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#vulcano — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #vulcano, aggregated by home.social.

  1. Peter I Island in #antarctica. Happy to see land again. Pictures were taken in reverse order as the clouds lifted after we arrived 🌤🏔

    #glacier #ice #clouds #vulcano #nature #photography #travel #outdoor

  2. Cơ hội gặp gỡ trực tiếp cầu thủ Đình Bắc tại Showroom Vulcano, Tầng 2 AEON Mall Hà Đông! 📅 25/1/2026, 17h‑21h. Giao lưu, ký tặng, chụp ảnh cùng ngôi sao. Đừng bỏ lỡ! #ĐìnhBắc #Vulcano #AEONMall #HàĐông #GặpGỡ #Football #MeetAndGreet #BóngĐá

    (Note: No URL included)

    vietnamnet.vn/co-hoi-gap-go-tr

  3. Burning Death – Burning Death Review

    By Spicie Forrest

    In the prehistoric era known in academic circles as “the 80s,” metal had not yet splintered into the myriad microgenres we know today. Even our ten-ish main subgenres, while beginning to differentiate themselves, were still fairly grey. Within this primordial soup floated the building blocks that would one day give rise to modern black metal, including, among others, the early works of Slayer, Kreator, and Vulcano. This evil-sounding, satanic/anti-Christian thrash metal is also the inspiration for Nashville newcomers, Burning Death. Ethan Rock and Jerry Garner of Act of Impalement, along with a drummer known only as Gore, seek to recreate that raw, calamitous energy on their self-titled debut. Can these retro thrashers induce another Satanic Panic, or are they just playing at hating God?

    Once upon a time, the Son of the Morning and His faithful were banished from Heaven and cast into Pandaemonium below. I suspect Burning Death may have been part of the soundtrack. Rock and Garner launch riff after cataclysmic riff, each seared in the Lake of Everlasting Fire. Whether streaking through the Firmament (“Vengeance of the Inferno,” “Severed”), landing in the underworld and surveying the surrounding horrors (“Death is Salvation”), or convening the first Infernal Council (“Revel in Violence”), Burning Death encapsulates the fervor of these most crucial moments in Christian lore.1 Infernal skank and blast beats give Gore the means to conduct this tour of the hellish landscape. By lagging or anticipating riff changes, Gore—in concert with vocalist Rock—guides listeners through both Satan’s abyssal Cathedral (“Cold Bite of Steel”) and blasted, Vulcanic wastes (“Lusting for Death”) with a sure and smooth confidence. From the Deathly opening riff of “Genocidal Litany” onward, Burning Death absolutely nails Christ to the cross their intended sound.

    At its core, Burning Death’s debut is an act of homage paid. Much like Slayer’s Tom Araya, Rock both channels the wails of the damned and the gruff shouts of their demonic torturers. The controlled recklessness of his style matches his bandmates well, often elevating their performances by underscoring the stygian atmosphere of Burning Death. “Revel in Violence” emerges from Sodom’s shadow, possessing a militaristic and almost classical feel, while the opening riff of “Vengeance of the Inferno” could pass for something on Kill ‘Em All. Insofar as Burning Death’s particular flavor of thrash isn’t something I often hear modernized, this is refreshing. In terms of innovation or originality, however, Burning Death falls short. Burning Death is undoubtedly competent, but there’s precious little here that builds on what’s already established. This isn’t a criticism per se, but it does preclude Burning Death from reaching greater heights.

    An album is more than just the band’s ability to write and play music, and it’s in these peripheral aspects that much of my criticism lies. While “Final Sacrament” is a good track in itself, it fails as a closer—title notwithstanding. As Burning Death ends, there’s no sense of closure, and I often accidentally circle back to “Genocidal Litany” before realizing what’s happened. Either “Cold Bite of Steel” or “Revel in Violence” would have been more satisfying conclusions. My second, broader criticism is of the mix. Buried bass aside, instruments and vocals seem to stand side by side throughout the whole album. Unchanging and two-dimensional, the mix reduces Burning Death to its composite elements. A soundstage with more depth would have allowed musicians to pass the spotlight more effectively, creating a more dynamic and compelling experience.

