home.social

#paulchambers — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #paulchambers, aggregated by home.social.

fetched live
  1. A classic lineup from my favorite Miles Davis era.

    Artist: Miles Davis
    Album: Cookin' With The Miles Davis Quintet (1957)
    Release: 2011 mono remaster
    Region: US
    Label: Original Jazz Classics – OJC-128

    #nowspinning #milesdavis #vinyl #johncoltrane #paulchambers #jazz

  2. A classic lineup from my favorite Miles Davis era.

    Artist: Miles Davis
    Album: Cookin' With The Miles Davis Quintet (1957)
    Release: 2011 mono remaster
    Region: US
    Label: Original Jazz Classics – OJC-128

    #nowspinning #milesdavis #vinyl #johncoltrane #paulchambers #jazz

  3. A classic lineup from my favorite Miles Davis era.

    Artist: Miles Davis
    Album: Cookin' With The Miles Davis Quintet (1957)
    Release: 2011 mono remaster
    Region: US
    Label: Original Jazz Classics – OJC-128

    #nowspinning #milesdavis #vinyl #johncoltrane #paulchambers #jazz

  4. A classic lineup from my favorite Miles Davis era.

    Artist: Miles Davis
    Album: Cookin' With The Miles Davis Quintet (1957)
    Release: 2011 mono remaster
    Region: US
    Label: Original Jazz Classics – OJC-128

    #nowspinning #milesdavis #vinyl #johncoltrane #paulchambers #jazz

  5. A classic lineup from my favorite Miles Davis era.

    Artist: Miles Davis
    Album: Cookin' With The Miles Davis Quintet (1957)
    Release: 2011 mono remaster
    Region: US
    Label: Original Jazz Classics – OJC-128

    #nowspinning #milesdavis #vinyl #johncoltrane #paulchambers #jazz

  6. Art Pepper, Gettin’ Together, 1960 on Contemporary Records

    Pepper joined here by Paul Chambers (bass), Jimmy Cobb (drums), Wynton Kelly (piano) and Conte Candoli (trumpet, on three tracks). That makes this another LP with Miles Davis' rhythm section, as the earlier Art Pepper Meets the Rhythm Section was. Rounding out for now my recent Art Pepper pickups (say Art Pepper Pickups five times fast), my copy—direct from Craft Recordings—is the 2024 Acoustic Sounds Series reissue mastered by Bernie Grundman and pressed at QRP.

    goatless.org/2026/05/09/art-pe

  7. Art Pepper, Gettin’ Together, 1960 on Contemporary Records

    Pepper joined here by Paul Chambers (bass), Jimmy Cobb (drums), Wynton Kelly (piano) and Conte Candoli (trumpet, on three tracks). That makes this another LP with Miles Davis' rhythm section, as the earlier Art Pepper Meets the Rhythm Section was. Rounding out for now my recent Art Pepper pickups (say Art Pepper Pickups five times fast), my copy—direct from Craft Recordings—is the 2024 Acoustic Sounds Series reissue mastered by Bernie Grundman and pressed at QRP.

    goatless.org/2026/05/09/art-pe

  8. Art Pepper, Gettin’ Together, 1960 on Contemporary Records

    Pepper joined here by Paul Chambers (bass), Jimmy Cobb (drums), Wynton Kelly (piano) and Conte Candoli (trumpet, on three tracks). That makes this another LP with Miles Davis' rhythm section, as the earlier Art Pepper Meets the Rhythm Section was. Rounding out for now my recent Art Pepper pickups (say Art Pepper Pickups five times fast), my copy—direct from Craft Recordings—is the 2024 Acoustic Sounds Series reissue mastered by Bernie Grundman and pressed at QRP.

    goatless.org/2026/05/09/art-pe

  9. Art Pepper, Gettin’ Together, 1960 on Contemporary Records

    Pepper joined here by Paul Chambers (bass), Jimmy Cobb (drums), Wynton Kelly (piano) and Conte Candoli (trumpet, on three tracks). That makes this another LP with Miles Davis' rhythm section, as the earlier Art Pepper Meets the Rhythm Section was. Rounding out for now my recent Art Pepper pickups (say Art Pepper Pickups five times fast), my copy—direct from Craft Recordings—is the 2024 Acoustic Sounds Series reissue mastered by Bernie Grundman and pressed at QRP.

