving-is-available-as-a-full-musical-feast
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From @jasonpwoodbury:
Peanuts, but make it FUNKY. Nate Chinen goes in on 50 years of #VinceGuaraldi's “A Charlie Brown Thanksgiving” for #WRTI, recently reissued in definitive form by #CraftRecordings. https://www.wrti.org/arts-desk/2023-11-20/after-50-years-the-hip-soundtrack-for-a-charlie-brown-thanksgiving-is-available-as-a-full-musical-feast
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New #vinyl releases #nowspinning ‼️ #tinabrooks #bluenote #haroldland #billevans #craftrecordings #bobdylan
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Curtis Counce - You Get More Bounce with Curtis Counce!
Part of the recent Craft/Analogue Productions series, this is a nice remastering and pressing of a 1957 session from Counce and crew. Mostly hard bop, some tending towards the mellow side. Lots of swing from the rhythm section, as you'd expect...
#nowplaying #vinyl #jazz #curtiscounce #craftrecordings #analogueproductions
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Curtis Counce - You Get More Bounce with Curtis Counce!
Part of the recent Craft/Analogue Productions series, this is a nice remastering and pressing of a 1957 session from Counce and crew. Mostly hard bop, some tending towards the mellow side. Lots of swing from the rhythm section, as you'd expect...
#nowplaying #vinyl #jazz #curtiscounce #craftrecordings #analogueproductions
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Curtis Counce - You Get More Bounce with Curtis Counce!
Part of the recent Craft/Analogue Productions series, this is a nice remastering and pressing of a 1957 session from Counce and crew. Mostly hard bop, some tending towards the mellow side. Lots of swing from the rhythm section, as you'd expect...
#nowplaying #vinyl #jazz #curtiscounce #craftrecordings #analogueproductions
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#Upcoming Post-bop opus “Blackstone Legacy” is the seminal debut LP by trumpeter #WoodyShaw. Originally released in 1971, this groundbreaking recording was inspired by the sociopolitical ills of the '60s. Newly remastered from the original analog tapes and available via #CraftRecordings August 25th. https://craftrecordings.com/products/woody-shaw-blackstone-legacy-180g-2-lp-black
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#Upcoming Post-bop opus “Blackstone Legacy” is the seminal debut LP by trumpeter #WoodyShaw. Originally released in 1971, this groundbreaking recording was inspired by the sociopolitical ills of the '60s. Newly remastered from the original analog tapes and available via #CraftRecordings August 25th. https://craftrecordings.com/products/woody-shaw-blackstone-legacy-180g-2-lp-black
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#Upcoming Post-bop opus “Blackstone Legacy” is the seminal debut LP by trumpeter #WoodyShaw. Originally released in 1971, this groundbreaking recording was inspired by the sociopolitical ills of the '60s. Newly remastered from the original analog tapes and available via #CraftRecordings August 25th. https://craftrecordings.com/products/woody-shaw-blackstone-legacy-180g-2-lp-black
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looking forward to the OJC vinyl series reissue
on Craft Recordings in late september.Yusef Lateef - Eastern Sounds (1961)
youtube.com/watch?v=v01HAmSDb6I
https://www.youtube.com/watch?v=v01HAmSDb6I🐺
#YusefLateef #EasternSounds #CraftRecordings #OriginalJazzClassics
#jazz @jazz -
looking forward to the OJC vinyl series reissue
on Craft Recordings in late september.Yusef Lateef - Eastern Sounds (1961)
youtube.com/watch?v=v01HAmSDb6I
https://www.youtube.com/watch?v=v01HAmSDb6I🐺
#YusefLateef #EasternSounds #CraftRecordings #OriginalJazzClassics
#jazz @jazz -
looking forward to the OJC vinyl series reissue
on Craft Recordings in late september.Yusef Lateef - Eastern Sounds (1961)
youtube.com/watch?v=v01HAmSDb6I
https://www.youtube.com/watch?v=v01HAmSDb6I🐺
#YusefLateef #EasternSounds #CraftRecordings #OriginalJazzClassics
#jazz @jazz