    On their self-titled debut, Burning Death has crafted a commendable tribute to early thrash and its more violent, evil iterations. Scorched, descending riffs and tortured howls are stitched together with urgent, almost panicked percussive thread. The risk of following one’s idols so closely is failing to develop your own unique sound, and into this pit Burning Death falls. Combined with a suboptimal song order and a flat, static mix, there’s ample room for Burning Death to improve on future releases. Of course, if you’re in the mood for some new Kreator– or Sarcófago-core, none of this should stop you from picking up Burning Death.

    Rating: 3.0/5.0
    DR: 6 | Format Reviewed: 320 kbps mp3
    Label: Caligari Records
    Websites: Bandcamp | Facebook | Instagram
    Releases Worldwide: December 5th, 2025

    #2025 #30 #ActOfImpalement #AmericanMetal #BurningDeath #CaligariRecords #Cathedral #Death #Dec25 #Kreator #Metallica #Review #Reviews #Sarcófago #Slayer #Sodom #ThrashMetal #Vulcano

  4. Burning Death – Burning Death Review

    By Spicie Forrest

    In the prehistoric era known in academic circles as “the 80s,” metal had not yet splintered into the myriad microgenres we know today. Even our ten-ish main subgenres, while beginning to differentiate themselves, were still fairly grey. Within this primordial soup floated the building blocks that would one day give rise to modern black metal, including, among others, the early works of Slayer, Kreator, and Vulcano. This evil-sounding, satanic/anti-Christian thrash metal is also the inspiration for Nashville newcomers, Burning Death. Ethan Rock and Jerry Garner of Act of Impalement, along with a drummer known only as Gore, seek to recreate that raw, calamitous energy on their self-titled debut. Can these retro thrashers induce another Satanic Panic, or are they just playing at hating God?

    Once upon a time, the Son of the Morning and His faithful were banished from Heaven and cast into Pandaemonium below. I suspect Burning Death may have been part of the soundtrack. Rock and Garner launch riff after cataclysmic riff, each seared in the Lake of Everlasting Fire. Whether streaking through the Firmament (“Vengeance of the Inferno,” “Severed”), landing in the underworld and surveying the surrounding horrors (“Death is Salvation”), or convening the first Infernal Council (“Revel in Violence”), Burning Death encapsulates the fervor of these most crucial moments in Christian lore.1 Infernal skank and blast beats give Gore the means to conduct this tour of the hellish landscape. By lagging or anticipating riff changes, Gore—in concert with vocalist Rock—guides listeners through both Satan’s abyssal Cathedral (“Cold Bite of Steel”) and blasted, Vulcanic wastes (“Lusting for Death”) with a sure and smooth confidence. From the Deathly opening riff of “Genocidal Litany” onward, Burning Death absolutely nails Christ to the cross their intended sound.

    At its core, Burning Death’s debut is an act of homage paid. Much like Slayer’s Tom Araya, Rock both channels the wails of the damned and the gruff shouts of their demonic torturers. The controlled recklessness of his style matches his bandmates well, often elevating their performances by underscoring the stygian atmosphere of Burning Death. “Revel in Violence” emerges from Sodom’s shadow, possessing a militaristic and almost classical feel, while the opening riff of “Vengeance of the Inferno” could pass for something on Kill ‘Em All. Insofar as Burning Death’s particular flavor of thrash isn’t something I often hear modernized, this is refreshing. In terms of innovation or originality, however, Burning Death falls short. Burning Death is undoubtedly competent, but there’s precious little here that builds on what’s already established. This isn’t a criticism per se, but it does preclude Burning Death from reaching greater heights.

    An album is more than just the band’s ability to write and play music, and it’s in these peripheral aspects that much of my criticism lies. While “Final Sacrament” is a good track in itself, it fails as a closer—title notwithstanding. As Burning Death ends, there’s no sense of closure, and I often accidentally circle back to “Genocidal Litany” before realizing what’s happened. Either “Cold Bite of Steel” or “Revel in Violence” would have been more satisfying conclusions. My second, broader criticism is of the mix. Buried bass aside, instruments and vocals seem to stand side by side throughout the whole album. Unchanging and two-dimensional, the mix reduces Burning Death to its composite elements. A soundstage with more depth would have allowed musicians to pass the spotlight more effectively, creating a more dynamic and compelling experience.