    goatless.org/2026/05/09/art-pe

  10. Art Pepper, Gettin’ Together, 1960 on Contemporary Records

    Pepper joined here by Paul Chambers (bass), Jimmy Cobb (drums), Wynton Kelly (piano) and Conte Candoli (trumpet, on three tracks). That makes this another LP with Miles Davis' rhythm section, as the earlier Art Pepper Meets the Rhythm Section was. Rounding out for now my recent Art Pepper pickups (say Art Pepper Pickups five times fast), my copy—direct from Craft Recordings—is the 2024 Acoustic Sounds Series reissue mastered by Bernie Grundman and pressed at QRP.

    goatless.org/2026/05/09/art-pe

  11. Dexter Gordon - Dexter Calling

    You know, I've decided I'm in agreement with Jerome Sabbagh—hard panning is the way to go for jazz combos.

    This recent Tone Poet rerelease is from a 1961 session with Gordon (tenor), Kenny Drew (piano), Paul Chambers (bass), and Philly Joe Jones (drums)...a definitely "you are there" recording, save for the traditional Van Gelder "piano under a blanket".

    #nowplaying #vinyl #jazz #DexterGordon #KennyDrew #PaulChambers #PhillyJoeJones

  12. Dexter Gordon - Dexter Calling

    You know, I've decided I'm in agreement with Jerome Sabbagh—hard panning is the way to go for jazz combos.

    This recent Tone Poet rerelease is from a 1961 session with Gordon (tenor), Kenny Drew (piano), Paul Chambers (bass), and Philly Joe Jones (drums)...a definitely "you are there" recording, save for the traditional Van Gelder "piano under a blanket".

    #nowplaying #vinyl #jazz #DexterGordon #KennyDrew #PaulChambers #PhillyJoeJones

  13. Dexter Gordon - Dexter Calling

    You know, I've decided I'm in agreement with Jerome Sabbagh—hard panning is the way to go for jazz combos.

    This recent Tone Poet rerelease is from a 1961 session with Gordon (tenor), Kenny Drew (piano), Paul Chambers (bass), and Philly Joe Jones (drums)...a definitely "you are there" recording, save for the traditional Van Gelder "piano under a blanket".

    #nowplaying #vinyl #jazz #DexterGordon #KennyDrew #PaulChambers #PhillyJoeJones

  14. Dexter Gordon - Dexter Calling

    You know, I've decided I'm in agreement with Jerome Sabbagh—hard panning is the way to go for jazz combos.

    This recent Tone Poet rerelease is from a 1961 session with Gordon (tenor), Kenny Drew (piano), Paul Chambers (bass), and Philly Joe Jones (drums)...a definitely "you are there" recording, save for the traditional Van Gelder "piano under a blanket".

  15. Dexter Gordon - Dexter Calling

    You know, I've decided I'm in agreement with Jerome Sabbagh—hard panning is the way to go for jazz combos.

    This recent Tone Poet rerelease is from a 1961 session with Gordon (tenor), Kenny Drew (piano), Paul Chambers (bass), and Philly Joe Jones (drums)...a definitely "you are there" recording, save for the traditional Van Gelder "piano under a blanket".

    #nowplaying #vinyl #jazz #DexterGordon #KennyDrew #PaulChambers #PhillyJoeJones

  16. i'm not wild about this LP — it's ok, but maybe i should make space on my shelf and spin something new (i mean old) in its place

    i paid six bucks for it a few years ago ... i'll bet i could still get a couple bucks for it!

    it bears mentioning that paul chambers went to my high school

    tommy flanagan is also from detroit, but he didn't go to cass tech, he graduated from northern (as did my father before him)

    #nowplaying #jjjohnson #paulchambers #tommyflanagan #maxroach #jazz #vinyl

  17. i'm not wild about this LP — it's ok, but maybe i should make space on my shelf and spin something new (i mean old) in its place

    i paid six bucks for it a few years ago ... i'll bet i could still get a couple bucks for it!

    it bears mentioning that paul chambers went to my high school

    tommy flanagan is also from detroit, but he didn't go to cass tech, he graduated from northern (as did my father before him)

    #nowplaying #jjjohnson #paulchambers #tommyflanagan #maxroach #jazz #vinyl

  18. i'm not wild about this LP — it's ok, but maybe i should make space on my shelf and spin something new (i mean old) in its place

    i paid six bucks for it a few years ago ... i'll bet i could still get a couple bucks for it!

