home.social

#amsterdam — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #amsterdam, aggregated by home.social.

  1. Today #Amsterdam colours read again in support of #Palestine. 🇵🇸 Might there be even more people than last year? #RedLine #RodeLijn

  2. On my way to #Amsterdam for the #RodeLijn demo. Encouraging quantities of red at the station.

    Stop the #genocide in #Gaza, support #Palestine!

  3. Today I will exercise my democratic right to demonstrate. I will participate in the #RodeLijn demonstration in #Amsterdam.

    ✊We demand that the Dutch government takes measures against Israel & the ongoing #Genocide against the people in #Gaza

    rodelijn.org/ (Dutch, sorry)

    1/?

    #Israel #Amsterdam #Democracy

  4. Photo Of The Day 8th October 2026.

    Schiphol Sunday 8th October 2026.

  5. What it takes to get #Europe on a #bike

    #Cycling is cheap, healthy, and convenient. So why don’t more #Europeans do it?

    Belle de Jong , Ludovica Di Meco , Liene Lūsīte , Tamara Kaňuchová , Toon Vos | 5 Nov 2026

    Excerpt: "On 22 September in #Turin, Italy, a car hit and killed a seven-year-old boy cycling to school. 'That could have been me, or my daughter, or anyone, really. Because that place is dangerous,' resident Maria Cristina Caimotto told us.

    "Every morning since then, Caimotto has joined a crowd of people on bikes in the street where the tragedy took place to show solidarity with the family, but also to ask for safer streets and fewer cars. 'We cannot erase what happened. We can only do everything we can so that it does not happen again,' she said.

    "Backed by 13 civil society associations, the activists want Turin to move away from its dependence on cars.

    "It’s ambitious, but not impossible: a similar tragedy helped push the #Netherlands to become the cycling country it is today.

    "Until the 1970s, the Netherlands was full of cars. In 1971, a six-year-old was killed cycling to school, and her father's newspaper article launched the #StopDeKindermoord (Stop the Child Murder) campaign against children dying in traffic.

    "Two years later, the #OilCrisis added fuel to the fire, driving up petrol prices, and in 1977, #Groningen became the first city in the Netherlands with a plan prioritising #cyclists over #cars.

    "Nowadays, 82% of Dutch residents cycle at least occasionally and the country has more than 24 million bikes for a population of about 18 million people. #Utrecht now tops the #Copenhagenize Index, which ranks the world’s most #bicyclefriendly cities, and #Amsterdam, #Rotterdam, and #TheHague are in the top 30.

    "The #DutchProtests worked because they were about more than getting around, says Meredith Glaser, professor of cycling at Ghent University and CEO of the Urban Cycling Institute: 'These protests weren’t about transportation. They were about the security of our children, the #liveability of our cities, how inclusive they are.' "

    Read more:
    europeancorrespondent.com/en/r

    #SolarPunkSunday #BikeTooter #BikeableCities #WalkableCities #MoreBikes #LessCars #LivableCities

  6. Cinema Mythologica: Vertigo (1958)

    De Uitkijk, Wednesday, November 18 at 08:30 PM GMT+1

    Love robots, doppelgängers and tragic heroes: behind these iconic film characters lies a mythical past. Although most films are set in the present or the future, classical myths play a significant role throughout Hollywood. Countless films are inspired by archetypal narrative patterns and mythical characters, particularly when they deal with contemporary themes such as AI, gender and psychology. In the Cinema Mythologica series, a collaboration between De Uitkijk and classicist Koen Vacano, we uncover the hidden mythical layers of film history, from Oedipus complexes to narcissistic algorithms. Each film features a short introduction in English, inviting you to view the film through a mythological lens.

    Detective ‘Scotty’ Ferguson finds himself with nothing to do after being suspended by the San Francisco Police Department due to an extreme fear of heights. With time on his hands, he comes to the aid of an old friend. His friend’s wife, Madeleine, is behaving strangely, so Scotty is assigned to shadow her. It soon becomes clear that the suspended detective has fallen obsessively in love with the blonde woman he is shadowing.

    In Vertigo, Hitchcock plays an ingenious game with illusion and reality; is what the viewer sees a reflection of Scotty’s perceptions, or are they mere figments of his imagination? The now widely used, dizzying camera effect, in which the camera moves backwards whilst zooming in at the same time, takes its name from this film: the ‘Vertigo Effect’.