    On their self-titled debut, Burning Death has crafted a commendable tribute to early thrash and its more violent, evil iterations. Scorched, descending riffs and tortured howls are stitched together with urgent, almost panicked percussive thread. The risk of following one’s idols so closely is failing to develop your own unique sound, and into this pit Burning Death falls. Combined with a suboptimal song order and a flat, static mix, there’s ample room for Burning Death to improve on future releases. Of course, if you’re in the mood for some new Kreator– or Sarcófago-core, none of this should stop you from picking up Burning Death.

    Rating: 3.0/5.0
    DR: 6 | Format Reviewed: 320 kbps mp3
    Label: Caligari Records
    Websites: Bandcamp | Facebook | Instagram
    Releases Worldwide: December 5th, 2025

    #2025 #30 #ActOfImpalement #AmericanMetal #BurningDeath #CaligariRecords #Cathedral #Death #Dec25 #Kreator #Metallica #Review #Reviews #Sarcófago #Slayer #Sodom #ThrashMetal #Vulcano

  5. Burning Death – Burning Death Review

    By Spicie Forrest

    In the prehistoric era known in academic circles as “the 80s,” metal had not yet splintered into the myriad microgenres we know today. Even our ten-ish main subgenres, while beginning to differentiate themselves, were still fairly grey. Within this primordial soup floated the building blocks that would one day give rise to modern black metal, including, among others, the early works of Slayer, Kreator, and Vulcano. This evil-sounding, satanic/anti-Christian thrash metal is also the inspiration for Nashville newcomers, Burning Death. Ethan Rock and Jerry Garner of Act of Impalement, along with a drummer known only as Gore, seek to recreate that raw, calamitous energy on their self-titled debut. Can these retro thrashers induce another Satanic Panic, or are they just playing at hating God?

    Once upon a time, the Son of the Morning and His faithful were banished from Heaven and cast into Pandaemonium below. I suspect Burning Death may have been part of the soundtrack. Rock and Garner launch riff after cataclysmic riff, each seared in the Lake of Everlasting Fire. Whether streaking through the Firmament (“Vengeance of the Inferno,” “Severed”), landing in the underworld and surveying the surrounding horrors (“Death is Salvation”), or convening the first Infernal Council (“Revel in Violence”), Burning Death encapsulates the fervor of these most crucial moments in Christian lore.1 Infernal skank and blast beats give Gore the means to conduct this tour of the hellish landscape. By lagging or anticipating riff changes, Gore—in concert with vocalist Rock—guides listeners through both Satan’s abyssal Cathedral (“Cold Bite of Steel”) and blasted, Vulcanic wastes (“Lusting for Death”) with a sure and smooth confidence. From the Deathly opening riff of “Genocidal Litany” onward, Burning Death absolutely nails Christ to the cross their intended sound.

    At its core, Burning Death’s debut is an act of homage paid. Much like Slayer’s Tom Araya, Rock both channels the wails of the damned and the gruff shouts of their demonic torturers. The controlled recklessness of his style matches his bandmates well, often elevating their performances by underscoring the stygian atmosphere of Burning Death. “Revel in Violence” emerges from Sodom’s shadow, possessing a militaristic and almost classical feel, while the opening riff of “Vengeance of the Inferno” could pass for something on Kill ‘Em All. Insofar as Burning Death’s particular flavor of thrash isn’t something I often hear modernized, this is refreshing. In terms of innovation or originality, however, Burning Death falls short. Burning Death is undoubtedly competent, but there’s precious little here that builds on what’s already established. This isn’t a criticism per se, but it does preclude Burning Death from reaching greater heights.

    An album is more than just the band’s ability to write and play music, and it’s in these peripheral aspects that much of my criticism lies. While “Final Sacrament” is a good track in itself, it fails as a closer—title notwithstanding. As Burning Death ends, there’s no sense of closure, and I often accidentally circle back to “Genocidal Litany” before realizing what’s happened. Either “Cold Bite of Steel” or “Revel in Violence” would have been more satisfying conclusions. My second, broader criticism is of the mix. Buried bass aside, instruments and vocals seem to stand side by side throughout the whole album. Unchanging and two-dimensional, the mix reduces Burning Death to its composite elements. A soundstage with more depth would have allowed musicians to pass the spotlight more effectively, creating a more dynamic and compelling experience.

