#milesdavis — Public Fediverse posts

https://www.europesays.com/ie/683785/ Barry Ward: ‘The fear is, if you’re trying to re-create New York in Skibbereen, it could look a bit hokey’ – The Irish Times ##CillianMurphy #BarryWard #blanchardstown #ColmBairead #Éire #Entertainment #GerRyan #IE #Ireland #KenLoach #MarianKeyes #MarkOHalloran #MichaelWinterbottom #MilesDavis #Netflix #RoddyDoyle #SeanMcginley

100 years after John Coltrane’s birth, secret tapes are emerging. What can they tell us about jazz’s great rulebreaker?
By Ammar Kalia

The sax star turned his back on fame to embrace free jazz. Caught on a tape machine hidden in an overcoat, newly revealed recordings show how he did it

https://www.theguardian.com/music/2026/sep/11/100-years-after-john-coltranes-birth-secret-tapes-are-emerging-what-can-they-tell-us-about-jazzs-great-rulebreaker

#JohnColtrane #Jazz #Music #Culture #MilesDavis #TheGuardian #AmmarKalia

i bought some records on ebay. i have always wanted the köln concerts! and this sinatra record is fabulous.

#vinyl #OldVinyl #vinylrecords #jazz #sinatra #KeithJarrett #miles #milesdavis #franksinatra #jazz

Kind of Blue, trionfo o fallimento?

🛑Miles Davis aveva un’opinione molto strana 👇

https://wp.me/pey833-69j

#jazz #milesdavis #kindofblue #cannonballadderley #johncoltrane #billevans #modaljazz #UnoRadio

This morning's #workout #music is a set from early fusion era #MilesDavis doing Bitches Brew and other late 60s works. Nothing needs to be said here. Classic.

https://youtu.be/cex5IOgTuVw
#jazz #PostBop #JazzFusion #KettleBells #BodyWeightTraining #Wellness #BalanceTraining

🇺🇦 #NowPlaying on #KEXP's #JazzTheatre

Miles Davis:
🎵 What I Say

#MilesDavis

https://scandals.bandcamp.com/track/what-i-say

🇺🇦 #NowPlaying on #KEXP's #JazzTheatre

Miles Davis:
🎵 Honky Tonk

#MilesDavis

https://heyes.bandcamp.com/track/miles-davis-honky-tonk-heyes-quickmix

https://open.spotify.com/track/0ixYrXoKP6hUE8RDVWz093

🎶 show playlist 👇
https://open.spotify.com/playlist/3vnTt87jK3SaVb1BQNaldn

🎶 KEXP playlist 👇
https://open.spotify.com/playlist/6VNALrOa3gWbk794YuIrwg

On Aug 6, 1970: Festival for Peace concert is held at Shea Stadium, New York City, to commemorate the 25th anniversary of the Hiroshima bombing; performers include #JanisJoplin, #PaulSimon, #CreedenceClearwaterRevival, Steppenwolf, #MilesDavis, Johnny Winter, #HerbieHancock, #DionneWarwick, #JohnSebastian, The Rascals, and the Broadway cast of "Hair".

Miles Davis - So What (Official Video)

https://www.youtube.com/watch?v=zqNTltOGh5c

#MilesDavis #SoWhat #Music

6 Artists That I Am Amazed I Saw Perform Live

1) #YmaSumac
2) #Odetta
3) #JimmyScott
4) #MilesDavis
5) #AstridGilberto
6) #EarthaKitt
7) #HerbAlpert
😎 #MaryTravers
9) All #TheBeatles but Ringo

Artists that I came close to seeing live ... but didn't

1) #WandaJackson
2) #AlGreen
3) #GordonLightfoot
4) #LucindaWilliams

Artists I heard singing but never saw 😳

1) #JoniMitchell
2) #MarvinGaye

Artists I still REALLY want to see live (okay there are probably too many to list)

1) #NinaNastasia
2) #KateBush
3) #DylanLeBlanc
4) #RomeoVoid/ #DeborahIyall

Artists I REALLY wanted to see, DID see, but no one I know cares ...

1) #Melanie
2) #JDSouther
3) #NinaHagen
4) #WendyWaldman
5) #Tamino
6) #ElyGuerra
7) #ShannonMcNally

Tell me your stories ...

