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  1. Thoughts while belatedly preparing #NewYear's presents for #KaminskiLab:
    Do NOT believe #naysayers - 2022 was great for science, 2023 can be better - old projects completed, new ones starting, superb technologies - even better, trainees, collaborators, teams!! 🥰🫁🥰 #Believe

  2. Since thoughts are on Northern Ireland today, here's a #postcard showing Queen's University, Belfast

    Ian Paisley Jr, DUP MP for North Antrim, and a current naysayer to the #WindsorAgreement, studied at QUB. Let's hope they made him reflective enough to be able to recognise the benefits of compriomise

    #HigherEducation
    #HigherEducationPostcard
    #Belfast
    #QueensUniversityBelfast
    #history

  3. Since thoughts are on Northern Ireland today, here's a #postcard showing Queen's University, Belfast

    Ian Paisley Jr, DUP MP for North Antrim, and a current naysayer to the #WindsorAgreement, studied at QUB. Let's hope they made him reflective enough to be able to recognise the benefits of compriomise

    #HigherEducation
    #HigherEducationPostcard
    #Belfast
    #QueensUniversityBelfast
    #history

  4. Since thoughts are on Northern Ireland today, here's a #postcard showing Queen's University, Belfast

    Ian Paisley Jr, DUP MP for North Antrim, and a current naysayer to the #WindsorAgreement, studied at QUB. Let's hope they made him reflective enough to be able to recognise the benefits of compriomise

    #HigherEducation
    #HigherEducationPostcard
    #Belfast
    #QueensUniversityBelfast
    #history

  5. Since thoughts are on Northern Ireland today, here's a #postcard showing Queen's University, Belfast

    Ian Paisley Jr, DUP MP for North Antrim, and a current naysayer to the #WindsorAgreement, studied at QUB. Let's hope they made him reflective enough to be able to recognise the benefits of compriomise

    #HigherEducation
    #HigherEducationPostcard
    #Belfast
    #QueensUniversityBelfast
    #history

  6. Modi rails against intellectual dishonesty on naysayers, while same day #Farmers need to resort to another #FarmersProtest in #BJP ruled Haryana after enactment of #FarmLaws to even start wheat procurement!
    Truth is tough even on #gandhijayanti!

  7. Inspired sa iconic denim outfit sa music video ng Salamin, Salamin ng #BINI ang sinuot ng 7-anyos na si Zillveanna Sellote sa isang pageant.

    Ang kanyang nanay na si Bayan Patroller Angeli Sellote ang nag-#DIY nito gamit ang lumang damit, riboon, beads, at yarn.

    #LanaoDelNorte

  8. "The Hampton Inn is the kind of motel that Jesus would run if Jesus ran a motel."

    #MariaBamford is the funniest human being on the planet. I will brook no naysaying and no equivocation on this topic.

    #comedy #funny #funnymastodon #comedian @mariabamfoo

  9. Being super domestic rn pulling out my summer clothes and storing my winter clothes and the compulsion to turn on a #TrueCrime murder show just hit me like a ton of bricks

    Anyone got any #TrueCrimeTV recs?

  10. Taylor Blitz Times Supports The Boycott of the SEC – Slavery East Conference

    Taylor Blitz Times definitely supports the boycott of the Slavery East Conference. The stories shared by former players of lack of post playing-coaching opportunities alone said what they think of you/ us. Now these southern states are gerrymandering to eliminate black representation in which you play, why grant them your athletic gifts to make money on?? I call for players to leave that conference for the HUNDREDS of other Universities elsewhere.

    This is not to say every opportunity elsewhere is perfect but there is a much bigger picture for all of us where your visibility will strike a blow for what is right. If these states don’t want blacks to have a vote or representation in state legislature they have no value in you or me as equals.

    Naysayers and gaslighters will try to tell you the SEC is your best chance to make the NFL when it isn’t true. LaDanian Tomlinson came from TCU before the BCS era, Jerry Rice came from Mississippi Valley State (HBCU) meaning the NFL will find you wherever you play.

    Now is not the time to sit this one out and let your other brothers and sisters fight the fight. NIL will allow you to make money from your image and likeness at any of the 150 Universities in California alone. Your visibility is needed as much as Muhammad Ali’s was in the 1960s or the American Football League when their All Stars (1964) held a boycott in the south (again?) when they were to play a game in New Orleans. Remember that?

    Even in the NFL during the 1960’s they had an unwritten quota system of how many black players a team would have. It was understood by those players and the resentment percolated under the surface. Before older whites who will gaslight you into thinking this wasn’t the case and just a few “black rebel rousers” well… try this on from the voices of Pro Football Hall of Famers Lenny Moore, Deacon Jones, Alan Page & Jim Brown This perpetuates the attitude of the time and you’ll also hear from Professor Harry Edwards, long time Viking Jim Marshall, former Buffalo Bill QB and US House of Representative Jack Kemp, along with former Charger Ron Mix:

    Understand all these things happened 4 years before the 1968 Olympic Boycott that eventually broke but led to John Carlos & Tommie Smith’s black power salute on the podium. It was a cry to be heard and your battle is on a different playing field but the meaning is identical for our dignity and respect. I just want to encourage to have the courage to do it and move on from that God awful conference in those racist states.

    The reason our opposition wants to erase our black history is to keep you from knowing what came before you to learn from. Once I had a post hit 18,000 people on Facebook last week I had to include it here.

    Keep in mind which coaches have opposed the NIL the most and what states these coaches were most vocal. The Dabo Swinneys (South Caorlina), Nick Sabans (Alabama)w if you will… Now they want to move to “save” college sports now the players are sharing in the revenue. Yet when these Universities funded all of their other sports off the backs of football & basketball players while coaches made millions, barely a peep. Yes water polo, tennis, lacrosse, golf…etc

    Be brave and hit the transfer portal out of there…

    Dedicated to the memories of: Earl Faison, Abner Haynes, Cookie Gilchrist, Lenny Moore, Steve Sabol, Deacon Jones, Jim Brown, Jim Marshall, Jack Kemp, Muhammad Ali.

    Special thanks to Lenny “Spats” Moore, who is still with us at 92 years of age.

    Comments from original post below…

    Rate this:

    #1964AFLAllStarGameBoycott #AbnerHaynes #AFL #AlanPage #AmericanFootball #AmericanFootballLeague #collegeFootball #CookieGilchrist #EarlFaison #EdSabol #ErnieLadd #football #HarryEdwards #JackKemp #JimBrown #JimMarshall #LennyMoore #NationalFootballLeague #NFL #NFLHistory #proFootball #ProFootballHallOfFame #ProfessorHarryEdwards #RonMix #SEC #SlaveryEastConference #SouthEasternConference #sports #SteveSabol
  11. Taylor Blitz Times Supports The Boycott of the SEC – Slavery East Conference

    Taylor Blitz Times definitely supports the boycott of the Slavery East Conference. The stories shared by former players of lack of post playing-coaching opportunities alone said what they think of you/ us. Now these southern states are gerrymandering to eliminate black representation in which you play, why grant them your athletic gifts to make money on?? I call for players to leave that conference for the HUNDREDS of other Universities elsewhere.

    This is not to say every opportunity elsewhere is perfect but there is a much bigger picture for all of us where your visibility will strike a blow for what is right. If these states don’t want blacks to have a vote or representation in state legislature they have no value in you or me as equals.