    On their self-titled debut, Burning Death has crafted a commendable tribute to early thrash and its more violent, evil iterations. Scorched, descending riffs and tortured howls are stitched together with urgent, almost panicked percussive thread. The risk of following one’s idols so closely is failing to develop your own unique sound, and into this pit Burning Death falls. Combined with a suboptimal song order and a flat, static mix, there’s ample room for Burning Death to improve on future releases. Of course, if you’re in the mood for some new Kreator– or Sarcófago-core, none of this should stop you from picking up Burning Death.

    Rating: 3.0/5.0
    DR: 6 | Format Reviewed: 320 kbps mp3
    Label: Caligari Records
    Websites: Bandcamp | Facebook | Instagram
    Releases Worldwide: December 5th, 2025

    #2025 #30 #ActOfImpalement #AmericanMetal #BurningDeath #CaligariRecords #Cathedral #Death #Dec25 #Kreator #Metallica #Review #Reviews #Sarcófago #Slayer #Sodom #ThrashMetal #Vulcano

  6. Burning Death – Burning Death Review

    By Spicie Forrest

    In the prehistoric era known in academic circles as “the 80s,” metal had not yet splintered into the myriad microgenres we know today. Even our ten-ish main subgenres, while beginning to differentiate themselves, were still fairly grey. Within this primordial soup floated the building blocks that would one day give rise to modern black metal, including, among others, the early works of Slayer, Kreator, and Vulcano. This evil-sounding, satanic/anti-Christian thrash metal is also the inspiration for Nashville newcomers, Burning Death. Ethan Rock and Jerry Garner of Act of Impalement, along with a drummer known only as Gore, seek to recreate that raw, calamitous energy on their self-titled debut. Can these retro thrashers induce another Satanic Panic, or are they just playing at hating God?

    Once upon a time, the Son of the Morning and His faithful were banished from Heaven and cast into Pandaemonium below. I suspect Burning Death may have been part of the soundtrack. Rock and Garner launch riff after cataclysmic riff, each seared in the Lake of Everlasting Fire. Whether streaking through the Firmament (“Vengeance of the Inferno,” “Severed”), landing in the underworld and surveying the surrounding horrors (“Death is Salvation”), or convening the first Infernal Council (“Revel in Violence”), Burning Death encapsulates the fervor of these most crucial moments in Christian lore.1 Infernal skank and blast beats give Gore the means to conduct this tour of the hellish landscape. By lagging or anticipating riff changes, Gore—in concert with vocalist Rock—guides listeners through both Satan’s abyssal Cathedral (“Cold Bite of Steel”) and blasted, Vulcanic wastes (“Lusting for Death”) with a sure and smooth confidence. From the Deathly opening riff of “Genocidal Litany” onward, Burning Death absolutely nails Christ to the cross their intended sound.

    At its core, Burning Death’s debut is an act of homage paid. Much like Slayer’s Tom Araya, Rock both channels the wails of the damned and the gruff shouts of their demonic torturers. The controlled recklessness of his style matches his bandmates well, often elevating their performances by underscoring the stygian atmosphere of Burning Death. “Revel in Violence” emerges from Sodom’s shadow, possessing a militaristic and almost classical feel, while the opening riff of “Vengeance of the Inferno” could pass for something on Kill ‘Em All. Insofar as Burning Death’s particular flavor of thrash isn’t something I often hear modernized, this is refreshing. In terms of innovation or originality, however, Burning Death falls short. Burning Death is undoubtedly competent, but there’s precious little here that builds on what’s already established. This isn’t a criticism per se, but it does preclude Burning Death from reaching greater heights.

    An album is more than just the band’s ability to write and play music, and it’s in these peripheral aspects that much of my criticism lies. While “Final Sacrament” is a good track in itself, it fails as a closer—title notwithstanding. As Burning Death ends, there’s no sense of closure, and I often accidentally circle back to “Genocidal Litany” before realizing what’s happened. Either “Cold Bite of Steel” or “Revel in Violence” would have been more satisfying conclusions. My second, broader criticism is of the mix. Buried bass aside, instruments and vocals seem to stand side by side throughout the whole album. Unchanging and two-dimensional, the mix reduces Burning Death to its composite elements. A soundstage with more depth would have allowed musicians to pass the spotlight more effectively, creating a more dynamic and compelling experience.