#livemusic #concerts #music #musicworld

R.I.P. Sonny Rollins (1930-2026)

I woke this morning to the sad news that the great tenor saxophonist Sonny Rollins passed away yesterday at the age of 95. He was one of the most influential and creative musicians of his time and there are many justifiably glowing obituaries of him. I can’t add much that hasn’t already been said by them, other than say that I consider myself deeply privileged to have been able see and hear Sonny Rollins play live, not once but twice, during the 1980s. The first was in the relatively intimate surroundings of Ronnie Scott’s club in London and the second in the Royal Festival Hall. On both occasions he was fantastic. Sonny Rollins was one of those musicians who made me think when I watched him that if you took the instrument out of his mouth it would somehow carry on playing on its own. At Ronnie Scott’s club he opened one set by starting to play in the band room, walking out through the audience onto the stage still playing and then about an hour later walked off back the way he came, still playing. The tune was Thelonious Monk’s 52nd Street Theme. He ended his set at the Festival Hall with an unstoppable version of Don’t Stop The Carnival that had everyone leaping about in the aisles. There was so much music in him it just had to come out. Was he playing the music or was it playing him?

Sonny Rollins began playing professionally when he was a teenager in the late 1940s but came to the attention of the jazz world in earnest when he teamed up with Miles Davis for a 1954 recording session that led to a record called Miles Davis with Sonny Rollins. (Coincidentally, today would have been Miles Davis’s 100th birthday). That record, originally issued on a 10″ LP, showcased Rollins’s big muscular sound on tenor sax, but also consisted of four tracks, three of which were compositions by Sonny Rollins, including a now-standard Oleo. That record was really Sonny’s breakthrough and he went on to record dozens of superb albums both as leader: A Night at the Village Vanguard, Saxophone Colossus, Newk’s Time, and Way Out West, to name just four. He also made many records as a side man, including the must-have album, Brilliant Corners with Thelonious Monk.

Having established himself as a major artist, Rollins suddenly took a three-year break from playing between 1959 to 1961 to develop his technique. Lacking space to practice in his apartment, he did so every day on the Williamsburg Bridge. When he returned to a recording studio in early 1962, the result was another classic album, The Bridge.

(Left: Sonny Rollins c. 1960)

Having established himself as a major artist, Rollins suddenly took a three-year break from playing between 1959 to 1961 to develop his technique. Lacking space to practice in his apartment, he did so every day on the Williamsburg Bridge. When he returned to a recording studio in early 1962, the result was another classic album, The Bridge.

In all he made over 60 albums, of which I have about a dozen. I’ll be listening to them a lot over the next few days and may post a few further items about them in due course.One thing I always liked about Sonny Rollins was his tendency to take a shine to very unexpected tunes and turn them into something magical. Off the top of my head I can think of The Surrey with the Fringe on Top, How are Things in Glocca Morra? and I’m an Old Cowhand.

It’s impossible to pick a single track than can do justice to Sonny Rollins so I’m just going to include a couple here. The first is the very first track I ever heard by him, on a Blue Note sampler album. It’s a Miles Davis tune called Tune Up and it’s from the 1957 Blue Note album Newk’s Time with Wynton Kelly (piano), Doug Watkins (bass), and Philly Joe Jones (drums). Perhaps listening to the energy and invention of his playing, delivered with that characteristically leathery tone then you’ will understand why I fell instantly in love with his music and wanted to hear more.

https://www.youtube.com/watch?v=FcwhoDvE3YY

The second is one of my favourite records of all time. It’s called Hold’ Em Joe and it was recorded in 1965 with Ray Bryant (piano), Walter Booker (bass) and the fabulous Mickey Roker on drums:

https://www.youtube.com/watch?v=g72FeOSLA1Y

As a sad footnote on this sad occasion, the passing of Sonny Rollins means that not one of the great musicians in this famous photograph A Great Day in Harlem, taken on August 12th 1958, is still with us:

Rest in Peace Sonny Rollins (1930-1954), Saxophone Colossus indeed.