    it bears mentioning that paul chambers went to my high school

    tommy flanagan is also from detroit, but he didn't go to cass tech, he graduated from northern (as did my father before him)

    #nowplaying #jjjohnson #paulchambers #tommyflanagan #maxroach #jazz #vinyl

  19. i'm not wild about this LP — it's ok, but maybe i should make space on my shelf and spin something new (i mean old) in its place

    i paid six bucks for it a few years ago ... i'll bet i could still get a couple bucks for it!

    it bears mentioning that paul chambers went to my high school

    tommy flanagan is also from detroit, but he didn't go to cass tech, he graduated from northern (as did my father before him)

    #nowplaying #jjjohnson #paulchambers #tommyflanagan #maxroach #jazz #vinyl

  20. i'm not wild about this LP — it's ok, but maybe i should make space on my shelf and spin something new (i mean old) in its place

    i paid six bucks for it a few years ago ... i'll bet i could still get a couple bucks for it!

    it bears mentioning that paul chambers went to my high school

    tommy flanagan is also from detroit, but he didn't go to cass tech, he graduated from northern (as did my father before him)

    #nowplaying #jjjohnson #paulchambers #tommyflanagan #maxroach #jazz #vinyl

  21. Milt Jackson & John Coltrane, Bags & Trane, 1961 on Atlantic

    Jackson and Coltrane are joined by Hank Jones (piano), Paul Chambers (bass), and Connie Kay (drums). Recording supervised by Nesuhi Ertegun, engineered by Tom Dowd.

    Great LP, bringing together Milt Jackson (Bags) of The Modern Jazz Quartet and John Coltrane (Trane) who had a year earlier put out Giant Steps. I’m not always a fan of the vibraphone but love how it plays off of Coltrane on this album.

    My copy—via a private sale—is the 2017 reissue by Rhino Vinyl, in mono, pressed on 180g vinyl at Optimal GmbH. Sounds great.

    #1960s #1961 #2017 #Atlantic #ConnieKay #HankJones #jazz #JohnColtrane #MiltJackson #NesuhiErtegun #PaulChambers #Reissue #Rhino #TomDowd #vinyl #vinylcollection #vinylfinds
  22. Milt Jackson & John Coltrane, Bags & Trane, 1961 on Atlantic

    Jackson and Coltrane are joined by Hank Jones (piano), Paul Chambers (bass), and Connie Kay (drums). Recording supervised by Nesuhi Ertegun, engineered by Tom Dowd.

    Great LP, bringing together Milt Jackson (Bags) of The Modern Jazz Quartet and John Coltrane (Trane) who had a year earlier put out Giant Steps. I’m not always a fan of the vibraphone but love how it plays off of Coltrane on this album.

    My copy—via a private sale—is the 2017 reissue by Rhino Vinyl, in mono, pressed on 180g vinyl at Optimal GmbH. Sounds great.

    #1960s #1961 #2017 #Atlantic #ConnieKay #HankJones #jazz #JohnColtrane #MiltJackson #NesuhiErtegun #PaulChambers #Reissue #Rhino #TomDowd #vinyl #vinylcollection #vinylfinds
  23. Milt Jackson & John Coltrane, Bags & Trane, 1961 on Atlantic

    Jackson and Coltrane are joined by Hank Jones (piano), Paul Chambers (bass), and Connie Kay (drums). Recording supervised by Nesuhi Ertegun, engineered by Tom Dowd.

    Great LP, bringing together Milt Jackson (Bags) of The Modern Jazz Quartet and John Coltrane (Trane) who had a year earlier put out Giant Steps. I’m not always a fan of the vibraphone but love how it plays off of Coltrane on this album.

    My copy—via a private sale—is the 2017 reissue by Rhino Vinyl, in mono, pressed on 180g vinyl at Optimal GmbH. Sounds great.

    #1960s #1961 #2017 #Atlantic #ConnieKay #HankJones #jazz #JohnColtrane #MiltJackson #NesuhiErtegun #PaulChambers #Reissue #Rhino #TomDowd #vinyl #vinylcollection #vinylfinds
  24. Milt Jackson & John Coltrane, Bags & Trane, 1961 on Atlantic

    Jackson and Coltrane are joined by Hank Jones (piano), Paul Chambers (bass), and Connie Kay (drums). Recording supervised by Nesuhi Ertegun, engineered by Tom Dowd.