    Naysayers and gaslighters will try to tell you the SEC is your best chance to make the NFL when it isn’t true. LaDanian Tomlinson came from TCU before the BCS era, Jerry Rice came from Mississippi Valley State (HBCU) meaning the NFL will find you wherever you play.

    Now is not the time to sit this one out and let your other brothers and sisters fight the fight. NIL will allow you to make money from your image and likeness at any of the 150 Universities in California alone. Your visibility is needed as much as Muhammad Ali’s was in the 1960s or the American Football League when their All Stars (1964) held a boycott in the south (again?) when they were to play a game in New Orleans. Remember that?

    Even in the NFL during the 1960’s they had an unwritten quota system of how many black players a team would have. It was understood by those players and the resentment percolated under the surface. Before older whites who will gaslight you into thinking this wasn’t the case and just a few “black rebel rousers” well… try this on from the voices of Pro Football Hall of Famers Lenny Moore, Deacon Jones, Alan Page & Jim Brown This perpetuates the attitude of the time and you’ll also hear from Professor Harry Edwards, long time Viking Jim Marshall, former Buffalo Bill QB and US House of Representative Jack Kemp, along with former Charger Ron Mix:

    Understand all these things happened 4 years before the 1968 Olympic Boycott that eventually broke but led to John Carlos & Tommie Smith’s black power salute on the podium. It was a cry to be heard and your battle is on a different playing field but the meaning is identical for our dignity and respect. I just want to encourage to have the courage to do it and move on from that God awful conference in those racist states.

    The reason our opposition wants to erase our black history is to keep you from knowing what came before you to learn from. Once I had a post hit 18,000 people on Facebook last week I had to include it here.

    Keep in mind which coaches have opposed the NIL the most and what states these coaches were most vocal. The Dabo Swinneys (South Caorlina), Nick Sabans (Alabama)w if you will… Now they want to move to “save” college sports now the players are sharing in the revenue. Yet when these Universities funded all of their other sports off the backs of football & basketball players while coaches made millions, barely a peep. Yes water polo, tennis, lacrosse, golf…etc

    Be brave and hit the transfer portal out of there…

    Dedicated to the memories of: Earl Faison, Abner Haynes, Cookie Gilchrist, Lenny Moore, Steve Sabol, Deacon Jones, Jim Brown, Jim Marshall, Jack Kemp, Muhammad Ali.

    Special thanks to Lenny “Spats” Moore, who is still with us at 92 years of age.

    Comments from original post below…

    Rate this:

    #1964AFLAllStarGameBoycott #AbnerHaynes #AFL #AlanPage #AmericanFootball #AmericanFootballLeague #collegeFootball #CookieGilchrist #EarlFaison #EdSabol #ErnieLadd #football #HarryEdwards #JackKemp #JimBrown #JimMarshall #LennyMoore #NationalFootballLeague #NFL #NFLHistory #proFootball #ProFootballHallOfFame #ProfessorHarryEdwards #RonMix #SEC #SlaveryEastConference #SouthEasternConference #sports #SteveSabol
  12. Taylor Blitz Times Supports The Boycott of the SEC – Slavery East Conference

    Taylor Blitz Times definitely supports the boycott of the Slavery East Conference. The stories shared by former players of lack of post playing-coaching opportunities alone said what they think of you/ us. Now these southern states are gerrymandering to eliminate black representation in which you play, why grant them your athletic gifts to make money on?? I call for players to leave that conference for the HUNDREDS of other Universities elsewhere.

    This is not to say every opportunity elsewhere is perfect but there is a much bigger picture for all of us where your visibility will strike a blow for what is right. If these states don’t want blacks to have a vote or representation in state legislature they have no value in you or me as equals.

    Naysayers and gaslighters will try to tell you the SEC is your best chance to make the NFL when it isn’t true. LaDanian Tomlinson came from TCU before the BCS era, Jerry Rice came from Mississippi Valley State (HBCU) meaning the NFL will find you wherever you play.

    Now is not the time to sit this one out and let your other brothers and sisters fight the fight. NIL will allow you to make money from your image and likeness at any of the 150 Universities in California alone. Your visibility is needed as much as Muhammad Ali’s was in the 1960s or the American Football League when their All Stars (1964) held a boycott in the south (again?) when they were to play a game in New Orleans. Remember that?

    Even in the NFL during the 1960’s they had an unwritten quota system of how many black players a team would have. It was understood by those players and the resentment percolated under the surface. Before older whites who will gaslight you into thinking this wasn’t the case and just a few “black rebel rousers” well… try this on from the voices of Pro Football Hall of Famers Lenny Moore, Deacon Jones, Alan Page & Jim Brown This perpetuates the attitude of the time and you’ll also hear from Professor Harry Edwards, long time Viking Jim Marshall, former Buffalo Bill QB and US House of Representative Jack Kemp, along with former Charger Ron Mix:

    Understand all these things happened 4 years before the 1968 Olympic Boycott that eventually broke but led to John Carlos & Tommie Smith’s black power salute on the podium. It was a cry to be heard and your battle is on a different playing field but the meaning is identical for our dignity and respect. I just want to encourage to have the courage to do it and move on from that God awful conference in those racist states.

    The reason our opposition wants to erase our black history is to keep you from knowing what came before you to learn from. Once I had a post hit 18,000 people on Facebook last week I had to include it here.

    Keep in mind which coaches have opposed the NIL the most and what states these coaches were most vocal. The Dabo Swinneys (South Caorlina), Nick Sabans (Alabama)w if you will… Now they want to move to “save” college sports now the players are sharing in the revenue. Yet when these Universities funded all of their other sports off the backs of football & basketball players while coaches made millions, barely a peep. Yes water polo, tennis, lacrosse, golf…etc

    Be brave and hit the transfer portal out of there…

    Dedicated to the memories of: Earl Faison, Abner Haynes, Cookie Gilchrist, Lenny Moore, Steve Sabol, Deacon Jones, Jim Brown, Jim Marshall, Jack Kemp, Muhammad Ali.

    Special thanks to Lenny “Spats” Moore, who is still with us at 92 years of age.

    Comments from original post below…

    Rate this:

    #1964AFLAllStarGameBoycott #AbnerHaynes #AFL #AlanPage #AmericanFootball #AmericanFootballLeague #collegeFootball #CookieGilchrist #EarlFaison #EdSabol #ErnieLadd #football #HarryEdwards #JackKemp #JimBrown #JimMarshall #LennyMoore #NationalFootballLeague #NFL #NFLHistory #proFootball #ProFootballHallOfFame #ProfessorHarryEdwards #RonMix #SEC #SlaveryEastConference #SouthEasternConference #sports #SteveSabol
  13. Want to make your own multiplayer text game for free? 🤓

    If you’re into collaborative writing and storytelling, AresMUSH might be your jam.

    It supports asynchronous play - perfect for people with busy schedules.

    Despite early naysayers, developer Faraday pushed forward with the project. Today, hundreds of storytellers are actively writing and roleplaying on AresMUSH-powered games.

    Faraday's story: writing-games.org/aresmush-nex

    #FOSSFebruary #NationalStorytellingWeek #TextGames

  14. Want to make your own multiplayer text game for free? 🤓

    If you’re into collaborative writing and storytelling, AresMUSH might be your jam.

    It supports asynchronous play - perfect for people with busy schedules.