Jazz ist für mich schon fast eine sakrale Kunstform. Das ist was für Genies, lange Nächte, zu viel Zigarettenrauch und immer auch Schmerz und elementare Emotionen. Kaum eine Figur wurde in der Geschichte des Jazz wohl so konsequent mythologisiert wie Miles Davis. Der Dokumentarfilm von Stanley Nelson Jr. versucht gar nicht erst, diesen Mythos zu zerstören. Interessanter ist, wie er ihn auseinandernimmt. Schicht für Schicht. Nicht ehrfürchtig, sondern analytisch. Und genau darin liegt der Wert dieses Films. (ARTE, Wh.)

peter chauncey’s SONG OF THE WEEK “Everything You Know” https://peterchauncey1.bandcamp.com/track/everything-you-know-full

#peterchauncey #ambient #jazz #milesdavis #toddrundgren #davidbowie #johnnyjblair #willmandell #keyboards #trumpet

https://elzombieespacial.bandcamp.com/album/in-a-noisy-way

Two tracks are part of this musical journey: "Goat Street" and "Zombie Avenue."
We invite you to walk these musical paths where we can navigate through drums, cymbals, acoustic basses, keyboards, wah wah guitar, soprano saxophones, flutes, and other instruments.
Be welcome and enjoy.

#andrescabrafigueroa #elzombieespacial #plustimbre #bandcamp #improvisedjazz #experimentaljazz #jazznoise #experimentalmusic #milesdavis #argentina #musicaexperimental

peter chauncey’s SONG OF THE WEEK “A Search for Home (Full)”

https://peterchauncey1.bandcamp.com/track/a-search-for-home-full

#search #home #ambient #soul #DavidBowie #jazz #urban #landscape #MilesDavis #HerbieHancock #peterchauncey #johnnyjblair #willmandell #keyboards #trumpet #recording #SanFrancisco #BayArea #singersongwriter #ChimamandaNgoziAdichie

Interested in exploring jazz? I just posted this as a reply elsewhere and will add a dedicated post. Just my 2 cents.

--

Up to the 70’s it’s easy to align jazz styles to decades - there were clear stylistic shifts each decade from the 40’s, 50’s and 60’s. After that it’s a bit messy but let’s see. I'm not a musician, just a fan.

20’s and 30’s
Not my sweet spot really. Swing and big band, Dixieland…..Louis Armstrong, Duke Ellington, Count Basie I guess would be places to start.

40’s - Bebop
Bebop was a “hot”, fast and frantic style. Think Charlie Parker and Dizzy Gillespie.
Charlie Parker - “The Best Of The Complete Savoy & Dial Studio Recodings”

50’s - Cool (or West Coast) Jazz
A reaction to bebop, Cool Jazz toned down the heat and was calmer, more composed.
Miles Davis - "Birth Of The Cool"
Gerry Mulligan - “Night Lights"

Mid-late 50’s - Hard Bop
A reaction in turn to Cool Jazz, hard bop is not as fast as bebop and is rooted in soulful rhythm and blues, gospel and blues itself. It’s generally what jazz sounds like to people who know nothing else, in a good way. I could play this stuff for hours and often do. They play the melody, then each musician takes turns to solo based on that, then they return to the melody to close.
Cannonball Adderly - "Somethin Else”
Hank Mobley - “Soul Station”
Sonny Clark - “Cool Struttin"

Special mention here for Miles Davis’ “first great quintet" (Davis, John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones). Released a string of great albums in the mid-late 50’s, four of which are from two 1-day sessions: “Workin’", “Cookin’", “Steamin’", “Relaxin’". Others include “‘Round About Midnight", plus an earlier band with “Bags Groove”.

Late 50’s - Modal Jazz
To the non-musician this is difficult to figure out, but basically its like hard bop but they solo over modes, or scales. I dunno - it generally just sounds ace. Kind Of Blue is modal, as is Miles’s album Milestones. Incidentally KoB features the single greatest cymbal crash of all time, at the beginning of So What. Brilliant album.

Late 50’s - other classics
John Coltrane’s “Giant Steps”. There's a video on YT that explains the infamous ‘Coltrane changes’ over the 2-5-1. Great album even to a non-musician.
Charles Mingus - "Mingus Ah Um” - like the man himself - bold, brash, raucous, angry.
Bill Evans - “Explorations” - brilliant piano trio - this trio blazed a new trail where the bass and drums wouldn't just be ‘walking’ behind the piano, but would effectively be improvising even as Evans is soloing.

Anything from the hard bop era is best enjoyed with a Manhattan or Dry Martini in hand. You just feel cooler with this stuff playing.

