#kevingray — Public Fediverse posts

Herbie Hancock, My Point of View, 1963 on Blue Note

https://goatless.org/2026/05/28/herbie-hancock-my-point-of-view-1963-on-blue-note

Herbie Hancock, My Point of View, 1963 on Blue Note

https://goatless.org/2026/05/28/herbie-hancock-my-point-of-view-1963-on-blue-note

Herbie Hancock, My Point of View, 1963 on Blue Note

https://goatless.org/2026/05/28/herbie-hancock-my-point-of-view-1963-on-blue-note

Herbie Hancock, My Point of View, 1963 on Blue Note

https://goatless.org/2026/05/28/herbie-hancock-my-point-of-view-1963-on-blue-note

Herbie Hancock, My Point of View, 1963 on Blue Note

https://goatless.org/2026/05/28/herbie-hancock-my-point-of-view-1963-on-blue-note

Grant Green, Green is Beautiful, 1970 on Blue Note

https://goatless.org/2026/05/16/grant-green-green-is-beautiful-1970-on-blue-note

Grant Green, Green is Beautiful, 1970 on Blue Note

https://goatless.org/2026/05/16/grant-green-green-is-beautiful-1970-on-blue-note

Grant Green, Green is Beautiful, 1970 on Blue Note

https://goatless.org/2026/05/16/grant-green-green-is-beautiful-1970-on-blue-note

Grant Green, Green is Beautiful, 1970 on Blue Note

https://goatless.org/2026/05/16/grant-green-green-is-beautiful-1970-on-blue-note

Freddie Roach, Good Move!, 1964 on Blue Note

Freddie Roach’s third album as a leader, recorded by Rudy Van Gelder in Englewood Cliff with Blue Mitchell (trumpet), Hank Mobley (tenor sax), Eddie Wright (guitar), and Clarence Johnston (drums).

Tunes include “It Ain’t Necessarily So” (Gerswhin) and Pastel (Garner) as well as “T’Ain’t What You Do (It’s The Way That You Do It).” Great soul-jazz organ here.

My copy—via Amazon—is the Tone Poet Series reissue from 2024, with lacquer cut by Kevin Gray and pressing at RTI. As you can expect from this series it’s a great sounding pressing with lovely packaging.

Freddie Roach, Good Move!, 1964 on Blue Note

Freddie Roach’s third album as a leader, recorded by Rudy Van Gelder in Englewood Cliff with Blue Mitchell (trumpet), Hank Mobley (tenor sax), Eddie Wright (guitar), and Clarence Johnston (drums).

Tunes include “It Ain’t Necessarily So” (Gerswhin) and Pastel (Garner) as well as “T’Ain’t What You Do (It’s The Way That You Do It).” Great soul-jazz organ here.

My copy—via Amazon—is the Tone Poet Series reissue from 2024, with lacquer cut by Kevin Gray and pressing at RTI. As you can expect from this series it’s a great sounding pressing with lovely packaging.

Freddie Roach, Good Move!, 1964 on Blue Note

Freddie Roach’s third album as a leader, recorded by Rudy Van Gelder in Englewood Cliff with Blue Mitchell (trumpet), Hank Mobley (tenor sax), Eddie Wright (guitar), and Clarence Johnston (drums).

Tunes include “It Ain’t Necessarily So” (Gerswhin) and Pastel (Garner) as well as “T’Ain’t What You Do (It’s The Way That You Do It).” Great soul-jazz organ here.

My copy—via Amazon—is the Tone Poet Series reissue from 2024, with lacquer cut by Kevin Gray and pressing at RTI. As you can expect from this series it’s a great sounding pressing with lovely packaging.

Freddie Roach, Good Move!, 1964 on Blue Note

Freddie Roach’s third album as a leader, recorded by Rudy Van Gelder in Englewood Cliff with Blue Mitchell (trumpet), Hank Mobley (tenor sax), Eddie Wright (guitar), and Clarence Johnston (drums).

Tunes include “It Ain’t Necessarily So” (Gerswhin) and Pastel (Garner) as well as “T’Ain’t What You Do (It’s The Way That You Do It).” Great soul-jazz organ here.