    Despite early naysayers, developer Faraday pushed forward with the project. Today, hundreds of storytellers are actively writing and roleplaying on AresMUSH-powered games.

    Faraday's story: writing-games.org/aresmush-nex

    #FOSSFebruary #NationalStorytellingWeek #TextGames

  15. Want to make your own multiplayer text game for free? 🤓

    If you’re into collaborative writing and storytelling, AresMUSH might be your jam.

    It supports asynchronous play - perfect for people with busy schedules.

    Despite early naysayers, developer Faraday pushed forward with the project. Today, hundreds of storytellers are actively writing and roleplaying on AresMUSH-powered games.

    Faraday's story: writing-games.org/aresmush-nex

    #FOSSFebruary #NationalStorytellingWeek #TextGames

  16. I made a #stencil for #calendars and #planners today - your standard checklist BUT ALSO for my people with periods: a #shark stencil for #SharkWeek 😂 ; also the circle for moon phases, plane for travel, eyes emoji 👀 just because I use it so often, and more 😀

    printables.com/model/398274-st

    #My3DPrints #3DPrinting #3DPrint #Stencils #MakersGonnaMake

  17. The #SuperMarioMovie is incredibly fun. Don't believe the naysayers.

    That said, your fun will be linearly proportional to the amount of Mario games to which you've been exposed.

  18. Dr. A.N. Grier’s Top Ten(ish) of 2024

    By Dr. A.N. Grier

    If I were to rate the year of our Lord 2024, I’d give it a solid 4.5/5.0. No, I joke. FUCK 2024. Good riddance, fuck off, goodfuckingbye. This year, the layoffs continued (even affected some of our writers here), the prices skyrocketed, the World Series was bullshit, and landfills across the States are twice their capacity thanks to useless election fliers. This year has resulted in practically zero time to work on AMG efforts, write reviews, or listen to music as I continue to try to keep my job. Yay. Cheers to you, 2024—you sack of horse shit. Let’s go, 2025, you sassy bitch who suggests great things to come but probably won’t deliver. If only you could promise me more time doing the things I love—listening to metal, writing about it, and pretending to edit the other writers’ reviews while completely hammered. If so, I’d kiss you as the ball drops, take you to the back alley during the after-party, and promise not to poison your coffee the next morning.

    But we aren’t there yet. We are still stuck in the past, looking over a mediocre year of metal, regurgitating the same shit we already wrote for each album on our lists. That way, you all can praise, argue, and whine about each choice and its placement. Thankfully, my lists rarely overlap with anyone else’s and no one actually gives a fuck, so my sleep patterns remain the same. Having passed the ten-year mark at this amazing madland, my tastes remain the same, and no one will be surprised that most of the selections here are the items I alone reviewed. That changes occasionally but with no time to think about music this year, you’ll be treated to odd takes and albums that only scored a 3.0. Oh no!1

    Thank you to the AMG staff for their lackluster productivity and overrating tendencies. To Dolph, Kenny, and Sharky for introducing new segments and keeping legacy ones alive. And to Cuervo and GardensTale for the additional year-end contributions they deliver. I also have to give a huge shoutout to the top bosses—AMG and Steel Daddy—for all they do2. I guess I should also thank all of you for your continued support. I guess. May this list find you well as we are thrust into 2025 and the potential nightmares that it’ll bring. Cheers.

    #ish. I Am the Intimidator // I Am the Intimidator – What? You fucking knew this was coming. When Steel told me to review an album about NASCAR and Dale Earnhardt, I couldn’t not do it. I mean, this one-off, self-titled record from a one-off band was a perfect opportunity to unleash my rage. And then… wait, what the fuck? It’s actually kinda good? In a weird year where I reviewed two racing-related albums, I Am the Intimidator sports3 six wild tracks that combine Dio and Iron Maiden with Ministry. What the fuck? And, somehow, the lyrics would be fucking hilarious if they weren’t so passionate. OK, the lyrics of the surprisingly delicious and crushing “Gasoline” are fucking hilarious, and a regular, all-caps attack in the AMG channels. After all the chaos and wild influences that make up this tight, six-track album, the passion for “The Intimidator” is true, even if it’s weird. But, I can’t stop listening to this album any more than I can stop drinking beer.

    #10. Dust Bolt // Sound & Fury – Like so many other Grier lists, there’s always an album that becomes the most frequented in my shit-filled ears. Yup, I know, you all fucking hate it, and I couldn’t care less. For the band (and style), Sound & Fury is a brave effort that I find addictive, fun, and hilarious trolling material when Steel talks shit. Is it thrash? No, but that didn’t stop me from proclaiming Load as Metallica’s best album. Shifting away from the overused thrash concept and mediocre record releases, Dust Bolt chose the unconventional route of cleaner vocals, smoother production, and catchier choruses to remove themselves from their past outings (and, some would argue, from thrash and metal in general). For you naysayers, there are plenty of headbangable moments on Sound & Fury, so you don’t have to feel like a poser singing these new songs in your mom’s shower.

    #9. Midnight // Hellish Expectations – Perhaps one of the most prolific metal bands out there, what can I say about Midnight that I haven’t said already? Oh yeah, they’re badass and if you don’t like them, you’re shit. Also, fuck you. Like previous releases, Midnight continues to speed through riffs that bring to mind classic outfits like Darkthrone, Motörhead, Venom, and Celtic Frost at a relentless speed. While other Midnight records are better, Hellish Expectations joins its compatriots in a discog that can do no wrong. Unless, of course, you don’t like this band’s style. In that case, read above regarding that “fuck you” thing. What makes Hellish Expectations great in this frustrating year is that it caps at twenty-five wonderful minutes—which is the same amount of time it takes to shit out your morning coffee. So, this is a chance to correct your poserness. If you like this band, you already know Hellish Expectations is a fun ride that’ll keep your spikes sharp and your leather pants shit free.

    #8. Bombus // Your Blood – Like another band on my list, this Swedish heavy metal, hard rock band has seen a lot of ups and downs in their career. And, for some reason, their co-founding vocalist and guitarist walked. But that didn’t stop Bombus. Not only did they find someone to fill those two slots, but they also added another guitarist to round it out to three. With these new additions, the skill displayed on Your Blood is superior to anything the band has ever done. There’re solos, harmonizing leads, and riffs up the fucking wazoo. I’m uncertain if it’s due to this new skillset or an increase in motivation with five years between albums, but Bombus held nothing back for Your Blood. While there are plenty of the bangers you would expect from a band of this caliber, like the addictive “Take You Down,” there are also other interesting inclusions that I should hate, yet love. For example, the weird, Spaghetti Western qualities of “Your Blood,” the Nick Cave-meets-The White Stripes musings of “The One,” and the bizarreness that is “Carmina.” With Your Blood, the band has found their groove and passion again, delivering their best album yet.

    #7. Vanessa Funke // Void – This year brought a surprising new addition to my favorite bands of all time. In this case, it was the newest release from the multi-instrumentalist, Vanessa Funke. With a small but stellar catalog, Ms. Funke continuously dabbles in new influences and song approaches with each album and Void is no different. Coming off last year’s acoustic masterpiece Vanessa Funke rewinds to her debut record, Solitude, alternating between rasps and cleans, acoustic and distorted guitars, and her perfectly molded combination of folk, melodeath, and atmospheric black metal. The textures created by the vocals, guitars, keys, and piano take Void down into some incredible depths, engulfing its listeners in blankets that can be both soft and stabby. Albums like this are rare for me these days, so when they do completely submerse me to the point that I can’t think of anything else, there’s no doubt it’ll make it on my year-end list.