    • Language: English
    • Subtitles: English
    • Duration: 150 mins.
    • Director: Alfred Hitchcock
    • Cast: James Stewart, Kim Novak, Barbara Bel Geddes
    • Year: 1958
    • Country: United States

    offbeat.amsterdam/event/cinema

  7. Cinema Mythologica: Synecdoche, New York (2008)

    De Uitkijk, Wednesday, December 2 at 08:30 PM GMT+1

    Love robots, doppelgängers and tragic heroes – behind these iconic film characters lies a mythical past. Although most films are set in the present or the future, classical myths play a significant role throughout Hollywood. Countless films are inspired by archetypal narrative patterns and mythical characters, particularly when they deal with contemporary themes such as AI, gender and psychology. In the Cinema Mythologicaseries, a collaboration between De Uitkijk and classicist Koen Vacano, we uncover the hidden mythical layers of film history, from Oedipus complexes to narcissistic algorithms. Each film features a short introduction in English, inviting you to view the film through a mythological lens.

    Theatre director Caden Cotard (Philip Seymour Hoffman) is a neurotic, tormented by numerous physical ailments. He is afraid of death, afraid of life, and perpetually desperate. His wife Hazel, a painter, finds life with him suffocating and flees to Berlin with their young daughter. Cotard’s life falls apart. What sustains him is an unlimited budget for the creation of his magnum opus: a play as ‘shockingly honest’ as life itself, for which he attempts to build a lifelike replica of New York. Cotard rents a huge hangar and hires an army of actors who are free to discover their own roles. Years pass, during which the warehouse becomes increasingly isolated from the outside world and Cadens’ health deteriorates further. A parallel city grows up around Cotard, the leading actor in a theatre without boundaries.

    • Language: English
    • Subtitles: English
    • Duration: 145 mins.
    • Director: Charlie Kaufman
    • Cast: Philip Seymour Hoffman, Samantha Morton, Michelle Williams
    • Year: 2008
    • Country: United States

    offbeat.amsterdam/event/cinema

  8. Cinema Mythologica: Her (2013)

    De Uitkijk, Wednesday, December 9 at 08:30 PM GMT+1

    Love robots, doppelgängers and tragic heroes – behind these iconic film characters lies a mythical past. Although most films are set in the present or the future, classical myths play a significant role throughout Hollywood. Countless films are inspired by archetypal narrative patterns and mythical characters, particularly when they deal with contemporary themes such as AI, gender and psychology. In the Cinema Mythologicaseries, a collaboration between De Uitkijk and classicist Koen Vacano, we uncover the hidden mythical layers of film history, from Oedipus complexes to narcissistic algorithms. Each film features a short introduction in English, inviting you to view the film through a mythological lens.

    Joaquin Phoenix shines in Spike Jonze’s soulful sci-fi drama about a lonely writer who falls in love with his computer’s highly advanced operating system. Theodore Twombly (Phoenix) has built his career on expressing emotions that others are unable to articulate. His job is to write sincere, deeply personal letters to complete strangers based on details provided by the clients of the company he works for, and he has a gift for finding exactly the right words for every occasion. Meanwhile, Theodore reluctantly signs the papers that will finalise his divorce from his childhood sweetheart. The depressed Theodore has gradually withdrawn from his supportive social circle, which includes his old friend Amy (Amy Adams), who is herself trapped in a failed marriage. When Theodore buys a new, advanced computer operating system that is capable of learning and evolving alongside the user, he sits down at his desk and sets about getting his life in order. The perceptive software, which takes the name Samantha (Scarlett Johansson), slowly begins to draw Theodore out of his shell by encouraging him to go out again and accompanying him everywhere. Their relationship soon becomes intimate. Theodore teaches Samantha what it means to feel human, and Samantha gives him the strength to put his failed marriage behind him. However, things soon become complicated when Samantha’s rapidly evolving knowledge begins to alter the very nature of their relationship.

