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#orchestra — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #orchestra, aggregated by home.social.

  1. ORCHESTRE TOUT PUISSANT MARCEL DUCHAMP XXL (CH)

    OCCII, Sunday, March 7 at 08:00 PM GMT+1

    OCCII ON TOUR! Orchestre Tout Puissant Marcel Duchamp XXL @ Willem de Zwijgerkerk, olympiaweg 14 Amsterdam.

    Orchestre Tout Puissant Marcel Duchamp is a perpetually evolving ‘orchestra’, loosely modelled on the great 20th-century African groups like Tout Puissant Orchestre Poly-Rythmo de Cotonou and tipping its hat to revolutionary French artist Marcel Duchamp.

    New album “Ventre Unique” – their sixth, and the successor to 2021’s acclaimed We’re Ok But We’re Lost Anyway – is as exuberant as it is emotionally fraught with a dream amalgam of folk, krautrock, post-punk and African rhythms that feels both uncluttered and beautifully organic. The album has been released on Bongo Joe Records (Vincent Bertholet co-founded the label with Cyril Yeterian), with band and label both sharing a collective vision that was forged from Geneva’s punk history and squat scene. It finds them once again exploring contemporary anxieties and setting them to music that balances fat, loping grooves – built around simple loops written by Bertholet – sparkling marimba, strident horns and strings with dissonance and angular guitar riffs. The beautiful sleeve art comes courtesy of French painter Dove Perspicacius. The recording of Ventre Unique took place over ten days in a studio near Paris, Studio Midilive in Villetaneuse, and was overseen by Johannes Buff who mixed the previous “We’re Ok But We’re Lost Anyway.”

    The orchestra is comprised of an international cast of 12 musicians including many OTPMD regulars: Frenchman Gilles Poizat on bugle, lead vocalist Liz Moscarola, two marimba players (Aïda Diop and Elena Beder), two drummers (Gabriel Valtchev and Guillaume Lantonnet), guitarists (Romane Millet and Titi), a trombonist (Gif), a viola-player (Thomas Malnati-Levier), a cellist (Naomi Mabanda) and Bertholet on double bass. Every one of the musicians is a singer too, contributing to the glorious mass of vocals that gives OTPMD songs their emotional resonance and ritualistic power. They also worked with new vocalists: Mara Krastina (who will be more involved with the group in future) from Swiss band Massicot on Smiling Like A Flower and François Marry from French group Frànçois and the Atlas Mountains – you can hear the latter’s distinctively lilting tone on Tout Haut. Following the release of We’re Ok But We’re Lost Anyway also on Swiss label Bongo Joe, the group – a travelling party of 14 people, including two sound engineers – crossed numerous borders themselves, playing around 150 shows and touring in territories they’d never visited before: Canada, USA, the Balkans, Greece.

    Willem de Zwijgerkerk
    Kunst, zin en cultuur in de Stadionbuurt

    Midden in de Stadionbuurt is er ruimte voor iedereen. De ‘Willem’ is een plek voor de buurt waar mensen samenwerken, organiseren, elkaar ontmoeten en zich laten inspireren door kunst, cultuur en zingeving.
    https://willemdezwijgerkerk.nl/
    Presale/door prices adjusted: our events are set up by volunteers in favour of supporting DIY touring acts, but it is getting ever more risky to plan and book events – please support the community and buy your tickets early! Presale closes 18.00 on day of the show.

    offbeat.amsterdam/event/orches

  2. Musical Encounters serie: Yoràn Vroom invites… Remy van Kesteren

    Teatro Munganga, Thursday, November 26 at 07:00 PM GMT+1

    Yoràn Vroom nodigt uit!
    Uit de serie Muzikale ontmoetingen.
    Eén donderdag per maand. Elke keer een andere gast. Yoràn Vroom invites!
    From the Musical Encounters series.
    One Thursday a month. A different guest every time.
    Jazz / World music Bio Yoràn Vroom (Amsterdam 16-05-1991)
    Begon op jonge leeftijd met muziek. Een belangrijk deel van zijn muzikale ontwikkeling schrijft hij toe aan het studeren van drums bij de Surinaams/Nederlandse drummeester Eddy Veldman en West-Afrikaanse percussie bij Master Ponda O' Bryan. Yoràn studeerde af aan het Conservatorium van Amsterdam en is daar tegenwoordig actief als docent slagwerk op de jazz afdeling. Momenteel is hij actief als componist en leider van de band Group Of Friends en actief in de Nederlands/Europese (jazz)muziekscene Hij heeft gewerkt met en blijft werken met internationaal bekende artiesten Frank McComb, Ed Motta, Cory Henry, Kinga Glyk en vele anderen. “Yoràn Vroom ontwikkelt zich in rap tempo tot een van de toonaangevende musici van deze tijd.” - Vrije Geluiden Bio Remy van Kesteren

    Remy van Kesteren is harpist en componist. Op zijn zestiende debuteerde hij in het concertgebouw met het Nederlands Kamerorkest, daarna won hij binnen- en buitenlandse prijzen en speelde wereldwijd concerten.

    In 2015 begon hij te experimenteren met verschillende genres en ontwikkelde hij een nieuw instrument met harpbouwer Salvi, de Réus 49, die zowel akoestisch als elektrisch kan worden bespeeld.

    In 2016 won hij de Nederlandse Muziekprijs en maakte hij het genre-overstijgende album ‘Tomorrow Eyes’.