60’s - post bop
In the 60’s, hard bop evolved to be more modal and generally more abstract and edgy. Best example of this is Miles Davis’s “second great quintet" (Miles, Wayne Shorter, Herbie Hancock, Ron Carter, Tony Williams).
Miles Davis - “ESP”, “Miles Smiles”

This might be the best spot to mention Coltrane’s "A Love Supreme”. When the “greatest jazz album of all time” question comes up its generally Kind Of Blue, but ALS is alway a close second. Or even first. A totally different feel. There's a video that explains how he solos using a psalm/invocation. Charles Shaar Murray (I think) once said that he didn’t understand the ALS album but it just sounds brilliant played loud in a thunderstorm. Certainly intense. (Everything from Coltrane after this album is avant-garde and a tough listen, IMHO)

70’s - funk and fusion
Not my favorite decade. The major stylistic shift was to electric funk and fusion which started in the late 60’s. There’s some funk that’s OK…..but 70’s fusion generally leaves me stone cold.
For funk - Herbie Hancock - “Headhunters”
For fusion - I dunno, the bands would be Weather Report (“Heavy Weather”), Chick Corea’s Return To Forever, maybe Brand X “Unorthodox Behavior”.

80’s
Not great for jazz, IMHO, but one of my all-time favorite artists released his best stuff here so let’s see:
Pat Metheny Group - “Offramp”, “Travels”, “First Circle”. Sort of jazz-rock-ish with Metheny’s guitar synth a common feature.

A movement evolved that was loosely centered around Wynton Marsalis called the “Young Lions”, a sort of reaction to the electric fusion years that turned back to 60’s style acoustic post-bop. Not sure I’d recommend much here though, the 60’s stuff is better.

90’s
Another tough one. Stylistically all over the map.
Joshua Redman’s “Moodswing” from 1994 is a great straight ahead set, with four of my all-time favorite musicians - Redman, Brad Mehldau, Christian McBride and Brian Blade.

2000’s - ECM
The German ECM label has a real vibe all its own. Not blues based at all, an often austere, icy crisp production quality. Usually introspective & mellow but can get quite avant-garde. I love a lot of what’s been released.
Marcin Wasilewski Trio - "January"
Michel Benita & Ethics - "River Silver"

2000’s - modern fusion
There’s a wave of modern fusion bands that surpass the 70’s fusion style. Snarky Puppy, Darcy James Argue, Jaga Jazzist among others.
Snarky have a great video at NPR’s Tiny Desk - the second tune has the leader teaching the audience a polyrhythm and then they play a great tune.

Another favorite band is Brian Blade’s Fellowship Band - start with “Perceptual” and “Landmarks”. A real folkloric, Americana feel.
And for modern straight-ahead, Christian McBride’s Inside Straight album “Kind Of Brown”.

2000’s - London
And finally, London has a thriving scene with an often urban, hip-hop mix.
The Comet Is Coming - see them live at NPR
Other London acts to try would include Sons Of Kemet (“Your Queen Is A Reptile” - just two drummers, a tuba and sax), Nubya Garcia (“Source”, dub-wise basslines), many others.
I also like the spiritual Alice Coltrane feel of Matthew Halsall ("Colour Yes”).

--

From 2025 I am enjoying Brandee Younger's "Gadabout Season"and the Aleph Quintet's "Hiwar".

That will keep you busy. And will also help you decide whether to dive in further or just run away.

#jazz
#music
#milesdavis
#johncoltrane
#patmethenygroup
#HankMobley
#cannonballadderley
#sonnyclark
#charlesmingus
#billevans
#herbiehancock
#bradmehldau
#christianmcbride
#brianblade
#joshuaredman
#marcinwasilewski
#NubyaGarcia
#brandeeyounger
#alephquintet #MatthewHalsall

@davep I made a list with some recommendations a few years ago for a friend and will cut and paste below:

--

Up to the 70’s it’s easy to align jazz styles to decades - there were clear stylistic shifts each decade from the 40’s, 50’s and 60’s. After that it’s a bit messy but let’s see. I'm not a musician, just a fan.

20’s and 30’s
Not my sweet spot really. Swing and big band, Dixieland…..Louis Armstrong, Duke Ellington, Count Basie I guess would be places to start.