    • Language: English
    • Subtitles: Dutch
    • Duration: 126 mins.
    • Director: Spike Jonze
    • Cast: Joaquin Phoenix, Scarlett Johansson, Amy Adams
    • Year: 2013
    • Country: United States

    offbeat.amsterdam/event/cinema

  9. Cinema Mythologica: Oedipus Rex (1967)

    De Uitkijk, Tuesday, November 10 at 06:30 PM GMT+1

    Love robots, doppelgängers and tragic heroes – behind these iconic film characters lies a mythical past. Although most films are set in the present or the future, classical myths play a significant role throughout Hollywood. Countless films are inspired by archetypal narrative patterns and mythical characters, particularly when they deal with contemporary themes such as AI, gender and psychology. In the Cinema Mythologica series, a collaboration between De Uitkijk and classicist Koen Vacano, we uncover the hidden mythical layers of film history, from Oedipus complexes to narcissistic algorithms. Each film features a short introduction in English, inviting you to view the film through a mythological lens.

    In pre-war Italy, a young couple have a child, but when the father becomes jealous of the boy, he abandons him in the desert. From that moment on, the film is set in ancient Greece, where the child is rescued, given the name Oedipus and raised by the king and queen of Corinth. When an oracle tells him that he is destined to kill his father and marry his mother, he flees Corinth in dismay. But then, whilst on his journey, he becomes involved in a fight and kills an old man...

    Oedipus Rex is Pasolini’s own interpretation of Sophocles’ classical myth. Unlike later adaptations, which often take the path of Freudian psychoanalysis, Pasolini reduces Oedipus to his essence: a tragic hero of overwhelming primitiveness.

    • Language: Italian
    • Subtitles: English
    • Duration: 130 mins.
    • Director: Pier Paolo Pasolini
    • Cast: Franco Citti, Silvana Mangano, Alida Valli
    • Year: 1967
    • Country: Italy

    offbeat.amsterdam/event/cinema

  10. Cinema Mythologica: Ex Machina (2014)

    De Uitkijk, Wednesday, January 13 at 08:30 PM GMT+1

    Love robots, doppelgängers and tragic heroes – behind these iconic film characters lies a mythical past. Although most films are set in the present or the future, classical myths play a significant role throughout Hollywood. Countless films are inspired by archetypal narrative patterns and mythical characters, particularly when they deal with contemporary themes such as AI, gender and psychology. In the Cinema Mythologicaseries, a collaboration between De Uitkijk and classicist Koen Vacano, we uncover the hidden mythical layers of film history, from Oedipus complexes to narcissistic algorithms. Each film features a short introduction in English, inviting you to view the film through a mythological lens.

    Ex Machina, by writer/director Alex Garland (28 Days Later, Sunshine), presents a time in the not-too-distant future in which artificial intelligence truly comes to life. In the mountain home of a brilliant internet billionaire, a young man takes part in an experiment: testing artificial intelligence in the body of a stunning female robot. The experiment turns into a psychological battle, a love triangle in which loyalty is torn between man and machine.

    • Language: English
    • Subtitles: Dutch
    • Duration: 108 mins.
    • Director: Alex Garland
    • Cast: Domhnall Gleeson, Alicia Vikander, Oscar Isaac
    • Year: 2014
    • Country: United Kingdom, United States

    offbeat.amsterdam/event/cinema

  11. Activists hold flares as they climb a structure in Amsterdam, Netherlands, on November 6, 2026, during a protest against the construction of a Microsoft data centre, citing environmental concerns and local opposition. PHOTO BY PIROSCHKA VAN DE WOUW/REUTERS

    #ai #ia #fuckai #microsoft #datacenter #amsterdam

  12. CiNEMercator - HAROLD AND MAUDE (Hal Ashby, 1971)

    Supermercator, Wednesday, November 25 at 08:00 PM GMT+1

    Released in 1971, at the height of Hollywood’s brief but extraordinary flirtation with the counterculture, Harold and Maude remains one of American cinema’s most peculiar romantic comedies.

    Directed by Hal Ashby, whose understated anarchism would become a defining feature of the New Hollywood era, the film approaches death, love and social conformity with an irreverence that is both mischievous and unexpectedly profound.

    Bud Cort plays Harold, a wealthy, death-obsessed young man who stages elaborate suicides to the indifference of his emotionally vacant mother. Ruth Gordon is Maude, a 79-year-old eccentric whose appetite for life extends to stealing cars, uprooting trees and disregarding most conventions of respectable society. Their unlikely romance reverses the usual assumptions about youth and age: Harold is prematurely exhausted by existence, while Maude has acquired, through considerable suffering, an almost radical capacity for joy.