My copy—via Amazon—is the Tone Poet Series reissue from 2024, with lacquer cut by Kevin Gray and pressing at RTI. As you can expect from this series it’s a great sounding pressing with lovely packaging.

Freddie Roach, Good Move!, 1964 on Blue Note

https://goatless.org/2026/04/23/freddie-roach-good-move-1964-on-blue-note

Big John Patton, Let ‘Em Roll, 1966 on Blue Note

Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong.

My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with lacquer cut by Kevin Grey and Joe Harley and pressing at RTI.

Big John Patton, Let ‘Em Roll, 1966 on Blue Note

Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong.

My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with lacquer cut by Kevin Grey and Joe Harley and pressing at RTI.

Big John Patton, Let ‘Em Roll, 1966 on Blue Note

Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong.

My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with lacquer cut by Kevin Grey and Joe Harley and pressing at RTI.

Big John Patton, Let ‘Em Roll, 1966 on Blue Note

Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong.

My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with lacquer cut by Kevin Grey and Joe Harley and pressing at RTI.

Big John Patton, Let ‘Em Roll, 1966 on Blue Note

Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong.

My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with lacquer cut by Kevin Grey and Joe Harley and pressing at RTI.

Lou Donaldson, Midnight Creeper, 1968 on Blue Note

Donaldson joined here by Leo Morris (drums), George Benson (guitar), Lonnie Smith (organ) and Blue Mitchell (trumpet). Very groovy soul-jazz LP from late sixties Blue Note.

Recorded by Rudy Van Gelder in Englewood Cliffs and produced by Francis Wolff.

My copy—via Amazon—is the Blue Note Tone Poet reissue from 2024, mastered by Kevin Gray and pressed at RTI.

Lou Donaldson, Midnight Creeper, 1968 on Blue Note

Donaldson joined here by Leo Morris (drums), George Benson (guitar), Lonnie Smith (organ) and Blue Mitchell (trumpet). Very groovy soul-jazz LP from late sixties Blue Note.

Recorded by Rudy Van Gelder in Englewood Cliffs and produced by Francis Wolff.

My copy—via Amazon—is the Blue Note Tone Poet reissue from 2024, mastered by Kevin Gray and pressed at RTI.

Lou Donaldson, Midnight Creeper, 1968 on Blue Note

Donaldson joined here by Leo Morris (drums), George Benson (guitar), Lonnie Smith (organ) and Blue Mitchell (trumpet). Very groovy soul-jazz LP from late sixties Blue Note.

Recorded by Rudy Van Gelder in Englewood Cliffs and produced by Francis Wolff.

My copy—via Amazon—is the Blue Note Tone Poet reissue from 2024, mastered by Kevin Gray and pressed at RTI.

Lou Donaldson, Midnight Creeper, 1968 on Blue Note

Donaldson joined here by Leo Morris (drums), George Benson (guitar), Lonnie Smith (organ) and Blue Mitchell (trumpet). Very groovy soul-jazz LP from late sixties Blue Note.

Recorded by Rudy Van Gelder in Englewood Cliffs and produced by Francis Wolff.

My copy—via Amazon—is the Blue Note Tone Poet reissue from 2024, mastered by Kevin Gray and pressed at RTI.

Lou Donaldson, Midnight Creeper, 1968 on Blue Note

Donaldson joined here by Leo Morris (drums), George Benson (guitar), Lonnie Smith (organ) and Blue Mitchell (trumpet). Very groovy soul-jazz LP from late sixties Blue Note.

Recorded by Rudy Van Gelder in Englewood Cliffs and produced by Francis Wolff.

My copy—via Amazon—is the Blue Note Tone Poet reissue from 2024, mastered by Kevin Gray and pressed at RTI.

Booker Ervin, The Freedom Book, 1964 on Prestige

Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums).

My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige Stereo Series. It was mastered by Kevin Gray and pressed at QRP on 180g vinyl.

Booker Ervin, The Freedom Book, 1964 on Prestige

Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums).

My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige Stereo Series. It was mastered by Kevin Gray and pressed at QRP on 180g vinyl.

Booker Ervin, The Freedom Book, 1964 on Prestige

Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums).

My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige Stereo Series. It was mastered by Kevin Gray and pressed at QRP on 180g vinyl.