    Great LP, bringing together Milt Jackson (Bags) of The Modern Jazz Quartet and John Coltrane (Trane) who had a year earlier put out Giant Steps. I’m not always a fan of the vibraphone but love how it plays off of Coltrane on this album.

    My copy—via a private sale—is the 2017 reissue by Rhino Vinyl, in mono, pressed on 180g vinyl at Optimal GmbH. Sounds great.

    #1960s #1961 #2017 #Atlantic #ConnieKay #HankJones #jazz #JohnColtrane #MiltJackson #NesuhiErtegun #PaulChambers #Reissue #Rhino #TomDowd #vinyl #vinylcollection #vinylfinds
  25. Milt Jackson & John Coltrane, Bags & Trane, 1961 on Atlantic

    Jackson and Coltrane are joined by Hank Jones (piano), Paul Chambers (bass), and Connie Kay (drums). Recording supervised by Nesuhi Ertegun, engineered by Tom Dowd.

    Great LP, bringing together Milt Jackson (Bags) of The Modern Jazz Quartet and John Coltrane (Trane) who had a year earlier put out Giant Steps. I’m not always a fan of the vibraphone but love how it plays off of Coltrane on this album.

    My copy—via a private sale—is the 2017 reissue by Rhino Vinyl, in mono, pressed on 180g vinyl at Optimal GmbH. Sounds great.

    #1960s #1961 #2017 #Atlantic #ConnieKay #HankJones #jazz #JohnColtrane #MiltJackson #NesuhiErtegun #PaulChambers #Reissue #Rhino #TomDowd #vinyl #vinylcollection #vinylfinds
  26. West Montgomery - Full House

    Meeting of some greats here - Montgomery (guitar), joined by the Wynton Kelly Trio (Kelly (piano), Paul Chambers (bass), and Jimmy Cobb (drums)), along with Johnny Griffin (tenor).

    Recorded live in 1962 at Tsubo in Berkeley, California—a hot set (supposedly the crowd had to endure some repeats to get a good take, but they've certainly retained their enthusiasm).

    #nowplaying #vinyl #jazz #WesMontgomery #WyntonKelly #PaulChambers #JimmyCobb #JohnnyGriffin

  27. West Montgomery - Full House

    Meeting of some greats here - Montgomery (guitar), joined by the Wynton Kelly Trio (Kelly (piano), Paul Chambers (bass), and Jimmy Cobb (drums)), along with Johnny Griffin (tenor).

    Recorded live in 1962 at Tsubo in Berkeley, California—a hot set (supposedly the crowd had to endure some repeats to get a good take, but they've certainly retained their enthusiasm).

    #nowplaying #vinyl #jazz #WesMontgomery #WyntonKelly #PaulChambers #JimmyCobb #JohnnyGriffin

  28. West Montgomery - Full House

    Meeting of some greats here - Montgomery (guitar), joined by the Wynton Kelly Trio (Kelly (piano), Paul Chambers (bass), and Jimmy Cobb (drums)), along with Johnny Griffin (tenor).

    Recorded live in 1962 at Tsubo in Berkeley, California—a hot set (supposedly the crowd had to endure some repeats to get a good take, but they've certainly retained their enthusiasm).

    #nowplaying #vinyl #jazz #WesMontgomery #WyntonKelly #PaulChambers #JimmyCobb #JohnnyGriffin

  29. West Montgomery - Full House

    Meeting of some greats here - Montgomery (guitar), joined by the Wynton Kelly Trio (Kelly (piano), Paul Chambers (bass), and Jimmy Cobb (drums)), along with Johnny Griffin (tenor).

    Recorded live in 1962 at Tsubo in Berkeley, California—a hot set (supposedly the crowd had to endure some repeats to get a good take, but they've certainly retained their enthusiasm).

  30. West Montgomery - Full House

    Meeting of some greats here - Montgomery (guitar), joined by the Wynton Kelly Trio (Kelly (piano), Paul Chambers (bass), and Jimmy Cobb (drums)), along with Johnny Griffin (tenor).

    Recorded live in 1962 at Tsubo in Berkeley, California—a hot set (supposedly the crowd had to endure some repeats to get a good take, but they've certainly retained their enthusiasm).