    Beneath its eccentric humour lies a precise critique of bourgeois respectability, institutional authority and the peculiar human talent for confusing propriety with morality. Ashby’s satire is sharpest when it is least emphatic; the military, the church, psychiatry and the family reveal their absurdities with very little assistance.

    Cat Stevens’ songs lend the film a tenderness that occasionally borders on sentimentality, but Ashby’s dry comic timing keeps it largely in check.

    Initially misunderstood by critics and audiences, the film gradually acquired its cult status. More than half a century later, its central provocation remains remarkably intact: that the art of living may have less to do with youth, freedom or happiness than with the courage to take existence seriously without taking its conventions seriously at all...

    This film is chosen by Maaike

    offbeat.amsterdam/event/cineme

  13. Manifestantes irrumpen en centro de datos en Ámsterdam mientras crece rechazo en Europa

    Manifestantes irrumpen en centro de datos en Ámsterdam... #microsoft #centrosdedatos #amsterdam #protestas #geeftegengas #ia #ue #europa #paisesbajos #Tecnologia

    tardigram.com/m/Tecnologia/t/1

  14. Bei einer #Demonstration an der Baustelle eines #Microsoft-Rechenzentrums in #Amsterdam sind nach Angaben der #Polizei rund 150 bis 200 Personen festgenommen worden. Die Festgenommenen stehen nach der Erstürmung der Baustelle unter dem Verdacht des Hausfriedensbruchs.

    golem.de/news/amsterdam-eskala

  15. Today's photo: Prinsengracht (1891).

    [EN] At the corner of Vijzelstraat, view towards the west. The tall building in the middle was the Elisabeth Wolff school, a posh public school for girls.

    [NL] Bij de hoek met de Vijzelstraat, gezien naar het westen. Het hoge gebouw in het midden was de Elisabeth Wolffschool, een chique openbare school voor meisjes.

    Via 020apps.nl/olie/random/ #Amsterdam #JacobOlie #Prinsengracht #school #carriage

  16. Eten met Muziek

    Zaal 100, Friday, November 20 at 05:30 PM GMT+1

    Een Klimaat Event

    Eten met Muziek

    Biologisch en vegan 3-gangen menu en nog veel meer!

    reserveren? [email protected]

    offbeat.amsterdam/event/eten-m

  17. (van Geef Tegengas)

    "Thank you for joining and supporting us yesterday❤️‍🔥✊

    Yesterday showed the importance and power of people coming together. Massive gratitude for all of you to make this happen❤️‍🔥 Together we disrupted the construction of this oppressing Microsoft data center.

    We won’t accept Amsterdam being used for the facilitation of genocide and the creation of AI slop. Together we stand up against datacenters.

    Thank you @fossielvrij, Stop ZO datacenter, @extinctionrebellionnl and @degoedezaak for supporting us by hosting a supportdemo!

    We’ll be back!!🔥No data center in Amsterdam, no data center anywhere!"

    #Microsoft #BigTech #BigData #TechFascism #Amsterdam #AI #dataCenters #dataCentres #StopDirtyDataCentres

  18. Microsoft Faces AI Backlash as 100+ Protesters Break Into $1B Amsterdam Data Center Project

    The demonstration brought together environmental campaigners and other protest groups concerned about the industry’s growing demand for electricity,…
    #Netherlands #Nederland #NL #Europe #Europa #EU #Amsterdam
    europesays.com/netherlands/612

  19. #netherlands #israel #palestine : #gaza / #genocide / #internationallaw / #city / #amsterdam

    „The Hind Rajab Foundation ( #HRF ) has filed a #criminalcomplaint in the Netherlands against a former US-Israeli soldier accused of #involvement in attacks on schools sheltering displaced Palestinians, mass detentions and the destruction of residential buildings in Gaza.“

    middleeasteye.net/live-blog/li

  20. europesays.com/dk/200488/ Microsoft Data Centre Protest: Over 100 Activists Occupy Amsterdam Construction Site As Anti-AI Demonstrations Spread Across Europe #Amsterdam #AmsterdamDataCentre #ArtificialIntelligence #microsoft #Netherlands

  21. Microsoft Data Centre Protest: Over 100 Activists Occupy Amsterdam Construction Site As Anti-AI Demonstrations Spread Across Europe