    On their self-titled debut, Burning Death has crafted a commendable tribute to early thrash and its more violent, evil iterations. Scorched, descending riffs and tortured howls are stitched together with urgent, almost panicked percussive thread. The risk of following one’s idols so closely is failing to develop your own unique sound, and into this pit Burning Death falls. Combined with a suboptimal song order and a flat, static mix, there’s ample room for Burning Death to improve on future releases. Of course, if you’re in the mood for some new Kreator– or Sarcófago-core, none of this should stop you from picking up Burning Death.

    Rating: 3.0/5.0
    DR: 6 | Format Reviewed: 320 kbps mp3
    Label: Caligari Records
    Websites: Bandcamp | Facebook | Instagram
    Releases Worldwide: December 5th, 2025

    #2025 #30 #ActOfImpalement #AmericanMetal #BurningDeath #CaligariRecords #Cathedral #Death #Dec25 #Kreator #Metallica #Review #Reviews #Sarcófago #Slayer #Sodom #ThrashMetal #Vulcano

  7. Burning Death – Burning Death Review

    By Spicie Forrest

    In the prehistoric era known in academic circles as “the 80s,” metal had not yet splintered into the myriad microgenres we know today. Even our ten-ish main subgenres, while beginning to differentiate themselves, were still fairly grey. Within this primordial soup floated the building blocks that would one day give rise to modern black metal, including, among others, the early works of Slayer, Kreator, and Vulcano. This evil-sounding, satanic/anti-Christian thrash metal is also the inspiration for Nashville newcomers, Burning Death. Ethan Rock and Jerry Garner of Act of Impalement, along with a drummer known only as Gore, seek to recreate that raw, calamitous energy on their self-titled debut. Can these retro thrashers induce another Satanic Panic, or are they just playing at hating God?

    Once upon a time, the Son of the Morning and His faithful were banished from Heaven and cast into Pandaemonium below. I suspect Burning Death may have been part of the soundtrack. Rock and Garner launch riff after cataclysmic riff, each seared in the Lake of Everlasting Fire. Whether streaking through the Firmament (“Vengeance of the Inferno,” “Severed”), landing in the underworld and surveying the surrounding horrors (“Death is Salvation”), or convening the first Infernal Council (“Revel in Violence”), Burning Death encapsulates the fervor of these most crucial moments in Christian lore.1 Infernal skank and blast beats give Gore the means to conduct this tour of the hellish landscape. By lagging or anticipating riff changes, Gore—in concert with vocalist Rock—guides listeners through both Satan’s abyssal Cathedral (“Cold Bite of Steel”) and blasted, Vulcanic wastes (“Lusting for Death”) with a sure and smooth confidence. From the Deathly opening riff of “Genocidal Litany” onward, Burning Death absolutely nails Christ to the cross their intended sound.

    At its core, Burning Death’s debut is an act of homage paid. Much like Slayer’s Tom Araya, Rock both channels the wails of the damned and the gruff shouts of their demonic torturers. The controlled recklessness of his style matches his bandmates well, often elevating their performances by underscoring the stygian atmosphere of Burning Death. “Revel in Violence” emerges from Sodom’s shadow, possessing a militaristic and almost classical feel, while the opening riff of “Vengeance of the Inferno” could pass for something on Kill ‘Em All. Insofar as Burning Death’s particular flavor of thrash isn’t something I often hear modernized, this is refreshing. In terms of innovation or originality, however, Burning Death falls short. Burning Death is undoubtedly competent, but there’s precious little here that builds on what’s already established. This isn’t a criticism per se, but it does preclude Burning Death from reaching greater heights.

    An album is more than just the band’s ability to write and play music, and it’s in these peripheral aspects that much of my criticism lies. While “Final Sacrament” is a good track in itself, it fails as a closer—title notwithstanding. As Burning Death ends, there’s no sense of closure, and I often accidentally circle back to “Genocidal Litany” before realizing what’s happened. Either “Cold Bite of Steel” or “Revel in Violence” would have been more satisfying conclusions. My second, broader criticism is of the mix. Buried bass aside, instruments and vocals seem to stand side by side throughout the whole album. Unchanging and two-dimensional, the mix reduces Burning Death to its composite elements. A soundstage with more depth would have allowed musicians to pass the spotlight more effectively, creating a more dynamic and compelling experience.