    #nowplaying #vinyl #jazz #WesMontgomery #WyntonKelly #PaulChambers #JimmyCobb #JohnnyGriffin

  31. Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

    Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

    Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

    My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

    #1960s #1964 #2019 #BlueNote #BlueNote80VinylReissueSeries #ChihuhuaMartinez #herbieHancock #jazz #KevinGray #Modal #OptimalGmbH #PaulChambers #PostBop #Reissue #RudyVanGelder #vinyl #vinylcollection #vinylfinds #WillieBobo
  32. Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

    Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

    Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

    My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

    #1960s #1964 #2019 #BlueNote #BlueNote80VinylReissueSeries #ChihuhuaMartinez #herbieHancock #jazz #KevinGray #Modal #OptimalGmbH #PaulChambers #PostBop #Reissue #RudyVanGelder #vinyl #vinylcollection #vinylfinds #WillieBobo
  33. Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

    Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

    Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

    My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

    #1960s #1964 #2019 #BlueNote #BlueNote80VinylReissueSeries #ChihuhuaMartinez #herbieHancock #jazz #KevinGray #Modal #OptimalGmbH #PaulChambers #PostBop #Reissue #RudyVanGelder #vinyl #vinylcollection #vinylfinds #WillieBobo
  34. Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

    Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

    Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

    My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

    #1960s #1964 #2019 #BlueNote #BlueNote80VinylReissueSeries #ChihuhuaMartinez #herbieHancock #jazz #KevinGray #Modal #OptimalGmbH #PaulChambers #PostBop #Reissue #RudyVanGelder #vinyl #vinylcollection #vinylfinds #WillieBobo
  35. Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

    Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal.

    Recorded by Rudy Van Gelder at his Englewood Cliffs studio.

    My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin Gray and pressed at Optimal Media GmbH – sounds great.

    #1960s #1964 #2019 #BlueNote #BlueNote80VinylReissueSeries #ChihuhuaMartinez #herbieHancock #jazz #KevinGray #Modal #OptimalGmbH #PaulChambers #PostBop #Reissue #RudyVanGelder #vinyl #vinylcollection #vinylfinds #WillieBobo
  36. Listen to one of the most beautifully constructed alto solos ever. Julian Adderley on "Freddie Freeloader," from "Kind of Blue" (1959). He's the fourth soloist, at about 9:46. Gorgeous.

    (trumpet)
    (piano)
    (alto saxophone)
    (tenor saxophone)
    (bass)
    (drums)


    youtu.be/F-SuJ3bLkLI?list=RDF-

  37. Listen to one of the most beautifully constructed alto solos ever. Julian Adderley on "Freddie Freeloader," from "Kind of Blue" (1959). He's the fourth soloist, at about 9:46. Gorgeous.

    #MilesDavis (trumpet)
    #WyntonKelly (piano)
    #JulianAdderly (alto saxophone)
    #JohnColtrane (tenor saxophone)
    #PaulChambers (bass)
    #JimmyCobb (drums)
    #BlackHistoryMonth
    #BlackMusic
    #20thCenturyMusic

    youtu.be/F-SuJ3bLkLI?list=RDF-

  38. Listen to one of the most beautifully constructed alto solos ever. Julian Adderley on "Freddie Freeloader," from "Kind of Blue" (1959). He's the fourth soloist, at about 9:46. Gorgeous.

    #MilesDavis (trumpet)
    #WyntonKelly (piano)
    #JulianAdderly (alto saxophone)
    #JohnColtrane (tenor saxophone)
    #PaulChambers (bass)
    #JimmyCobb (drums)
    #BlackHistoryMonth
    #BlackMusic
    #20thCenturyMusic

    youtu.be/F-SuJ3bLkLI?list=RDF-

  39. Listen to one of the most beautifully constructed alto solos ever. Julian Adderley on "Freddie Freeloader," from "Kind of Blue" (1959). He's the fourth soloist, at about 9:46. Gorgeous.

    #MilesDavis (trumpet)
    #WyntonKelly (piano)
    #JulianAdderly (alto saxophone)
    #JohnColtrane (tenor saxophone)
    #PaulChambers (bass)
    #JimmyCobb (drums)
    #BlackHistoryMonth
    #BlackMusic
    #20thCenturyMusic

    youtu.be/F-SuJ3bLkLI?list=RDF-

  40. Listen to one of the most beautifully constructed alto solos ever. Julian Adderley on "Freddie Freeloader," from "Kind of Blue" (1959). He's the fourth soloist, at about 9:46. Gorgeous.