    More than 100 activists occupied a Microsoft AI data centre construction site in Amsterdam on November 6 to…
    #Netherlands #Nederland #NL #Europe #Europa #EU #Amsterdam #Amsterdamdatacentre #artificialintelligence #Microsoft
    europesays.com/netherlands/611

  22. Anti-AI protesters breach Microsoft data centre construction site in Amsterdam

    More than 100 protesters gathered at a Microsoft data centre construction site in Amsterdam on Friday, with some…
    #Netherlands #Nederland #NL #Europe #Europa #EU #Amsterdam #AI #DataCenter #environmentalchallenges #Microsoft #Protests
    europesays.com/netherlands/611

  23. Several hundred activists occupied the construction site of a planned Microsoft data centre in Amsterdam on Friday, protesting the technology giant's alleged role in facilitating Israel's genocide in Gaza, as well as the environmental impact of artificial intelligence infrastructure.

    #DataCentres #AI #Microsoft #Amsterdam #Technology #Gaza

    'It would facilitate Gaza genocide': Protesters storm Microsoft planned site | Middle East Eye
    middleeasteye.net/live-blog/li

  24. "Other planned actions include a march in Dublin, a protest outside the parliament building in Warsaw, and a demonstration against a different Microsoft data centre in Denmark."

    youtube.com/watch?v=cVwTMB5sC1M
    #datacenters #Amsterdam #ia #microsoft #palestine #climate

  25. 'Activists have stormed the site of a Microsoft datacentre being built in Amsterdam, as the backlash to the social and environmental harms of the AI boom spreads across Europe.

    Protesters from Geef Tegengas, a Dutch direct action group, clashed with police while breaking into a construction site at Westpoort, Amsterdam, where some members climbed a crane, lit flares and tied helium balloons to equipment.

    [...]

    Big tech and government are racing ahead with large-scale datacentre development despite significant public concern about the impacts on local communities, natural resources and other industries,” said Owen Espley, campaign coordinator. “Many datacentre developments are planned with limited transparency or scrutiny, while communities across Europe are being shut out of decisions that will shape their local environments and futures.'

    theguardian.com/world/2026/nov

    #Microsoft #BigTech #Sabotage #Datacenter #Amsterdam

  26. Microsoft Data Centre Site Breached by Amsterdam Protesters — JournalArta Global

    Technology · Apps & Software More than 100 activists entered a Microsoft data centre construction site in Amsterdam…
    #Netherlands #Nederland #NL #Europe #Europa #EU #Amsterdam #AmsterdamProtesters #Breached #centre #data #Microsoft #MicrosoftDataCentreSite #protesters #Site #Technology
    europesays.com/netherlands/610

  27. Reflections – Brice Soniano String Quintet

    Splendor, Monday, December 14 at 08:15 PM GMT+1

    Oene van Geel presents:A musical interpretation of visual art as a space for stillness and contemplation

    Reflections is a musical work for string quintet that draws inspiration from the urgency of climate change and the painting by the same title of Danish artist Anne-Grethe Kousgaard.

    The ensemble works to build a bridge between visual art and music in a concert experience that emphasises contemplation and presence.

    Jeffrey Bruinsma (NL) – violin
    Charlotte Basalo Vazquez (NL) – violin
    Oene van Geel (NL) – viola
    Jakob Kullberg (DK) – cello
    Brice Soniano (FR/DK) – double bass, compositions

    Website Astropi

    offbeat.amsterdam/event/reflec

  28. Final Screening with Rustan Söderling

    W139, Sunday, February 7 at 04:00 PM GMT+1

    Join us in saying goodbye and raising a glass to Heaving Room. Rustan Söderling will introduce three films: The Black Tower by John Smith, Harmony by Jame St Findlay, and his own work, Blind Summit. 

    After the screenings, there will be drinks to bid farewell to the exhibition.

    Ticket: €12.50Student and solidarity ticket: €10

    Buy your ticket here .