    On their self-titled debut, Burning Death has crafted a commendable tribute to early thrash and its more violent, evil iterations. Scorched, descending riffs and tortured howls are stitched together with urgent, almost panicked percussive thread. The risk of following one’s idols so closely is failing to develop your own unique sound, and into this pit Burning Death falls. Combined with a suboptimal song order and a flat, static mix, there’s ample room for Burning Death to improve on future releases. Of course, if you’re in the mood for some new Kreator– or Sarcófago-core, none of this should stop you from picking up Burning Death.

    Rating: 3.0/5.0
    DR: 6 | Format Reviewed: 320 kbps mp3
    Label: Caligari Records
    Websites: Bandcamp | Facebook | Instagram
    Releases Worldwide: December 5th, 2025

    #2025 #30 #ActOfImpalement #AmericanMetal #BurningDeath #CaligariRecords #Cathedral #Death #Dec25 #Kreator #Metallica #Review #Reviews #Sarcófago #Slayer #Sodom #ThrashMetal #Vulcano

  8. Diario “La Gomera”, giorno 3

    Se nella giornata di ieri il maltempo l'aveva fatta da padrone in tutto il nord, oggi la giornata inizia in maniera totalmente diversa: cielo terso e una vista su Tenerife che lascia senza fiato. I 3700 metri del Teide si notano tutti. I boschi sono bagnati dalle piogge di ieri, e immagino che i sentieri non siano praticabili. Perché non visitare il nord? Comincio da Hermigua, e precisamente dalla sua spiaggia selvaggia. In questa "location"  è stata girata una scena particolare […]

    simoneviaggiatore.wordpress.co

  9. Ciao Mondo.
    Credo di esserci.
    Ecco il reebot di - The Fire of Pompei - con un nuovo titolo - Pompei 79 AD - addirittura scritto sotto il #vulcano.
    La versione precedente, non sei stato sincero, era bruttina e inquietante con quella fiamma lì che manco io so perché l'ho fatta.
    Guarda ora invece che bella nube piroclastica che esplode, guarda...
    • Domanda: la appenderesti in casa, studio, lavoro, ristorante, insomma da qualche parte?
    • Ti piace?

    #pompei
    #vesuvio
    #vulcano
    #linoblock
    #handmade

  10. Ciao Mondo.
    Credo di esserci.
    Ecco il reebot di - The Fire of Pompei - con un nuovo titolo - Pompei 79 AD - addirittura scritto sotto il #vulcano.
    La versione precedente, non sei stato sincero, era bruttina e inquietante con quella fiamma lì che manco io so perché l'ho fatta.
    Guarda ora invece che bella nube piroclastica che esplode, guarda...
    • Domanda: la appenderesti in casa, studio, lavoro, ristorante, insomma da qualche parte?
    • Ti piace?

    #pompei
    #vesuvio
    #vulcano
    #linoblock
    #handmade

  11. Ciao Mondo.
    Credo di esserci.
    Ecco il reebot di - The Fire of Pompei - con un nuovo titolo - Pompei 79 AD - addirittura scritto sotto il #vulcano.
    La versione precedente, non sei stato sincero, era bruttina e inquietante con quella fiamma lì che manco io so perché l'ho fatta.
    Guarda ora invece che bella nube piroclastica che esplode, guarda...
    • Domanda: la appenderesti in casa, studio, lavoro, ristorante, insomma da qualche parte?
    • Ti piace?

    #pompei
    #vesuvio
    #vulcano
    #linoblock
    #handmade

  12. Ciao Mondo.
    Credo di esserci.
    Ecco il reebot di - The Fire of Pompei - con un nuovo titolo - Pompei 79 AD - addirittura scritto sotto il #vulcano.
    La versione precedente, non sei stato sincero, era bruttina e inquietante con quella fiamma lì che manco io so perché l'ho fatta.
    Guarda ora invece che bella nube piroclastica che esplode, guarda...
    • Domanda: la appenderesti in casa, studio, lavoro, ristorante, insomma da qualche parte?
    • Ti piace?