40’s - Bebop
Bebop was a “hot”, fast and frantic style. Think Charlie Parker and Dizzy Gillespie.
Charlie Parker - “The Best Of The Complete Savoy & Dial Studio Recodings”

50’s - Cool (or West Coast) Jazz
A reaction to bebop, Cool Jazz toned down the heat and was calmer, more composed.
Miles Davis - "Birth Of The Cool"
Gerry Mulligan - “Night Lights"

Mid-late 50’s - Hard Bop
A reaction in turn to Cool Jazz, hard bop is not as fast as bebop and is rooted in soulful rhythm and blues, gospel and blues itself. It’s generally what jazz sounds like to people who know nothing else, in a good way. I could play this stuff for hours and often do. They play the melody, then each musician takes turns to solo based on that, then they return to the melody to close.
Cannonball Adderly - "Somethin Else”
Hank Mobley - “Soul Station”
Sonny Clark - “Cool Struttin"

Special mention here for Miles Davis’ “first great quintet" (Davis, John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones). Released a string of great albums in the mid-late 50’s, four of which are from two 1-day sessions: “Workin’", “Cookin’", “Steamin’", “Relaxin’". Others include “‘Round About Midnight", plus an earlier band with “Bags Groove”.

Late 50’s - Modal Jazz
To the non-musician this is difficult to figure out, but basically its like hard bop but they solo over modes, or scales. I dunno - it generally just sounds ace. Kind Of Blue is modal, as is Miles’s album Milestones. Incidentally KoB features the single greatest cymbal crash of all time, at the beginning of So What. Brilliant album.

Late 50’s - other classics
John Coltrane’s “Giant Steps”. There's a video on YT that explains the infamous ‘Coltrane changes’ over the 2-5-1. Great album even to a non-musician.
Charles Mingus - "Mingus Ah Um” - like the man himself - bold, brash, raucous, angry.
Bill Evans - “Explorations” - brilliant piano trio - this trio blazed a new trail where the bass and drums wouldn't just be ‘walking’ behind the piano, but would effectively be improvising even as Evans is soloing.

Anything from the hard bop era is best enjoyed with a Manhattan or Dry Martini in hand. You just feel cooler with this stuff playing.

60’s - post bop
In the 60’s, hard bop evolved to be more modal and generally more abstract and edgy. Best example of this is Miles Davis’s “second great quintet" (Miles, Wayne Shorter, Herbie Hancock, Ron Carter, Tony Williams).
Miles Davis - “ESP”, “Miles Smiles”

This might be the best spot to mention Coltrane’s "A Love Supreme”. When the “greatest jazz album of all time” question comes up its generally Kind Of Blue, but ALS is alway a close second. Or even first. A totally different feel. There's a video that explains how he solos using a psalm/invocation. Charles Shaar Murray (I think) once said that he didn’t understand the ALS album but it just sounds brilliant played loud in a thunderstorm. Certainly intense. (Everything from Coltrane after this album is avant-garde and a tough listen, IMHO)

70’s - funk and fusion
Not my favorite decade. The major stylistic shift was to electric funk and fusion which started in the late 60’s. There’s some funk that’s OK…..but 70’s fusion generally leaves me stone cold.
For funk - Herbie Hancock - “Headhunters”
For fusion - I dunno, the bands would be Weather Report (“Heavy Weather”), Chick Corea’s Return To Forever, maybe Brand X “Unorthodox Behavior”.

80’s
Not great for jazz, IMHO, but one of my all-time favorite artists released his best stuff here so let’s see:
Pat Metheny Group - “Offramp”, “Travels”, “First Circle”. Sort of jazz-rock-ish with Metheny’s guitar synth a common feature.

A movement evolved that was loosely centered around Wynton Marsalis called the “Young Lions”, a sort of reaction to the electric fusion years that turned back to 60’s style acoustic post-bop. Not sure I’d recommend much here though, the 60’s stuff is better.

90’s
Another tough one. Stylistically all over the map.
Joshua Redman’s “Moodswing” from 1994 is a great straight ahead set, with four of my all-time favorite musicians - Redman, Brad Mehldau, Christian McBride and Brian Blade.

2000’s - ECM
The German ECM label has a real vibe all its own. Not blues based at all, an often austere, icy crisp production quality. Usually introspective & mellow but can get quite avant-garde. I love a lot of what’s been released.
Marcin Wasilewski Trio - "January"
Michel Benita & Ethics - "River Silver"

2000’s - modern fusion
There’s a wave of modern fusion bands that surpass the 70’s fusion style. Snarky Puppy, Darcy James Argue, Jaga Jazzist among others.
Snarky have a great video at NPR’s Tiny Desk - the second tune has the leader teaching the audience a polyrhythm and then they play a great tune.