Booker Ervin, The Freedom Book, 1964 on Prestige

Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums).

My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige Stereo Series. It was mastered by Kevin Gray and pressed at QRP on 180g vinyl.

Booker Ervin, The Freedom Book, 1964 on Prestige

Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums).

My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige Stereo Series. It was mastered by Kevin Gray and pressed at QRP on 180g vinyl.

Blue Mitchell, Down With It, 1966 on Blue Note

Another fantastic Blue Note jazz LP, this came out originally in 1966. It features Mitchell (trumpet) with Junior Cook (tenor sax), Chick Corea (piano), Gene Taylor (bass), and Aloysius Foster (drums), and was recorded at Van Gelder Studios in New Jersey.

My copy- via a private sale – is the Blue Note Tone Poet reissue from 2024, cut by Kevin Gray at Cohearent Audio and pressed at RTI. Great sound and packaging.

Blue Mitchell, Down With It, 1966 on Blue Note

Another fantastic Blue Note jazz LP, this came out originally in 1966. It features Mitchell (trumpet) with Junior Cook (tenor sax), Chick Corea (piano), Gene Taylor (bass), and Aloysius Foster (drums), and was recorded at Van Gelder Studios in New Jersey.

My copy- via a private sale – is the Blue Note Tone Poet reissue from 2024, cut by Kevin Gray at Cohearent Audio and pressed at RTI. Great sound and packaging.

Blue Mitchell, Down With It, 1966 on Blue Note

Another fantastic Blue Note jazz LP, this came out originally in 1966. It features Mitchell (trumpet) with Junior Cook (tenor sax), Chick Corea (piano), Gene Taylor (bass), and Aloysius Foster (drums), and was recorded at Van Gelder Studios in New Jersey.

My copy- via a private sale – is the Blue Note Tone Poet reissue from 2024, cut by Kevin Gray at Cohearent Audio and pressed at RTI. Great sound and packaging.

Blue Mitchell, Down With It, 1966 on Blue Note

Another fantastic Blue Note jazz LP, this came out originally in 1966. It features Mitchell (trumpet) with Junior Cook (tenor sax), Chick Corea (piano), Gene Taylor (bass), and Aloysius Foster (drums), and was recorded at Van Gelder Studios in New Jersey.

My copy- via a private sale – is the Blue Note Tone Poet reissue from 2024, cut by Kevin Gray at Cohearent Audio and pressed at RTI. Great sound and packaging.

Blue Mitchell, Down With It, 1966 on Blue Note

Another fantastic Blue Note jazz LP, this came out originally in 1966. It features Mitchell (trumpet) with Junior Cook (tenor sax), Chick Corea (piano), Gene Taylor (bass), and Aloysius Foster (drums), and was recorded at Van Gelder Studios in New Jersey.

My copy- via a private sale – is the Blue Note Tone Poet reissue from 2024, cut by Kevin Gray at Cohearent Audio and pressed at RTI. Great sound and packaging.

Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note

Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.

My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.

Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note

Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.

My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.

Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note

Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.

My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.

Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note

Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.

My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.

Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note

Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather.

My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.

Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

Sonny Clark Trio, Sonny Clark Trio, 1958 on Blue Note

Sonny Clark with Paul Chambers on bass and Philly Joe Jones on drums – recorded by Rudy Van Gelder in 1957 in Hackensack. Liner notes by Leonard Feather, cover designed by Reid Miles.

Love these renditions of “I Didn’t Know What Time It Was” and “Two Bass Hit” – and the “I’ll Remember April” with just Clark solo on piano is wonderful too. Classic Blue Note jazz – you can’t go wrong.

My copy (via Academy Records in NYC) is from the Blue Note Tone Poet Series, mastered for vinyl by Kevin Gray.

#1950s #1958 #AcademyRecords #BlueNote #jazz #KevinGray #NYC #PaulChambers #PhillyJoeJones #RudyVanGelder #SonnyClark #SonnyClarkTrio #TonePoet #vinyl #vinylcollection #vinylfinds

Lou Donaldson, Blues Walk, 1958 on Blue Note

Great late 50s Blue Note album, with Donaldson joined by Peck Morrison on bass, Ray Barretto on congas, Dave Bailey on drums, and Herman Foster on piano. Sleeve notes by Ira Gitler. (Donaldson died last month – November 2024).