    #pompei
    #vesuvio
    #vulcano
    #linoblock
    #handmade

  13. Ciao Mondo.
    Credo di esserci.
    Ecco il reebot di - The Fire of Pompei - con un nuovo titolo - Pompei 79 AD - addirittura scritto sotto il #vulcano.
    La versione precedente, non sei stato sincero, era bruttina e inquietante con quella fiamma lì che manco io so perché l'ho fatta.
    Guarda ora invece che bella nube piroclastica che esplode, guarda...
    • Domanda: la appenderesti in casa, studio, lavoro, ristorante, insomma da qualche parte?
    • Ti piace?

    #pompei
    #vesuvio
    #vulcano
    #linoblock
    #handmade

  14. Ciao Mondo.
    Ed ecco la #stampa definitiva del #vesuvio che sembra essere lì assopito in attesa di chissà cosa.
    Conosciamo tutti la storia della sua #eruzione ma come spesso accade preferisco l'altro mondo a questo. È perciò a un episodio di #doctorwho che mi sono ispirato per il titolo: The fire of Pompei

    #linocut
    #linoprint
    #pompei
    #ercolano
    #linocarving
    #linoblock
    #vulcano
    #anticaroma
    #terremoti
    #homedecor
    #walldecor
    #nature
    #handmade
    #artisanat
    #stampaartigianale

  15. Ciao Mondo.
    Ed ecco la #stampa definitiva del #vesuvio che sembra essere lì assopito in attesa di chissà cosa.
    Conosciamo tutti la storia della sua #eruzione ma come spesso accade preferisco l'altro mondo a questo. È perciò a un episodio di #doctorwho che mi sono ispirato per il titolo: The fire of Pompei

    #linocut
    #linoprint
    #pompei
    #ercolano
    #linocarving
    #linoblock
    #vulcano
    #anticaroma
    #terremoti
    #homedecor
    #walldecor
    #nature
    #handmade
    #artisanat
    #stampaartigianale

  16. Ciao Mondo.
    Ed ecco la #stampa definitiva del #vesuvio che sembra essere lì assopito in attesa di chissà cosa.
    Conosciamo tutti la storia della sua #eruzione ma come spesso accade preferisco l'altro mondo a questo. È perciò a un episodio di #doctorwho che mi sono ispirato per il titolo: The fire of Pompei

    #linocut
    #linoprint
    #pompei
    #ercolano
    #linocarving
    #linoblock
    #vulcano
    #anticaroma
    #terremoti
    #homedecor
    #walldecor
    #nature
    #handmade
    #artisanat
    #stampaartigianale

  17. Ciao Mondo.
    Ed ecco la #stampa definitiva del #vesuvio che sembra essere lì assopito in attesa di chissà cosa.
    Conosciamo tutti la storia della sua #eruzione ma come spesso accade preferisco l'altro mondo a questo. È perciò a un episodio di #doctorwho che mi sono ispirato per il titolo: The fire of Pompei

    #linocut
    #linoprint
    #pompei
    #ercolano
    #linocarving
    #linoblock
    #vulcano
    #anticaroma
    #terremoti
    #homedecor
    #walldecor
    #nature
    #handmade
    #artisanat
    #stampaartigianale

  18. Ciao Mondo.
    Ed ecco la #stampa definitiva del #vesuvio che sembra essere lì assopito in attesa di chissà cosa.
    Conosciamo tutti la storia della sua #eruzione ma come spesso accade preferisco l'altro mondo a questo. È perciò a un episodio di #doctorwho che mi sono ispirato per il titolo: The fire of Pompei

    #linocut
    #linoprint
    #pompei
    #ercolano
    #linocarving
    #linoblock
    #vulcano
    #anticaroma
    #terremoti
    #homedecor
    #walldecor
    #nature
    #handmade
    #artisanat
    #stampaartigianale

  19. Ciao Mondo.
    L'ombra che mi porto dentro in questo periodo dovrebbe starsene muta a ripararsi dai raggi del sole che stimolano la serotonina che dovrebbe regalarmi solo buonumore.
    E invece, questa infame sussurra e bisbiglia: è tutto inutile, dice, tutto inutile...

    Scusa se ogni tanto me ne esco con queste tristezze.