    #6. Crystal Viper // The Silver Key – Maybe not everyone’s favorite Polish act,4 Crystal Viper’s founding vocalist and guitarist, Marta Gabriel, has been knocking around her blend of heavy and power metal for nearly two decades. But, it’s been a rocky road of great, mediocre, and rage-inducing records. Where Crimen Expecta shines like a bright star in the sky, Tales of Fire and Ice is a dumpster fire that topped my most disappointing album of 2019. When I approached this year’s The Silver Key, I was expecting another mid album (or worse) but was immediately engrossed—maybe even more than Crimen Expecta. Though many of you dislike the vocals, Gabriel is in top form. But, her vocal performance is only one aspect of the Crystal Viper sound. Her guitar work is some of the best of her career, lending new ideas to the song structures and album flow. While plenty of bands are—and are not better—than Crystal Viper, The Silver Key is undeniably one of the best albums of their career.

    #5. Sidewinder // Talons – Most likely one of the only overlaps I’ll have with the cunts that work here,5 Sidewinder’s newest release, Talons, threw me for a loop. Not expecting anything from a band I’ve never heard about, Talons immediately got my noggin’ bobbin’ in the most pleasing way. I can’t pinpoint exactly why I like this style of heavy, bounding stoner metal, but every time I hear it, it clicks. And nothing is better than diving right into a record where one of the band’s best pieces is the opener. “Guardians” is a quintessential Sidewinder piece that personifies the band and everything they stand for. But that’s only the beginning, as the guitars cruise down the road and the bass rumbles through the gravel. Clocking in at a mere thirty-four minutes, this eight-track beauty never reaches beyond its means, ensuring the songs are straight and tight, allowing Jem’s powerful vocals to direct the varying moods. While the band resides in the lush and beautiful landscapes of New Zealand,6 if a sound could represent the harsh desert lands of my home, this would be it.

    #4. Aborted // Vault of Horrors – As many know, death metal is not my cup o’ tea. Once upon a time, death metal was my life, but that ship sailed when my favorites grew old and repetitive, and what you all call death metal these days bores me to tears. But the one band that continues to make me salivate is Aborted.7 And, boy, did this year’s Vault of Horrors deliver. With tracks like “Dreadbringer,” “The Golgothan,” and “Malevolent Haze,” this new release offers some incredible depth and relentless brutality. Aborted has always delivered good-to-great albums but after nearly thirty years, how can these lads continue to improve and produce such quality releases? Vault of Horrors is a great record and arguably one of the band’s best. It’s been several months since this beauty was released, so if it passed by you, rectify your posersivity.

    #3. The Vision Bleak // Weird Tales – I don’t know what it is about The Vision Bleak but they fucking hit me and hit me hard. On the surface, their style is quite simple, but it’s the layers, stories, mood, and damning vocal performances that draw me in like I’m viewing a Vincent Price horror marathon. Combining their Type O Negative vocal characteristics with atmospheric moods that can be depressive at one point and ethereal at another, The Vision Bleak took a massive leap by releasing Weird Tales as (technically) a one-song album. Eight years since their incredible The Unknown, Weird Tales doesn’t skip a beat, maintaining the duo’s title as one of the greatest bands in gothic metal. With magnificent builds, eerie transitions, mind-bending fluidity, and heart-wrenching passages, the haunting nature of Weird Tales leaves you contemplating your existence in a world controlled by the fate instilled in it by the late, great H.P. Lovecraft.

    #2. Kingcrow // Hopium – For fucking months, our progressive cunt, Dolphin Whisper, tried desperately to steal Kingcrow’s Hopium from me—somehow thinking he’s better than me when it comes to describing the lushness of Kingcrow. The fuck. Even though Kingcrow hasn’t released an album in six years, there’s no way some flipper fucker would take this from me. Sure, I’m not a huge fan of progressive metal, but at least I know what’s good progressive metal instead of lazily making love to everything with the tag of “prog.” Anyway, Hopium continues to deliver gorgeous tapestries painted with soothing vocals, synthy atmospheres, and impressive performances for all involved. Though I consider Eidos their best, Hopium is not far behind. While tapping into common influences like Dream Theater and Spock’s Beard, this Italian outfit is very much on a level all its own. If you like prog, you’ll find Hopium—with such wildly varying tracks like “Vicous Circle,” “Parallel Lines,” and “White Rabit’s Hole”—to be the most diverse prog record of the year.

    #1. Borknagar // Fall – Goddammit, I love Borknagar. Few bands have such high album scores for a career that spans thirty years and a dozen albums—especially with a constant rotation of players and vocalists. Though, how can you be pissed off about having any of the great vocalists Borknagar has employed throughout the years? Since the beginning, the band has continuously introduced more melody and keys in their music, but Fall is special compared to the output in the last twenty years. Though this new album hasn’t hung up that hat by any means, Øystein G. Brun, Lars A. Nedland, and crew dug through the ashes of the past to bring some of those old-school black metal moments back into the mix. From the blackened assault of “Summits” and the Dimmu Borgir-esque vibes of “Northward,” the band continues to shock and surprise, avoiding a repetition from a previous album. So, dive into the best album o’ the year in all its glory.8

    Honorable Mentions

    • Portrait // The Host – While I didn’t like the production of Portrait’s The Host, I’m still a slut for King Diamond and Meryful Fate-adjacent metal. Especially when it comes to Portrait, who continues to be less like a copycat and more like a pioneer of the style.
    • Attic // Return of the Witchfinder – More King Diamond-core! Easily one of the best examples of the sound, Attic continues to keep me coming back with each release. As their predecessor, Return of the Witchfinder brings a new story, more twists, and those pleasing falsettos that trigger my “O” face.
    • Sarke // Endo Feight – Sarke (the artist) and crew have had one hell of a busy couple of years. This year, in particular, sees not only a new Sarke release but also a new Khold record (see below). Endo Feight is a wonderful addition to the band’s catalog and, by god, it’s wonderful to see the man himself back behind the kit.
    • Khold // Du dømmes til død – See? I told you it would be here. While 2022’s Svartsyn was better record than Du dømmes til død (and a fantastic comeback), Du dømmes til død still has those elements that make the band so unique and fun to listen to.
    • Blood Red Throne // Nonagon – Three years ago, Blood Red Throne released not only one of their best albums but 2021’s best death metal record. Unsurprisingly, it’s difficult to follow something like Imperial Congregation without some hiccups. That said, Nonagon is still a brutal piece of work worthy of mentioning.

    Disappointments o’ the Year

    • Darkthrone // It Beckons Us All……. – Like Sarke, Nocturno Culto has also been busy this year. If that’s part of the reason for the utter bore that’s It Beckons Us All……., I don’t know. But, this new record feels like Darkthrone is going through the motions. While I respect that they don’t care what the fuck any of us think, this is one of their worst albums.
    • Exhorder // Defectum Omnium – After Exhorder’s incredible comeback album, Mourn the Southern Skies, I was more than a little excited for this new one. Unfortunately, like Darkthrone’s newest, Defectum Omnium is a dreadfully boring record that lacks all the passion of Exhorder’s comeback, leaving me confused and pissed the fuck off.