I wasn’t as familiar with Donaldson as some of his better known contemporaries, but he started with Milt Jackson and Thelonious Monk, and was part of Art Blakey’s Quintent on A Night At Birdland. I’ll definitely be on the lookout for his other Blue Note LPs from the 50s and 60s.

My copy from the Blue Note Classic Vinyl Series, mastered by Kevin Gray at Cohearent Audio, via Joe’s Albums in Worcester MA.

#1950s #1958 #BlueNote #BlueNoteClassicVinylSeries #CohearentAudio #DaveBailey #HermanFoster #IraGitler #JoeSAlbums #KevinGray #LouDonaldson #PeckMorrison #RayBarretto #Reissue #vinyl #vinylcollection #vinylfinds #WorcesterMA

Lou Donaldson, Blues Walk, 1958 on Blue Note

Great late 50s Blue Note album, with Donaldson joined by Peck Morrison on bass, Ray Barretto on congas, Dave Bailey on drums, and Herman Foster on piano. Sleeve notes by Ira Gitler. (Donaldson died last month – November 2024).

I wasn’t as familiar with Donaldson as some of his better known contemporaries, but he started with Milt Jackson and Thelonious Monk, and was part of Art Blakey’s Quintent on A Night At Birdland. I’ll definitely be on the lookout for his other Blue Note LPs from the 50s and 60s.

My copy from the Blue Note Classic Vinyl Series, mastered by Kevin Gray at Cohearent Audio, via Joe’s Albums in Worcester MA.

#1950s #1958 #BlueNote #BlueNoteClassicVinylSeries #CohearentAudio #DaveBailey #HermanFoster #IraGitler #JoeSAlbums #KevinGray #LouDonaldson #PeckMorrison #RayBarretto #Reissue #vinyl #vinylcollection #vinylfinds #WorcesterMA

Lou Donaldson, Blues Walk, 1958 on Blue Note

Great late 50s Blue Note album, with Donaldson joined by Peck Morrison on bass, Ray Barretto on congas, Dave Bailey on drums, and Herman Foster on piano. Sleeve notes by Ira Gitler. (Donaldson died last month – November 2024).

I wasn’t as familiar with Donaldson as some of his better known contemporaries, but he started with Milt Jackson and Thelonious Monk, and was part of Art Blakey’s Quintent on A Night At Birdland. I’ll definitely be on the lookout for his other Blue Note LPs from the 50s and 60s.

My copy from the Blue Note Classic Vinyl Series, mastered by Kevin Gray at Cohearent Audio, via Joe’s Albums in Worcester MA.

#1950s #1958 #BlueNote #BlueNoteClassicVinylSeries #CohearentAudio #DaveBailey #HermanFoster #IraGitler #JoeSAlbums #KevinGray #LouDonaldson #PeckMorrison #RayBarretto #Reissue #vinyl #vinylcollection #vinylfinds #WorcesterMA

Lou Donaldson, Blues Walk, 1958 on Blue Note

Great late 50s Blue Note album, with Donaldson joined by Peck Morrison on bass, Ray Barretto on congas, Dave Bailey on drums, and Herman Foster on piano. Sleeve notes by Ira Gitler. (Donaldson died last month – November 2024).

I wasn’t as familiar with Donaldson as some of his better known contemporaries, but he started with Milt Jackson and Thelonious Monk, and was part of Art Blakey’s Quintent on A Night At Birdland. I’ll definitely be on the lookout for his other Blue Note LPs from the 50s and 60s.

My copy from the Blue Note Classic Vinyl Series, mastered by Kevin Gray at Cohearent Audio, via Joe’s Albums in Worcester MA.

#1950s #1958 #BlueNote #BlueNoteClassicVinylSeries #CohearentAudio #DaveBailey #HermanFoster #IraGitler #JoeSAlbums #KevinGray #LouDonaldson #PeckMorrison #RayBarretto #Reissue #vinyl #vinylcollection #vinylfinds #WorcesterMA

#nowplaying #vinyl #vinylrecords #MilesDavis #PaulChambers #JimmyCobb #KevinGray #WyntonKelly #SonnyStitt #Jazz #CoolJazz #Bop