    Hiermee belandde hij ook in de popmuziek en op festivals; solo, met zijn band en met The Analogue Robot Orchestra. ENG
    Bio Yorán Vroom
    He began playing music at a young age. He attributes a significant part of his musical development to studying drums with the Surinamese-Dutch drum master Eddy Veldman and West African percussion with Master Ponda O’Bryan. Yoràn graduated from the Conservatorium van Amsterdam and currently works there as a percussion teacher in the jazz department. He is currently active as a composer and leader of the band Group Of Friends and is active in the Dutch/European (jazz) music scene. He has worked with and continues to work with internationally renowned artists such as Frank McComb, Ed Motta, Cory Henry, Kinga Glyk and many others. Bio Remy van Kesteren
    Remy van Kesteren is a harpist and composer. At the age of sixteen, he made his debut at the Concertgebouw with the Netherlands Chamber Orchestra; he subsequently won prizes both at home and abroad and has given concerts all over the world.
    In 2015, he began experimenting with different genres and, together with harp maker Salvi, developed a new instrument, the Réus 49, which can be played both acoustically and electrically. In 2016, he won the Dutch Music Prize and released the genre-defying album ‘Tomorrow Eyes’. This also saw him break into the pop music scene and appear at festivals; solo, with his band and with The Analogue Robot Orchestra.

    offbeat.amsterdam/event/musica

  3. Morpheus

    Felix Meritis, Friday, November 27 at 08:00 PM GMT+1

    An intimate listening session into his dreamworld

    Morpheus invites you into his dreamworld at Felix Meritis for an intimate listening session where harp, cello, keys and voice come together in an immersive soundscape. Experience his debut album, May I Come In?, performed in full for the first time ahead of its release, creating an intimate space for listening, away from the distractions of everyday life.
    Morpheus creates a dreamlike world in which gentleness becomes a source of strength. The full album is performed in an intimate, acoustic setting, where Morpheus is joined by harpist Doriene Marselje, whose work explores contemporary music and electronics; pianist and composer Timothy Banchet, who has performed with artists including Benjamin Herman; and Joel Siepmann, principal cellist of the Metropole Orkest.

    About the album May I Come In?

    The album grew from a personal need for refuge. Morpheus: “I made May I Come In? out of a need to create a place of shelter in a world that often feels harsh and overwhelming. I noticed that I had lost the openness I once had. Every day, I confront myself with an overload of information, news, hatred, war, everything that divides us. The album is about what becomes visible again when you slow down: memories, grief, but also hope and the desire to reconnect. The title is both a question to another person and to myself: may I seek intimacy, and do I dare to truly enter my own inner world? With this album, I want to embrace sensitivity as a form of strength, and the courage it takes to feel deeply and express that openly.”

    Line-up

    MORPHEUS
    Morpheus knows the power of music that pulls you in: songs that feel like a confession, wrapped in cinematic intimacy. Morpheus, the moniker of Martijn Verhagen, made a striking debut with his 2023 EP Morphosis, a raw collection of one-take recordings built around nothing more than piano and voice. Songwriting, to him, is a form of alchemy, turning introspection into something radiant and profound.

    His 2024 follow-up, The Ascent, crafted in collaboration with renowned artist and producer Thomas Azier (known for his work with Stromae and Woodkid), expanded his sonic world while staying true to its emotional core. The releases were met with critical praise, earning him a cover story in L’Officiel Turkey and features in Trouw, 3voor12, and Behind the Blinds. His performances have taken him across Europe, sharing the stage with artists like Agnes Obel, Joep Beving, Thomas Azier, Ásgeir, Jay-Jay Johanson, and Kovacs. A sold out first tour in the Netherlands, Belgium and Turkey cemented his reputation as an artist who captivates in both sound and presence, with stops at ESNS 2024 and 2025, as well as festivals like Best Kept Secret.

    His debut album is now finished and set to release early 2027. What comes next remains wrapped in mystery, but one thing is certain: it won’t let go easily.

    Lees meer

    Joel Siepman | Joel Siepmann is a cellist, composer and arranger, and principal cellist of the Metropole Orkest. As a member of cello quartet Metrocelli, he explores the instrument’s versatility.

    Timothy Banchet | Timothy Banchet is a pianist, keyboardist, composer and producer whose work spans jazz, film and theatre. He has performed with artists including Roy Hargrove, Benjamin Herman, as well as the Jazz Orchestra of the Concertgebouw.

    Doriene Marselje | Harpist Doriene Marselje explores contemporary music and electronics. She performs across Europe as a soloist and in multidisciplinary collaborations, expanding the possibilities of her instrument through new compositions and live effects

    Would you like to attend this program, but don’t have the means to pay for a ticket? Send an email to [email protected], we can work something out.

    Note: By booking this ticket, you agree to potentially be photographed during the event.

    offbeat.amsterdam/event/morphe

  4. #Oxford #music people: come along and #PlayForFun with #Cowley #orchestra #tomorrow! No auditions, no performances, no commitment required. cowleyorchestra.weebly.com/dat All #OrchestralInstruments welcome. #violin #viola #cello #DoubleBass #flute #clarinet #oboe #bassoon #trumpet #cornet #horn #trombone #tuba why not try #conducting taking turns with others? Also, feel free to suggest a piece from our vast #MusicLibrary (>350 sets). #JoinIn #PlaySomeMusic #ClassicalMusic #Baroque thru to #FilmMusic

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