    Songs o’ the Year

    • Kingcrow – “White Rabbit’s Hole” – With an album full of great songs, there’s just something about the energy of this track that makes me so happy.

    • Sidewinder – “Guardians” – This song represents some of the best stoner metal of 2024, and I can’t stop listening to it.

    • Bombus – “Take You Down” – This song is just badass. I couldn’t care less what you think. Die.

    #2024 #Aborted #Attic #BlogPosts #BloodRedThrone #Bombus #Borknagar #CelticFrost #CrystalViper #Darkthrone #DimmuBorgir #Dio #DrANGrierSTopTenIshOf2024 #DreamTheater #DustBolt #Exhorder #IAmTheIntimidator #IronMaiden #Khold #KingDiamond #Kingcrow #Lists #MercyfulFate #Metallica #Midnight #Ministry #Motörhead #NickCave #Portrait #Sarke #Sidewinder #SpockSBeard #TheVisionBleak #TheWhiteStripes #TypeONegative #Vader #VanessaFunke #Venom

  19. Dr. A.N. Grier’s Top Ten(ish) of 2024

    By Dr. A.N. Grier

    If I were to rate the year of our Lord 2024, I’d give it a solid 4.5/5.0. No, I joke. FUCK 2024. Good riddance, fuck off, goodfuckingbye. This year, the layoffs continued (even affected some of our writers here), the prices skyrocketed, the World Series was bullshit, and landfills across the States are twice their capacity thanks to useless election fliers. This year has resulted in practically zero time to work on AMG efforts, write reviews, or listen to music as I continue to try to keep my job. Yay. Cheers to you, 2024—you sack of horse shit. Let’s go, 2025, you sassy bitch who suggests great things to come but probably won’t deliver. If only you could promise me more time doing the things I love—listening to metal, writing about it, and pretending to edit the other writers’ reviews while completely hammered. If so, I’d kiss you as the ball drops, take you to the back alley during the after-party, and promise not to poison your coffee the next morning.

    But we aren’t there yet. We are still stuck in the past, looking over a mediocre year of metal, regurgitating the same shit we already wrote for each album on our lists. That way, you all can praise, argue, and whine about each choice and its placement. Thankfully, my lists rarely overlap with anyone else’s and no one actually gives a fuck, so my sleep patterns remain the same. Having passed the ten-year mark at this amazing madland, my tastes remain the same, and no one will be surprised that most of the selections here are the items I alone reviewed. That changes occasionally but with no time to think about music this year, you’ll be treated to odd takes and albums that only scored a 3.0. Oh no!1

    Thank you to the AMG staff for their lackluster productivity and overrating tendencies. To Dolph, Kenny, and Sharky for introducing new segments and keeping legacy ones alive. And to Cuervo and GardensTale for the additional year-end contributions they deliver. I also have to give a huge shoutout to the top bosses—AMG and Steel Daddy—for all they do2. I guess I should also thank all of you for your continued support. I guess. May this list find you well as we are thrust into 2025 and the potential nightmares that it’ll bring. Cheers.

    #ish. I Am the Intimidator // I Am the Intimidator – What? You fucking knew this was coming. When Steel told me to review an album about NASCAR and Dale Earnhardt, I couldn’t not do it. I mean, this one-off, self-titled record from a one-off band was a perfect opportunity to unleash my rage. And then… wait, what the fuck? It’s actually kinda good? In a weird year where I reviewed two racing-related albums, I Am the Intimidator sports3 six wild tracks that combine Dio and Iron Maiden with Ministry. What the fuck? And, somehow, the lyrics would be fucking hilarious if they weren’t so passionate. OK, the lyrics of the surprisingly delicious and crushing “Gasoline” are fucking hilarious, and a regular, all-caps attack in the AMG channels. After all the chaos and wild influences that make up this tight, six-track album, the passion for “The Intimidator” is true, even if it’s weird. But, I can’t stop listening to this album any more than I can stop drinking beer.

    #10. Dust Bolt // Sound & Fury – Like so many other Grier lists, there’s always an album that becomes the most frequented in my shit-filled ears. Yup, I know, you all fucking hate it, and I couldn’t care less. For the band (and style), Sound & Fury is a brave effort that I find addictive, fun, and hilarious trolling material when Steel talks shit. Is it thrash? No, but that didn’t stop me from proclaiming Load as Metallica’s best album. Shifting away from the overused thrash concept and mediocre record releases, Dust Bolt chose the unconventional route of cleaner vocals, smoother production, and catchier choruses to remove themselves from their past outings (and, some would argue, from thrash and metal in general). For you naysayers, there are plenty of headbangable moments on Sound & Fury, so you don’t have to feel like a poser singing these new songs in your mom’s shower.

    #9. Midnight // Hellish Expectations – Perhaps one of the most prolific metal bands out there, what can I say about Midnight that I haven’t said already? Oh yeah, they’re badass and if you don’t like them, you’re shit. Also, fuck you. Like previous releases, Midnight continues to speed through riffs that bring to mind classic outfits like Darkthrone, Motörhead, Venom, and Celtic Frost at a relentless speed. While other Midnight records are better, Hellish Expectations joins its compatriots in a discog that can do no wrong. Unless, of course, you don’t like this band’s style. In that case, read above regarding that “fuck you” thing. What makes Hellish Expectations great in this frustrating year is that it caps at twenty-five wonderful minutes—which is the same amount of time it takes to shit out your morning coffee. So, this is a chance to correct your poserness. If you like this band, you already know Hellish Expectations is a fun ride that’ll keep your spikes sharp and your leather pants shit free.

    #8. Bombus // Your Blood – Like another band on my list, this Swedish heavy metal, hard rock band has seen a lot of ups and downs in their career. And, for some reason, their co-founding vocalist and guitarist walked. But that didn’t stop Bombus. Not only did they find someone to fill those two slots, but they also added another guitarist to round it out to three. With these new additions, the skill displayed on Your Blood is superior to anything the band has ever done. There’re solos, harmonizing leads, and riffs up the fucking wazoo. I’m uncertain if it’s due to this new skillset or an increase in motivation with five years between albums, but Bombus held nothing back for Your Blood. While there are plenty of the bangers you would expect from a band of this caliber, like the addictive “Take You Down,” there are also other interesting inclusions that I should hate, yet love. For example, the weird, Spaghetti Western qualities of “Your Blood,” the Nick Cave-meets-The White Stripes musings of “The One,” and the bizarreness that is “Carmina.” With Your Blood, the band has found their groove and passion again, delivering their best album yet.

    #7. Vanessa Funke // Void – This year brought a surprising new addition to my favorite bands of all time. In this case, it was the newest release from the multi-instrumentalist, Vanessa Funke. With a small but stellar catalog, Ms. Funke continuously dabbles in new influences and song approaches with each album and Void is no different. Coming off last year’s acoustic masterpiece Vanessa Funke rewinds to her debut record, Solitude, alternating between rasps and cleans, acoustic and distorted guitars, and her perfectly molded combination of folk, melodeath, and atmospheric black metal. The textures created by the vocals, guitars, keys, and piano take Void down into some incredible depths, engulfing its listeners in blankets that can be both soft and stabby. Albums like this are rare for me these days, so when they do completely submerse me to the point that I can’t think of anything else, there’s no doubt it’ll make it on my year-end list.