    Intanto il bozzetto della stampa del #vesuvio prende forma

    #vulcano
    #pompei
    #stromboli
    #linocut

  20. Ciao Mondo.
    Mentre progetto la #linoleografia del #vulcano - perché evidentemente l'afa mi sta dando alla testa - mi sovviene che circa un anno fa ho realizzato quest'altra stampa ossia: Vento di Maestrale (Lo so. Ma non è che ogni volta che vedi un' #onda disegnata puoi pensare solo a Koso) ispirata al vento del #tirreno che gonfia il #mare e se in quel momento ti ci tuffi ti prende a schiaffoni dal #tigullio alla #gallura e poi a seguire fino in fondo allo stivale.
    #linocut
    #homedecor
    #ink

  21. Svegliato il vulcano dormiente delle isole Hawaii. Alle Hawaii si è svegliato il Mauna Loa, il più grande vulcano attivo della Terra. Dopo un "letargo" di quasi 40 anni il Mauna Loa, il più grande vulcano attivo del Pianeta, che si trova nelle isole Hawaii, è tornato in eruzione. L'allerta è ai massimi livelli.
    Il Mauna Loa delle isole Hawaii, il più grande vulcano attivo del Pianeta.
    #geologia #Hawaii #MaunaLoa #oceanoPacifico #usgs #vulcani #vulcano

    scienzamagia.eu/misteri-ufo/sv

  22. 🔴 #A7Radio > #News > #Volcan
    buff.ly/AsIsLjH

    📌 L'INGV confirme une coulée pyroclastique dû à un effondrement du flanc nord du cratère sud-est du volcan #Etna 🌋
    📸 Par Roberta Tartoni

    Des touristes étaient sur place au moment de la coulée, esperont qu'il n'y ait aps trop de victimes..

    #Mastodon #World #Photography #Live #Music #Podcasts #France #Nowlistening #NowWatching #Nowplaying #Blogger #Italy #Vulcano #Earthquake #Weather

  23. Il #vulcano #Kilauea alle #hawaii ha eruttato fontane di lava con una frequenza sorprendente. Il satellite della #nasa, il #Landsat9 ha catturato uno di codesti episodi il 1 maggio scorso come visibile in questa immagine, che utilizza dati #infrarossi, luce visibile e un modello digitale del terreno.
    .
    #spazio #terra #geologia #rilevamento

  24. #Stromboli ist schick und vor der Saison angenehm leer, auf #vulcano kann man auf den Vulkan hoch laufen.
    Sizilien erfüllt eigentlich alle Klischees, wunderbare Natur, Piaggio Ape, Katholizismus und Aberglaube und kleine Gaunereien.

  25. #Terme a #saomiguel?

    Sì, grazie! In questo episodio ti porto a #Furnas, un paese situato all'interno di un #vulcano attivo! Le persone ci vivono da diversi secoli, secondo me anche perché il vulcano e il suo calore aiutano, così come le fonti d'acqua termali.

    Curioso? Ti spiego tutto qui! 🙂

    #simoneviaggiatore #travel #viaggiare #podcast #podcastitaliani #mastoradio #storiediviaggio #viaggio #portogallo #noovertourism #viaggiolento

    castopod.it/@SimoneViaggiatore

  26. #Faial (Isole #azzorre #portogallo )

    Quando ti trovi davanti ad un 🌋 #vulcano spento, la cui caldera misura 2 km di diametro 😍 (anche qualcosa più) non c'è #obiettivo grandangolare che tenga: difficile farlo entrare in un unico scatto. 📸

    Che fare, dunque? Rinunciare a fotografarla? Mai! ‼️

    ⚠️ Ho scattato più #fotografie in serie e le ho poi rimesse insieme in postproduzione. Il risultato? Si può migliorare, ma non mi sembra poi tanto male! Che ne dite?

    #simoneviaggiatore #viaggio

  27. Today my time travel on #throwbackthursday goes back to June 2008. I am on the island of Vulcano on the terrace of the Hotel Eolien and enjoy the sunset over the bay of Porto Ponente with antipasti and white wine. Simply dreamlike!

    #aeolian #vulcano #photo

  28. Today, my time travel on #throwbackthursday takes me back to 2008, to a holiday I spent on the Aeolian Islands, north of Sicily. The photo shows the crater "Grand Cratere" on the island of Vulcano. In the background you can see the northern part of the island with the cone of Vulcanello. Behind it are the islands of Lipari and Salina.

    #aeolian #vulcano #lipari #salina #volcano #photo