Another favorite band is Brian Blade’s Fellowship Band - start with “Perceptual”. A real folkloric, Americana feel.
And for modern straight-ahead, Christian McBride’s Inside Straight album “Kind Of Brown”.

2000’s - London
And finally, London has a thriving scene with an often urban, hip-hop mix.
The Comet Is Coming - see them live at NPR
Other London acts to try would include Sons Of Kemet (“Your Queen Is A Reptile” - just two drummers, a tuba and sax), Nubya Garcia (“Source”, dub-wise basslines), many others.
I also like the spiritual Alice Coltrane feel of Matthew Halsall ("Colour Yes”).

--

From 2025 I am enjoying Brandee Younger's "Gadabout Season"and the Aleph Quintet's "Hiwar".

That will keep you busy. And will also help you decide whether to dive in further or just run away.

#jazz #music #milesdavis #johncoltrane #patmethenygroup #HankMobley #cannonballadderley #sonnyclark #charlesmingus #billevans #herbiehancock #bradmehldau #christianmcbride #brianblade #joshuaredman #marcinwasilewski #NubyaGarcia #brandeeyounger #alephquintet

peter chauncey’s SONG OF THE WEEK: “Everything You Know”

https://peterchauncey1.bandcamp.com/track/everything-you-know

#toddrundgren #milesdavis #peterchauncey #johnnyjblair #urban #mystic #trumpet #sanfrancisco #jazz #music #inasilentway

Dokumentarfilmperle – „Soundtrack für einen Staatsstreich“ (2024)

Es beginnt mit einer Jazznummer. Kein Vorspann, kein erklärender Off-Kommentar. Stattdessen: Trommeln, Bläser, flackernde Schwarzweißbilder – und plötzlich sind wir mittendrin im Jahr 1960. In Kongo. Afrika im Kalten Krieg. In einem Netz aus kolonialer Gier, geopolitischer Intrige und kultureller Täuschung. Ein fantastisch gemachter und unbedingt sehenswerter Dokumentarfilm! (ARTE)

https://www.tumblr.com/singeratlarge/786111627356438528/peter-chaunceys-track-of-the-week-a-search-for?source=share

#search #home #ambient #jazz #instrumental #urban #landscape #comtemplative #MilesDavis #HerbieHancock #peterchauncey #johnnyjblair #willmandell #keyboards #trumpet #recording #SanFrancisco #BayArea #InASilentWay

peter chauncey’s TRACK OF THE WEEK: “A Search for Home”

https://peterchauncey1.bandcamp.com/track/a-search-for-home-instrumental

#search #home #ambient #jazz #instrumental #urban #landscape #comtemplative #MilesDavis #HerbieHancock #peterchauncey #johnnyjblair #willmandell #keyboards #trumpet #recording #SanFrancisco #BayArea #InASilentWay

Ina : Variations on "Dig" by Miles Davis
https://www.ina.fr/ina-eclaire-actu/1957-un-inedit-de-miles-davis

#MilesDavis (tp), #BarneyWilen (ts), #RenéUrtreger (p), #PierreMichelot (b), #KennyClarke (dr)

Filmed on December 7, 1957 by Jean-Christophe Averty for Radiodiffusion-télévision française (RTF), the program was broadcast on December 25

#jazz #ina

Ina - 1957 : Miles Davis improvise la musique de "Ascenseur pour l'échafaud"

https://www.ina.fr/ina-eclaire-actu/1957-miles-davis-improvise-la-musique-de-ascenseur-pour-l-echafaud

#MilesDavis (tp), #BarneyWilen (ts), #RenéUrtreger (p), #PierreMichelot (b), #KennyClarke (dr)

Dans la nuit du 4 au 5 décembre 1957, ce quintette entre dans la légende en enregistrant une bande originale révolutionnaire.
On the night of December 4-5, 1957, this quintet entered into legend by recording a revolutionary soundtrack.

#jazz #ina #LouisMalle

1957 - 2nd Annual Festival: Jazz for Moderns - Masonic Temple - Detroit

#GeorgeShearing Sextet
#GerryMulligan Quintet
#ChicoHamilton Quintet
#MilesDavis Quintet
Australian Jazz Quintet
#HelenMerrill
#LeeKonitz

#jazz

Jazz Magazine N°317 (France) - Stéphane Grappelli & Miles Davis - Avril 1983

#jazz #StéphaneGrappelli #MilesDavis