    #6. Crystal Viper // The Silver Key – Maybe not everyone’s favorite Polish act,4 Crystal Viper’s founding vocalist and guitarist, Marta Gabriel, has been knocking around her blend of heavy and power metal for nearly two decades. But, it’s been a rocky road of great, mediocre, and rage-inducing records. Where Crimen Expecta shines like a bright star in the sky, Tales of Fire and Ice is a dumpster fire that topped my most disappointing album of 2019. When I approached this year’s The Silver Key, I was expecting another mid album (or worse) but was immediately engrossed—maybe even more than Crimen Expecta. Though many of you dislike the vocals, Gabriel is in top form. But, her vocal performance is only one aspect of the Crystal Viper sound. Her guitar work is some of the best of her career, lending new ideas to the song structures and album flow. While plenty of bands are—and are not better—than Crystal Viper, The Silver Key is undeniably one of the best albums of their career.

    #5. Sidewinder // Talons – Most likely one of the only overlaps I’ll have with the cunts that work here,5 Sidewinder’s newest release, Talons, threw me for a loop. Not expecting anything from a band I’ve never heard about, Talons immediately got my noggin’ bobbin’ in the most pleasing way. I can’t pinpoint exactly why I like this style of heavy, bounding stoner metal, but every time I hear it, it clicks. And nothing is better than diving right into a record where one of the band’s best pieces is the opener. “Guardians” is a quintessential Sidewinder piece that personifies the band and everything they stand for. But that’s only the beginning, as the guitars cruise down the road and the bass rumbles through the gravel. Clocking in at a mere thirty-four minutes, this eight-track beauty never reaches beyond its means, ensuring the songs are straight and tight, allowing Jem’s powerful vocals to direct the varying moods. While the band resides in the lush and beautiful landscapes of New Zealand,6 if a sound could represent the harsh desert lands of my home, this would be it.

    #4. Aborted // Vault of Horrors – As many know, death metal is not my cup o’ tea. Once upon a time, death metal was my life, but that ship sailed when my favorites grew old and repetitive, and what you all call death metal these days bores me to tears. But the one band that continues to make me salivate is Aborted.7 And, boy, did this year’s Vault of Horrors deliver. With tracks like “Dreadbringer,” “The Golgothan,” and “Malevolent Haze,” this new release offers some incredible depth and relentless brutality. Aborted has always delivered good-to-great albums but after nearly thirty years, how can these lads continue to improve and produce such quality releases? Vault of Horrors is a great record and arguably one of the band’s best. It’s been several months since this beauty was released, so if it passed by you, rectify your posersivity.

    #3. The Vision Bleak // Weird Tales – I don’t know what it is about The Vision Bleak but they fucking hit me and hit me hard. On the surface, their style is quite simple, but it’s the layers, stories, mood, and damning vocal performances that draw me in like I’m viewing a Vincent Price horror marathon. Combining their Type O Negative vocal characteristics with atmospheric moods that can be depressive at one point and ethereal at another, The Vision Bleak took a massive leap by releasing Weird Tales as (technically) a one-song album. Eight years since their incredible The Unknown, Weird Tales doesn’t skip a beat, maintaining the duo’s title as one of the greatest bands in gothic metal. With magnificent builds, eerie transitions, mind-bending fluidity, and heart-wrenching passages, the haunting nature of Weird Tales leaves you contemplating your existence in a world controlled by the fate instilled in it by the late, great H.P. Lovecraft.

    #2. Kingcrow // Hopium – For fucking months, our progressive cunt, Dolphin Whisper, tried desperately to steal Kingcrow’s Hopium from me—somehow thinking he’s better than me when it comes to describing the lushness of Kingcrow. The fuck. Even though Kingcrow hasn’t released an album in six years, there’s no way some flipper fucker would take this from me. Sure, I’m not a huge fan of progressive metal, but at least I know what’s good progressive metal instead of lazily making love to everything with the tag of “prog.” Anyway, Hopium continues to deliver gorgeous tapestries painted with soothing vocals, synthy atmospheres, and impressive performances for all involved. Though I consider Eidos their best, Hopium is not far behind. While tapping into common influences like Dream Theater and Spock’s Beard, this Italian outfit is very much on a level all its own. If you like prog, you’ll find Hopium—with such wildly varying tracks like “Vicous Circle,” “Parallel Lines,” and “White Rabit’s Hole”—to be the most diverse prog record of the year.

    #1. Borknagar // Fall – Goddammit, I love Borknagar. Few bands have such high album scores for a career that spans thirty years and a dozen albums—especially with a constant rotation of players and vocalists. Though, how can you be pissed off about having any of the great vocalists Borknagar has employed throughout the years? Since the beginning, the band has continuously introduced more melody and keys in their music, but Fall is special compared to the output in the last twenty years. Though this new album hasn’t hung up that hat by any means, Øystein G. Brun, Lars A. Nedland, and crew dug through the ashes of the past to bring some of those old-school black metal moments back into the mix. From the blackened assault of “Summits” and the Dimmu Borgir-esque vibes of “Northward,” the band continues to shock and surprise, avoiding a repetition from a previous album. So, dive into the best album o’ the year in all its glory.8

    Honorable Mentions

    • Portrait // The Host – While I didn’t like the production of Portrait’s The Host, I’m still a slut for King Diamond and Meryful Fate-adjacent metal. Especially when it comes to Portrait, who continues to be less like a copycat and more like a pioneer of the style.
    • Attic // Return of the Witchfinder – More King Diamond-core! Easily one of the best examples of the sound, Attic continues to keep me coming back with each release. As their predecessor, Return of the Witchfinder brings a new story, more twists, and those pleasing falsettos that trigger my “O” face.
    • Sarke // Endo Feight – Sarke (the artist) and crew have had one hell of a busy couple of years. This year, in particular, sees not only a new Sarke release but also a new Khold record (see below). Endo Feight is a wonderful addition to the band’s catalog and, by god, it’s wonderful to see the man himself back behind the kit.
    • Khold // Du dømmes til død – See? I told you it would be here. While 2022’s Svartsyn was better record than Du dømmes til død (and a fantastic comeback), Du dømmes til død still has those elements that make the band so unique and fun to listen to.
    • Blood Red Throne // Nonagon – Three years ago, Blood Red Throne released not only one of their best albums but 2021’s best death metal record. Unsurprisingly, it’s difficult to follow something like Imperial Congregation without some hiccups. That said, Nonagon is still a brutal piece of work worthy of mentioning.

    Disappointments o’ the Year

    • Darkthrone // It Beckons Us All……. – Like Sarke, Nocturno Culto has also been busy this year. If that’s part of the reason for the utter bore that’s It Beckons Us All……., I don’t know. But, this new record feels like Darkthrone is going through the motions. While I respect that they don’t care what the fuck any of us think, this is one of their worst albums.
    • Exhorder // Defectum Omnium – After Exhorder’s incredible comeback album, Mourn the Southern Skies, I was more than a little excited for this new one. Unfortunately, like Darkthrone’s newest, Defectum Omnium is a dreadfully boring record that lacks all the passion of Exhorder’s comeback, leaving me confused and pissed the fuck off.

    Songs o’ the Year

    • Kingcrow – “White Rabbit’s Hole” – With an album full of great songs, there’s just something about the energy of this track that makes me so happy.