    #MilesDavis (trumpet)
    #WyntonKelly (piano)
    #JulianAdderly (alto saxophone)
    #JohnColtrane (tenor saxophone)
    #PaulChambers (bass)
    #JimmyCobb (drums)
    #BlackHistoryMonth
    #BlackMusic
    #20thCenturyMusic

    youtu.be/F-SuJ3bLkLI?list=RDF-

  41. Here are two versions of John Coltrane playing the Billy Eckstine ballad, "I Want to Talk About You." First, from "Soultrane" (1958).


    (piano)
    (bass)
    (drums)


    youtu.be/G4cQkkObYDY?list=RDG4

    1/2

  42. Chet Baker in New York

    Chet flies from California to NYC to take a bite out of the 1958 Big Apple. Meeting him here are Miles' rhythm section (Philly Joe Jones & Paul Chambers), along with Al Haig (piano), and Johnny Griffin (tenor).

    Lots of melodic songs with good playing all around, and the rhythm section pushes everyone into a less West Coast style.

    #nowplaying #vinyl #jazz #ChetBaker #PaulChambers #PhillyJoeJones #AlHaig #JohnnyGriffin

  43. Chet Baker in New York

    Chet flies from California to NYC to take a bite out of the 1958 Big Apple. Meeting him here are Miles' rhythm section (Philly Joe Jones & Paul Chambers), along with Al Haig (piano), and Johnny Griffin (tenor).

    Lots of melodic songs with good playing all around, and the rhythm section pushes everyone into a less West Coast style.

    #nowplaying #vinyl #jazz #ChetBaker #PaulChambers #PhillyJoeJones #AlHaig #JohnnyGriffin

  44. Chet Baker in New York

    Chet flies from California to NYC to take a bite out of the 1958 Big Apple. Meeting him here are Miles' rhythm section (Philly Joe Jones & Paul Chambers), along with Al Haig (piano), and Johnny Griffin (tenor).

    Lots of melodic songs with good playing all around, and the rhythm section pushes everyone into a less West Coast style.

    #nowplaying #vinyl #jazz #ChetBaker #PaulChambers #PhillyJoeJones #AlHaig #JohnnyGriffin

  45. Chet Baker in New York

    Chet flies from California to NYC to take a bite out of the 1958 Big Apple. Meeting him here are Miles' rhythm section (Philly Joe Jones & Paul Chambers), along with Al Haig (piano), and Johnny Griffin (tenor).

    Lots of melodic songs with good playing all around, and the rhythm section pushes everyone into a less West Coast style.

  46. Chet Baker in New York

    Chet flies from California to NYC to take a bite out of the 1958 Big Apple. Meeting him here are Miles' rhythm section (Philly Joe Jones & Paul Chambers), along with Al Haig (piano), and Johnny Griffin (tenor).

    Lots of melodic songs with good playing all around, and the rhythm section pushes everyone into a less West Coast style.

    #nowplaying #vinyl #jazz #ChetBaker #PaulChambers #PhillyJoeJones #AlHaig #JohnnyGriffin

  47. De-Dah – Elmo Hope Trio

    I’m in the middle of marking examinations so I will only do a brief post, while I take a short break, to follow up on the one about Hampton Hawes I did a couple of days ago. When I wrote that one it struck me that there are rather a lot of great musicians, especially pianists like Hampton Hawes, who were never appreciated as much as they should have been. Another that springs to mind is Elmo Hope, for whom Thelonious Monk seems to have been a great influence and who therefore provides an interesting contrast with Hampton Hawes who was perhaps more influenced by Bud Powell. Elmo Hope died young, largely because of a bad heroin habit, which also affected his career through his erratic behaviour and the criminal record he acquired for narcotics offences. He was a really fine musician and composer, though, with a very original voice and idiosyncratic sense of time. This track was recorded in 1953 with Paul Chambers on bass and Philly Joe Jones on drums, both of whom were to find fame with Miles Davis a few years later.

    https://www.youtube.com/watch?v=CPkK8c-BN0Y

    #DeDah #ElmoHope #ElmoHopeTrio #Jazz #PaulChambers #PhillyJoeJones