    Rustan Söderling (b. 1984, Sweden) is an artist and filmmaker based in Amsterdam. Working with moving images across documentary, fiction, and animation, he explores how images and stories shape our understanding of reality. His work draws on the unstable relationship between technology, cultural narratives, and systems of belief; the place where the distinction between what is recorded, constructed, and imagined becomes increasingly uncertain.

    offbeat.amsterdam/event/final-

  29. B-MOVIE: Lust & Sound in West-Berlin

    Paradiso, Tuesday, January 12 at 07:30 PM GMT+1

    Film, Q&A & DJ Mark Reeder

    In 1978, Manchester punk Mark Reeder moved to West Berlin and landed in the middle of everything: Factory Records, Einstürzende Neubauten, Malaria!, Nick Cave, and the first sparks of techno. B-Movie is his wild ride through a walled-in city that never slept. The film screening will be followed by a live Q&A with Mark (hosted by Oscar Smit and Wim Dekker). Afterwards, stick around for a DJ set by Mark himself, a true legend of the Berlin techno scene. 

    offbeat.amsterdam/event/b-movi

  30. Voor het te laat is: in gesprek over femicide

    Pakhuis de Zwijger, Wednesday, December 9 at 08:00 PM GMT+1

    Twee films en een gesprek over de dwingende controle die aan femicide voorafgaat en de kinderen en nabestaanden die achterblijven.

    Femicide, het doden van vrouwen omdat ze vrouw zijn, krijgt steeds meer aandacht, maar vaak pas als het te laat is. De dwingende controle die eraan voorafgaat, blijft meestal buiten beeld. En ook daarna blijft veel onzichtbaar: kinderen en nabestaanden dragen het verlies de rest van hun leven met zich mee.

    Met in dit programma Quinty Misiedjan Presentator & Scenariste Acht Dagen Tessel ten Zweege Schrijver, feminist en activist Roser Ervaringsdeskundige, Hoofdpersoon Blauwdruk

    Tijdens deze avond bij Pakhuis de Zwijger vertonen we twee films die dit ieder op hun eigen manier zichtbaar maken. De korte film Acht dagen toont de aanloop naar een femicide. De documentaire Blauwdruk volgt vier vrouwen die als kind hun moeder verloren en vertellen wat dat met hen heeft gedaan.

    Na de films gaan we, onder leiding van schrijver en feminist Tessel ten Zweege, in gesprek met Roser, een van de vrouwen uit Blauwdruk, scenarioschrijver Acht dagen Quinty Misiedjan, een expert uit het team van criminoloog Marieke Liem en professionals uit de hulpverlening en de veiligheidszorg, onder meer van Filomena en de politie.

    Hoe kan het dat signalen zo vaak worden gemist, en dat vrouwen die zich onveilig voelen niet altijd de bescherming krijgen waar ze recht op hebben? En wat hebben kinderen en nabestaanden nodig om niet tussen wal en schip te vallen? We zoeken uit wat er moet veranderen om geweld eerder te herkennen en op tijd in te grijpen, en wat je daar zelf aan kunt bijdragen, als collega, buur, vriend of familielid.

    Deze avond is onderdeel van de Blauwdruk-impacttour, mogelijk gemaakt met steun van de gemeente Amsterdam en Stichting Achmea Slachtoffer & Samenleving (SASS).

    Films

    Over Blauwdruk (documentaire, Sara Kolster)

    Wat doet het met je identiteit als je kind van zowel de dader als het slachtoffer bent? Maeve (59), Roser (47) en de zussen Perla (33) en Aurora (35) verloren elk op één dag hun moeder, hun vader én hun veilige thuis. Regisseur Sara Kolster vertelt hun verhaal samen met ervaringsdeskundige Perla Joy.

    Regie & scenario: Sara Kolster
    Research: Sara Kolster & Perla Joy
    Producent: Eline van Wees (Basalt Film)

    Over Acht dagen (korte film, Loes Haverkort)

    Femicide, het doden van vrouwen omdat ze vrouw zijn, krijgt steeds meer aandacht, maar vaak pas als het te laat is. De dwingende controle die eraan voorafgaat, blijft meestal buiten beeld. En ook daarna blijft veel onzichtbaar: kinderen en nabestaanden dragen het verlies de rest van hun leven met zich mee.

    Over Filomena

    Filomena helpt mensen die te maken hebben met extreme situaties van (ex-)partnergeweld of kindermishandeling. Bij Filomena werken professionals samen met jou aan goede en passende hulp om het geweld te stoppen. Filomena biedt alle benodigde hulp aan onder één dak.

    offbeat.amsterdam/event/voor-h

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