    • Sidewinder – “Guardians” – This song represents some of the best stoner metal of 2024, and I can’t stop listening to it.

    • Bombus – “Take You Down” – This song is just badass. I couldn’t care less what you think. Die.

    #2024 #Aborted #Attic #BlogPosts #BloodRedThrone #Bombus #Borknagar #CelticFrost #CrystalViper #Darkthrone #DimmuBorgir #Dio #DrANGrierSTopTenIshOf2024 #DreamTheater #DustBolt #Exhorder #IAmTheIntimidator #IronMaiden #Khold #KingDiamond #Kingcrow #Lists #MercyfulFate #Metallica #Midnight #Ministry #Motörhead #NickCave #Portrait #Sarke #Sidewinder #SpockSBeard #TheVisionBleak #TheWhiteStripes #TypeONegative #Vader #VanessaFunke #Venom

  20. Dr. A.N. Grier’s Top Ten(ish) of 2024

    By Dr. A.N. Grier

    If I were to rate the year of our Lord 2024, I’d give it a solid 4.5/5.0. No, I joke. FUCK 2024. Good riddance, fuck off, goodfuckingbye. This year, the layoffs continued (even affected some of our writers here), the prices skyrocketed, the World Series was bullshit, and landfills across the States are twice their capacity thanks to useless election fliers. This year has resulted in practically zero time to work on AMG efforts, write reviews, or listen to music as I continue to try to keep my job. Yay. Cheers to you, 2024—you sack of horse shit. Let’s go, 2025, you sassy bitch who suggests great things to come but probably won’t deliver. If only you could promise me more time doing the things I love—listening to metal, writing about it, and pretending to edit the other writers’ reviews while completely hammered. If so, I’d kiss you as the ball drops, take you to the back alley during the after-party, and promise not to poison your coffee the next morning.

    But we aren’t there yet. We are still stuck in the past, looking over a mediocre year of metal, regurgitating the same shit we already wrote for each album on our lists. That way, you all can praise, argue, and whine about each choice and its placement. Thankfully, my lists rarely overlap with anyone else’s and no one actually gives a fuck, so my sleep patterns remain the same. Having passed the ten-year mark at this amazing madland, my tastes remain the same, and no one will be surprised that most of the selections here are the items I alone reviewed. That changes occasionally but with no time to think about music this year, you’ll be treated to odd takes and albums that only scored a 3.0. Oh no!1

    Thank you to the AMG staff for their lackluster productivity and overrating tendencies. To Dolph, Kenny, and Sharky for introducing new segments and keeping legacy ones alive. And to Cuervo and GardensTale for the additional year-end contributions they deliver. I also have to give a huge shoutout to the top bosses—AMG and Steel Daddy—for all they do2. I guess I should also thank all of you for your continued support. I guess. May this list find you well as we are thrust into 2025 and the potential nightmares that it’ll bring. Cheers.

    #ish. I Am the Intimidator // I Am the Intimidator – What? You fucking knew this was coming. When Steel told me to review an album about NASCAR and Dale Earnhardt, I couldn’t not do it. I mean, this one-off, self-titled record from a one-off band was a perfect opportunity to unleash my rage. And then… wait, what the fuck? It’s actually kinda good? In a weird year where I reviewed two racing-related albums, I Am the Intimidator sports3 six wild tracks that combine Dio and Iron Maiden with Ministry. What the fuck? And, somehow, the lyrics would be fucking hilarious if they weren’t so passionate. OK, the lyrics of the surprisingly delicious and crushing “Gasoline” are fucking hilarious, and a regular, all-caps attack in the AMG channels. After all the chaos and wild influences that make up this tight, six-track album, the passion for “The Intimidator” is true, even if it’s weird. But, I can’t stop listening to this album any more than I can stop drinking beer.

    #10. Dust Bolt // Sound & Fury – Like so many other Grier lists, there’s always an album that becomes the most frequented in my shit-filled ears. Yup, I know, you all fucking hate it, and I couldn’t care less. For the band (and style), Sound & Fury is a brave effort that I find addictive, fun, and hilarious trolling material when Steel talks shit. Is it thrash? No, but that didn’t stop me from proclaiming Load as Metallica’s best album. Shifting away from the overused thrash concept and mediocre record releases, Dust Bolt chose the unconventional route of cleaner vocals, smoother production, and catchier choruses to remove themselves from their past outings (and, some would argue, from thrash and metal in general). For you naysayers, there are plenty of headbangable moments on Sound & Fury, so you don’t have to feel like a poser singing these new songs in your mom’s shower.

    #9. Midnight // Hellish Expectations – Perhaps one of the most prolific metal bands out there, what can I say about Midnight that I haven’t said already? Oh yeah, they’re badass and if you don’t like them, you’re shit. Also, fuck you. Like previous releases, Midnight continues to speed through riffs that bring to mind classic outfits like Darkthrone, Motörhead, Venom, and Celtic Frost at a relentless speed. While other Midnight records are better, Hellish Expectations joins its compatriots in a discog that can do no wrong. Unless, of course, you don’t like this band’s style. In that case, read above regarding that “fuck you” thing. What makes Hellish Expectations great in this frustrating year is that it caps at twenty-five wonderful minutes—which is the same amount of time it takes to shit out your morning coffee. So, this is a chance to correct your poserness. If you like this band, you already know Hellish Expectations is a fun ride that’ll keep your spikes sharp and your leather pants shit free.

    #8. Bombus // Your Blood – Like another band on my list, this Swedish heavy metal, hard rock band has seen a lot of ups and downs in their career. And, for some reason, their co-founding vocalist and guitarist walked. But that didn’t stop Bombus. Not only did they find someone to fill those two slots, but they also added another guitarist to round it out to three. With these new additions, the skill displayed on Your Blood is superior to anything the band has ever done. There’re solos, harmonizing leads, and riffs up the fucking wazoo. I’m uncertain if it’s due to this new skillset or an increase in motivation with five years between albums, but Bombus held nothing back for Your Blood. While there are plenty of the bangers you would expect from a band of this caliber, like the addictive “Take You Down,” there are also other interesting inclusions that I should hate, yet love. For example, the weird, Spaghetti Western qualities of “Your Blood,” the Nick Cave-meets-The White Stripes musings of “The One,” and the bizarreness that is “Carmina.” With Your Blood, the band has found their groove and passion again, delivering their best album yet.

    #7. Vanessa Funke // Void – This year brought a surprising new addition to my favorite bands of all time. In this case, it was the newest release from the multi-instrumentalist, Vanessa Funke. With a small but stellar catalog, Ms. Funke continuously dabbles in new influences and song approaches with each album and Void is no different. Coming off last year’s acoustic masterpiece Vanessa Funke rewinds to her debut record, Solitude, alternating between rasps and cleans, acoustic and distorted guitars, and her perfectly molded combination of folk, melodeath, and atmospheric black metal. The textures created by the vocals, guitars, keys, and piano take Void down into some incredible depths, engulfing its listeners in blankets that can be both soft and stabby. Albums like this are rare for me these days, so when they do completely submerse me to the point that I can’t think of anything else, there’s no doubt it’ll make it on my year-end list.

    #6. Crystal Viper // The Silver Key – Maybe not everyone’s favorite Polish act,4 Crystal Viper’s founding vocalist and guitarist, Marta Gabriel, has been knocking around her blend of heavy and power metal for nearly two decades. But, it’s been a rocky road of great, mediocre, and rage-inducing records. Where Crimen Expecta shines like a bright star in the sky, Tales of Fire and Ice is a dumpster fire that topped my most disappointing album of 2019. When I approached this year’s The Silver Key, I was expecting another mid album (or worse) but was immediately engrossed—maybe even more than Crimen Expecta. Though many of you dislike the vocals, Gabriel is in top form. But, her vocal performance is only one aspect of the Crystal Viper sound. Her guitar work is some of the best of her career, lending new ideas to the song structures and album flow. While plenty of bands are—and are not better—than Crystal Viper, The Silver Key is undeniably one of the best albums of their career.

    #5. Sidewinder // Talons – Most likely one of the only overlaps I’ll have with the cunts that work here,5 Sidewinder’s newest release, Talons, threw me for a loop. Not expecting anything from a band I’ve never heard about, Talons immediately got my noggin’ bobbin’ in the most pleasing way. I can’t pinpoint exactly why I like this style of heavy, bounding stoner metal, but every time I hear it, it clicks. And nothing is better than diving right into a record where one of the band’s best pieces is the opener. “Guardians” is a quintessential Sidewinder piece that personifies the band and everything they stand for. But that’s only the beginning, as the guitars cruise down the road and the bass rumbles through the gravel. Clocking in at a mere thirty-four minutes, this eight-track beauty never reaches beyond its means, ensuring the songs are straight and tight, allowing Jem’s powerful vocals to direct the varying moods. While the band resides in the lush and beautiful landscapes of New Zealand,6 if a sound could represent the harsh desert lands of my home, this would be it.

    #4. Aborted // Vault of Horrors – As many know, death metal is not my cup o’ tea. Once upon a time, death metal was my life, but that ship sailed when my favorites grew old and repetitive, and what you all call death metal these days bores me to tears. But the one band that continues to make me salivate is Aborted.7 And, boy, did this year’s Vault of Horrors deliver. With tracks like “Dreadbringer,” “The Golgothan,” and “Malevolent Haze,” this new release offers some incredible depth and relentless brutality. Aborted has always delivered good-to-great albums but after nearly thirty years, how can these lads continue to improve and produce such quality releases? Vault of Horrors is a great record and arguably one of the band’s best. It’s been several months since this beauty was released, so if it passed by you, rectify your posersivity.

    #3. The Vision Bleak // Weird Tales – I don’t know what it is about The Vision Bleak but they fucking hit me and hit me hard. On the surface, their style is quite simple, but it’s the layers, stories, mood, and damning vocal performances that draw me in like I’m viewing a Vincent Price horror marathon. Combining their Type O Negative vocal characteristics with atmospheric moods that can be depressive at one point and ethereal at another, The Vision Bleak took a massive leap by releasing Weird Tales as (technically) a one-song album. Eight years since their incredible The Unknown, Weird Tales doesn’t skip a beat, maintaining the duo’s title as one of the greatest bands in gothic metal. With magnificent builds, eerie transitions, mind-bending fluidity, and heart-wrenching passages, the haunting nature of Weird Tales leaves you contemplating your existence in a world controlled by the fate instilled in it by the late, great H.P. Lovecraft.

    #2. Kingcrow // Hopium – For fucking months, our progressive cunt, Dolphin Whisper, tried desperately to steal Kingcrow’s Hopium from me—somehow thinking he’s better than me when it comes to describing the lushness of Kingcrow. The fuck. Even though Kingcrow hasn’t released an album in six years, there’s no way some flipper fucker would take this from me. Sure, I’m not a huge fan of progressive metal, but at least I know what’s good progressive metal instead of lazily making love to everything with the tag of “prog.” Anyway, Hopium continues to deliver gorgeous tapestries painted with soothing vocals, synthy atmospheres, and impressive performances for all involved. Though I consider Eidos their best, Hopium is not far behind. While tapping into common influences like Dream Theater and Spock’s Beard, this Italian outfit is very much on a level all its own. If you like prog, you’ll find Hopium—with such wildly varying tracks like “Vicous Circle,” “Parallel Lines,” and “White Rabit’s Hole”—to be the most diverse prog record of the year.

    #1. Borknagar // Fall – Goddammit, I love Borknagar. Few bands have such high album scores for a career that spans thirty years and a dozen albums—especially with a constant rotation of players and vocalists. Though, how can you be pissed off about having any of the great vocalists Borknagar has employed throughout the years? Since the beginning, the band has continuously introduced more melody and keys in their music, but Fall is special compared to the output in the last twenty years. Though this new album hasn’t hung up that hat by any means, Øystein G. Brun, Lars A. Nedland, and crew dug through the ashes of the past to bring some of those old-school black metal moments back into the mix. From the blackened assault of “Summits” and the Dimmu Borgir-esque vibes of “Northward,” the band continues to shock and surprise, avoiding a repetition from a previous album. So, dive into the best album o’ the year in all its glory.8

    Honorable Mentions

    • Portrait // The Host – While I didn’t like the production of Portrait’s The Host, I’m still a slut for King Diamond and Meryful Fate-adjacent metal. Especially when it comes to Portrait, who continues to be less like a copycat and more like a pioneer of the style.
    • Attic // Return of the Witchfinder – More King Diamond-core! Easily one of the best examples of the sound, Attic continues to keep me coming back with each release. As their predecessor, Return of the Witchfinder brings a new story, more twists, and those pleasing falsettos that trigger my “O” face.
    • Sarke // Endo Feight – Sarke (the artist) and crew have had one hell of a busy couple of years. This year, in particular, sees not only a new Sarke release but also a new Khold record (see below). Endo Feight is a wonderful addition to the band’s catalog and, by god, it’s wonderful to see the man himself back behind the kit.
    • Khold // Du dømmes til død – See? I told you it would be here. While 2022’s Svartsyn was better record than Du dømmes til død (and a fantastic comeback), Du dømmes til død still has those elements that make the band so unique and fun to listen to.
    • Blood Red Throne // Nonagon – Three years ago, Blood Red Throne released not only one of their best albums but 2021’s best death metal record. Unsurprisingly, it’s difficult to follow something like Imperial Congregation without some hiccups. That said, Nonagon is still a brutal piece of work worthy of mentioning.

    Disappointments o’ the Year

    • Darkthrone // It Beckons Us All……. – Like Sarke, Nocturno Culto has also been busy this year. If that’s part of the reason for the utter bore that’s It Beckons Us All……., I don’t know. But, this new record feels like Darkthrone is going through the motions. While I respect that they don’t care what the fuck any of us think, this is one of their worst albums.
    • Exhorder // Defectum Omnium – After Exhorder’s incredible comeback album, Mourn the Southern Skies, I was more than a little excited for this new one. Unfortunately, like Darkthrone’s newest, Defectum Omnium is a dreadfully boring record that lacks all the passion of Exhorder’s comeback, leaving me confused and pissed the fuck off.

    Songs o’ the Year

    • Kingcrow – “White Rabbit’s Hole” – With an album full of great songs, there’s just something about the energy of this track that makes me so happy.

    • Sidewinder – “Guardians” – This song represents some of the best stoner metal of 2024, and I can’t stop listening to it.

    • Bombus – “Take You Down” – This song is just badass. I couldn’t care less what you think. Die.

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